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PHIL 210 - Class Notes
PHIL 210 - Class Notes
Unit Notes
Lesson 1 notes
Lesson 1: Deductive Argument
★ An argument: a series of statements that together purport to support a claim, which is the
conclusion of the argument.
○ The statements are referred to as premises.
○ An argument is valid if, and only if, it is impossible for all the premises to be true and
the conclusion false.
○ Note that whether the premises are in fact true is irrelevant for validity.
★ Even though an argument is valid, it does not make it sound.
○ A sound argument is a valid argument whose premises are all true.
★ Validity is entirely a matter of form; it depends on the way in which the sentences are, so to
speak, arranged in the argument. But soundness depends not only on form, but also on the
actual truth-value of the premises; an argument cannot be sound if its premises are not true.
○ But it is possible to use a sentence in the indicative mood to issue a command. For
example, someone might utter the sentence ‘The soup needs more salt’ as a request.
○ Similarly, one might assert something by using a sentence in the interrogative mood.
For example, the sentence ‘Does anyone really doubt that the climate is changing?’ can
be used to assert that there is consensus about climate change.
○ We cannot come up with a method or algorithm for distinguishing genuine statements
from other speech acts. As the philosopher Donald Davidson wrote in an essay titled
Communication and Convention (1984),
■ There is no known, agreed upon, publicly recognizable convention for making
assertions. Or, for that matter, giving orders, asking questions, or making
promises. These are all things we do, often successfully, and our success
depends in part on our having made public our intention to do them.
★ Performatives
○ It is possible to make something be the case by saying that it is the case.
○ For instance, if I utter the words, ‘I promise to be at the airport tomorrow’, I will
thereby promise to be at the airport tomorrow.
○ In uttering these words, I do not report some independently constituted fact about
myself; rather… my uttering them constitutes the very fact of my making a promise.
■ This is an example of… a performative use of language.
○ The term ‘performative sentence’ was introduced by the British philosopher J. L.
Austin(opens in a new tab) in his lectures “How to Do Things with Words”, which he
delivered in 1955. His examples include words employed during:
■ A marriage ceremony
■ As a part of a will
■ The baptism of a ship
○ He remarks that many traditional philosophical problems are the result of,
■ taking as straightforward statements of fact utterances which are […] intended
as something quite different.
○ Again, the ability to distinguish fact-stating uses of language from other uses is essential
to discerning claims and the arguments offered to support them.
Unit 1 Knowledge Checks notes:
★ It might be tempting to think that we can discern the nature of the speech act by attending to
the grammatical mood of the sentence spoken.
★ It is possible to use a sentence in the indicative mood to issue a command. For example,
someone might utter the sentence ‘The soup needs more salt’ as a request.
★ It is possible to use a sentence in the interrogative mood to assert something. For example,
someone might ask the question ‘Does anyone really doubt that the climate is changing?’ to
assert that there is consensus about climate change.
★ It is possible to make something be the case by saying that it is the case. For instance, if I utter
the words, ‘I promise to be at the airport tomorrow’, I will thereby promise to be at the airport
tomorrow. This is an example of a performative use of language.
UNIT 2:
★ Rhetorical Questions and the Burden of Proof
○
○ Ordinarily, if someone makes a claim, we expect her to offer a justification. But if the
claim is turned into a question, the expectation tends to disappear.
○ For instance, if someone says that we should go on strike, we tend to expect her to offer
a reason.
○ But if she says, ‘Why not go on strike?’, it might seem that she is not required to do
anything; instead, the audience seems to be required to justify not going on strike.
○ The speaker appears to have placed the burden of proof on the audience.
○ This is a questionable move, one which we ought to point out and criticize. It is a case
of exploiting language—in this case, rhetorical questions— to dispel the appearance
that one owes one’s audience a justification.
○ Match the following aforementioned sentences ('We should go on strike' and 'Why not
go on strike?') with who would be expected to provide the burden of proof ('The
speaker' and 'The audience').
■ 'We should go on strike.': The speaker
■ 'Why not go on strike?': The audience
★ Presuppositions
○ Some utterances involve presuppositions. For example, in the question:
■ ‘Have you stopped eating meat?’
■ it is presupposed that the interlocutor has been eating meat all along; the
intelligibility of the question depends on taking this to be true.
○ When we reconstruct an argument, it is important to attend not only to that which is
stated either explicitly or implicitly, but also… to that which is presupposed in the
claims advanced.
★ Rhetoric
○ Aiming to persuade someone of the truth of a claim involves offering the best
argument available in support of that claim. This is characteristic of rational
persuasion. But the attempt to persuade someone might also exploit the aspects of
language that have no bearing on the strength of the argument, which belong to
rhetoric.
○ Consider a very simple example, involving the replacement of the word ‘and’ with
‘but’:
■ Godard is artistically fearless, and Truffaut is extremely talented.
■ Godard is artistically fearless, but Truffaut is extremely talented.
● Even though the switch makes no difference to the literal meaning of
the sentence (and thus it should make no difference to the strength of
the argument), the second sentence suggests something very different
than the first sentence; it might be more effective than the first in
conveying a point about Truffaut’s excellence.
○ Consider also the following two sentences:
■ Dave is a good driver.
■ Dave is a fairly good driver.
● The first sentence is arguably false if Dave has one accident every year.
But it is unclear what it would take for the second sentence to be false,
and so it is unclear what sort of argument would refute it. The qualifier
‘fairly’ functions as a weasel word, namely, a word that enables the
arguer to weasel out of any refutation.
○ Rhetorical devices are ubiquitous in both written and verbal communication. If
somebody says, after knocking on someone’s door:
■ ‘Darn! He’s not home’... she is conveying a negative attitude.
■ ‘He’s not home’... she is conveying a neutral attitude.
■ Nevertheless, the two utterances seem to have the same literal meaning.
○ All these things belong to the rhetorical aspect of an utterance:
■ The tone of one’s voice
■ The facial expression one shows
■ The gestures that one makes while saying the things she says
○ But so do these things (belong to the rhetorical aspect of an utterance):
■ The use of italics in writing
■ Emphases conveyed through punctuation, such as the use of commas or
ellipses.
○ When we reconstruct an argument, it is important to distinguish the rhetorical
elements of an utterance or text from… those elements that make a genuine
contribution to the argument.
○ If we are interested in the strength of the argument… our focus should be on the latter.
Unit 2 Knowledge Checks notes:
★ Ordinarily, if someone makes a claim, we expect her to offer a justification. But if the claim is
turned into a question, the audience seems to be required to offer a justification. The speaker
appears to have placed the burden of proof on the audience.
★ In the question, ‘Have you stopped eating meat?’, it is presupposed that the interlocutor has
been eating meat all along.
★ Aiming to persuade someone of the truth of a claim involves offering the best argument
available in support of that claim. This is characteristic of rational persuasion.
★ The attempt to persuade someone might exploit the aspects of language that have no bearing
on the strength of the argument, which belong to rhetoric.
★ The qualifier ‘fairly’ functions as a weasel word.
★ The tone of one’s voice, the facial expression one shows, the gestures that one makes while
saying the things she says—all these things belong to the rhetorical aspect of an utterance.
★ False Dichotomy The fallacy of suggesting that there are only two
options when, in fact, other options may exist.
★ Genetic fallacy Basing an argument on irrelevant facts about the
origin of a claim rather than on the evidence for
or against it.
★ Post hoc ergo propter hoc The superstitious or magical line of thinking
according to which if one thing happened after
another, then it happens because of it.
★ Quantifier scope (or shift) fallacy A mistaken inference that results from failure to
attend to order of quantifiers. A very common
instance is that of moving from a claim of the
form ‘Every X has a related Y’ to one of the form
‘There is some Y related to every X’.
★ Fallacy of Linear Projection To commit this fallacy is to suppose that the rate
observed over a given range can be applied to
another unobserved range.
Activity:
Carefully consider the Monty Hall problem. Do you find the reasoning to the effect that one ought to
switch from the first to the second door convincing? If so, then why? If not, why not?
★ The correct answer is that you do want to switch. If you do not switch, you have the expected
1/3 chance of winning the car, since no matter whether you initially picked the correct door,
Monty will show you a door with a goat.
★ The odds of winning with the “Switch” strategy are two in three, double the odds of staying.
★ Probability of winning doubles from ⅓ to ⅔ when you switch. Switching is the statistically
superior choice, offering a higher probability of success.
★ The reason is that the odds of picking the right door on the first try are 1 in 3. That means that
there is a 2/3 probability that the car is behind one of the remaining doors. But once door #2 is
eliminated, there is still a 2/3 probability that the door you didn’t pick is correct. And with #2
no longer a viable option, the probability that #3 has the car must be 2/3.
★ The crucial insight is that Monty's action of revealing an empty door provides you with
information. It effectively tells you that one of the remaining unopened doors is definitely not
the one with the prize.
★ Conditional probability
○ Conditional probability is defined as the likelihood of an event or outcome occurring,
based on the occurrence of a previous event or outcome. Conditional probability is
calculated by multiplying the probability of the preceding event by the updated
probability of the succeeding, or conditional, event.
○ In probability theory, conditional probability is a measure of the probability of an
event occurring, given that another event has already occurred.
○ The convincing aspect of this reasoning is rooted in the principles of conditional
probability and the idea that new information can change the likelihood of various
outcomes. While it may seem counterintuitive, the mathematics behind the Monty
Hall problem provides a compelling case for why switching doors is the strategically
wise decision.
★ Bandwagon effect The tendency to align our beliefs with the beliefs
we take to be widely held by those around us.
★ False consensus effect The tendency to assume that other people are in
agreement with one’s own opinions and beliefs,
or at least to pay little notice to the discrepancies
between others’ point of view and one’s own.
★ Scientific method The steps that that constitute the procedure for
scientific inquiry.