Professional Documents
Culture Documents
CREATIVE WRITING
Name of Learner: Grade Level & Section :
LRN : Date :
LEARNING ACTIVITY SHEET – WEEK 3 & 4
Elements of Creative Language
Learning Target: (a) Use imagery, diction, figures of speech, and specific experiences to evoke meaningful responses
from readers
Values Integration: Perseverance, Diligence, Prayer, and Patience
References: a. Creative Writing Teachers Wraparound Edition by Gasulas, Allen M., Gerardo Gabriel Q. Mantaring, etc.,
(Phoenix Publishing House), First Edition, 2017, pp. 15-33.
Concept Notes:
IMAGERY AND FIGURES OF SPEECH
Imagery is a figurative language used to represent objects, actions, and ideas in a manner that appeals to the
senses. It uses vivid descriptive language to add depth to the work. Imagery creates mental pictures in the reader as
he/she reads the texts.
Imagery uses vivid descriptive language to add depth to a literary work. It makes use of words appealing to the
five senses: sight, smell, hearing, taste, or touch.
Figures of Speech like simile, metaphor, onomatopoeia, personification, apostrophe, hyperbole, alliteration,
synecdoche, metonymy, oxymoron, and paradox, among many others are used to create mental pictures as one reads.
Imagery and figures of speech make writing beautiful and creative.
Simile is stated comparison (formed with “like” or “as”) between two fundamentally dissimilar things that have
certain qualities in common, while metaphor is an implied comparison between two unlike things that have something in
common.
Onomatopoeia uses words that imitate sounds associated with objects or actions. Personification, on the other
hand, endows human qualities or abilities to inanimate objects or abstraction. Addressing an absent person or thing that is
an abstract, inanimate, or inexistent character is apostrophe.
Auto Wreck
by Karl Shapiro
Its quick soft silver bell beating, beating, Empty husks of locusts, to iron poles.
And down the dark one ruby flare
Pulsing out red light like an artery, Our throats were tight as tourniquets,
The ambulance at top speed floating down Our feet were bound with splints, but now,
Past beacons and illuminated clocks Like convalescents intimate and gauche,
Wings in a heavy curve, dips down, We speak through sickly smiles and warn
And brakes speed, entering the crowd, With the stubborn saw of common sense,
The doors leap open, emptying light; The grim joke and the banal resolution.
Stretchers are laid out, the mangled lifted The traffic moves around with care,
And stowed into the little hospital. But we remain, touching a wound
Then the bell, breaking the hush, tolls once. That opens to our richest horror.
And the ambulance with its terrible cargo Already old, the question Who shall die?
Rocking, slightly rocking, moves away, Becomes unspoken Who is innocent?
As the doors, an afterthought, are closed. For death in war is done by hands;
Suicide has cause and stillbirth, logic;
We are deranged, walking among the cops And cancer, simple as flower, blooms.
Who sweep glass and are large and composed. But this invites the occult mind,
One is still making notes under the light. Cancels our physics with a sneer,
One with a bucket douches ponds of blood And spatters all we knew of denouement
Into the street and gutter. Across the expedient and wicked stone.
One hangs lanterns on the wrecks that cling,
Processing Questions:
1. Upon reading the word “ambulance,” what words or scenes did you associate with it?
2. What do you think happened in the poem? Why was an ambulance present? Was there an emergency? What word or
phrase tells us it was an emergency?
3. Was there a patient? Did the patient live or die? What word or phrase tells us this?
4. What was the feeling of the onlookers? Were they happy or sad? What word or phrase tells us this?
5. Can you point out the line that tells us the cause of death? What is the attitude of the author toward death and its
cause? What word or phrase gives us a clue to this?
6. Have the figures of speech used helped you “picture” the scenario described in the poem? Explain.
Metaphor
Personification
Onomatopoeia
Apostrophe
Hyperbole
Alliteration
Synecdoche
Metonymy
Oxymoron
Paradox
In preparation for the full story or poem, make short paragraphs or vignettes of at least 120 words one ach topic.
That which you consider as your best output shall be submitted and graded according to the following rubric:
“Don’t fear, because I am with you; don’t be afraid, for Prepared by:
I am your God. I will strengthen you, I will hold you
with my righteous strong hand.” APPLE MARIE B.
FELISILDA
- Isaiah 41:10 Creative Writing Teacher