Professional Documents
Culture Documents
FACULTY OF EDUCATION
Bachelor thesis
KAROLÍNA OHLÍDALOVÁ
Brno 2022
BETTY FRIEDAN AND THE PROBLEM THAT HAD NO NAME
Bibliografický záznam
Bibliographic record
Abstract
During the 1950s and early 1960s, American housewives' widespread and
often silent dissatisfaction grew into a social issue nobody knew how to name.
The thesis deals with Betty Friedan's book The Feminine Mystique, its
analysis of the problem that had no name, and its influence on the second
wave of American feminism. It also examines Betty Friedan's life and career,
as well as her motivations for writing the book. The thesis provides a deeper
insight into the history of women's fight for equal rights and focuses on the
challenges that accompanied American middle-class women in the post-war
era.
Key words
Anotace
Klíčová slova
ženská mystika; feminismus; hnutí za práva žen; Americké ženy; 60. léta;
žena v domácnosti; ženské společenské role; sexuální diskriminace;
poválečná éra; USA
BETTY FRIEDAN AND THE PROBLEM THAT HAD NO NAME
Declaration
Prohlášení
Acknowledgement
I would like to sincerely thank my supervisor, Mr. Michael George, for his
valuable advice, pleasant communication, patience, and constant support.
TABLE OF CONTENTS
Table of Contents
Introduction 11
8 Conclusion 68
List of References 70
INTRODUCTION
Introduction
During World War II, women's social role temporarily changed when
females started being drawn into the workforce in large numbers. However,
this interest in women workers was nothing more than a substitute for the lack
of male employees since many men went to join the army. Nevertheless,
women took the jobs available with great passion, and at the end of the war,
many of them did not even want to give them up.
After the war, the life of American women started heading in two
opposite directions simultaneously. On the one hand, many women entered
the labor force, even though primarily for economic reasons, often leaving
their job as soon as their family's financial situation improved. On the other
hand, women were instructed to return to the peaceful comfort of the
11
INTRODUCTION
suburban home and care for their household and family. However, the second
direction was significantly more visible and prominent, which eventually
resulted in the trend of young marriage, increased birth rate, and romanticized
domesticity. "Occupation: housewife" became the synonym for feminine
fulfillment.
12
FEMINISM BEFORE THE FEMININE MYSTIQUE
Elizabeth Cady Stanton was the daughter of "a wealthy land-owner and
judge" (Barker-Benfield & Clinton, 1998, p. 223) who "got his daughter the
best education then available" (Friedan, 1964, p. 86). Elizabeth was brilliant
at school, however, she could not attend college because it was considered
13
FEMINISM BEFORE THE FEMININE MYSTIQUE
too unfeminine. Later, thanks to the frequent visits she made to her
abolitionist cousin, she became a member of the anti-slavery movement,
where she also met her future husband, Henry Stanton. Henry was one of the
leaders of the abolitionist campaign, and Elizabeth became his public
associate. However, although she was active in the movement, she spent most
of her time at home caring for the household and children. After moving to
Seneca Falls, New York, she started feeling frustrated by her homemaker role
and wanted something more from her life. In 1840, Elizabeth was one of the
female delegates who attended the World Anti-Slavery Convention in
London. There, she met Lucretia Mott, a feminist who later became
Elizabeth's friend and partner in the fight for women's rights. After being
excluded from the Anti-Slavery Convention, these two women started
thinking about organizing a meeting that would specifically address women's
rights. Thus, the idea of the Seneca Falls Convention emerged (Barker-
Benfield & Clinton, 1998, pp. 223-224).
The convention that discussed "the social, civil, and religious condition
and rights of women" (Kerber & De Hart, 1991, p. 528) took place on
July 19, 1848, and was organized by Elizabeth Cady Stanton, Lucretia Mott,
and three other women. At the public convention, Stanton presented the
Declaration of Sentiments, a paper that depicted the areas of life where
women were discriminated against and provided a list of resolutions to these
inequalities. The Declaration of Sentiments was directly inspired by the
Declaration of Independence passed in 1776. It used the same rhetoric and
structure, only was directed towards a different audience (Castro, 1990, p. 29;
Kerber & De Hart, 1991, p. 529). It provided several pieces of evidence of
men's oppression of women and insisted that women "have immediate
admission to all the rights and privileges which belong to them as citizens of
the United States" (Stanton, 1848). The inspiration from the Declaration of
14
FEMINISM BEFORE THE FEMININE MYSTIQUE
Therefore, the fight for women's enfranchisement began. After the Seneca
Falls Convention in 1848, women held women's rights conventions every
following year in different cities and states (Kerber & De Hart, 1991, p. 528).
However, the journey was, at first, a challenging one. Firstly, the women who
became active naturally had to face intense criticism. Secondly, even though
a lot of women sympathized with the arguments for women's suffrage, many
of them did not want to join the movement because they feared male
disagreement (Barker-Benfield & Clinton, 1998, p. 227). But the most
significant difficulty were the extremely limited possibilities of these women.
In The Feminine Mystique, Friedan (1964) pointed out:
When women are considered to have no rights nor to deserve any, what
can they do for themselves? At first, it seemed there was nothing they
could do but talk. They held women's rights conventions every year after
1848. . . . They could talk till doomsday about the rights they did not have.
15
FEMINISM BEFORE THE FEMININE MYSTIQUE
But how do women get legislators to let them keep their own earnings, or
their own children after divorce, when they do not even have a vote? How
can they finance or organize a campaign to get the vote when they have
no money of their own, nor even the right to own property? (p. 86).
It was, therefore, really hard for the women's movement to gain enough
public recognition and support to get the vote. An opportunity for success
came right at the end of the American Civil War in 1865. The victory of the
northern states was associated with the end of slavery and with black suffrage,
and many female activists hoped to gain the right to vote together with people
of color (Barker-Benfield & Clinton, 1998, p. 215). Therefore, in 1866,
Elizabeth Cady Stanton, Frederick Douglass, Susan B. Anthony and Lucy
Stone founded the American Equal Rights Association, which aimed "to
formalize the relationship between the abolitionist and woman's rights
movements and to take them into the next phase following the end of slavery"
(Orleck, 2014, p. 9). The association then aligned with the Republican Party,
which "accepted a petition for 'universal suffrage' – a plea to enfranchise
women and black men all at once – submitted by Stanton, Anthony, Stone,
and other New York activists" (Orleck, 2014, p. 10).
16
FEMINISM BEFORE THE FEMININE MYSTIQUE
Party used quite a racist rhetoric, and some of its members were supporters
of slavery during the Civil War. Therefore, by aligning with the Democrats,
Elizabeth Cady Stanton publicly went against her own abolitionist beliefs
only to secure the women's right to vote (Barker-Benfield & Clinton, 1998,
pp. 228-229).
For the next three decades, raising awareness about feminism became the
main activity of the women's movement. In the 1870s, Elizabeth Cady
Stanton became "a traveling lecturer, spreading her feminist views across the
nation." Then, Anthony took over the role, and Stanton spent the last years of
her life writing. She died in 1902. (Barker-Benfield & Clinton, 1998, p. 232).
In the meantime, new feminist organizations were being founded across the
United States, each contributing differently to the question of female suffrage.
Some were going door-to-door in their neighborhood, talking to people about
suffrage or asking them to sign petitions. Others were making speeches at
public transportation stations or were creating spontaneous outdoor meetings
for people who were neutral to the question of the female franchise and "who
would never have gone to a suffrage meeting on their own" (Kerber & De
Hart, 1991, p. 227). At the beginning of the 20th century, there were also
some more radical groups using nonviolent resistance, such as hunger strikes,
17
FEMINISM BEFORE THE FEMININE MYSTIQUE
picket lines, or even chaining themselves to the fence of the White House
(Friedan, 1964, pp. 90-91). Fundamentally, the goal was to get as much public
attention and support as possible.
When the former NWSA, now called the National American Woman
Suffrage Association [NAWSA], "organized a giant parade to the Republican
National Convention being held in Chicago" in 1916, female suffrage was
already a public issue. Therefore, when ten thousand women attended the
parade, they automatically filled the headlines of newspapers and magazines,
including The New York Times, which informed that "some politicians felt
this was 'the pluckiest thing they ever knew women to do.'" Nevertheless,
although both the Republican and the Democratic Party eventually supported
the idea of female suffrage, they decided to let each state resolve the question
of women's enfranchisement for itself (Kerber & De Hart, 1991, pp. 330,
332). This decision, however, made the passage of an amendment to the
Constitution only postponed, not impossible. By 1917, NAWSA was an
association with the most extensive number of volunteers in the United States
(Kerber & De Hart, 1991, p. 333). Women in all the states that suddenly
allowed them to vote "used their suffrage to force the passage of the
Nineteenth Amendment. In 1920, the Nineteenth Amendment . . ., which
granted full voting rights to women, was ratified after nearly a century of hard
work, protest, and personal suffering" (Frieze et al., 1978, p. 339).
After the Nineteenth Amendment was ratified and women finally got the
vote, it seemed that there was nothing to fight for anymore. Many people,
including women, thought that by winning the right to vote, women were
ultimately equal to men and that there was no need to keep the women's
movement alive. Some women were still active, for example, in the fight for
black people's rights. However, nobody fought for women anymore as all
18
FEMINISM BEFORE THE FEMININE MYSTIQUE
their rights were thought to have been won. Therefore, after 1920, feminism
became a "dead history" until it was brought up again in the 1950s and 1960s
when women came to realize that although "the feminists had destroyed the
old image of woman, . . . they could not erase the hostility, the prejudice, the
discrimination that still remained" (Friedan, 1964, p. 93).
19
WOMEN IN THE POST-WAR AMERICAN SOCIETY
The way American society perceived women and their roles underwent
several changes during World War II. Before the USA entered the war,
women were not expected to be pursuing professional careers, and their place
was predominantly in the home. The Great Depression in the 1930s even
intensified this view by making it difficult for women to work as they were
encouraged to leave the jobs available to men workers (Woloch, 1994,
p. 438). Although "by 1940 the percentage of women over sixteen in the labor
force had risen to 28.9" (Frieze et al., 1978, p. 151), these women were
usually working primarily for economic reasons, not because they had
aspirations of becoming successful career women.
As an answer, "over 6 million women took jobs [during World War II],
increasing the size of the female labor force by over 50 percent" (Chafe, 1975,
p. 135). Even more fascinating was that most of these women were wives and
mothers – women who had never before sought occupation outside the home
in such numbers (Woloch, 1994, p. 462). Moreover, women not only took the
20
WOMEN IN THE POST-WAR AMERICAN SOCIETY
jobs available extremely quickly, but they were also very successful in them.
As Chafe (1975) stated, "The ease with which women assumed their new
responsibilities challenged many of the conventional stereotypes of women's
work. . . . Females had demonstrated that they could do a man's work and do
it well" (pp. 138-139).
Nevertheless, this was eventually not the post-war reality. The different
attitude towards women workers was only temporarily caused by the war, not
by values transformation. When World War II ended in 1945, the division of
jobs into "male" and "female" returned. As a result, four million women lost
or left their jobs in the upcoming year. As Castro (1990) stated, "At the end
of World War II, American women represented 36.1 percent of the national
labor force. . . . In 1947, according to statistics published by the Women's
Bureau, American women represented only 27.6 percent" (p. 7).
21
WOMEN IN THE POST-WAR AMERICAN SOCIETY
There were multiple reasons for this change. One of them was the
growing amount of job opportunities categorized as "female," such as
nursing, library, or clerical jobs, together with the rise of service jobs
opportunities that followed the post-war economic development (Frieze et al.,
1978, pp. 151-152). The main reason, however, was once again primarily
financial. Women did not seek employment for fulfillment or personal growth
but much more "out of 'necessity,'" for the maintenance of the middle-class
lifestyle, that is, "to purchase new homes or finance the education of their
youngsters," or simply "to help the household" (Chafe, 1975, p. 192). Betty
Friedan also mentions this in her book The Feminine Mystique. She points
out that although an increasing number of women held jobs, those jobs were
primarily of service or clerical type, and their purpose was simply to help
finance the household. "Fewer and fewer women were entering professional
work" (Friedan, 1964, p. 13).
There was, just before the feminine mystique took hold in America,
a war, which followed a depression and ended with the explosion
of an atom bomb. After the loneliness of war and the unspeakableness
of the bomb, against the frightening uncertainty, the cold immensity
22
WOMEN IN THE POST-WAR AMERICAN SOCIETY
Not only that the number of marriages and newborns went up after
1945, but at the same time, the age of wives and mothers went significantly
down. As Friedan (1964) pointed out, "By the end of the nineteen-fifties, the
average marriage age of women in America dropped to 20, and was still
dropping, into the teens" (p. 12). "In 1958, more women married between
fifteen and nineteen than in any comparable age span" (Woloch, 1994,
p. 494), and in 1960, 67.2 percent of women from 20 to 24 years of age were
married (Frieze et al., 1978, p. 141). Also, in connection to the young
marriages, "The number of children born to teenagers rose 165 per cent
between 1940 and 1957, according to Metropolitan Life Insurance figures"
(Friedan, 1964, p. 175).
On the other hand, there were also many young people who did not
want to get married and have children. Early marriages, however, became the
new social norm after the war, and so did early parenthood. Both were
considered essential for a woman's satisfaction in life. Women who did not
want to enter marriages and become mothers were, therefore, often "pitied for
their incomplete lives" or felt "considerable social pressure from family and
friends to have children" (Frieze et al., 1978, pp. 147, 173).
23
WOMEN IN THE POST-WAR AMERICAN SOCIETY
The postwar return to the home and the growing average number of
family members were strongly associated with another transformation of the
woman's social role. Her place was once again primarily in the home, where
she was expected to take care of the household and both her husband's and
children's happiness. Thanks to the economic growth after the war, families
were buying new houses and moving into the suburbs. Very soon, the picture
of a happy suburban housewife became the key to feminine fulfillment.
Stories of ambitious career women in women's magazines like Ladies' Home
Journal or McCall's that occurred before and during World War II were
replaced by stories of happy homemakers who stayed at home and cared for
their children while their husbands were in the outside world (Friedan, 1964,
pp. 32-43).
However, as Woloch (1994) explained, these ideas did not have much
impact on older career women who had already been working since before
24
WOMEN IN THE POST-WAR AMERICAN SOCIETY
World War II. On the other hand, "it did have an impact on young middle-
class women who were deciding what to do with their lives" (p. 472). These
young women were, as Bowman argued, facing the dilemma of choosing
between a childless career life, a simple temporary job followed by marriage
and lifelong housewifery, and a combination of these two, even though the
third one appeared to be nearly impossible to manage (as cited in Friedan,
1964, p. 120).
This role conflict was even intensified by the persistent opinion that a
woman should work only if she needs to financially provide for her family,
not because she has personal career goals or wants to succeed in the outside
world (Woloch, 1994, p. 503). Women were usually "judged on the basis of
the success of their husbands" (Frieze et al., 1978, p. 235) and were not
expected to achieve anything on their own. The "successful achievement"
was, in contrast, perceived as something "unfeminine" and inappropriate
(Frieze et al., 1978, p. 247). As Komarovsky pointed out, the ideal girl during
the postwar era was one who was able "to earn a living, but not so good a
living as to compete with men; capable of doing some job well . . . but not so
identified with a profession as to need it for her happiness" (as cited in
Friedan, 1964, p. 124). Therefore, as long as being successful was not
expected from young women, they had little to no motivation to achieve
anything.
25
WOMEN IN THE POST-WAR AMERICAN SOCIETY
were dropping out before they even finished. . . . [either] to marry, or because
they were afraid too much education would be a marriage bar" (pp. 12, 142).
Furthermore, even those who did not drop out and continued with their studies
had little aspirations of having a career or were ready to give it up as soon as
it threatened their housewife role (Friedan, 1964, pp. 142-143).
The problem with this choice of housewifery above education was that
these women could not possibly know whether the domestic type of life with
no occupation outside the home would fulfill their needs or not. They simply
believed it and probably hoped for it. However, they often later realized that
it was a "mistaken choice," as Betty Friedan calls it in The Feminine Mystique.
These women were then even more unhappy in the housewife role than those
who never even had the possibility of attending college (Chafe, 1975, p. 200;
Friedan, 1964, p. 176), and they often later regretted their decision.
In 1947, the dilemma of American women got even more severe after
the publication of Modern Woman: The Lost Sex. This book, written by
sociologist Ferdinand Lundberg and psychiatrist Marynia Farnham, described
modern women as "a 'lost sex'. . . . frustrated, restless, bitter, hostile,
destructive," and as the cause of all severe societal problems. In the authors'
point of view, women were naturally "passive, dependent, . . . ill-equipped to
think for themselves, . . . or to take roles of leadership" (Burgum, 1947,
pp. 382-383). In other words, anatomy meant destiny, and women were by
nature destined to be tolerant wives and mothers. Therefore, all their attempts
to win equal rights were only efforts to imitate men. Lundberg and Farnham
also stated that "the women's rights movement . . . represented a neurotic
reaction to male dominance, a 'deep illness' which . . . attempted to persuade
women to seize a share of masculine power" (Chafe, 1975, p. 203). They also
argued that all feminists were, to a certain degree, driven by penis envy, a
26
WOMEN IN THE POST-WAR AMERICAN SOCIETY
concept designed by Sigmund Freud, explaining how girls were from early
childhood envious of the male sexual organ and, therefore, tried to imitate
men at least in other spheres of life (Chafe, 1975, p. 204; Frieze et al., 1978,
pp. 30-32). This book which, among other things, says that "the 'successful
woman' is only occasionally successful as a woman" (Kerber & De Hart,
1991, p. 499), became a bestseller in its year of publication and had a great
impact on young women's perception of their female roles.
27
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
Betty Naomi Goldstein was born on February 4, 1921, and spent her
entire childhood in Peoria, Illinois, together with her parents and two younger
siblings (Barker-Benfield & Clinton, 1998, p. 579). Both her parents were
Jewish immigrants from Europe, which was one of the things that made little
Betty different from other kids at school. Her father ran a jewelry shop, and
her mother was a full-time housewife, although she used to work "for the
society page of the local Peoria newspaper before she married" (Rotskoff,
2000, p. 122).
28
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
What kept Betty Friedan occupied most of the time and provided her
with some escape from the anxieties she experienced at home was school.
Betty was very curious as a child; she really enjoyed reading – so much that
her father sometimes considered it unfeminine – and she was one of the
smartest kids in her class (Friedan, 2006, pp. 19-20). Both her parents
supported her education, although each of them in a different way. Betty's
mother truly pushed her into studying and wanted her to accomplish "what
was denied to her" (Friedan, 2006, p. 32). She later persuaded Betty to go to
Smith College and wanted her to become a journalist like herself. On the other
hand, Betty's father was usually annoyed when he was supposed to pay her
tuition, and he never really expressed his support to her, even though he often
showed her accomplishments to his customers and was, in fact, proud of her
(Friedan, 2006, p. 49).
After finishing The Peoria High School in 1938, Friedan went to study
psychology at Smith College in Northampton, Massachusetts (Barker-
Benfield & Clinton, 1998, p. 579). Moving away from her hometown was
something she was genuinely looking forward to, and, as she later noted, "At
Smith, what had made me different in Peoria made me accepted, welcomed
by the other bright girls, one of the crowd, finally" (Friedan, 2006, p. 35).
Friedan not only studied really hard at college but also "served as a writer
29
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
30
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
During that time, Betty met Carl Friedan, whom she married in 1947,
and with whom she had her first child in 1948 (Friedan, 2006, pp. 69, 73).
After giving birth to her first son, Daniel, Friedan kept working in the UE
News until she was fired when she got pregnant for the second time (Woloch,
1994, p. 484). As she later noted, "It was unfair . . . to fire me just because I
was pregnant. . . . I even tried calling a meeting of the people in the union
where I worked. It was the first personal stirring of my own feminism, I
guess" (Friedan, 1998, p. 17). On the other hand, Friedan also admitted that a
part of her was, in fact, relieved to lose her job, as she "had begun to feel so
guilty working" and was looking forward to dedicating her time to her family
(Friedan, 1998, p. 17).
After her second son Jonathan was born in 1952, the Friedan family
decided to move to the suburbs of Rockland County, New York, and Betty
Friedan suddenly became a suburban housewife. At the beginning of their life
in Rockland County, Friedan was "determined to be 'fulfilled as a woman'"
(Friedan, 1981, as cited in Barker-Benfield & Clinton, 1998, p. 581), and she
"embraced motherhood and housewifery eagerly" (Barker-Benfield &
Clinton, 1998, p. 581). However, as time passed, Friedan started realizing that
to be just a housewife was not precisely what she had imagined it to be. She
started feeling bored and frustrated and assumed that she needed some
additional occupation outside the home (Barker-Benfield & Clinton, 1998, p.
581). Therefore, Friedan became freelance writing for various women's
magazines, such as Cosmopolitan, McCall's, and Mademoiselle, where she
composed articles on topics connected to domesticity and feminine
fulfillment. However, she eventually began to realize that the pieces she was
writing had stopped appearing so plausible to her. She felt that something was
not right. And that was when the idea of writing something like The Feminine
Mystique emerged for the first time (Woloch, 1994, p. 484).
31
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
Since the survey also found that 60 percent of the women who
responded to the questionnaire "did not find the occupation of homemaker
'totally fulfilling'" (Woloch, 1994, p. 484), Friedan decided to investigate the
32
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
The data Friedan collected demonstrated "that the problem that has no
name was shared by countless women in America" (Friedan, 1964, p. 15).
She found that young female college students were not pursuing challenging
education or successful careers because "a girl who got serious about anything
she studied – like, wanting to go on and do research – would be peculiar,
unfeminine" and because "those things don't matter when you're married"
(two senior students at the Smith College, 1959, as cited in Friedan, 1964,
p. 145). Therefore, instead of education, these young women sought early
marriages hoping that housewifery and suburban middle-class lifestyle would
provide them with feminine fulfillment. Unfortunately, as Friedan's research
ascertained, they only later realized that being just a wife and mother and
nobody else is, in many cases, more likely to bring frustrations than
the promised happiness. As one of the interviewed women described,
"I remember my own feeling that life wasn't full enough for me. . . . It wasn't
33
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
enough, making a home. . . . You can't just deny your intelligent mind; you
need to be part of the social scheme" ("a mental-health educator who was for
many years 'just a housewife' in her suburban community," as cited in
Friedan, 1964, p. 332).
Therefore, in 1958, Friedan started writing the book she later called
The Feminine Mystique. At first, she wanted to address the issue through a
magazine article that would describe the central theory of the problem that
had no name together with her observations and research. However, none of
the women's magazines that used to cooperate with Friedan – such as
McCall's or Ladies Home Journal – wanted to publish such a paper. They all
found it inconceivable or extreme, and they refused to print it. Only a single
women's magazine, Good Housekeeping, agreed in 1960 to publish a short
Friedan’s article called Women Are People, Too. This essay thoroughly
explained the gist of Friedan's idea and even provided the reader with some
citations from the interviews she conducted with middle-class housewives.
Naturally, the article received both positive and negative responses. A few
readers replied to the article saying that its message did not resonate with
them at all, however, many more letters stated that the article made the
women who read it feel like they were finally not alone. These confirmatory
responses even reinforced Friedan's theory, and she, therefore, continued
writing her book (Friedan, 1998, p. 18; Woloch, 1994, p. 486).
34
BETTY FRIEDAN AND THE MAKING OF THE FEMININE MYSTIQUE
few people who knew that she was writing the book, including her husband,
publisher, and colleagues, did not even believe that she "would ever finish it"
(Friedan, 1998, p. 19). Despite all this, Friedan became genuinely devoted to
completing her work. She was working on it "every day, on the dining-room
table, while the children were in school, and after they went to bed at night,"
and to avoid any other disapproval, she would even hide the book "when my
suburban neighbors came for coffee" (Friedan, 1998, pp. 13, 19). Finally,
after five years of intense research and hard work, The Feminine Mystique
was first published in February 1963.
35
THE FEMININE MYSTIQUE
36
THE FEMININE MYSTIQUE
When the issue started spreading among more and more American
homemakers, many started seeking professional help. As Frieze et al. (1978)
noted, "married women form the most heavily represented group in
psychiatric treatment. They use both hospitalization and private
psychotherapy more than any other group" (p. 259). Furthermore, as the
number of unhappy housewives rose, many specialists became interested in
what was going on. They found that the most common symptoms of "the
housewife's syndrome" were tiredness, anger, "crying without any reason,"
and feelings of emptiness or even of nonexistence (Friedan, 1964, p. 16).
Therefore, although the image of marriage, motherhood, and a house in the
suburbs promised absolute happiness to young girls, more and more people
in the 1960s started to realize that that was eventually not the case.
There were several reasons for it. First of all, as Frieze et al. (1978)
pointed out, housewifery was incredibly isolating. These suburban
homemakers were "cut off from contact with other adults since they have no
coworkers. This isolation tends to . . . make these women more susceptible to
psychological problems" (p. 139). This idea was supported by Friedan as
37
THE FEMININE MYSTIQUE
well. In The Feminine Mystique, she mentions that a housewife cannot deny
the fact that "the world is indeed rushing past her door while she just sits and
watches. The terror she feels is real, if she has no place in that world"
(Friedan, 1964, p. 325).
Secondly, the housewife role was also very stereotypical and provided
no space for the examination of one's identity. In the first chapter, Friedan
mentions how the women who dedicated all their time to their household and
children found themselves in an endless cycle of cooking, washing dishes,
ironing, cleaning, shopping, and playing, but they hardly ever had time for
any activity which would help them find their place in the world. As one of
the women Friedan interviewed told her, "I begin to feel I have no personality.
I'm a server of food and putter-on of pants and a bedmaker, somebody who
can be called on when you want something. But who am I?" (a mother of four
who left college at nineteen to get married, as cited in Friedan, 1964, p. 17).
Many other women told Friedan that they lacked a sense of identity, did not
know who they were, or had one day woken up and realized that "there's
nothing to look forward to" (a twenty-three-year-old mother, as cited in
Friedan, 1964, p. 17). Journalist Edith M. Stern also criticized this aspect of
housewifery, even fourteen years before the publication of The Feminine
Mystique. In her article Women are Household Slaves, she wrote that "the
housewife's opportunities for advancement are nil; the nature and scope of
her job, the routines of keeping a family fed, clothed and housed remain
always the same" (Stern, 1949, p. 72). Therefore, the housewife rarely had
any chance to do something truly challenging or something that would help
her develop her own identity.
And finally, since these women were isolated from the outside world
and spent all their time with their children, it was then even harder for them
38
THE FEMININE MYSTIQUE
to realize that those children would grow up and would not need them
anymore. A survey mentioned by Frieze et al. (1978) demonstrated that the
occurrence of depression among American mothers "was highest among
women whose lives were most child-centered. These women viewed
child-rearing as the single focus of their lives. When their children grew up, .
. . their lives lost much of their meaning" (p. 268). Perhaps if these women
had been given a chance to develop some interests outside the home, they
could have coped better with their children's departure and continued to
expand their potential from that point on. But as Friedan explains, society did
not allow women to develop an occupation outside the home. According to
her, the feminine mystique told them that by desiring something more than
just a pretty house and happy husband and kids, they put their family aside
and, therefore, were not good wives and mothers (Friedan, 1964, p. 340).
Stern criticizes this idea in her article as well. As she pointed out:
One much stressed point is the satisfaction every good woman feels
in creating a home for her dear ones. Well, probably every good
woman does feel it, perhaps because she has had it so drummed into
her that if she does not, she is not a good woman. (Stern, 1949, p. 73).
Thus, not only were these women unhappy in their stereotypical and isolating
female role with no opportunity to develop other interests, but they could not
even admit it or talk about it because it would mean that they were not able
to succeed even in this single role they were ascribed.
39
THE FEMININE MYSTIQUE
articles underwent during the wartime and explains how significant the role
of women's magazines was in the housewife's life. In her book, Friedan
focuses primarily on the leading women's magazines back then, particularly
McCall's, Ladies' Home Journal, and Redbook. She shares a few articles and
magazine stories written before or during World War II, in which women
were presented as ambitious, successful, and independent. The characters
were either young girls excited about their future or adult women combining
work and family life. But most importantly, they were all creating a life of
their own and were a part of the community in which they lived. (Friedan,
1964, pp. 32-35).
On the contrary, articles and stories written in the post-war era were
the exact opposite. As the families returned to the comfort of home and the
baby boom began, women's magazines started to romanticize domesticity and
completely abandoned the possibility of a working wife and mother. The
articles were all about cooking or cleaning, how to keep the husband and kids
happy, how to decorate the house, or what kind of new household appliances
to buy. But there was not a single mention of any career life or even any
information about what was going on in the world. Friedan strongly criticizes
this image in her book. She condemns that at the time when "men were trained
to travel into outer space; . . . a plane whose speed is greater than the speed
of sound broke up a Summit Conference," or when "astronomers, because of
new radio telescopes, had to alter their concepts of the expanding universe,"
women's magazines, "published for over 5,000,000 American women, almost
all of whom have been through high school and nearly half to college,
contained almost no mention of the world beyond the home" (Friedan, 1964,
p. 31).
40
THE FEMININE MYSTIQUE
The reason for not including any information from the outside world
in women's magazines was, according to Friedan, relatively simple. She noted
that when she had begun to contribute to some of the women's magazines in
the 1950s, "it was simply taken for granted . . . and accepted as an immutable
fact . . . that women were not interested in politics, life outside the United
States, national issues, art, science, ideas, adventures, education, or even their
own communities" (Friedan, 1964, p. 42). Since the end of the war, women
were perceived only as fragile homemakers whose only interests were
connected to their female role.
41
THE FEMININE MYSTIQUE
42
THE FEMININE MYSTIQUE
43
THE FEMININE MYSTIQUE
44
THE FEMININE MYSTIQUE
After World War II, however, the negative image of a working woman
was even enforced by the claim that education and career could be dangerous
for women's femininity. Farnham and Lundberg's Modern Woman: The Lost
Sex warned the American society that education and career life inevitably led
to the "masculinization of women with enormously dangerous consequences
to the home, the children dependent on it and the ability of the woman, as
well as her husband, to obtain sexual gratification" (Farnham & Lundberng,
1947, as cited in Friedan, 1964, p. 37). As this assumption started to spread,
almost every girl in the 1950s began to receive the message that she should
not get "seriously interested, in anything besides getting married and having
children, if she wanted to be normal, happy, adjusted, feminine, [and] have a
successful husband [and] successful children" (Friedan, 1964, p. 148).
Colleges were offering easy and "intellectually unchallenging" programs for
female students, including courses such as "Adjustment to Marriage" or
"Education for Family Living," which only enforced the message once again
(Bowlby, 1987, p. 63). This point was also mentioned by Chafe (1975), who
stated that multiple presidents of American colleges "urged women to
specialize in disciplines like home economics, child development, and
interior decorating," or "advocated that 'the task of creating a good home and
raising good children' be raised to the dignity of a profession and made the
primary purpose of women's colleges" (p. 208). If a female student wanted to
choose a more challenging program at college, she was usually advised "that
it was a waste of time" and that she would probably not really use it in the
future anyway (Friedan, 1964, p. 153). Some of the students Friedan
interviewed even told her that they had wanted to continue with their
education at first but had suddenly started feeling guilty about being the only
girl in the laboratory or were afraid that too much education would deprive
them of the opportunity to find a husband (Friedan, 1964, p. 147).
45
THE FEMININE MYSTIQUE
46
THE FEMININE MYSTIQUE
graduated, in contrast to fifty-five per cent of the men." Girls were, therefore,
not only attending college less often but were also more likely not to finish it.
They were, however, not dropping out because they would not have the
intelligence to continue. In fact, girls were "less likely to be dropped from
college for academic failure. Women drop out . . . either to marry or because
they fear too much education is a 'marriage bar'" (Friedan, 1964, p. 154).
Therefore, as was stated in Chapter 3.2, many of these girls got married and
became mothers at a very young age. That caused the already described baby
boom, which contributed to the annual population growth in the United States
becoming one of the highest in the world (Friedan, 1964, p. 155).
Friedan wanted the readers to understand that the girls who chose
domesticity and life-long housewifery above education and career often only
decided for a way of life that appeared easier and secure at first but eventually
ended up being even more challenging, particularly for their mental health.
She did, however, sympathize with these girls and expressed understanding
of their choice. As she noted, all the girls 1950s and early 1960s grew up in a
society where it was undoubtedly difficult for a woman to be successful.
Everybody expected girls to become wives and mothers, and many judged
them when they wanted to achieve something more. Furthermore, girls were
not even used to being independent. They had always been taken care of.
Therefore, it was much easier for them to jump into marriage and "to seek the
sanctuary of the home" than to become self-reliant and live independently
(Friedan, 1964, pp. 193, 195).
47
THE FEMININE MYSTIQUE
choice." Many women who made that choice soon realized that the domestic
type of life was not what they had imagined it to be and that they lacked a
true identity and a place in the world. As Castro (1990) remarked, "In
choosing the 'feminine mystique' model of womanhood, American women . .
. had refused all mental growth. . . . The Housewife's Syndrome was. . .
reinterpreted as an identity crisis, and the dissatisfied housewife was no
longer an anomaly (p. 16).
48
THE FEMININE MYSTIQUE
themselves to other people. Only then will marriage be for them "an activity
in which they will voluntarily choose to participate rather than something that
is necessary for any sense of personal identity" (Friedan, 1964, p. 169).
Therefore, combining career and family life was not only possible but
also beneficial for both the housewife and her family. Frieze et al. (1978)
discussed that "part-time employment for women with school-age children is
related to the highest marital satisfaction" and that working women "show
significantly higher levels of self-esteem (whether married or single) than
their homemaker counterparts" (p. 177). This difference in self-esteem levels
was largely caused by the fact that when a woman defined herself only in
terms of her biological role, then there was for her a higher risk of feeling
depressed whenever she experienced dissatisfaction in this role or once this
role came to an end (Frieze et al., 1978, pp. 180, 265). On the other hand, the
working mothers whose lives were comprised of multiple roles were usually
much more sure of themselves. They were more aware of their abilities, and
even if they experienced a failure in one of the roles, they still knew where
their place in the world was. Moreover, the job that kept working women
generally more satisfied did not even have to be particularly demanding. It
was enough if a woman saw it as meaningful and if it provided her with some
space to grow. Even women holding inferior job positions "gained a sense of
achievement from their work" (Chafe, 1975, p. 220).
49
THE FEMININE MYSTIQUE
as individual human beings capable of taking their lives into their own hands
(Barker-Benfield & Clinton, 1998, pp. 584-585; Friedan, 1964, p. 332). She
reiterated that she understood how much easier it was for women to stay at
home and avoid the initial discomfort of becoming self-sufficient. She also
reminded the housewives that it would not be straightforward to abandon the
mystique after being a victim of it for such a long time. She admitted that
"there is always the sense of loss that accompanies change" but, at the same
time, wanted the women who were unhappy in their housewife role to
understand that if they did not make the change, they would eventually lose
so much more (Friedan, 1964, pp. 330, 342).
Friedan also focused on reminding her readers that they did not have
to decide between career and family life (Friedan, 1964, p. 330). To provide
some evidence, she presented several interviews she led with women "who
had suffered and solved the problem that has no name." For these interviewed
women, finding a job that encouraged them to grow and developing an
occupation outside the home "was like finding the missing piece in the puzzle
of their lives." She continued:
The money they earned often made life easier for the whole family,
but none of them pretended this was the only reason they worked, or
the main thing they got out of it. That sense of being complete and
fully a part of the world . . . had come back. They knew that it did not
come from the work alone, but from the whole – their marriage,
homes, children, work, their changing, growing links with the
community. They were once again human beings, not 'just
housewives.'" (Friedan, 1964, p. 344).
50
THE FEMININE MYSTIQUE
51
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
52
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
53
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
society" and thus enforce "a fully equal partnership of the sexes" by allowing
women "to develop their fullest human potential." NOW aimed to fight
"prejudice and discrimination against women" in all areas of life, such as "in
government, industry, the professions, the churches, the political parties, the
judiciary, the labor unions, in education, science, medicine, law, religion and
every other field of importance in American society" (Friedan, 1966). The
statement further addressed the situation of women in the labor force at the
time. It stated:
54
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
and emphasized in her rhetoric that if NOW achieved the changes it desired,
men would also benefit from them. As she clearly stated in the Statement of
Purpose, NOW refused "the current assumptions that a man must carry the
sole burden of supporting himself, his wife, and family" and stated that "a
true partnership between the sexes demands . . . an equitable sharing of the
responsibilities of home and children and of the economic burdens of their
support" (Friedan, 1966).
55
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
After the Women's Strike for Equality, Friedan saw, on the one hand,
significant potential in the women's movement. She realized that more and
more women were becoming aware of their discrimination and truly wanted
to participate in the fight against it. Furthermore, an increasing number of
women of color and lower-class working women started showing interest in
the membership. On the other hand, as NOW grew bigger, there was also an
increasing risk of disagreements among the members, and Friedan saw that
"the women's movement was in serious danger of tearing itself to pieces"
(Barker-Benfield & Clinton, 1998, p. 587). Some of the disagreements
included different political preferences, the degree of radicalism, the
opposing views on the ratification of ERA, or Friedan's opposition to the
inclusion of lesbian rights in NOW's rhetoric. Friedan eventually decided to
hand over her role as the organization's president to Aileen Hernandez in 1970
and, for some time, returned to writing (Barker-Benfield & Clinton, 1998,
pp. 587-590).
56
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
In the 1960s, the right to abortion was a highly debated issue that
significantly divided American society. At that time, abortion was allowed
only if the mother's life was in danger. Moreover, "it could be obtained only
with medical certification of a life-threatening situation and with the
approval of a board of doctors" (Woloch, 1994, p. 526). Therefore, illegal
abortion was a common procedure underwent by approximately 1,000,000
women each year, around 200 of whom died as a result (Kerber & De Hart,
1991, p. 550; Woloch, 1994, p. 256).
The change all pro-choice activists had been waiting for came in 1973
with the Roe v. Wade Supreme Court's decision, which made abortion a
constitutional right for all women. After this decision, the number of deaths
caused by abortion rapidly fell since legal abortion provided women with
professional medical care in case of any complications (Woloch, 1994,
57
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
p. 526). In 1973, just after abortion was legalized, NARAL changed its name
to the National Abortion Rights Action League "to reflect the Supreme
Court's successful striking down of restrictive abortion laws." NARAL then
maintained its function, primarily after the passage of the Hyde Amendment
in 1976, which banned the use of government funds for abortion except for
rape or incest, thus making abortion "a privilege reserved for those who could
afford it, leaving behind countless low-income women, and especially women
of color" (NARAL, 2021).
For many feminists, the ERA seemed to be the only way to guarantee
equality of the sexes in every public area of life. They insisted that even after
58
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
59
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
On the other hand, the ERA opponents were mostly either housewives
with no aspirations of working outside the home or women working in
industry or factories, where the so-called "protective legislation" improved
their working conditions. These women were afraid that the passage of the
ERA "would endanger [minimal] wage and [maximum] hour laws for
women, undermine support laws for wives and children, and terminate special
penalties in the law for rape and sexual offenses against women" (Chafe,
1975, p. 123).
60
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
ideology, female leaders were committed to the same goal" (Chafe, 1975,
p. 112), the post-suffrage movement was much more divided. For each
woman, the definition of equality was different, which led to the division into
opposing groups. This divergence is often regarded as the biggest weakness
of the movement. As Chafe (1975) noted, "With neither a common program
nor a united leadership, there was little chance that the woman's movement
could advance or that it could generate the public support needed for progress
in the fight against discrimination" (p. 112).
61
BETTY FRIEDAN AND THE FEMINIST MOVEMENT
Despite the ERA not being ratified, the activities of the feminist
movement led to several social changes in the second half of the 20th century.
As Frieze et al. (1978) noted, "by the early 1970s the messages of the women's
liberation movement had reached most people in this country" (p. 155).
Several organizations were dedicating their time to addressing crucial sexual
inequalities, and it seemed that women were finally beginning to wake up and
fight for the freedom that had been denied to them for the majority of
American history.
62
CRITICISM OF BETTY FRIEDAN
One of the reasons for this criticism was her attitude towards
homosexuality. In The Feminine Mystique, Friedan claims that male
homosexuality is caused by the housewife's excessive attachment to her son,
who, as a result, never grows up and therefore ends up being immature,
irresponsible, promiscuous, and unable to make serious commitments.
According to her, "the homosexuality that is spreading like a murky smog
over the American scene" was just another symptom of the feminine
mystique, something that was wrong and could be eliminated by abandoning
the mystique (Friedan, 1964, pp. 264-265). Furthermore, in a chapter called
The Passionate Journey, Friedan describes how some feminists involved in
the suffrage movement "denied their own sex, the desire to love and be loved
by a man" and became "man-hating, embittered, sex-starved spinsters"
(Friedan, 1964, p. 74). She also strongly opposed the idea that the question of
lesbianism should be included in the priorities of NOW, which was criticized
primarily by radical feminists and led to arguments within the movement
(Barker-Benfield & Clinton, 1998, pp. 587).
63
CRITICISM OF BETTY FRIEDAN
However, perhaps the most discussed issue since the late 1990s has
been the incomplete background Friedan presented to her readers in The
Feminine Mystique. In the book, Friedan describes herself as an educated
mother of three who decided to refuse the university grant and instead become
a suburban housewife, only later realizing that she became a victim of the
feminine mystique (Friedan, 1964, pp. 62-63). Friedan also claimed "that she
awakened to political consciousness out of disillusionment with her role as a
suburban housewife" during the 1950s, and she almost never mentioned
working for the labor union newspaper (Rotskoff, 2000, p. 122).
Nevertheless, in 1998, historian Daniel Horowitz published a book called
Betty Friedan and the Making of The Feminine Mystique: The American Left,
The Cold War, and Modern Feminism, in which he uncovers the parts of
Friedan's past that she omitted while telling her story. In his book, Horowitz
presents his belief that "Friedan's feminism had much deeper roots," and that
64
CRITICISM OF BETTY FRIEDAN
65
CRITICISM OF BETTY FRIEDAN
1946, she started working for the UE News, "the official publication of the
United Electrical, Radio and Machine Workers of America, one of the most
radical unions of the 40s" (Topini, 2014, p. 3). Working for another seven
years in the UE News, Friedan "became part of the Popular Front – a broad,
radical social democratic movement forged around issues such as anti-
fascism, anti-racism, civil liberties, and industrial unionism, . . . a movement
that fought for social justice for all women, especially working-class and
African-American" (Rotskoff, 2000, p. 123). Thus, according to this
statement, Friedan was well aware of the inequality of sexes long before she
wrote The Feminine Mystique. Also, as claimed by Horowitz (1996), she
became even so interested in it that she "participated in discussions on
women's issues, including the issue of corporations' systematic discrimination
against women" (p. 14). Then, in 1952, she also composed "a pamphlet, UE
Fights for Women Workers, . . . a remarkable manual for fighting wage
discrimination" (Horowitz, 1996, p. 1). This pamphlet was actually the last
thing Friedan wrote under the name "Betty Goldstein," although she had been
married since 1947. In fact, she didn't start writing under the name "Betty
Friedan" until 1955, when she began writing articles and stories for popular
women's magazines. (Horowitz, 1996, p. 18).
66
CRITICISM OF BETTY FRIEDAN
associated with her communist and radical past (Topini, 2014, p. 3). The
second possible reason is that by omitting her past and focusing exclusively
on her domestic experience, she was "using a writer's technique of personal
reference to form an identity with the readers" (Epstein, 2000, p. 408).
Horowitz (1996) expands this idea and states that after participating in leftist
social movements and realizing that they did not give enough attention to the
issue of sex discrimination, Friedan might have tried, "whether consciously
or not . . . to mobilize middle-class readers," and thus create a liberal feminist
movement, since "the persona of the suburban housewife enabled her to talk
about alienation and discrimination in a new setting and in less radical terms"
(pp. 17, 29). On the other hand, Friedan (2006) later wrote in Life So Far:
A Memoir that "I never set out to start a women's revolution. I never planned
it. It just happened, I would say, by some miracle of convergence of my life
and history, . . . one thing leading to another" (p. 13). Therefore, despite not
being able to tell what exactly Friedan's initial intentions were, it is important
to st least notice all the aspects of her past in order to understand how complex
the origins of the second wave of feminism actually were.
67
CONCLUSION
8 Conclusion
During the 1950s and early 1960s, American society confronted white
middle-class women with numerous ideas of who they should be and what
they should do. The ideal of the happy suburban homemaker was promoted
by women's magazines, advertisers, psychoanalysts, and even the educational
system. If a woman wanted to choose a serious occupation outside the home
above marriage and motherhood, she was often considered unfeminine. The
so-called "career women" usually had to face uncomfortable judgment,
prejudice, and underestimation of their abilities, and even ambitious young
girls were being advised not to get too interested in school. Therefore, many
women tried to mold themselves into this image of "an ideal woman," not
realizing that they were losing their own unique identity in the process. As a
result, the unhappiness of suburban housewives soon spread across the United
States and eventually became what Friedan called "the problem that has no
name."
Despite the harsh criticism that Friedan consequently faced, she was
able to found several organizations that advocated for women's rights, and
she eventually led the feminist movement into a period of social changes.
68
CONCLUSION
In the last years of her life, Friedan also faced accusations of her
earlier sympathies with radical communists, which she had previously hidden
from the public sphere. Regardless of the reason for her decision, this period
of her life also played a part in shaping Friedan's personality and knowledge,
which she ultimately used to compose The Feminine Mystique and later lead
the women's movement.
69
LIST OF REFERENCES
List of References
Epstein, C. F. (2000). [Review of Betty Friedan and the Making of the Fem-
inine Mystique: The American Left, The Cold War, and Modern Femi-
nism, by D. Horowitz]. Contemporary Sociology, 29(2), 407–408.
https://doi.org/10.2307/2654442
70
LIST OF REFERENCES
Frieze, I. H., Zellman, G. L., Ruble, D. N., Johnson, P. B., & Parsons, J. E.
(1978). Women and Sex Roles: A Social Psychological Perspective.
W.W. Norton.
71
LIST OF REFERENCES
Wolf, N. (1991). The Beauty Myth: How Images of Beauty Are Used
Against Women. William Morrow and Company.
72