Professional Documents
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Chapter 9
Chapter 9
conversation
Responses to indirect complaints
about a co-present participant
In that paper Goffman makes a distinction between hearers who are ‘rati-
fied participants’ and those who are not. In the case of the former, a further
distinction can be drawn between ‘addressed’ and ‘non-addressed’ hear-
ers. While in a two-person encounter the hearer can be assumed to be the
addressed recipient, in larger encounters there can be one or more hearers
who are not currently being addressed by the speaker (although of course a
speaker can also address more than one hearer at a time, including all par-
ticipants as a whole (Goffman, 1974, p. 565)). In the case of non-ratified
participants, there can be bystanders who can function as ‘overhearers’,
who are perceptually able to catch something of the encounter whether
they intend to or not, or as ‘eavesdroppers’ who may surreptitiously use
DOI: 10.4324/9781003094111-11
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
Created from sheffield on 2023-10-29 15:32:19.
196 Ray Wilkinson et al.
the access they have to gain information. These more finely discriminated
roles, in particular the range of reception roles, allowed Goffman to high-
light, among other things, various types of ‘subordinate communication’
(such as ‘byplay’, ‘crossplay’ and ‘sideplay’), in relation to the ‘dominating
communication’, as well as how each of these types of subordinated com-
munication types might take concealed (‘collusive’) forms.
Goffman notes that the participation roles he identifies can provide the
analyst with ‘a cross-sectional, instantaneous view’ (1979, p. 11). That is,
when one participant is speaking, ‘the relation of any one such member to
this utterance can be called his participation status relative to it, and that
of all the persons in the gathering the participation framework for that
moment of speech’ (Goffman, 1979, ibid.).
The influence of Goffman’s model on subsequent research into participa-
tion has been significant. For example, a number of researchers (e.g., Dynel,
2010; Levinson, 1988) have drawn on the model outlined in Footing and
modified it, particularly by adapting or adding to Goffman’s participant roles.
In this chapter, using the methods and findings of Conversation Analysis
(CA) (Clift, 2016), we aim to build on the insights of Goffman and subse-
quent researchers (in particular Levinson, 1988) regarding participation in
social interaction. The analytical perspective of this chapter, however, dif-
fers somewhat from that of Goffman and subsequent researchers who have
built on his typology of participant roles. Rather, our approach has simi-
larities to that of Charles Goodwin and Marjorie Harness Goodwin (e.g.,
Goodwin & Goodwin, 2004; Goodwin & Goodwin, this volume) who
have provided a mixture of appreciation and critique of Goffman’s work
on participation. In particular, Goodwin and Goodwin (2004) argue for
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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Participation within multiparty conversation 197
next can be assumed to be the one other than the current speaker. Within
a multiparty conversation, addressing practices can be deployed with the
initiating action to single out a particular party to participate next (Lerner,
2003). These practices can be explicit, such as gazing at a particular party or
using an address term, or implicit and tied to aspects of the context, such as
when the circumstances make it clear that there is only one party to whom
that particular utterance can be heard as being addressed (Hayashi, 2013).
In multiparty conversation, while an action regularly makes relevant a
response from, and hence the participation of, the addressed party, and
only that party, it is possible that actions can have other types of implica-
tions for participation. Schegloff (1996), for example, has noted that an
utterance can have action implications for a non-addressed participant.
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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198 Ray Wilkinson et al.
Excerpt 1
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Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
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Participation within multiparty conversation 199
When Dad answers the phone, Emily requests that he speak to Mum (line 8).
She also provides a reason, which assigns blame to Mum for deliberately
doing something – taking the keys – that is stopping Emily doing what she
‘needs’ to do, i.e., having a bath. She ends by assigning to Mum a blame-
worthy motivation for her action: being spiteful (line 10; see Excerpt 1a).
Excerpt 1a
10 EMI: because she’s being #spiteful.
emi: >>gz down------------------->>
mum: >>gz to her food------------>>
tom: >>gz ahead------------------>>
fig: #fig.9.1
Figure 9.1
complaint’.
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
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200 Ray Wilkinson et al.
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
Created from sheffield on 2023-10-29 15:32:19.
Participation within multiparty conversation 201
Excerpt 1b
13 MUM: [I just do#n’t want +you in my roo:]m.
14 EMIL: [ >I ha#ven’t done anything<. ]
emil: >>gz to mum------------------------>>
mum: >>gz ahead------------------------->>
tom: >>gz to fork--------+gz to MUM----->>
fig: #fig. 9.2
Copyright © 2023. Taylor & Francis Group. All rights reserved.
Figure 9.2
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
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202 Ray Wilkinson et al.
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
Created from sheffield on 2023-10-29 15:32:19.
Participation within multiparty conversation 203
complainee. It is also possible (though less common in our data) for non-
complainee recipients to disaffiliate from the complaint.
In this section we present four excerpts of non-serious or playful com-
plaints about a co-present participant. In the first two (Excerpts 2 and 3)
the complaints are quite brief (produced over one turn) whereas in Excerpts
4 and 5 they are elaborated over more than one turn.
In Excerpt 2, a couple, Carol and Lucio, are hosting five other fellow stu-
dents for a pizza lunch. The participants are mainly non-native speakers of
English with different native languages and the group speak in English. As
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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204 Ray Wilkinson et al.
the excerpt starts, Lucio has just finished humorously recounting an epi-
sode he was involved in with Carol and her mother where (in his version of
events) the women were discussing how a grooming set would be a good
present for various men in their lives and he advised them otherwise. Carol,
who has been the main butt (Goodwin, 1984) of Lucio’s telling, responds
and challenges Lucio’s version of events. This includes in lines 3–5 where
she gazes toward some participants across the table and produces an indi-
rect complaint about Lucio.
Excerpt 2
01 LUC: y- you needed some male’s advice
02 AND: hih
03 CAR: . (but) the problem is that hes very evil=
04 I mean he was mocking me- and he
05 [was mocking me with my mum?]
06 AND: [gh hih hih hih hih hih- ].hh
07 ??: [(mmhm)
08 [((Luc shrugs, wipes mouth, swallows drink))
09 LUC: no I wasnt mocking you=I was ju-just saying-
10 give you giving you good advice to you and
11 your mum that this would have been a
12 nightmare.
is evidence from the complainant’s (Carol’s) eye gaze. During her com-
plaint about Lucio she shifts her gaze (Excerpt 2a), such that by the second
‘mocking’ in line 4 she is gazing at him (resulting in mutual gaze):
Excerpt 2a
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
Created from sheffield on 2023-10-29 15:32:19.
03 CAR: (but) the prob+lem is that hes ve+ry evil=
car: >>gz down-----+gz twd others-----+gz down->
luc: >>gz down--------------------------------->
04 CAR: I mean he was mocking #me- and+he
car ------------------------------->+
Participation within multiparty conversation 205
luc --------> ... gz to CAROL----->
fig: #fig. 9.3
05 CAR: +was #mocking me with my mum?
car: ->+--gz to LUCIO------------->>
luc: ----------------------------->>
fig: #fig. 9.4
Carol’s gaze here can be seen to treat Lucio as accountable for respond-
ing (Stivers & Rossano, 2010), and indeed on completing her complaint
she maintains her gaze to Lucio until after he starts his response (line 09,
Excerpt 2b).
Excerpt 2b
08 (0.3) (1.2)
luc: shrugs wipes mouth, swallows drink
luc: gz down------------------------------>
car: >>gz twd LUCIO------------------------>
09 LUC: no I wasnt mocking you=I was jus#just saying
luc: ----------------------- ..... gz twd CAROL->>
car: --------------------------------------------->>
fig: #fig. 9.5
Copyright © 2023. Taylor & Francis Group. All rights reserved.
Figure 9.5
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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206 Ray Wilkinson et al.
Carol’s turn in lines 3–5 thus has a hybrid quality; by referring to Lucio,
she verbally rules him out as the addressee of the utterance (Lerner, 2003).
However, by turning her gaze to him during her turn and holding it there,
she can be seen as marking the complaint’s relevance for him and as sig-
nalling that a verbal response or non-verbal reaction from him may be
expected.
Second, reacting to Carol’s complaint and her gaze toward Lucio, none
of the non-complainee recipients produce a major turn-at-talk at this point.
Here, and in other examples in this section, there is a sense of these recipi-
ents treating the indirect complaint as initiating a colloquy between the
complainant and complainee, and thus taking on the audience role where
actions like laughter may be produced, but not more-than-minimal turns-
at-talk (see Lerner, 2019). In situations where the complainant elaborates
on the initial complaint (see Excerpts 4 and 5) and non-complainee recipi-
ents do then produce full turns-at-talk, these turns remain oriented to the
complaint, typically affiliating or disaffiliating with it. In Excerpt 2 this
sense of holding off from producing more-than-minimal turns-at-talk until
the complainee responds persists during the one and a half seconds between
the end of Carol’s complaint (line 5) and Lucio’s response (line 9) which
is delayed in part by Lucio swallowing his drink then wiping his mouth.
Third, as regards the complainee, Lucio, he responds to Carol’s indirect
complaint and does so with a type-fitted response i.e., a denial (line 9). He
then goes on to provide an alternative formulation (Dersley & Wootton,
2000) of his action as that of giving advice, a less blameworthy activity
than mocking.
Excerpt 3 (see also Sacks et al., 1974; Levinson, 1988) is from an audio-
taped recording of a conversation between a group of students. Immedi-
ately prior to this, Mark, who is visiting the student dorm where Karen,
Sherri and Ruthie are present, has announced that he has come to bor-
row some class notes from Ruthie. Sherri asks Mark whether he has come
to talk to Karen (hearably suggesting that this might normally have been
Copyright © 2023. Taylor & Francis Group. All rights reserved.
Excerpt 3
01 SHE: you didn't come t' talk t' Karen?
02 (0.4)
03 MAR: no, Karen: (.) Karen 'n I 'r having a fight.
04 (.)
05 MAR: . after-sh' went out with Keith
06 (the night before)
07 SHR?: [( )
08 RUT: [UH HUH HUH HUH HUH
09 (0.2)
10 RUT: .huh .huh.
11 ???: ((sni[ff))
12 KAR: [w'l Mark you never asked me ou:t
13 (0.8)
14 MAR: it's true::.=it [h(h)as happ- [.hhhh
15 KAR: [s::o::, [whut c’n I do,
16 I can’t sit home waiting for you [ ( )]
17 MAR: [well Go:]d
18 you know my door’s open day ‘n [ni:ght=
19 RUT?: [uh hhh
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
20 MAR: =hh heh [heh hh
the self. Taylor & Francis Group.
21 RUT?:
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[huh huh hih [hi::h
22 KAR: [‘specially night.
23 SHE: HEH-HEH-heh-he:h heh heh heh
02 (0.4)
03 MAR: no, Karen: (.) Karen 'n I 'r having a fight.
04 (.)
05 MAR: . after-sh' went out with Keith
06 (the night before)
07 SHR?: [( ) Participation within multiparty conversation 207
08 RUT: [UH HUH HUH HUH HUH
09 (0.2)
10 RUT: .huh .huh.
11 ???: ((sni[ff))
12 KAR: [w'l Mark you never asked me ou:t
13 (0.8)
14 MAR: it's true::.=it [h(h)as happ- [.hhhh
15 KAR: [s::o::, [whut c’n I do,
16 I can’t sit home waiting for you [ ( )]
17 MAR: [well Go:]d
18 you know my door’s open day ‘n [ni:ght=
19 RUT?: [uh hhh
20 MAR: =hh heh [heh hh
21 RUT?: [huh huh hih [hi::h
22 KAR: [‘specially night.
23 SHE: HEH-HEH-heh-he:h heh heh heh
around 2.5 seconds), Ruth affiliates with the complaint by laughing (line
8) then breathes in after her laughter (line 10), and someone (not Karen)
sniffs (line 11).
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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208 Ray Wilkinson et al.
Excerpt 4
01 EMM: no odotattekste ny (0.5) innolla sitä
well wait+do+you now (0.5) eagerly that
well are you now eagerly waiting to
02 kämppään (.) muuttam ista,
to+house (.) moving
move into the house
03 MIK: ahem. (.) >sofiaha ei se ei tee<
ahem. (.) name+ha no it no do
ahem. >y’know Sofia doesn’t she doesn’t do<
04 mitää muuta
anything else
anything else
05 ko ˚kattelee˚ niitä kuvia,
but ˚look at˚ those pictures
but look at those pictures,
06 ˚se=o=nytte˚ (.) monta kuukautta jo,
˚it=has=now˚(.) many months now already
she’s been now for many months already
07 SOF: [˚huh huh˚
08 EMM: [huh huhh
09 MIK: ˚siel on˚ joku kakskyt kuvaa ja
˚there is˚ like twenty pictures and
˚there are˚ like twenty pictures and
10 sit se aina <selailee> niit
then it always flips+through them
then she’s always <browsing> them
11 SOF: hah hah [hahh
12 EMM: [heh heh heh
13 MIK: [sit se yrittää heittää mun
then she tries throw my books
then she tries to throw my books
14 kirjoja roskii ja,
into+the+litter+bin and
into the litter bin and,
15 EMM: HEH HEH [HEH HEH HEH HEH HEH
16 SOF: [heh heh heh
so+that+not throw
so that she doesn’t throw away
23 émitään mun kirjoja. se kattoo et mulla on
any of my books. it looks that I have
any of my books. she sees that I have
24 EMM: [h(h)HEHh(h)eh heh hehh hehh h(h)h h(h)h
25 EMM: [heh heh heh heh heh
26 MIK: [kaks olutkirjaa sanoo että (0.5)
two beer+books says that (0.5)
two books about beer and says that
27 MIK: toisen voi sit varmaa heittää pois
one+of+them+gen can then probably throw away
one of them can probably be thrown away
35 MIK: [voisko se
could it
could it
36 SOF: [˚( )˚
37 MIK: =olla missä sä nyt oot
=be where you now are
=be where you are now
38 (0.5)
39 SOF: éno ei se oo.
well no it is.
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
well it’s not.
Created from sheffield40 (0.5)
on 2023-10-29 15:32:19.
41 EMM: ahhh
27 MIK: toisen voi sit varmaa heittää pois
one+of+them+gen can then probably throw away
one of them can probably be thrown away
35 MIK: [voisko se
could it
could it
36 SOF: [ ˚( ) ˚
37 MIK: =olla missä sä nyt oot
=be where you now are
=be where you are now
38 (0.5)
39 SOF: éno ei se oo.
well no it is.
well it’s not.
40 (0.5)
41 EMM: ahhh
42 SOF: =emmää (.) nytte (.) myyny niitä (.)
=I+did+not (.) now (.) sell them (.)
=now I didn’t sell them
43 mää ny aattelin et sul on sit kaks et
I now thought that you have then two that
I just thought that you have two so the
44 @toise voihhehhhh@
another could
other one could be hhhhhhh
45 EMM: ˚heh heh˚
Throughout most of this spate of talk, Mika can be heard as jokingly com-
plaining about Sofia. That this is a complaint is evident from the negative
stance (Schegloff, 2005) he displays toward her actions; first, that she is so
keen to move into the new house that she has done nothing else recently
except looked through photos of it (lines 3–6, 9–10). He then (lines 13–14,
21–23, 26–27) complains that she has been taking it upon herself to throw
out some of his books (presumably in preparation for the move), including
his books about beer. Throwing out his belongings, apparently without ask-
ing him, is hearable as a blameworthy activity which causes him discontent
(Heinemann & Traverso, 2009). At the same time there are features of Mika’s
talk that signal its playful and teasing nature. In particular, he describes Sofia’s
actions in an exaggerated manner (Drew, 1987); for instance, he uses extreme
case formulations such as ‘doesn’t do anything else’ (lines 3–4) and ‘always’
(line 10). While these practices can also be part of serious complaints, here
Copyright © 2023. Taylor & Francis Group. All rights reserved.
the tone is playful and both Sofia and Emma respond to them as humorous.
Sofia, the complainee, affiliates with the playful complaints at some points
by laughing (lines 7, 11, 16). However, at the end of this episode (lines
42–44) she responds more seriously, producing a type-fitted response to
the indirect complaint, in the form of an admission (see Atkinson & Drew,
1979), or at least a partial admission.
Emma affiliates with Mika’s complaints by laughing (lines 8 and 12 inter
alia). Later, she also playfully co-complains (thus orienting to Mika’s talk
as a complaint albeit a playful one), pointing out that one of the beer books
was a present from her (data not shown here).
That Emma treats a response to Mika’s complaints as relevant from
Sofia is evident from her eye gaze. Twice during the complaints she turns
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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210 Ray Wilkinson et al.
Excerpt 4a
05 MIK: ko katte lee # niitä kuvia
but look at # those pictures
emm: gz to SOFIA---->>
sof: >>gz to MIKA -------------->>
fig #fig.9.6
Figure 9.6
The second occasion is during Mika’s statement (lines 21–23) that he has
to check the bins in case Sofia has thrown away any of his books (Excerpt
4b). Emma, who is laughing, holds her gaze toward Sofia until after Sofia
Copyright © 2023. Taylor & Francis Group. All rights reserved.
has finished taking a bite from her sandwich, perhaps to see what Sofia’s
response or reaction will be at that point.
Excerpt 4b
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Participation within multiparty conversation 211
Figure 9.7
Excerpt 5a
36 LUC: . but we are aware that its soap anyway it’s not-,
37 (1.0)
38 CAR: AH he was [listening to
39 LUC: [°( )°
40 CAR: [it!=
41 ???: [ uhh huh huh [heh heh
42 ???: [hih hih hih
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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Participation within multiparty conversation 213
Excerpt 5b
37 (0.2)&(0.8)
car &...>
car >>gz down--->
38 CAR: #& + AH: he was & lis&tening +to
39 LUC: °( )°
car: &points at LUC&,,,,,,&
car: smiling-----------==---------------->
car: +gz ahead--------------------+...
luc: >>gz twd CAR--- ,,,,,,,,,,,,,, gz down->
fig: #fig.9.8
40 CAR: +it,=
car: ----------------->>
car: +gz to Frieda,,,
41 ???: uhh huh huh heh heh
Figure 9.8
age, 1984). Here, Carol insinuates that Lucio was earlier pretending not to
hear her complaint, a blame-worthy attribution that draws laughter from
some of the recipients (lines 41–42).
4. Conclusion
Among other achievements, Goffman’s writings about the ‘social situation’
(i.e., ‘the full physical arena in which persons present are in sight and sound
of one another’: Goffman, 1979, p. 10) and how persons participate within
it highlighted the importance of broadening the analytical focus beyond the
addressee of an utterance to include other reception roles. This element of
Goffman’s work has been taken forward by subsequent researchers such as
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
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214 Ray Wilkinson et al.
Clark and Carlson (1982), Levinson (1988) and Dynel (2010) who have
built on the set of participant roles that Goffman outlined in Footing and
developed new categories.
The approach to participation we have adopted here starts not from par-
ticipant roles but from an investigation of action and sequences of actions
within multiparty conversation. One link between the work presented here
and that outlined above is Levinson’s (1988) discussion of ‘indirectly targeted
utterances’ which, he argues, can make a response conditionally relevant
from the indirect target within the setting which he primarily investigates (a
televised political debate programme with a panel of politicians and commen-
tators, a chair and a studio audience who ask the questions).8 Our examina-
tion of indirect complaints about a co-present party and the response made
relevant from that party has some similarities to the phenomenon outlined by
Levinson. At the same time, however, there are analytical differences between
the two approaches. For example, Levinson’s (1988) description of indirectly
targeted utterances is broad, incorporating a range of social actions, and from
the data shown in his report it does not seem to be the case (nor does it
seem to be argued there) that all types of indirectly targeted utterance make a
response relevant.9 Our approach, on the other hand, has been to start with
a specific social action (indirect complaints about a co-present participant) in
a specific context of language use (mundane multiparty conversation) in order
to examine the nature of this action, including its response relevance.
As well as providing a description of the use of a particular action which
has previously received little investigation (although see Heinemann, 2009),
the analysis adds to our knowledge of sequences of actions. Specifically,
it adds to accounts of sequence organisation concerning how actions can
make a response relevant (conditionally relevant) from an addressed party
(Schegloff, 2007) by providing evidence (from the talk and embodied con-
duct of complainants, complainees and other participants) that a particular
action can also make a response relevant from a non-addressed party. In
this regard, the investigation identifies a feature of multiparty interaction
Copyright © 2023. Taylor & Francis Group. All rights reserved.
Acknowledgements
We would like to thank Celia Kitzinger, Sue Wilkinson, Helen Cameron,
Agnes Kovacs and Robin Sokol for their input to this project in its earlier
stages. We are also grateful to Rebecca Clift for permission to use the data
shown as Excerpt 1.
Mondada, L., & Peräkylä, A. (Eds.). (2023). New perspectives on goffman in language and interaction : Body, participation and
the self. Taylor & Francis Group.
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Participation within multiparty conversation 215
Notes
1 For the distinction between ‘parties’ and individual ‘persons’ (or ‘participants’),
and hence between ‘multiperson’ and ‘multiparty’, see Lerner (2003).
2 For the distinction between ‘relevant’ and ‘conditionally relevant’ see Robinson
(2016).
3 See also Atkinson and Drew (1979, pp. 112–114) concerning how a lack of a
response from a participant in response to an accusation can lead to others infer-
ring that the accused is guilty.
4 Levinson uses the term ‘conditionally relevant’ (1988, p. 215).
5 One other participant produces a short non-lexical vocalisation (line 7). Its con-
tent, however, is unclear on the recording.
6 In line 6 there is a very brief vocalisation from Sherri but this is unintelligible on
the recording.
7 Emma is here using the Finnish plural form of ‘you’, te.
8 Although Levinson (1988) also discusses the excerpt from mundane conversa-
tion that we present here as Excerpt 3.
9 For example, when a counsel interrogates a witness in court, with the witness be-
ing the addressee and the jury being the indirect target of the cross-examination
being conducted (Levinson, 1988, p. 197).
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