Unconveyed Feelings


from Fujisaki Shiori Piano Collection
Transcribed by Pseudo

q = 135

     
p
        
                      


  
     
   
5

 

         
                     




 
9

    

        
                     


 
13
      

    

    
                    
     


1.

                       
17

  
        
 

             
      

2 2.

                      
21

       
       
          
 


                 
25
  
   
 
   
    
 

 


29
                 
   


    
 



                 
33

    
 
 
      
    
        
     


           
37
  
  


  
        
  


3

                     

41

    

      
    
      
     
 


     
45
      
   
3

 
          
 
 




49

    

        
                    
  


  
     
   
53

 

         
                     




 
57

    

        

                     

4
      
  
61

    
 

   
                


  


                       
65

  
      
 
            
poco rall.

     



69
        
  

a tempo
   
                   
    


                  
73

          
    
 
           
     


                      
77

       
       
         
 

5

                  
81

   
 
   
   
 
 
 


85
               
      


  


 


                  
89

  

        
      
       



            
93
 
     

 
           
  



             
97
  
 

        
        
   

6

             

101
 
    


    
    
   



       
105
   
 

        
        



 
109

    
rall.
       
   

             
 


Meno mosso e molto rubato

112

           
      


3
    
     
      
  


116
 
   
     
  

    
  






3
  
     


   

7

 
120

             
 


     
   
 
 



124

         
3

         


   
     
  
    



 

 
128
     

          


riten.

 
      
      
