PÀ£ÁðlPÀ ¥ËæqsÀ ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, ªÀįÉèñÀégÀA, ¨ÉAUÀ¼ÀÆgÀÄ-560003

KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD

MALLESHWARAM, BENGALURU-560003
«±ÉõÀ ¸ÀAVÃvÀ, £ÀÈvÀå ªÀÄvÀÄÛ vÁ¼ÀªÁzÀå °TvÀ ¥ÀjÃPÉë - r¸ÉA§gï 2021
SPECIAL MUSIC, DANCE AND TALAVADYA THEORY EXAM – DECEMBER 2021

Bharathanatyam, Junior Grade

¨sÀgÀvÀ£ÁlåA, QjAiÀÄ zÀeÉð
Subject / «µÀAiÀÄ : Shastra/±Á¸ÀÛç
Subject Code / «µÀAiÀÄ ¸ÀAPÉÃvÀ : MU 41 T (J)
Maximum Marks / UÀjµÀ× CAPÀUÀ¼ÀÄ : 100
Duration of Exam / ¥ÀjÃPÉë CªÀ¢ü : 2.30 Hours
Timings / ¸ÀªÀÄAiÀÄ : 10.30 AM to 1.00 PM

C¨sÀåyðUÉ ¸ÁªÀiÁ£Àå ¸ÀÆZÀ£ÉUÀ¼ÀÄ / General Instructions to the Candidate:

1. ¥Àæ±Éß ¥ÀwæPÉAiÀÄÄ PÀ£ÀßqÀ ªÀÄvÀÄÛ EAVèÃµï ªÀiÁzsÀåªÀÄzÀ°è ªÀÄÄ¢ævÀªÁVzÀÄÝ, C¨sÀåyðAiÀÄÄ AiÀiÁªÀÅzÁzÀgÀÆ MAzÀÄ
ªÀiÁzsÀåªÀĪÀ£ÀÄß DAiÉÄÌ ªÀiÁrPÉÆAqÀÄ ¥ÀjÃPÉëAiÀÄ£ÀÄß §gÉAiÀÄvÀPÀÌzÀÄÝ.
Question paper is printed in Kannada and English medium. Candidates can opt any one medium and
answer.
2. C¨sÀåyðAiÀÄÄ vÀ£Àß £ÉÆÃAzÀt ¸ÀASÉåAiÀÄ£ÀÄß ¥ÀæªÉñÀ ¥ÀvæÀzÀ°ègÀĪÀAvÉ GvÀÛgÀ ¥ÀwæPÉAiÀÄ°è ¤ÃrgÀĪÀ ¸ÀܼÀzÀ°è ¸ÀàµÀÖªÁV
§gÉAiÀÄvÀPÀÌzÀÄÝ.
Candidate should write their register number on the answer booklet as printed in their hall
ticket.
3. C¨sÀåyðAiÀÄÄ ºÉZÀÄѪÀj GvÀÛgÀ ºÁ¼ÉUÀ¼À£ÀÄß ¥ÀqÉzÀ°è, GvÀÛgÀ ºÁ¼ÉUÀ¼À ªÀÄÄR¥ÀÄlzÀ ªÉÄð£À ¤UÀ¢vÀ ¸ÀܼÀzÀ°è £ÉÆÃAzÀtÂ
¸ÀASÉå §gÉAiÀÄvÀPÀÌzÀÄÝ.
Candidate should write their register number on the additional answer sheets in the space
provided.
4. C¨sÀåyðAiÀÄÄ ¤UÀ¢¥Àr¹zÀ ¸ÀܼÀªÀ£ÀÄß ºÉÆgÀvÀÄ¥Àr¹ E¤ßvÀgÉà AiÀiÁªÀÅzÉà ¥ÀÄlUÀ¼À°è £ÉÆAzÀt ¸ÀASÉå, UÀÄgÀÄvÀÄ, aºÉß
E¤ßvÀgÉ AiÀiÁªÀÅzÉà ªÀiÁ»wUÀ¼À£ÀÄß §gÉAiÀĨÁgÀzÀÄ. MAzÀÄ ªÉüÉ, F §UÉAiÀÄ AiÀiÁªÀÅzÉà ªÀiÁ»wUÀ¼À£ÀÄß GvÀÛgÀ
¥ÀwæPÉAiÀÄ°è §gÉzÀ ¥ÀPÀëzÀ°è CAvÀºÀ GvÀÛgÀ ¥ÀwæPÉAiÀÄ£ÀÄß ªÀiË®åªÀiÁ¥À£ÀPÉÌ ¥ÀjUÀt¸ÀĪÀÅ¢®è.
Candidate should not write register number, mark, sign or any other information in the
answer booklet except in the specified place. In case, if found any information in the sheets
of the answer scripts, such answer scripts will not be considered for evaluation.
5. ¥ÀjÃPÁë ¸ÀªÀÄAiÀÄzÀ°è C¨sÀåyðAiÀÄÄ ¥ÀjÃPÁë CªÀåªÀºÁgÀzÀ°è vÉÆqÀV¹PÉÆArgÀĪÀÅzÀÄ PÀAqÀħAzÀ°è ºÁUÀÆ ¥ÀjÃPÁë
¸ÀÆZÀ£ÉUÀ¼À£ÀÄß G®èAX¹zÀÝ°è CAvÀºÀ C¨sÀåyðAiÀÄ «gÀÄzÀÞ ¥ÀjÃPÁë ¤AiÀĪÀiÁ£ÀĸÁgÀ ²¸ÀÄÛ PÀæªÀÄPÉÌ UÀÄj¥Àr¸À¯ÁUÀĪÀÅzÀÄ
ªÀÄvÀÄÛ CAvÀºÀ C¨sÀåyðAiÀÄ GvÀÛgÀ ¥ÀwæPÉAiÀÄ£ÀÄß ªÀiË®åªÀiÁ¥À£ÀPÉÌ ¥ÀjUÀt¸À¯ÁUÀĪÀÅ¢®è.
Candidate found to be indulged in malpractice during examination and violating
examination instructions, action will be taken against such candidate as per the examination
rules and his/her answer booklet will not be considered for evaluation.
 2
Code MU 41 T(J)
I. Answer the following questions in one sentence each : (12  1 = 12)

1. Write any one benefit of learning dance.

2. Brahma took which element from Samaveda?

3. Which Grantha was written by Simhabhoopala?

4. What is Kinkini?

5. How many Samyutha Hastas are there?

6. How many Jaatis are there in tala?

7. What is chari?

8. How many counts are there in Kandachapu tala?

 3 Code MU 41 T(J)
9. In which state Kathakkali is famous?

10. To which Nandikeshwara has compared Sabha?

11. Flute belongs to which category of musical instrument?

12. What is Aasana?

II. Fill in the blanks with the appropriate words : (12  1 = 12)

13. Guptas period called as ——————.

——————

14. Abhinaya with music and dialogue is called as ——————.

——————

15. The Asana which gives rest to the body is called as —————— asana.
——————.

16. Instrument covered with leather is ——————.

——————.

[Turn over
 4 Code MU 41 T(J)
17. —————— is prominent in Mohini Attam.

——————

18. Dancing without the invocation (prayer) is called ——————.

——————

19. Raga means ——————

——————

20. In Greeva bheda —————— types are there.

——————

21. Series of adavus are called ——————

——————

22. Palm facing upwards is known as ——————

——————

23. Jatiswara belongs to —————— division.

——————

24. Adavu that covers the stage ——————

——————

[Turn over
 5 Code MU 41 T(J)
III. (A) Match the following : (6  1 = 6)

A B
25. Devaranama (a) Kuchipudi

26. Nandikeshwara (b) 9

27. Nrutya kale (c) Kerala

28. Bhama kalapam (d) Abhinaya

29. Mohini Attam (e) Abhinaya darpana

30. Shirobheda (f) U.S. Krishna Rao

(B) Choose the correct answer and complete the sentence : (6  1 = 6)

31. ‘Ga’ means

(a) Madhyama

(b) Gandhara

(c) Shadja

(d) Nishada

[Turn over
 6 Code MU 41 T(J)
32. Ghana vadya ——————
——————

(a) Mrudanga

(b) Flute

(c) Gejje

(d) Kanjeera

33. —————— is mother for music.

——————

(a) Shruti

±ÀÄÈ
(b) Laya

(c) Tala

(d) Kala

[Turn over
 7 Code MU 41 T(J)
34. Circular movement of eyes ——————
——————

(a) Avalokita

(b) Sachi

(c) Sama

(d) Alokita

35. Dhananjaya’s period –––––––––––

–––––––––––

(a) 12th century

12

(b) 10th century

10

(c) 7th century

(d) 15th century

15

[Turn over
 8 Code MU 41 T(J)
36. Encyclopedia of dance —————
——————

(a) Natyashastra

(b) Dasharupaka

(c) Lasyaranjana

(d) Abhinayadarpana

IV. Answer the following in two sentences each : (10  2 = 20)

37. What is Raga?

38. Name three kannada books on dance written by Prof. U.S. Krishna Rao and
U.K. Chandrabhaga Devi.

39. Name four Vruties.

[Turn over
 9 Code MU 41 T(J)
40. What are the difference between Greevabheda and Shirobheda?

41. Difference between Tattu adavu and Natu adavu.

42. Mention any one classical dance of South India and in which state it is
popular?

43. Mention the names of Navarasa.

44. Name any four Antahpranas (internal needs) of a dance.

45. Name four Vedas.

46. Name any two temples of Hoysala period.

[Turn over
 10 Code MU 41 T(J)
V. Answer any EIGHT of the following questions : (8  3 = 24)

47. Name the Saptangas of a Sabha.

48. Why Natyaveda is called as Panchamaveda?

49. Write about Mohini Attam in three sentences.

50. What is tala? Explain the kriyas of a tala.

51. Write three sentences on Guru Puttadevamma.

52. Name the Tanjore Brothers. In which kings court they served? Also during
which period?

53. What is Nrutta, Nruthya and Natya?

[Turn over
 11 Code MU 41 T(J)
54. Write the benefits the dancers gets from doing Vyayama Kriye (Exercise).

55. Explain Jatiswara in three sentences.

56. Name Dashavidha Adavus.

VI. Answer any FOUR of the following : (4  5 = 20)

57. What is Angashudhi? Explain.

58. Explain Alaripu in ten sentences.

59. How many types of music instruments are there? Name them. Explain
with example.

[Turn over
 12 Code MU 41 T(J)
60. Name saptha talas and explain them with their signs.

61. Describe the characteristics of Pataka, Mukula, Katakamukha, Hamsasya

and Mushti hastha with two uses.

—————————

[Turn over
 PÀ£ÁðlPÀ ¥ËæqsÀ ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, ªÀįÉèñÀégÀA, ¨ÉAUÀ¼ÀÆgÀÄ-560003
KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD
MALLESHWARAM, BENGALURU-560003
«±ÉõÀ ¸ÀAVÃvÀ, £ÀÈvÀå ªÀÄvÀÄÛ vÁ¼ÀªÁzÀå °TvÀ ¥ÀjÃPÉë - r¸ÉA§gï 2021
SPECIAL MUSIC, DANCE AND TALAVADYA THEORY EXAM – DECEMBER 2021

Bharathanatyam, Junior Grade

¨sÀgÀvÀ£ÁlåA, QjAiÀÄ zÀeÉð
Subject / «µÀAiÀÄ : Dhrishya Gnana/zÀȱÀå eÁÕ£À
Subject Code / «µÀAiÀÄ ¸ÀAPÉÃvÀ : MU 41 V (J)
Maximum Marks / UÀjµÀ× CAPÀUÀ¼ÀÄ : 50
Duration of Exam / ¥ÀjÃPÉë CªÀ¢ü : 0.30 Minutes
Timings / ¸ÀªÀÄAiÀÄ : 2.00 PM to 2.30 PM

C¨sÀåyðUÉ ¸ÁªÀiÁ£Àå ¸ÀÆZÀ£ÉUÀ¼ÀÄ / General Instructions to the Candidate:

1. C¨sÀåyðAiÀÄÄ vÀ£Àß £ÉÆÃAzÀt ¸ÀASÉåAiÀÄ£ÀÄß ¥ÀæªÉñÀ ¥ÀvæÀzÀ°ègÀĪÀAvÉ GvÀÛgÀ ¥ÀwæPÉAiÀÄ°è ¤ÃrgÀĪÀ ¸ÀܼÀzÀ°è ¸ÀàµÀÖªÁV
§gÉAiÀÄvÀPÀÌzÀÄÝ.

Candidate should write their register number on the answer booklet as printed in their hall
ticket.

2. C¨sÀåyðAiÀÄÄ ºÉZÀÄѪÀj GvÀÛgÀ ºÁ¼ÉUÀ¼À£ÀÄß ¥ÀqÉzÀ°è, GvÀÛgÀ ºÁ¼ÉUÀ¼À ªÀÄÄR¥ÀÄlzÀ ªÉÄð£À ¤UÀ¢vÀ ¸ÀܼÀzÀ°è £ÉÆÃAzÀtÂ
¸ÀASÉå §gÉAiÀÄvÀPÀÌzÀÄÝ.

Candidate should write their register number on the additional answer sheets in the space
provided.

3. C¨sÀåyðAiÀÄÄ ¤UÀ¢¥Àr¹zÀ ¸ÀܼÀªÀ£ÀÄß ºÉÆgÀvÀÄ¥Àr¹ E¤ßvÀgÉà AiÀiÁªÀÅzÉà ¥ÀÄlUÀ¼À°è £ÉÆAzÀt ¸ÀASÉå, UÀÄgÀÄvÀÄ, aºÉß
E¤ßvÀgÉ AiÀiÁªÀÅzÉà ªÀiÁ»wUÀ¼À£ÀÄß §gÉAiÀĨÁgÀzÀÄ. MAzÀÄ ªÉüÉ, F §UÉAiÀÄ AiÀiÁªÀÅzÉà ªÀiÁ»wUÀ¼À£ÀÄß GvÀÛgÀ
¥ÀwæPÉAiÀÄ°è §gÉzÀ ¥ÀPÀëzÀ°è CAvÀºÀ GvÀÛgÀ ¥ÀwæPÉAiÀÄ£ÀÄß ªÀiË®åªÀiÁ¥À£ÀPÉÌ ¥ÀjUÀt¸ÀĪÀÅ¢®è.

Candidate should not write register number, mark, sign or any other information in the
answer booklet except in the specified place. In case, if found any information in the sheets
of the answer scripts, such answer scripts will not be considered for evaluation.

4. ¥ÀjÃPÁë ¸ÀªÀÄAiÀÄzÀ°è C¨sÀåyðAiÀÄÄ ¥ÀjÃPÁë CªÀåªÀºÁgÀzÀ°è vÉÆqÀV¹PÉÆArgÀĪÀÅzÀÄ PÀAqÀħAzÀ°è ºÁUÀÆ ¥ÀjÃPÁë

¸ÀÆZÀ£ÉUÀ¼À£ÀÄß G®èAX¹zÀÝ°è CAvÀºÀ C¨sÀåyðAiÀÄ «gÀÄzÀÞ ¥ÀjÃPÁë ¤AiÀĪÀiÁ£ÀĸÁgÀ ²¸ÀÄÛ PÀæªÀÄPÉÌ UÀÄj¥Àr¸À¯ÁUÀĪÀÅzÀÄ
ªÀÄvÀÄÛ CAvÀºÀ C¨sÀåyðAiÀÄ GvÀÛgÀ ¥ÀwæPÉAiÀÄ£ÀÄß ªÀiË®åªÀiÁ¥À£ÀPÉÌ ¥ÀjUÀt¸À¯ÁUÀĪÀÅ¢®è.

Candidate found to be indulged in malpractice during examination and violating

examination instructions, action will be taken against such candidate as per the examination
rules and his/her answer booklet will not be considered for evaluation.
 2 Code MU 41 V(J)

¥ÀjÃPÀëPÀjUÉ ¸ÀÆZÀ£ÉUÀ¼ÀÄ :
(i) ¥ÀjÃPÀëPÀgÀÄ F PɼÀUÉ PÉÆlÖ ¥Àæ±ÉßUÀ¼À ºÉÆgÀvÁV ¨ÉÃgÉ AiÀiÁªÀÅzÉÃ
¥Àæ±ÉßUÀ¼À£ÀÄß PÉüÀ¨ÁgÀzÀÄ.
(ii) ¥ÀjÃPÀëPÀgÀÄ ªÀÄÄRå ¥Àæ±ÉßUÀ¼ÀÄ, G¥À-¥Àæ±ÉßUÀ¼À ¸ÀASÉåAiÀÄ£ÀÄß
¸ÀjAiÀiÁV, ¸ÀàμÀÖªÁV ºÉüÀ¨ÉÃPÀÄ.
(iii) ¥ÁæAiÉÆÃVPÀªÁV CqÀªÀÅ, gÀ¸À, ¨sÉÃzÀ, ºÀ¸ÀÛUÀ¼À£ÀÄß ªÀiÁqÀĪÁUÀ
¤RgÀvÉ PÁAiÀÄÄÝPÉƼÀî¨ÉÃPÀÄ.

I. F PɼÀV£À LzÀÄ CqÀªÀÅUÀ¼À£ÀÄß ¥ÀjÃPÀëPÀgÀÄ ªÀiÁr vÉÆÃj¹, CªÀÅUÀ¼À ºÉ¸ÀgÀÄUÀ¼À£ÀÄß

§gÉAiÀÄ®Ä ºÉüÀ¨ÉÃPÀÄ. (5  2 = 10)

1. vÀlÖqÀªÀÅ

2. wêÀiÁð£À

3. GUÀÄgÀÄ ªÉÄlÄÖ CqÀªÀÅ

4. vÀlÄÖ ªÉÄlÄÖ CqÀªÀÅ

5. eÁgÀÄ CqÀªÀÅ.

II. PɼÀUÉ w½¹gÀĪÀ gÀ¸ÀUÀ¼À£ÀÄß ¥ÀjÃPÀëPÀgÀÄ C©ü£À¬Ä¹, CªÀÅUÀ¼À ºÉ¸ÀgÀ£ÀÄß UÀÄgÀÄw¹ §gÉAiÀÄ®Ä
w½¹. (3  2 = 6)

6. ©üçvÀìöå

7. ºÁ¸Àå

8. ±ÀÈAUÁgÀ
 3 Code MU 41 V(J)
III. F PɼÀV£À ªÁåAiÀiÁªÀÄ QæAiÉÄUÀ¼À£ÀÄß ¥ÀjÃPÀëPÀgÀÄ ªÀiÁr vÉÆÃj¹, CzÀgÀ ºÉ¸ÀgÀ£ÀÄß §gÉAiÀÄ®Ä
w½¸À¨ÉÃPÀÄ. (2  4 = 8)

9. CzsÀðPÀl QæAiÉÄ

10. vÁqÀ ZÀ®£É

IV. F PɼÀV£À vÁ¼ÀUÀ¼À£ÀÄß ºÁQ vÉÆÃj¹, CzÀgÀ ºÉ¸ÀgÀÄ ªÀÄvÀÄÛ CAUÀ ¸ÀAeÉÕAiÀÄ£ÀÄß §gÉAiÀÄ®Ä
w½¹. (2  3 = 6)

11. ªÀÄoÀå vÁ¼À (ZÀvÀÄgÁ²æ eÁw)

12. ClÖvÁ¼À (RAqÀ eÁw)

V. F PɼÀV£À ¨sÉÃzÀUÀ¼À£ÀÄß ¥ÀjÃPÀëPÀgÀÄ ªÀiÁr vÉÆÃj¹, CªÀÅUÀ¼À ºÉ¸ÀgÀÄ ªÀÄvÀÄÛ AiÀiÁªÀ ¨sÉÃzÀ
JAzÀÄ §gÉAiÀÄ®Ä w½¹. (5  2 = 10)

13. G¯ÉÆèòvÀ (zÀ馅 ¨sÉÃzÀ)

14. ¸Ël (zÀ馅 ¨sÉÃzÀ)

15. ¸ÀÄAzÀj (VæêÁ ¨sÉÃzÀ)

16. zsÀÄvÀ (²gÉÆèsÉÃzÀ)

17. GzÁé»vÀ (²gÉÆèsÉÃzÀ)

[ Turn over
 4 Code MU 41 V(J)
VI. F PɼÀV£À ºÀ¸ÀÛUÀ¼À£ÀÄß ¥ÀjÃPÀëPÀgÀÄ ªÀiÁr vÉÆÃj¹ CzÀgÀ JgÀqÀÄ «¤AiÉÆÃUÀUÀ¼À£ÀÄß §gÉAiÀÄ®Ä
w½¹. (5  2 = 10)

18. ¥ÀvÁPÀ

19. ¸ÀÆd

20. C®¥ÀzÀä

21. PÀPÀðl

22. CAd°.

–––––––––––––––
 Code No. : MU 41 T (K E ) RS-J
Revised Scheme
Special Music, Dance & Talavadya Examination, May, 2019

Bharatanatyam — Junior Grade

Theory
( Kannada and English Versions )
: 26. 05. 2019 ]
: 10-30 1-00 ] [ : 100

I. 12 × 1 = 12

1)

2)

3)

4)

5)

6)

7)

8)

9)

10)

11)

12)

1017 [ Turn over

Code No. MU 41 T (KE) RS-J 2

II. 12 × 1 = 12
1)

2)

3) 1 2

4)

5)

6)

7)

8)

9)

10)

11)

12)

III. 6 ×1=6

a) i)

b) ii)

c) iii)

d) iv)

e) v)

f) vi)

vii)

1017
 3 Code No. MU 41 T (KE) RS-J

IV. 6 ×1=6

1)

2)

3)

4)

5)

6)

V. 10 × 2 = 20

1)

2)

3)

4)

5)

6)

7)

8)

9)

10)

VI. 8 × 3 = 24

1)

2)

1017 [ Turn over

Code No. MU 41 T (KE) RS-J 4

3)

4)

5)

6)

7)

8)

9)

10)

VII. 4 × 5 = 20

1)

2)

3)

4)

5)

1017
 5 Code No. MU 41 T ( K E ) RS-J

( English Version )

I. Answer the following questions : 12 × 1 = 12

1. What is Nrutya ?
2. What is Thadachalane ?
3. To which state does Manipuri dance form belong ?
4. Name the direction of Parangmukha hasta.
5. What is Arabhati Vruthi ?
6. What do you mean by Nruta Hasta ?
7. What is Avarohana ?
8. Who is the author of 'Lasya Ranjana' ?
9. How many types of Swaras are there ?
10. Write one use of Nagabandha Hasta.
11. What do you mean by Jati ?
12. What is Sushira Vadya ?
II. Fill in the blanks with appropriate words : 12 × 1 = 12
1. Famous style of V. Ramaiah Pillai is …………………
2. Author of the Kannada book 'Nruthya' is ………………… .
3. The Anga of ………………… tala is 1 Laghu and 2 Drutas.
4. Veena is a ………………… instrument.
5. Abhinaya which is connected to noble feeling is ………………… .
6. Devaranama belongs to ………………… category of dance.
7. Moving eyeballs from one side to another side is called ……………… .

8. Stretching the thumb of Musti hasta upwards is ………………… .

9. Natya Shastra has ………………… number of chapters.

10. The adavu that covers the full stage is called ……..………… adavu.

11. Kinkini means ………………… .

12. The limb movement is called ………………… .

1017 [ Turn over

Code No. MU 41 T ( K E ) RS-J 6

III. Match the following : 6 ×1=6

A B

a) Veera i) Samyuta Hasta

b) Vishnuvardhana ii) Ganapati

c) Pralokita iii) Hoysala king

d) Nrutya iv) Rasa

e) Keelaka v) Devaranama

f) Lambodara vi) Drushti bheda

vii) Alaripu.

IV. Correct the following sentences and rewrite : 6 ×1=6

1. In ancient period, Kathakali was performed by only female artistes.

2. Kapitha Hasta is one of the Samyuta Hastas.

3. Tabla is one of the string instruments.

4. The author of Natyashastra is Dhananjaya.

5. Kinkini means Tala.

6. The Adavu done by covering whole stage is called Muktaya Adavu.

V. Answer the following in two sentences each : 10 × 2 = 20

1. How many types of instruments are there ? Name them.

2. Explain Patra Lakshanam according to Nandikeshwara.

3. Name any two famous composers of Jatiswara.

1017
 7 Code No. MU 41 T ( K E ) RS-J

4. Write about the modern book on dance "Aadhunika Bhaaratadalli

Nrityakale".

5. Explain Vrikshaasana.

6. Mention the types of Hasta Chalana Kriye and name them.

7. Name any two temples of Karnataka related to Dance sculptures.

8. Mention the Anga and symbol of Dhruvatala.

9. Define Laghu.

10. Define prakruti swara with examples.

VI. Answer any eight of the following questions : 8 × 3 = 24

1. Name the three modes of worship.

2. Describe three characters of Kathakali.

3. What is Ardha kati kriya ? Write its uses.

4. Write three uses of learning classical dance.

5. What is Raga ? Explain.

6. Write about Egoru mettadavu.

7. Write a note on Puttadevamma.

8. Explain the Kriyas of Tala.

9. Write about Jatiswara.

10. Explain about Chalukya dynasty.

1017 [ Turn over

Code No. MU 41 T ( K E ) RS-J 8

VII. Answer any four of the following questions : 4 × 5 = 20

1. Write the uses of learning classical dance. Explain the significance of

studying lyrics of classical dance.

2. Name Sapta talas and write Anga and Symbol of them.

3. What is Anga Shuddhi ? Explain.

4. Explain Vrukshasana and Pavana Muktasana.

5. Write about Mohiniattam.

1017
 Code No. : MU 41 V (K ) RS-J
Revised Scheme
Special Music, Dance & Talavadya Examination, May, 2019

: 26. 05. 2019 ]

: 2-00 2-30 ] [ : 50

i)

ii)

iii)

1. 4 ×2=8

a)

b)

c)

d)

2.
4 ×2=8
a)

b)

1018 [ Turn over

Code No. MU 41 V (K) RS-J 2

c)

d)

3.
3 ×2=6
a)

b)

c)

4.
4 ×2=8
a)

b)

c)
d)

5.
4 ×2=8
a)

b)

c)

d)

6.
3 ×2=6
a)

b)

c)

7. 2 ×3=6
a)

b)

1018
 Code No. : MU 41 P-1 (K ) RS-J
Revised Scheme
Special Music, Dance & Talavadya Examination, May, 2019

— -I
: 30 ] [ : 100

1.

5 × 2 = 10

2. 10

3. 10

4. 10

5. 10

6. 10

7. a) 5

b) 10

8. a) 5

b) 10

9. 10

Set - II 1020
 Code No. : MU 41 P-2 (K ) RS-J
Revised Scheme
Special Music, Dance & Talavadya Examination, May, 2019

— - II
: 30 ] [ : 150

1.
15

2.
10

3.
10

4.
20
5. a) 5

b) 20

c) 10

6.
30

7. a) 10

b)
20

Set - II 1022
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P1 (J) Total Marks : 100

1. C¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ºÉ¸Àj¹. AiÀiÁªÀÅzÁzÀgÀÆ £Á®ÄÌ ºÀ¸ÀÛUÀ¼À JgÀqÉgÀqÀÄ «¤AiÉÆÃUÀUÀ¼À£ÀÄß

w½¹. (4+2+2+2+2=12)

2. ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ºÉ¸Àj¹. (4)

3. ¸À¥ÀÛ¸ÀégÀUÀ¼ÀÄ AiÀiÁªÀŪÀÅ? ºÀ¸Àj¹. (4)

4. AiÀiÁªÀÅzÁzÀgÀÆ 2 ¸ÀgÀ¼É ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁqÀ®Ä ºÉý. (10)

5. AiÀiÁªÀÅzÁzÀgÀÆ 2 dAn ªÀgÀ¸ÉUÀ¼À£ÀÄß ºÁr¹. (10)

6. «zÁåyðUÉ EμÀÖªÁzÀ 2 C®APÁgÀªÀ£ÀÄß 3 PÁ®zÀ°è ºÁqÀ®Ä PÉý. ºÁUÀÆ ¥ÀjÃPÀëPÀgÀ

DAiÉÄÌAiÀÄ MAzÀÄ vÁ¼ÀzÀ CAUÀ, ¸ÀAeÉÕAiÀÄ£ÀÄß PÉý. (5+5+5=15)

7. AiÀiÁªÀÅzÁzÀgÀÆ 2 VÃvÉUÀ¼À£ÀÄß ºÁr¹, CzÀgÀ gÁUÀªÀ£ÀÄß PÉý. (10)

8. C¨sÀåyðAiÀÄÄ PÀ°vÀ MAzÀÄ C¯Áj¥ÀĪÀ£ÀÄß vÁ¼À ºÁQ ºÉüÀĪÀÅzÀÄ. ºÁUÀÆ C¯Áj¥ÀÄ«£À

®PÀëtªÀ£ÀÄß w½¹. (10+5=15)

9. AiÀiÁªÀÅzÁzÀgÀÆ MAzÀÄ dw¸ÀégÀªÀ£ÀÄß ¸ÉÆ®Ìlà£ÉÆA¢UÉ vÁ¼À ºÁQ ºÁqÀ®Ä ºÉý. (10)

10. «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ºÁqÀ®Ä ºÉý. (10)

––––––––––––––––

SET-1
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P1 (J) Total Marks : 100

1. C¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ±ÉÆèÃPÀzÉÆA¢UÉ ºÉüÀĪÀÅzÀÄ, AiÀiÁªÀÅzÁzÀgÀÆ 5 ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß

UÀÄgÀÄw¸ÀĪÀÅzÀÄ, «¤AiÉÆÃUÀ w½¹. (5+3+3+3+3+3=20)

2. C®j¥ÀÄ«£À ®PÀët w½¹, AiÀiÁªÀÅzÁzÀgÉÆAzÀÄ C®j¥ÀĪÀ£ÀÄß vÁ¼À ºÁQ ºÉüÀĪÀÅzÀÄ. (15)

3. dw¸ÀégÀzÀ ®PÀët w½¹. MAzÀÄ dw¸ÀégÀªÀ£ÀÄß ºÁr. (15)

4. AiÀiÁªÀÅzÁzÀgÀÆ 2 ¸ÀgÀ¼É ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr. (5+5=10)

5. AiÀiÁªÀÅzÁzÀgÀÆ 2 dAn ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr. (5+5=10)

6. AiÀiÁªÀÅzÁzÀgÀÆ 2 C®APÁgÀªÀ£ÀÄß ºÁr. (5+5=10)

7. 2 VÃvÉAiÀÄ£ÀÄß ºÁr. (5+5=10)

8. «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ zÉêÀgÀ£ÁªÀĪÀ£Éßà ºÁqÀ®Ä w½¸ÀĪÀÅzÀÄ. (10)

––––––––––––––––

SET-2
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P1 (J) Total Marks : 100

1. ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ±ÉÆèÃPÀzÉÆA¢UÉ ºÉüÀĪÀÅzÀÄ, AiÀiÁªÀÅzÁzÀgÀÆ 5 C¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß

UÀÄgÀÄw¸ÀĪÀÅzÀÄ. (20)

2. C®j¥ÀÄ«£À ®PÀët w½¹, AiÀiÁªÀÅzÁzÀgÉÆAzÀÄ C®j¥ÀĪÀ£ÀÄß vÁ¼À ºÁQ ºÉüÀĪÀÅzÀÄ. (15)

3. dw¸ÀégÀzÀ ®PÀët w½¹. MAzÀÄ dw¸ÀégÀªÀ£ÀÄß ºÁr. (15)

4. AiÀiÁªÀÅzÁzÀgÀÆ 2 ¸ÀgÀ¼É ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr. (10)

5. AiÀiÁªÀÅzÁzÀgÀÆ 2 C®APÁgÀªÀ£ÀÄß ºÁr. (10)

6. AiÀiÁªÀÅzÁzÀgÀÆ 2 dAn ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr. (10)

7. JgÀqÀÄ VÃvÉAiÀÄ£ÀÄß ºÁr. (10)

8. «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ zÉêÀgÀ£ÁªÀĪÀ£Éßà ºÁqÀ®Ä w½¸ÀĪÀÅzÀÄ. (10)

––––––––––––––––

SET-3
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P1 (J) Total Marks : 100

1. ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ºÉ¸Àj¹. (5)

2. AiÀiÁªÀÅzÁzÀgÀÆ 4 C¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛ ªÀÄvÀÄÛ ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À «¤AiÉÆÃUÀ w½¹. (8)

3. vÁ¼ÀzÀ 5 eÁwUÀ¼À£ÀÄß vÁ¼À ºÁQPÉÆAqÀÄ ºÁr¹. (5)

4. AiÀiÁªÀÅzÁzÀgÀÆ 2 ¸ÀgÀ¼É ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr¹. (10)

5. AiÀiÁªÀÅzÁzÀgÀÆ 2 dAn ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr¹. (5  2 =10)

6. «zÁåyðUÀ½UÉ EμÀÖªÁzÀ 2 C®APÁgÀUÀ¼À£ÀÄß 3 PÁ®zÀ°è ºÁr¹. (5  2 =10)

7. MAzÀÄ ¦¼Áîj VÃvÉAiÀÄ£ÀÄß ºÁr¹. (5)

8. ¸ÀAZÁj VÃvÉ MAzÀ£ÀÄß ºÁr¹. (ªÀgÀ«ÃuÁ CxÀªÁ PÀªÀÄ®eÁzÀ¼À) (5)

9. MAzÀÄ C®j¥ÀÄ (w±Àæ CxÀªÁ ZÀvÀÄgÀ±Àæ) vÁ¼À ºÁQPÉÆAqÀÄ ºÁr¹, C®j¥ÀÄ ®PÀët
w½¸ÀĪÀÅzÀÄ. (10)

SET-4
 2

Subject Code : MU 41 – Bharatanatyam P1 (J)

10. C¨sÀåyðAiÀÄÄ £Àwð¸ÀĪÀ MAzÀÄ dw¸ÀégÀªÀ£ÀÄß vÁ¼À ºÁQPÉÆAqÀÄ ºÁr, ®PÀët w½¹.
(10+5=15)

11. «zÁåyðAiÀÄÄ wêÀiÁð£À CqÀªÀ£ÀÄß vÁ¼À ºÁQPÉÆAqÀÄ ºÉüÀĪÀÅzÀÄ. (7)

12. «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ zÉêÀgÀ£ÁªÀÄ ºÁr gÁUÀ, vÁ¼À, gÀZÀ£É ¨sÁªÁxÀð w½¹. (10)

––––––––––––––––

SET-4
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P1 (J) Total Marks : 100

1. C¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ºÉ¸Àj¹. AiÀiÁªÀÅzÁzÀgÀÆ £Á®ÄÌ ºÀ¸ÀÛUÀ¼À JgÀqÉgÀqÀÄ «¤AiÉÆÃUÀUÀ¼À£ÀÄß

w½¹. (4+2+2+2+2=12)

2. ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ºÉ¸Àj¹. (4)

3. ¸À¥ÀÛ¸ÀégÀUÀ¼ÀÄ AiÀiÁªÀŪÀÅ? ºÀ¸Àj¹. (4)

4. AiÀiÁªÀÅzÁzÀgÀÆ 2 ¸ÀgÀ¼É ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁqÀ®Ä ºÉý. (10)

5. AiÀiÁªÀÅzÁzÀgÀÆ 2 dAn ªÀgÀ¸ÉUÀ¼À£ÀÄß ºÁr¹. (10)

6. «zÁåyðUÉ EμÀÖªÁzÀ 2 C®APÁgÀªÀ£ÀÄß 3 PÁ®zÀ°è ºÁqÀ®Ä PÉý. ºÁUÀÆ ¥ÀjÃPÀëPÀgÀ

DAiÉÄÌAiÀÄ MAzÀÄ vÁ¼ÀzÀ CAUÀ, ¸ÀAeÉÕAiÀÄ£ÀÄß PÉý. (5+5+5=15)

7. AiÀiÁªÀÅzÁzÀgÀÆ 2 VÃvÉUÀ¼À£ÀÄß ºÁr¹, CzÀgÀ gÁUÀªÀ£ÀÄß PÉý. (10)

8. C¨sÀåyðAiÀÄÄ PÀ°vÀ MAzÀÄ C¯Áj¥ÀĪÀ£ÀÄß vÁ¼À ºÁQ ºÉüÀĪÀÅzÀÄ. ºÁUÀÆ C¯Áj¥ÀÄ«£À

®PÀëtªÀ£ÀÄß w½¹. (10+5=15)

9. AiÀiÁªÀÅzÁzÀgÀÆ MAzÀÄ dw¸ÀégÀªÀ£ÀÄß ¸ÉÆ®Ìlà£ÉÆA¢UÉ vÁ¼À ºÁQ ºÁqÀ®Ä ºÉý. (10)

10. «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ºÁqÀ®Ä ºÉý. (10)

––––––––––––––––

SET-5
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P1 (J) Total Marks : 100

1. C¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß ±ÉÆèÃPÀzÉÆA¢UÉ ºÉüÀĪÀÅzÀÄ, AiÀiÁªÀÅzÁzÀgÀÆ 5 ¸ÀAAiÀÄÄvÀ ºÀ¸ÀÛUÀ¼À£ÀÄß

UÀÄgÀÄw¸ÀĪÀÅzÀÄ, «¤AiÉÆÃUÀ w½¹. (5+3+3+3+3+3=20)

2. C®j¥ÀÄ«£À ®PÀët w½¹, AiÀiÁªÀÅzÁzÀgÉÆAzÀÄ C®j¥ÀĪÀ£ÀÄß vÁ¼À ºÁQ ºÉüÀĪÀÅzÀÄ. (15)

3. dw¸ÀégÀzÀ ®PÀët w½¹. MAzÀÄ dw¸ÀégÀªÀ£ÀÄß ºÁr. (15)

4. AiÀiÁªÀÅzÁzÀgÀÆ 2 ¸ÀgÀ¼É ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr. (5+5=10)

5. AiÀiÁªÀÅzÁzÀgÀÆ 2 dAn ªÀgÀ¸ÉAiÀÄ£ÀÄß ºÁr. (5+5=10)

6. AiÀiÁªÀÅzÁzÀgÀÆ 2 C®APÁgÀªÀ£ÀÄß ºÁr. (5+5=10)

7. 2 VÃvÉAiÀÄ£ÀÄß ºÁr. (5+5=10)

8. «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ zÉêÀgÀ£ÁªÀĪÀ£Éßà ºÁqÀ®Ä w½¸ÀĪÀÅzÀÄ. (10)

––––––––––––––––

SET-6
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P2 (J) Total Marks : 150

1. CAUÀ¸ÁzsÀ£É (ªÁåAiÀiÁªÀÄ QæAiÉÄ) ªÀiÁqÀĪÁUÀ UÀªÀĤ¸À¨ÉÃPÁzÀ CA±ÀUÀ¼ÀÄ AiÀiÁªÀŪÀÅ? (4)

2. eÁ£ÀÄQæAiÉÄ, CxÀðPÀl QæAiÉÄ, CgÀªÀÄAqÀ® QæAiÉÄ ºÁUÀÆ ºÀ¸ÀÛ¥ÁzÉÆÃvÁÜ£À QæAiÉÄ ªÀiÁr

CªÀÅUÀ¼À G¥ÀAiÉÆÃUÀUÀ¼À£ÀÄß w½¹. (4  4 = 16)

3. zÀ±À«zsÀ CqÀªÀÅUÀ¼À°è 2 ¥ÀjÃPÀëPÀ DAiÉÄÌ, 2 «zÁåyðUÀ¼À DAiÉÄÌAiÀÄ CqÀªÀÅUÀ¼À£ÀÄß 3 PÁ®zÀ°è

ªÀiÁqÀ®Ä ºÉüÀĪÀÅzÀÄ. (4  5 = 20)

4. ²gÉÆèsÉÃzÀ/zÀȶ֨sÉÃzÀ/¨sÀÆæ¨sÉÃzÀ/VæêÁ¨sÉÃzÀUÀ¼À°è AiÀiÁªÀÅzÁzÀgÀÆ 2 ¨sÉÃzÀUÀ¼À£ÀÄß ±ÉÆèÃPÀ

¸À»vÀ ºÉüÀĪÀÅzÀÄ. (2  10 = 20)

5. ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄAvÉ JgÀqÀÆ C¯Áj¥ÀÄ«£À ¨ÉÃgÉ ¨ÉÃgÉ ¨sÁUÀUÀ¼À£ÀÄß £Àwð¸À®Ä ºÉüÀĪÀÅzÀÄ.

(2  10 = 20)

6. «zÁåyðUÀ¼À DAiÉÄÌAiÀÄAvÉ MAzÀÄ dw¸ÀégÀzÀ ªÉÆzÀ® ¨sÁUÀ E£ÉÆßAzÀÄ dw¸ÀégÀzÀ PÉÆ£ÉAiÀÄ

2 CxÀªÁ 1 ZÀgÀtUÀ¼À£ÀÄß £Àwð¹, CªÀÅUÀ¼À gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß PÉüÀĪÀÅzÀÄ.
(35)

7. JgÀqÀÄ zÉêÀgÀ£ÁªÀÄUÀ¼À°è ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄ MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß £Àwð¹ CzÀgÀ

¨sÁªÁxÀð gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß PÉüÀĪÀÅzÀÄ. (35)
–––––––––––––––

SET-1
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P2 (J) Total Marks : 150

1. CAUÀ¸ÁzsÀ£É JAzÀgÉãÀÄ? w½¹. (4)

2. VæêÀQæAiÉÄ, ºÀ¸ÀÛ ¥ÁzÉÆÃvÁÜ£À QæAiÉÄ, CgÀªÀÄAqÀ® QæAiÉÄ, ªÀÈPÁë¸À£À ªÀiÁr. (4  4 = 16)

3. zÀ±À«zsÀ CqÀªÀÅUÀ¼À°è 4 CqÀªÀÅUÀ¼À£ÀÄß 3 PÁ®UÀ¼À°è ªÀiÁr¹. (4  5 = 20)

4. (²gÀ, VæêÁ, zÀȶÖ, ¨sÀÆæ) AiÀiÁªÀÅzÁzÀgÀÆ 2 ¨sÉÃzÀUÀ¼À£ÀÄß ±ÉÆèÃPÀzÉÆA¢UÉ ªÀiÁrj.

(2  10 = 20)

5. ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄAvÉ JgÀqÀÄ C®j¥ÀÄ«£À ¨ÉÃgÉ ¨ÉÃgÉ ¨sÁUÀUÀ¼À£ÀÄß £Àwð¸À®Ä ºÉüÀĪÀÅzÀÄ.

(2  10 = 20)

6. MAzÀÄ dw¸ÀégÀzÀ ªÉÆzÀ® ¨sÁUÀ ªÀÄvÉÆÛAzÀÄ dw¸ÀégÀzÀ C£ÀÄ¥À®è«¬ÄAzÀ £Àwð¹,

CªÀÅUÀ¼À gÁUÀ, vÁ¼À gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß w½¹. (35)

7. MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ¥À®è«¬ÄAzÀ £Àwð¹ E£ÉÆßAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ZÀgÀt¢AzÀ

£Àwð¹ gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß w½¹, ¨sÁªÁxÀð w½¹. (35)

––––––––––––––––

SET-2
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P2 (J) Total Marks : 150

¸ÀÆZÀ£É : «zÁåyðAiÀÄÄ £Àwð¸ÀĪÀ J¯Áè £ÀÈvÀå§AzsÀUÀ¼À gÁUÀ, vÁ¼À, gÀZÀ£ÁPÁgÀgÀ

ºÉ¸ÀgÀÄ ºÁUÀÆ ¨sÁªÁxÀðUÀ¼À£ÀÄß PÉüÀĪÀÅzÀÄ.
1. eÁ£ÀÄQæAiÉÄ, CzsÀðPÀnQæAiÉÄ, ºÀ¸ÀÛ ZÁ®£É QæAiÉÄ, VæêÀQæAiÉÄ vÁqÀ ZÀ®£É, EªÀÅUÀ¼À£ÀÄß ªÀiÁr
CªÀÅ AiÀiÁªÀÅzÀPÉÌ ¸ÀºÁAiÀĪÁUÀĪÀÅzÀÄ JAzÀÄ w½¹. (5  4 = 20)

2. ªÉÄlÄÖ CqÀªÀÅ, ªÀÄÄPÁÛAiÀÄ, £ÁlÄqÀªÀÅ, vÀlÄÖ CqÀªÀÅUÀ¼À£ÀÄß ªÀÄÆgÀÄ PÁ®zÀ°è ªÀiÁr vÉÆÃj¹.
(4  5 = 20)
3. ²gÉÆèsÉÃzÀ/zÀ馅 ¨sÉÃzÀ/VæêÁ¨sÉÃzÀ F ¨sÉÃzÀUÀ¼À°è AiÀiÁªÀÅzÁzÀgÀÆ JgÀqÀÄ ¨sÉÃzÀUÀ¼À£ÀÄß ±ÉÆèÃPÀ
¸À»vÀ ªÀiÁr vÉÆÃj¸À®Ä w½¸ÀĪÀÅzÀÄ. (2  10 = 20)

4. MAzÀÄ C®j¥ÀÄ«£À ªÉÆzÀ® ¨sÁUÀ ªÀÄvÉÆÛAzÀÄ C®j¥ÀÄ«£À ªÀÄÄPÁÛAiÀÄ ¨sÁUÀªÀ£ÀÄß

£Àwð¸ÀĪÀÅzÀÄ, vÁ¼ÀzÉÆA¢UÉ ºÁr¸ÀĪÀÅzÀÄ. (1  30 = 30)

5. MAzÀÄ dw¸ÀégÀ ªÉÆzÀ¯ÉgÀqÀÄ PÉÆêÉðUÀ¼ÀªÀgÉUÉ ªÀÄvÉÆÛAzÀÄ «zÁåyðUÀ¼À DAiÉÄÌAiÀÄAvÉ

C£ÀÄ¥À®è« MAzÀÄ ZÀgÀtUÀ¼À£ÀÄß £Àwð¹ CªÀÅUÀ¼À gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß
PÉüÀĪÀÅzÀÄ. (30)

6. ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄ ¨sÁUÀzÀ JgÀqÀÄ zÉêÀgÀ £ÁªÀĪÀ£ÀÄß £Àwð¹ gÁUÀ, vÁ¼À, gÀZÀ£É,
¨sÁªÁxÀð w½¹. (30)

––––––––––––––––

SET-3
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P2 (J) Total Marks : 150

1. CqÀªÀÅ JAzÀgÉãÀÄ? w½¹. (4)

2. §zÀÞ PÉÆÃuÁ¸À£À, vÁqÀQæAiÉÄ, ªÉÄÃgÀÄ ªÀPÀæQæAiÉÄ, ªÀÈPÁë¸À£À ªÀiÁr¹. (4  4 = 16)

3. wêÀiÁð£À CqÀªÀÅ, eÁgÀqÀªÀÅ, ªÉÄlÖqÀªÀÅ gÀAUÁPÀæªÀÄt CqÀªÀÅ ªÀiÁr¹. (4  5 = 20)

4. ²gÉÆèsÉÃzÀ ªÀÄvÀÄÛ VæêÀ ¨sÉÃzÀUÀ¼À£ÀÄß ±ÉÆèÃPÀzÉÆA¢UÉ ªÀiÁr¹. (2  5 = 10)

5. w±Àæ ªÀÄvÀÄÛ ZÀvÀÄgÀ±Àæ C¯Áj¥ÀÄUÀ¼À£ÀÄß ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄAvÉ ¨ÉÃgÉ ¨ÉÃgÉ ¨sÁUÀUÀ¼À£ÀÄß

£Àwð¸ÀĪÀÅzÀÄ. (2  10 = 20)

6. MAzÀÄ dw¸ÀégÀªÀ£ÀÄß ¥ÁægÀA¨sÀ¢AzÀ ªÀiÁr¹ E£ÉÆßAzÀÄ dw¸ÀégÀªÀ£ÀÄß ªÉÆzÀ® ZÀgÀt¢AzÀ

ªÀiÁr¹. (40)

7. MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ¥À®è«¬ÄAzÀ ªÀiÁr¹, E£ÉÆßAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ZÀgÀt¢AzÀ

£Àwð¹ gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀÄ, ¨sÁªÁxÀð w½¹. (40)

––––––––––––––––

SET-4
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P2 (J) Total Marks : 150

1. CAUÀ¸ÁzsÀ£É (ªÁåAiÀiÁªÀÄ QæAiÉÄ) ªÀiÁqÀĪÁUÀ UÀªÀĤ¸À¨ÉÃPÁzÀ CA±ÀUÀ¼ÀÄ AiÀiÁªÀŪÀÅ? (4)

2. eÁ£ÀÄQæAiÉÄ, CxÀðPÀl QæAiÉÄ, CgÀªÀÄAqÀ® QæAiÉÄ ºÁUÀÆ ºÀ¸ÀÛ¥ÁzÉÆÃvÁÜ£À QæAiÉÄ ªÀiÁr

CªÀÅUÀ¼À G¥ÀAiÉÆÃUÀUÀ¼À£ÀÄß w½¹. (4  4 = 16)

3. zÀ±À«zsÀ CqÀªÀÅUÀ¼À°è 2 ¥ÀjÃPÀëPÀ DAiÉÄÌ, 2 «zÁåyðUÀ¼À DAiÉÄÌAiÀÄ CqÀªÀÅUÀ¼À£ÀÄß 3 PÁ®zÀ°è

ªÀiÁqÀ®Ä ºÉüÀĪÀÅzÀÄ. (4  5 = 20)

4. ²gÉÆèsÉÃzÀ/zÀȶ֨sÉÃzÀ/¨sÀÆæ¨sÉÃzÀ/VæêÁ¨sÉÃzÀUÀ¼À°è AiÀiÁªÀÅzÁzÀgÀÆ 2 ¨sÉÃzÀUÀ¼À£ÀÄß ±ÉÆèÃPÀ

¸À»vÀ ºÉüÀĪÀÅzÀÄ. (2  10 = 20)

5. ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄAvÉ JgÀqÀÆ C¯Áj¥ÀÄ«£À ¨ÉÃgÉ ¨ÉÃgÉ ¨sÁUÀUÀ¼À£ÀÄß £Àwð¸À®Ä ºÉüÀĪÀÅzÀÄ.

(2  10 = 20)

6. «zÁåyðUÀ¼À DAiÉÄÌAiÀÄAvÉ MAzÀÄ dw¸ÀégÀzÀ ªÉÆzÀ® ¨sÁUÀ E£ÉÆßAzÀÄ dw¸ÀégÀzÀ PÉÆ£ÉAiÀÄ

2 CxÀªÁ 1 ZÀgÀtUÀ¼À£ÀÄß £Àwð¹, CªÀÅUÀ¼À gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß PÉüÀĪÀÅzÀÄ.
(35)

7. JgÀqÀÄ zÉêÀgÀ£ÁªÀÄUÀ¼À°è ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄ MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß £Àwð¹ CzÀgÀ

¨sÁªÁxÀð gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß PÉüÀĪÀÅzÀÄ. (35)
–––––––––––––––

SET-5
 PÀ£ÁðlPÀ ¥ËæqsÀ²PÀët ¥ÀjÃPÁë ªÀÄAqÀ½, EvÀgÉ ¥ÀjÃPÉëUÀ¼ÀÄ
ªÀįÉèñÀégÀA 6£Éà CqÀØgÀ¸ÉÛ, ¨ÉAUÀ¼ÀÆgÀÄ-560003
«±ÉÃμÀ ¸ÀAVÃvÀ, £ÀÈvÀå ºÁUÀÆ vÁ¼ÀªÁzÀå ¥ÀjÃPÉëAiÀÄ ¥Àæ±Éß ¥ÀwæPÉ

Subject Code : MU 41 – Bharatanatyam P2 (J) Total Marks : 150

1. CAUÀ¸ÁzsÀ£É JAzÀgÉãÀÄ? w½¹. (4)

2. VæêÀQæAiÉÄ, ºÀ¸ÀÛ ¥ÁzÉÆÃvÁÜ£À QæAiÉÄ, CgÀªÀÄAqÀ® QæAiÉÄ, ªÀÈPÁë¸À£À ªÀiÁr. (4  4 = 16)

3. zÀ±À«zsÀ CqÀªÀÅUÀ¼À°è 4 CqÀªÀÅUÀ¼À£ÀÄß 3 PÁ®UÀ¼À°è ªÀiÁr¹. (4  5 = 20)

4. (²gÀ, VæêÁ, zÀȶÖ, ¨sÀÆæ) AiÀiÁªÀÅzÁzÀgÀÆ 2 ¨sÉÃzÀUÀ¼À£ÀÄß ±ÉÆèÃPÀzÉÆA¢UÉ ªÀiÁrj.

(2  10 = 20)

5. ¥ÀjÃPÀëPÀgÀ DAiÉÄÌAiÀÄAvÉ JgÀqÀÄ C®j¥ÀÄ«£À ¨ÉÃgÉ ¨ÉÃgÉ ¨sÁUÀUÀ¼À£ÀÄß £Àwð¸À®Ä ºÉüÀĪÀÅzÀÄ.

(2  10 = 20)

6. MAzÀÄ dw¸ÀégÀzÀ ªÉÆzÀ® ¨sÁUÀ ªÀÄvÉÆÛAzÀÄ dw¸ÀégÀzÀ C£ÀÄ¥À®è«¬ÄAzÀ £Àwð¹,

CªÀÅUÀ¼À gÁUÀ, vÁ¼À gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß w½¹. (35)

7. MAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ¥À®è«¬ÄAzÀ £Àwð¹ E£ÉÆßAzÀÄ zÉêÀgÀ£ÁªÀĪÀ£ÀÄß ZÀgÀt¢AzÀ

£Àwð¹ gÁUÀ, vÁ¼À, gÀZÀ£ÉPÁgÀgÀ ºÉ¸ÀgÀ£ÀÄß w½¹, ¨sÁªÁxÀð w½¹. (35)

––––––––––––––––

SET-6
 Code No. : MU 41 P-1 (K ) RS-J
Revised Scheme
Special Music, Dance & Talavadya Examination, May, 2019

— -I
: 30 ] [ : 100

1. 10

2. 10

3. 10

4. 10

5.
10

6.
15

7. 5

8. 10

9. 10

10. 10

Set - I 1019
 Code No. : MU 41 P-2 (K ) RS-J
Revised Scheme
Special Music, Dance & Talavadya Examination, May, 2019

— - II
: 30 ] [ : 150

1. 10

2. 10

3. 10

4. 2 × 5 = 10

5.
10

6. 12

7. 8

8.
20

9.
30

10. a) 10

b)
20

Set - I 1021