Professional Documents
Culture Documents
Teaching Philosophy
Students are independent individuals who have differing needs and cannot be expected to learn
the same way. I ensure understanding and inclusivity by frequently connecting my auditory
instructions to kinesthetic movements that relate to visual references around the classroom.
Meeting students where they are emotionally, academically, developmentally, and culturally
observation and consistent communication with them and their families. Students should be able
to recognize that their teacher is their fiercest advocate who wants them to succeed just as much
as they do. Building positive classroom relationships must be a priority, as teachers are then able
to know their students’ strengths, weaknesses, goals, or anxieties and accommodate instruction
understanding where your students come from, as culture and environment play a huge role in
behavior, motivation, and performance. I assign culturally diverse repertoire to expose students
to new customs and encourage them to navigate identity, traditions, and languages while drawing
with their families, remaining involved and educated on their cultural background, I can be an
educated advocate.
Music is by nature a collaborative discipline. When participating in an ensemble, students
work together towards a common goal. Maintaining not only positive student-teacher
gratitude. The fostering of a safe risk-taking environment provides students space to make
mistakes and try things without fear. I always acknowledge my mistakes to demonstrate
can also manifest itself outside of the choral classroom through activities with other disciplines
like school musicals or providing singers opportunities to perform the national anthem at
sporting events. I prioritize offering my students several musical opportunities by preparing them
to audition for all-state choirs, encouraging them to participate in the school musical, and
heavily relies on having my students understand and apply disciplinary literacy skills. To
promote disciplinary literacy, I introduce terminology and application early in the year. I display
visual tools at the front of the classroom that I regularly refer to. Daily, I have my students
identify and define key signatures, time signatures, solfege syllables, rhythmic notation, and
musical elements through self-made examples or choral repertoire. To teach intervals through
solfege syllables, I utilize Reverend John Curwen’s hand signs as a kinesthetic tool. By
connecting intervals, rhythmic passages, or compositional elements to culturally relevant music
or ideas, I am reinforcing the new concepts while giving my students a real-world example.
students of all learning abilities through exposure, accommodation, flexibility, cultural relevancy,
and collaboration by instilling these concepts throughout my curriculum. I strive to benefit all of
my students equally, regardless of what path they walked before crossing mine.