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Foucault is an enigmatic figure and one of the most influential thinkers of the 20th century
(Sugrue, 1997). He was born in Poitiers, France, in 1926. His father and grandfather were both
respected surgeons, and he was expected to take up the family profession. Instead, however, he was
ultimately producing transformative understandings of society and social theory (Kelly, 2015).
His works are boundary crossing and path-breaking, incorporating diverse elements of, and
regularly being referenced across, the humanities (Elden, 2013; Ritzer and Ryan, 2011; Ritzer and
Stepnisky, 2021). Foucault's methodology reflects C. Wright Mill's understanding expressed in The
Sociological Imagination; "intellectually, the central fact today is an increasing fluidity of boundary
lines; conceptions move with increasing ease from one discipline to another" (2000, 139). This is but
one way in which his approach to social theory was unique compared to traditional sociologists
(Roderick, 1993). It is therefore the purpose of this essay to chronicle these unique and transformative
aspects of his work beginning with Madness and Civilization, and concluding with his History of
Sexuality.
To begin, Madness and Civilization: A History of Insanity in the Age of Reason (a condensed
version of his doctoral thesis) was originally published in 1961 in France, and in English in 1965. This
book, the first of Foucault's, is similar to Friedrich Nietzsche’s Birth of Tragedy. It sees a split between
reason and unreason akin to Nietzsche’s Apollonian/Dionysian differentiation. Also, the French history
Canguilhem's emphasis on the separation of the normal from the pathological; and Marx's historical
analysis of social division were all vital influences in this work and throughout Foucault's corpus
(Kelly, 2015).
Madness and Civilization examines the history of our modern conceptualization of mental
illness as well as its consequences. By analyzing 19th-century archival evidence Foucault came to
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reject the standard view of the time that psychiatry had "[liberated] [...] the mad from the ignorance and
brutality of preceding ages." Rather, he came to realize that the medicalization of madness did not
generally constitute an improvement, per se. In contrast, he pointed to the conception of madness in the
Renaissance which more positively—or at least less problematically—saw the mad as being "in
contact with the mysterious forces of cosmic tragedy." He also examined the transitional phase of the
17th and 18th-century in which madness was viewed as the repudiation of reason in favor of animality.
Ultimately, the pathologization of those deemed mentally ill, and the seemingly neutral scientific
discourse employed, merely provided a veneer for bourgeoisie domination of potentially problematic
populations and ways of being (Gutting, 2022; Sugrue, 1997). It did so by isolating such populations
from society en mass, incarcerating them in hospitals, prisons, and workhouses during what Foucault
referred to as The Great Confinement (Foucault, 1988, pp. 38-39). As Foucault scholar Mark Kelly
notes, "The History of Madness thus sets the pattern for most of Foucault’s works by being concerned
with discrete changes in a given area of social life at particular points in history" (2015).
Next, The Birth of the Clinic: An Archaeology of Medical Perception, was originally published
in France in 1963, and in English in 1973. This work, similar to Madness and Civilization explores—
instead of madness—the historical emergence of medical knowledge and practice, again via an analysis
of the discourse as found in associated documents. Around the time of the French Revolution a
institutional medicine" (Kelly, 2015). This transformation also produced the anatomo-clinical gaze
(Athabasca 2024), which dispassionately and objectively observes patients and their conditions, "in the
service of the demographic needs of society;" and ultimately generated the great break in Western
Foucault's following work, The Order of Things: An Archaeology of the Human Sciences, was
originally published in France in 1966 and in English in 1970. It explicitly defines the methodology
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Foucault had been previously employing: archaeology. And he applies archaeology again; this time to
the human sciences which encompass "an interdisciplinary space for the reflection on the 'man' who is
the subject of more mainstream scientific knowledge such as anthropology, history, and, indeed,
philosophy." These human sciences include, for example, "psychology, sociology, and the history of
However, The Order of Things analyses the prehistory of the human sciences and their
discourses. In doing so it traces Western epistemology through a number of transformations giving rise
to differing épistémès—underlying systems which constitute legitimate knowledge. The two most
important epistemic transformations in the West occur, according to Foucault, at the start of the 17th
century, giving rise to the Classical period; and at the beginning of the 19th century, giving rise to the
Before the Classical period, "Western knowledge [was] a rather disorganized mass of different
kinds of knowledge (superstitious, religious, philosophical), with the work of science being to note all
kinds of resemblances." With the Classical épistémè, however, the inclination towards categorization
led to more bounded disciplines (Kelly, 2015). The Classical épistémès takes knowledge as being
representative, in an abstract sense, of its object; "the map is a useful model" (Gutting, 2022).
fact represent their objects," undermining the status of ideas as "unproblematic vehicles of knowledge"
(Gutting, 2022). Gradually a reflexive understanding arose in which the "individual [was] conceived
simultaneously as both subject and object;" (Kelly, 2015). This, by the end of the 18th century, had
began to inspire a new focus on language and the hidden, underlying logics of knowledges; leading to
understandings as diverse as "the dialectical view of history, psychoanalysis, and Darwinian evolution"
(Ibid., 2015). Foucault critiqued this mode of thinking as tending to dichotomize "what is 'the Same'
and what is other; with the latter usually excluded from scientific inquiry," and having a bias towards
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taking man—the modern state's governable and abstract population—as the object of investigation
(Ibid., 2015). Foucault's own work, with its focus on the underlying logics of knowledges, arguably
This epistemic logic which takes man as its object, however, according to Foucault, opens the
door to man's eventual transcendence; as some of these sciences, such as psychoanalysis, investigate
realities which are too deep to be fully properly explored within such a limited perspective. Foucault's
work is also in line with this transcendence. This epistemic shift underlies the development in recent
times of interdisciplinary methodologies, such as New Materialism (Coole, 2010). Coole, author of
New Materialisms: Ontology, Agency, and Politics states, "interestingly, some indication of how new
materialists might investigate both the quotidian and structural dimensions of late capitalism can
Another example of recent development along these lines is Posthumanism, which, similar to
technological, urban, social, and political realities (Braidotti, 2013, 40 and 55-105). In regards to
Foucault's influence, Braidotti states: "by the time Michel Foucault published his ground-breaking
critique of Humanism in The Order of Things (1970), the question of what, if anything, was the idea of
‘the human’ was circulating in the radical discourses of the time and had set the anti-humanist agenda
for an array of political groups" (Ibid., 23). Foucault's discursive-epistemological investigations, which
a "[reject] the idea of an autonomous, meaning-giving subject" (Ritzer and Stepnisky, 2021), were
leading to a higher perspective from which to consider, create, and critique knowledge, and humanity
itself.
Foucault's next book The Archaeology of Knowledge: And the Discourse on Language, was
published in France in 1969, and in English in 1970. It is his most conceptual work. Rather than
historical analysis, it looks at language on its own, examining "discrete linguistic events, which he calls
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'statements'" to understand how they relate (Kelly, 2015). Foucault sees language as influenced by
"extra-linguistic realities," but ultimately "governed by a 'system of its [own] functioning'" (Ibid., 2015)
outside "grammar and logic, [which] [operates] beneath the consciousness of individual subjects and
[defines] a system of conceptual possibilities that determines the boundaries of thought in a given
domain and period" (Gutting 2022). Foucault calls this the archive and archaeology entails its
Foucault then, in 1969, produced an essay titled "What is an Author?" He suggests that the
author, rather than being a sovereign and transcendent creator, is a historically and socially constructed
artifact operating at a nexus of influences such as discursive systems. This is similar in theme to
another essay published earlier, in 1967, by Roland Barthes, titled "The Death of the Author." Though
Barthes instead emphasizes giving primacy to the reader, over the author, in terms of the text's
interpretation (1977). These works both contributed to the Postmodern death of the author.
Next came "The Order of Discourse" in 1970. It is more political, being in part a response to the
volatile political climate of France, 1968. Also, we find the methodology which Foucault calls
genealogy (after Nietzsche's Genealogy of Morals) expressed and defined for the first time. Genealogy
can be defined as doing "the 'history of the present,' [...] [and] is an explanation of where we have come
from, [...] to tell us how our current situation originated, [...] motivated by contemporary concerns"
(Kelly, 2015). Also, genealogy emphasizes "complex, mundane, inglorious origins," which are "in no
way part of any grand scheme of progressive history." It stresses that any particular system of thought
—its fundamental composition and dynamic having been revealed by archaeology—was merely an
outcome of contingent historical developments, rather than a rational and inevitable outcome (Gutting,
2022). This methodology is further employed in the lectures, books, and interviews which followed.
The anthology Power/Knowledge collects his thought from 1972 to 1977, and "is closely linked
to the themes and arguments" presented in his 1975 work Discipline and Punish: The Birth of the
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Prison, to be discussed afterward. Gordon Collin, the editor, states that it focuses on "the problematic
of 'pouvoir-savoir', power and knowledge, which has given this book its title" (Foucault, 1980, vii and
ix). It examines "power at its extremities, in its ultimate destinations, with those points where it
becomes capillary, that is, in its more regional and local forms and institutions;" as opposed to that
which emanates from central, "regulated, and legitimate forms" (Foucault, 1980, 96). Also the analysis
disregards "conscious intention or decision," instead focusing on "processes which subject our bodies,
govern our gestures, [and] dictate our behaviours etc." (Ibid., 97).
really and materially constituted through a multiplicity of organisms, forces, energies, materials,
desires, thoughts etc." (Foucault, 1980, 97). Similarly, bio-power, or somato-power, is a "formative
matrix" which "[penetrates] the body in depth" (Ibid., 186). Foucault also points out that individuals are
not only sites where power is applied, but also operate as vehicles productively applying power
Foucault's next book, the well-known, highly influential Discipline and Punish: The Birth of the
Prison, was published in France in 1975, and in English in 1978. Its title and methodology mirror that
of The Birth of the Clinic (both titles deriving from Nietzsche's Birth of Tragedy), though it is more
genealogical.
It traces the development of the carceral system to the 17th century, where the prison system
Medieval, or sovereign societies, would punish to avenge an affront to the power of the sovereign;
naturally Foucault defines the power in such societies as sovereign power (Foucault, 1995, 36). Such
punishment would entail torturous violence applied publicly to the offender's body as a spectacle of
justice (Roderick, 1993). However, this also allowed the crowd to sympathize with the offender's
suffering, and often riots would break out afterward, creating negative sentiment towards the sovereign.
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development of the prison system and its associated reform "becomes a vehicle of more effective
control: 'to punish less, perhaps; but certainly to punish better'" (Gutting, 2022). This new mode of
punishment, "becomes the model for control of an entire society, with factories, hospitals, and schools
modeled on the modern prison" and comes to make up a carceral archipelago (Ibid.; Foucault 1995,
Another important concept presented in Discipline and Punish, is panopticism. This concept
stems from a style of prison architecture and its associated mode of surveillance developed by the late
18th, early 19th-century philosopher Jeremy Bentham. In the Panopticon "each inmate is always visible
to a guard situated in a central tower. Guards do not in fact always see each inmate; the point is that
they could [...] [therefore] [inmates] must behave as if they are always seen and observed. As a result,
control is achieved more by the possibility of internal monitoring of those controlled" (Gutting, 2022).
For Foucault, this is a key aspect of modern disciplinary power which is increasingly
ubiquitous; it is present in schools, hospitals, shopping malls, etc. It is also integrated at the micro level
into the subjects themselves, who therefore observe and constrain their own behavior, perspectives, and
attitudes, as well as those of others (Gutting, 2022). This disciplinary power ultimately produces
Before his early death in 1984, Foucault turned his critical and probing intellect toward the
topic of sexuality. The first volume of this multi-volume work was published in France in 1976, and in
English in 1978. Titled The History of Sexuality, Vol. I: The Will to Knowledge, it served as an
introduction, and focused on various concerns of modern sexuality including "children, women,
'perverts,' [and] population" (Gutting 2022). Kelly, author of The Political Philosophy of Michel
Foucault states that, "The Will to Knowledge is an extraordinarily influential work, perhaps Foucault’s
most influential" (2015). Similar to his previous works, he subjects different historical modes of
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conceiving sexuality to genealogical analysis. However, as sexuality involves deep aspects of our
subjective selfhood, the domination which emanates from scientific observation of, and discourse on,
sexuality is particularly potent. In this case people "are controlled not only as objects of disciplines but
also as self-scrutinizing and self-forming subjects" (Gutting. 2022; Kelly, 2015). Ultimately, "sexuality
becomes an essential construct in determining not only moral worth, but also health, desire, and
identity, [as] subjects are further obligated to tell the truth about themselves by confessing the details of
their sexuality." This takes on a secularized religious dynamic where the doctor or psychiatrist takes the
Foucault explains that the notion that modern society represses sex is mistaken. In fact, he
argues that the opposite is the case; there has, in fact, been a great expansion of sexual discourse,
particularly that which is "medical, juridical and psychological." This, rather, leads to our society
becoming more sexualized. Also, because all sexuality is inherently based within enculturated
experience and understanding, the society's general view that there is a natural, repressed sexuality
needing to be liberated, is incorrect (Gutting, 2022). Foucault again points out in this work that power
is not only repressive, but that it is also productive; and works by producing "cultural normative
practices and scientific discourses, [and] the ways in which we experience and conceive of our
sexuality" (Ibid.). This perspective influenced social constructivist understandings of sexuality, gender,
and identity. For example, Judith Butler's Gender Trouble: Feminism and the Subversion of Identity
makes frequent reference to Foucault's understandings (2002). Also, Donna Haraway states in her
"Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century" that
"[Michel] Foucault's biopolitics is a flaccid premonition of cyborg politics;" where cyborg politics
looks forward to "unclosed constructions of personal and collective selves" (Haraway, 1991, 1 and 8).
Foucault completed Volumes II and III of The History of Sexuality, and nearly completed
Volume IV, all of which were published after his death in 1984. Volume II, published in France in 1984,
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and in English in 1985; was subtitled The Use of Pleasure. Volume III, published in France in 1984,
and in English in 1986; was subtitled The Care of Self. And finally, Volume IV published in draft form
in France in 2018, and in English in 2021 was subtitled Confessions of the Flesh. These works continue
"to investigate how individuals were led to practice, on themselves and on others, a hermeneutics of
desire; [...] how, for centuries, Western man had been brought to recognize himself as a subject of
desire" (Foucault, 1990, 5-6). They also continue to examine the related power-knowledge dynamics.
And Foucault questions: "how, why, and in what forms was sexuality constituted as a moral domain?
Why this ethical concern that was so persistent despite its varying forms and intensity? Why this
'problematization'?" (Ibid., 10). The historical period analyzed ranges from the Greco-Roman period
through to early Christianity. Kelly notes how influential Foucault's thought has been: "concerns with
sexuality, bodies, and norms form a potent mix that has, via the work of Judith Butler in particular,
been one of the main influences on contemporary feminist thought, as well as influential in diverse
Also, while most of Foucault's works had largely bracketed questions of how the state and such
institutions directly exercise power, his later work addresses these questions, particularly the concept of
governmentality. Two collections of his lectures are of note, Security, Territory, Population: Lectures at
the Collège de France 1977-1978, and The Birth of Biopolitics: Lectures at the Collège de France,
1978-1979. These works examine the intersection of statecraft and what Foucault terms the government
of the self. These works were also very influential, and form the "basis for what is effectively an entire
author of the forward to Deleuze's work Foucault—quotes Foucault as saying, "'perhaps one day this
century will be known as Deleuzian" (Deleuze, 1988, xlii). Beyond Deleuze writing about him directly
in the eponymous Foucault, his influence is also foundational to Deleuze's essay "Postscript on
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Societies of Control" (1992). "Postscript" extrapolates Foucault's understanding of the transition from
sovereign societies to disciplinary societies to what Deleuze calls control societies. This perspective
only increases in relevance, as the methods by which subjectivities and docile bodies are formed and
governed increasingly become the kind belonging to control societies. These modes of control, often
"[perpetually] [metastable]" (Deleuze, 1992). One simple example is the control society's house arrest
and associated ankle monitor, which an be considered in contrast to the discipline society's
narrative. And as Ritzer and Stepnisky state, "[he] has no sense of some deep, ultimate truth; there are
simply ever more layers to be peeled away," therefore contributing to the Postmodern death of Truth
(2021, 421-422). And, as noted, his essay "What is an Author" contributed to the Postmodern death of
Also, his structuralist/post-structuralist (Ritzer and Stepnisky, 2021) analyses show how
discourses generate, and relate to normative, subjectivizing power-knowledge dynamics which work to
categorize and marginalize certain groups seen as problematic from the perspective of the bourgeoisie.
This has given rise to a lifting up and centering of subaltern discourses, such as in "post-colonial
discourse theory, [or] multicultural theory," etc. (Athabasca University, 2024). It also contributed to the
rise of New Materialism, and Posthumanism (Sugrue, 1997); and his understanding of social
constructivism contributed significantly to the development of queer and gender studies (Ritzer and
Ryan, 2011). His Madness and Civilization "[gave] birth to the anti-psychiatry movement," and
His understanding of the microphysics of bio-politics of power significantly impacted social theorists'
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understanding of power, which previously had been more attuned to its the top down institutional
manifestations. Conversely his ideas regarding the state and governmentality added to the repertoire of
Foucault's work was different from that of traditional sociologists in that he freely borrowed
from the methods and materials of any discipline. His approach was also different in that it—similar to
Bruno Latour's actor-network theory (2007), or Deleuze and Guattari's rhizome (2005)—blurred the
In conclusion, this all examples Foucault's transformative influence which, via his distinct
methodology and perspective, drastically changed our understanding of society and social theory. This
essay is not—nor could it be—exhaustive. His influence is too intense, widespread, and diverse; it is
nigh impossible to trace all of its threads, to name all of its potential offspring, or delineate all the
resultant realities. Foucault's work will continue to be impactful long into the foreseeable future; where
it may finally echo out to imperceptibility. And even then, it may perhaps at some unknowable point be
revived; just as Duchamp's art took on renewed meaning for the (re)generation of the 1960s (Lebel,
2024).
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