The Apparition

Music and Words by

Nicholas Paradas

     
 
  
 = 95 

 
3


  
A lone in a

               
3 3 3 3 3 3 3 3 3 3 3 3

3 
       
  


 

     
    


4


world a ges old, the

               
3 3 3 3 3 3 3 3 3 3 3 3

       



   
3

 

      

7

 
3


 
sun and the moon seem to fold


            
3 3 3 3 3 3 3 3 3 3 3 3

       


      
     



   
10
3


3

   
 
Ah! I sing for peace and

  
       
3 3


 
    
  


  

    
        
13 


3


rest. My love has gone a

          
               
3 3 3 3 3 3 3 3 3 3 3 3

        

   



 
3

           
   
 


16 rit.


3 3

  

way from me, My love has gone a

                     
rit.
3 3 3 3 3 3


           

 
 

2
   
      



 = 75 


19

  
          
way but

 
      
       
 




      




23 sotto voce

 
          
in my heart I know

 
             


    
   


27

    
       
they're near.

    
      
       
 

  


3
   
     


32 Recitation


 
       
At


rit.


      
  
 dim. 


         
    



35


3

   
     
mid night, I hear your voice in my




     







        


38 3
3

      8
dreams.

                 

   
8 8 8

                                 

poco a poco accel.

8 8 8 8
 

4
      
  
 
Tempo 1 cresc. 


39


3

   
Ad mit ted ly, I fear

  
            
3 3 3 3


    
   
 
 

 
               
42 3



       
3

      
that you haunt me, but you don't want me,

  



           
      

    
   


  
 = 60

 
45

 



     
   
so why are you here?

   
3 3 3 3


        
 
rit.

  