Arranged by Yoko Kanno

Transcribed by Fsstsst

Bunkasai Medley (Kids on the Slope)

Edited/revised by anon
Piano


  
 = ~195

 
       
My Favorite Things

          

   
    
   
               

     

    
    



     
freely ritard. ambiguous time

  
               
 = 195

    
       
         
3

      
          



    
time

 
                

   
                

  
3

      



 
             
     
      
3

     
         
          
    
3

 
 


  
3

  
                 
        
  
                    
       
  


           
             
  


      
     

                
              
3

    



 
      
           
  
         
  
                           
     
   
  
    
sentarou's entrance

   
      

 
 
          
     
                
           
3





    


     
"solo" section, honestly if stuff gets too hard just improvise

             
  
     
  
   


  
             
            
           
   


                                
           
 
       

  3  
   
   3  3    
      
  
        
3 3

   


                  
Gmin

          
                        

Fmaj Gmin Fmaj
       
                          
      
   


       
play something fast and high here

 
   
         


             

       
  
 3

 
  3  
      
         3 
 
             
3

  
3

    
 


          
   
         


                 

 = 230 (wow they sped u

                   



         
Someday My Prince Will Come

    
 
    
              
        




  
                  
  
    
       
        
       


2

                          

              
 
          
           
       


        
                       
           
3


  
    
   
             
            


            
F
                        
"solo" section

    
                


  
  
      
    
3 3

       
3 3

     
trading 2's, u can improvise here


pls play high and blocky

C♯dim E♭ F C♯dim E♭ F

                                
    
 

                    


 

       
    
   
                  



           
C♯dim E♭ C♯dim E♭
  
                      

F 

   
     

      
           
   
3 3 3 3 3

    




     
        


         
      
 
         
 
       


       


  Moanin'         
 = 140

           
3

  

         
 
       
         
  

3

     
               
  
         
 

    

  
     
      
3

 
  


               
                          


    



3

  
 
      
       
3 3 3 3

 
   


       
           
 
    


  
 
  
       
  
 3
 
 
 
3 3 3 3

           
3

   
3

 


  
3

                 3
  
   
     
        
             
        
3

           
 
3


 
          
            


              
3 3


3

  3       
      
             
  
   
 
3


3

      
 3


  3

                    
     
 



            
         
  
        
         
3

   


melody 2nd time,

  
                                            
embellish and improvise

            
  3
      

       
          
3

   

4

   
 

             
         
 
           
 
 


     
        
 


dim.

        

                   


  


        
   
  
 


deliberately, let loose

         
          
  
 

 
  
.
ss
gli





                     
                  




hold this measure for length in recording