Professional Documents
Culture Documents
WK 1-3
WK 1-3
2023
Classroom Materials:
https://depo.erciyes.edu.tr/index.php/s/wEeE8jy2twRHGaj
Password: Discourse2023BA
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What is discourse?
■ The prevailing sense of "discourse" is defined by Oxford Disctionaries as "A spoken or written
treatment of a subject, in which it is handled or discussed at length; a dissertation, treatise, homily,
sermon, or the like."
■ Discourse is most simply understood today as a sort of unit of language organized around a
particular subject matter and meaning.
■ This can be contrasted to other ways in which language has been broken down into much smaller
units of analysis, such as into individual words or sentences in studies of semantics and syntax.
■ In addition, the idea of discourse often signifies a particular awareness of social influences on the
use of language. It is therefore important to distinguish between discourse and the Saussurean
concept of the parole as a real manifestation of language(Saussure, 11-17).
■ Saussure's distinction between langue and parole is such: langue is a
linguistic system or code which is prior to the actual use of language and which is stable,
homogenous and equally accessible to all members of a linguistic community.
■ Parole is what is actually spoken or written, and varies according to individual choice. Thus while
discourse is also what is actually spoken or written, it differs from parole in that it is used to denote
manifestations of language that are determined by social influences from society as a whole, rather
than by individual agency.
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Discourse
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Discourse
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Discourse is…
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Multimodal
Discourse
■ How Analysis
Critical Ethnography
■ Where Discourse of
Analysis Speaking
■ When
Discourse
■ To whom Analysis
Pragmatics
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■ The examination of written language seems to be easier to conduct than the scrutiny of oral
texts.
■ It is simply because more data is available in different genres, produced by people form different
backgrounds as well as with disparate purposes, it is more developed and of interest not only to
linguists but also language teachers and literary scholars.
■ Each of them, however, approaches such a study in a different way, reaching diverse
conclusions, therefore only notions that are mutual for them and especially those significant for
language methodology are accounted for here.
■ What is worth mentioning is the fact that in that type of analysis scholars do not evaluate the
content in terms of literary qualities, or grammatical appropriateness, but how readers can infer
the message that the author intended to convey.
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Once upon a time, in Kasseria there was a joyful English Language Teaching Class which
was full of bighearted students. In this class, there were three intelligent and hardworking girls
named Cansumius, Zeynorious and Hatchengle. Also these were such mysterious girls that
nobody knew who they really were, where they came from and with whom they did hang out...
One day, when this sweet class was having an Advanced Text Analysis course, their lecturer
Mr. Erdemous realized that the class had not done their homework, but the three famous girls.
He got mad and started to shout at students. 'You all made me sad!' said he. 'Five points will
be taken from your score back!' And suddenly, a huge black hole emerged on the smart board
behind him and swallowed him up….
What makes you think that it is not an academic text?
■ Any idea about K1 words (First 1000 words), K2 words (1001-2000 words) in English and
Academic Word List (AWL)? Consider the following words:
■ Applicable, Improve, Mistake, Individual?
Applicable Individual
Improve (K2) Mistake (K2)
(K1) (AWL)
109 K1
7 K2
5 AWL
11 off
https://www.lextutor.ca/vp/eng/
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Another text
TEXT 2: (257 words, produced by 1st year ELT student Büşra Yeşil at Erciyes University, Kayseri)
This paper has attempted to provide an overview on CLT method based on its background, advantages
and followed by implementation of CLT in Turkish context. As explained above, CLT is a method that is
important in terms of learning a new language .It aims at communicative competency in learning a
language. The important part of competence includes using language forms appropriately, preparing
proper situations to improve communications, feeling free, taking part in games. Authentic materials,
scrambled sentences, games, strip stories, role-plays are the technics that are used in this approach.
However, implementation of CLT in Turkey is not applicable. Teachers who are concerned to apply CLT
method in their classrooms may encounter some barriers because of insufficient teaching resources,
crowded classes, education system of Turkey. The competence of Turkish students may not enough to
participate in oral communicative activities. We can draw a conclusion, instead of exam-oriented system,
it is more beneficial for students to practise, participate in oral communicative activities. If teachers give
up teaching only grammar in every class and finishing the lesson without doing any activity, students can
have a chance to improve their oral skills. Teachers should use different activities communicating in
forms of plays, roles and work of solving problems. The goal of students should be then having interaction
with one another instead of passing the standardized tests. All activities should ensure interaction among
students and help coaction. If these conditions are provided and fulfilled completely, CLT can be one of
the most efficient techniques in the well-designed education circle.
What makes you decide on the genre of this text?
190 K1
12 K2
28 AWL
27 off
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219 K1
16 K2
37 AWL
37 off
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Discourse Analysis
■ Please visit the course I created on TedEd for the introduction to DA class.
■ https://ed.ted.com/on/kr0F72jf
■ If you have any question, just drop me an email/message on whatsapp!
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Discourse Analysis
■ Discourse analysis (DA), or discourse studies, is a general term for a number of approaches to
analyze written, vocal, or sign language use, or any significant semiotic event.
■ Discourse can be defined in three ways:
– Language beyond the level of a sentence
– Language behaviors linked to social practices
– Language as a system of thought
■ Discourse analysis is sometimes defined as the analysis of language 'beyond the sentence'.
■ This contrasts with types of analysis more typical of modern linguistics, which are chiefly
concerned with the study of grammar: the study of smaller bits of language, such as sounds
(phonetics and phonology), parts of words (morphology), meaning (semantics), and the order
of words in sentences (syntax).
■ Discourse analysts study larger chunks of language as they flow together.
Discourse Analysis
■ In order to understand Discourse and Discourse Analysis, we also need to make sure
we are aware of some of the key terms.
■ Genre?
– Genre refers to the type and structure of language typically used for a particular purpose
in a particular context.. The relationship btw DA and Genre is ‘’ DA is Genre analysis’’
■ Register?
– The term register refers to specific lexical and grammatical choices as made by
speakers depending on the situational context, the participants of a conversation and
the function of the language in the discourse (cf. Halliday 1989, 44).
– In linguistics, a register is a variety of a language used for a particular purpose or in a
particular social setting. For example, when speaking in a formal setting contrary to an
informal setting, an English speaker may be more likely to use features of prescribed
grammar—such as pronouncing words ending in -ing with a velar nasal instead of an
alveolar nasal (e.g. "walking", not "walkin'"), choosing more formal words (e.g. father vs.
dad, child vs. kid, etc.), and refraining from using words considered nonstandard, such
as ain't.
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Discourse Analysis
■ Speech Acts:
In language use, in one sense we are talking about 'functions': we are concerned as much
with what people are doing with language as with what they are saying.
■ When we say that a particular bit of speech or writing is a request or an instruction or an
exemplification we are concentrating on what that piece of language is doing, or how the
listener header is supposed to react; for this reason, such entities are often also called
speech acts
■ Take the simple utterance It ’s cold in here.
■ What does it mean? Who could say it to whom in what situation?
■ At first sight, this is a statement about the temperature in a particular room.
■ However, this is not always the communicative intention with which this declarative
sentence is uttered.
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■ The locutionary and the illocutionary act are within our control, whereas the
perlocutionaiy act is not.
■ In these examples, the first speaker’s illocutionary act of requesting succeeds because
the speaker has managed to produce an utterance that is suitable to convey her
communicative intention, even though the perlocutionary effect is negative.
■ This communicative intention is often called the illocutionary force.
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Discourse Analysis
■ The scope of discourse analysis
■ Discourse analysis is not only concerned with the description and analysis of spoken
interaction.
■ In addition to all our verbal encounters we daily consume hundreds of written and printed
words: newspaper articles, letters, stories, recipes, instructions, notices, comics, billboards,
leaflet spushed through the door, and so on.
■ We usually expect them to be coherent, meaningful communications in which the words
and/or sentences are linked to one another in a fashion that corresponds to conventional
formulae, just as we do with speech; therefore discourse analysts are equally interested in
the organisation of written interaction
Discourse Analysis
■ Spoken discourse: models of analysis
■ One influential approach to the study of spoken discourse is that developed at the University
of Birmingham, where research initially concerned itself with the structure of discourse in
school classrooms (Sinclair and Coulthard 1975). The Birmingham model is certainly not the
only valid approach to analysing discourse, but it is a relatively simple and powerful model
which has connections with the study of speech acts. An extract from their data illustrates
this:
(T = teacher, P = any pupil who speaks)
T: Now then . . . I've got some things here, too. Hands up. What's that, what is it?
P: Saw
T: It's a saw, yes this is a saw. What do we do with a saw?
P: Cut wood.
T: Yes. You're shouting out though. What do we do with a saw? Marvelette.
P: Cut wood.
T: We cut wood. And, erm, what do we do with a hacksaw, this hacksaw?
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P: Cut trees.
T: Do we cut trees with this?
P: No. No.
T: Hands up. What do we do with this?
P: Cut wood.
T: Do we cut wood with this?
P: No.
T: What do we do with that then?
P: Cut wood.
T: We cut wood with that. What do we do with that?
P: Sir.
T: Cleveland.
P: Metal.
T: We cut metal. Yes we cut metal. And, er, I've got this here. What's that? Trevor.
P: An axe.
T: It's an axe yes. What do I cut with the axe?
P: Wood, wood.
T: Yes I cut wood with the axe. Right . . . Now then, I've got some
more things here . . .
Discourse Analysis
■ This is only a short extract, but nonetheless, a clear pattern seems to emerge(and one
that many will be familiar with from their own schooldays).
■ The first thing we notice, intuitively, is that, although this is clearly part of alarger
discourse (a 'lesson'), in itself it seems to have a completeness.
■ A bit of business seems to commence with the teacher saying 'Now then . . .', andthat
same bit of business ends with the teacher saying 'Right. . . Now then'.
■ The teacher (in this case a man) in his planning and execution of the lesson decides
that the lesson shall be marked out in some way; he does not justrun on without a
pause from one part of the lesson to another.
■ In fact he gives his pupils a clear signal of the beginning and end of this mini-phase of
the lesson by using the words now then and tight in a particular way (withfalling,
intonation and a short pause afterwards) that make them into a sortof 'frame' on
either side of the sequence of questions and answers. Framing move is precisely what
Sinclair and Coulthard call the function of such utterances.
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Discourse Analysis
■ The two framing moves, together with the question and answer sequence that falls between
them, can be called a transaction, which again captures the feeling of what is being done
with language here, rather in the way that we talk of a 'transaction' in a shop between a
shopkeeper and a customer, which will similarly be a completed whole, with a recognizable
start and finish.
■ However, framing move and transaction are only labels to attach to certain structural
features, and the analogy with their nonspecialist meanings should not be taken too far.
Let’s see this:
1. Ask T
2. Answer P
3. Comment T
■ This gives us then a regular sequence of TPT-TPT-TPT-TPT, etc. So we can now return to our
extract and begin to mark off the boundaries that create this pattern:
Discourse Analysis
T: Now then . . . I've got some things . h too. Hands up. What's that, what is it? I
P: Saw. I
T: It's a saw, yes this is a saw. N What do with a saw? 1
P: Cut wood. I
T: Yes. You're shouting out though. I! QUltacd~ do with a saw? Marvelette. I
P: Cut wood. I
T: We cut wood. 11 And, erm, what do we do with . . . etc.
■ We can now isolate a typical segment between double slashes (//) and use.it as a bask unit in our
description:
■ T: /I What do we do with a saw? Marvelette. I
■ P: Cut wood. I '
■ T: We cut wood. //
■ Sinclair and Coulthard call this unit an exchange. This particular Exchange consists of a question,
an answer and a comment, and so it is a three-part exchange. Each of the parts are giveri the
name move by Sinclair and Coulthard.
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Discourse Analysis
A taste of analysis
■ What to Analyse: Audience and Purpose:
– Who is the intended audience for each genre?
– What discourse community (or communities) is this audience in?
– What is the audience likely to know? Want to know? Why?
– How much time will this audience want to spend with the information presented in
the genres?
– What is the purpose of the information presented in the genres? (inform, persuade,
entertain)
■ What to Analyse: Rhetorical Issues:
– How does each genre help to establish the information's credibility? Is it effective?
– How does each genre help to evoke an emotional response from the
audience? Which emotions? Why?
– What types of evidence are used to support the claims of the information in the
genres? Is it appropriate? Why or why not?
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A taste of analysis
■ What to Analyse: Structure
– How is the information shaped by the genre (s)? (Consider the limitations/freedoms
of space, time, layout, audience, and so on.)
– How are the genre organized to convey its message?
– How does the structure facilitate the purpose of the information in the genre(s)?
■ What to Analyse: Style and Language
– How formal/informal is the language?
– What specialized vocabulary is used?
– What other language features do you notice?
Samples
■ Russian bear attack: Woman 'recovering‘
■ Sleeping Beauty (Little Briar Rose)
■ Reference Letter
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