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A Dreame

Anon
Adapted from the Margaret Bord Lute Book, GB-Lam_MS603, f. 20v–21

A
" $ %& ' %( %% % % ) %& ' %( ) %%& % % % % % %% %%
) &&% % ) %%% *
! # & % %
& & & % % &

0 +1 0 0 0 +1 3 5 3 +1 0 0

*
1 2 3 4 5 6 7 8
A . . .
+ 3. 3 3
E
2 2 . ˚2.
2
3
. ˚ 2
2
3
˚ 5 3
˚ 2
2 2
˚ 2
C
0 0 2 0 3 5 0 2
G

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&% %
!
* % % ) %% & %
% % %
&& +% % +%

˚..5 3 0 +1 0 1 3 5 3 5 1 0

*
9 10 11 12 13 14 15 16

T 5 2 3 . . .. 5 . 3 +3 2 +3 +3

*
A
˚ 2 2 0
˚ 2 . 2
B 3 5 0 0 2 4 0 4

A'
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17
+ 3. 2 3
0
.
18 + 1 0 1 0
. 3
19 20 0
..
0
.
21 1 3
. ..
5 22 3 5
.
1 23 0 24 0
*
T
˚2. 0 2 3 2 5 3 2 2

.-
A 2 . . 2 . . . 2 5
˚ 2 2
˚
B 0 0 0. 3 0 2

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3B [1]

˚..5 5 3 0
˚ 1 0. + 1 3. 5 3 5 1 3 0

*
25 26 27 28 29 30 31 32

T 3 . 5 2 .. 0 5 . 3 . 3 2 +3 3

/
A
˚ 2 0 2 5 2. 0 2
B 3 5 0 0 2 . 4 0

B
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+1 0 3 +1 0
* 1 1 1

*
33 34 35 36 37 38

T 3 0 3 0 1 3 2 1 3 1
A 0 . 2 2 3 2
B 0
˚ 3 2 0 2 3

09/01/2024 12:57:54 https://renaissance-ukukele.blogspot.co.uk File: Anon Dream Board f 21v-22.tef Page 1 / 3


A Dreame - Anon

"% %% && % "% %% &%


" % %% ''
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%
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% &
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3B 3B

39 6 5 40 3 41 +8 42 6 5 43 3 44 1.
T 3 5 6 5 .. 6 3 5 6 +6 5 1.

*
A . 5 . . 2.
B 5 3 7 5 3 5 3. 2

B'
" % %% % % % % %% * %% &% '
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45

T
+1 46 0
0 3
0 1
.
47 3
0 1
1
3 0
48 0
2
49
* 1
1
50 1
3 1
A 0 2 0 . . ˚ 2 2 3. 2
B 3 . 0
˚ 3 2 0 2 3 .

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&& % %
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3B 3B

51 6 5 52 3. 5 6 53 +8 54 6 5 55 3 56 1
T 3 5 6 5 . 8 3 5 6 3 5 6 5 1

*
A . 5 . . 6 . . 2
B 5 3 5 5 5 0 5 3

C
" / %( % % & * % & * %% %% %%
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& % & % %

/ *
57

T
0
.
1 3
.
58 5 59 1
0
60 3 61
* 0
1
62 1
3
0
1
A 2 0
B 3 3 0 2 2 0 2

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& % % %%' )% % &&
+%
% & %

63 1 0 64 65 0 0 66 1 0 67 68

T 3 . 3 2. 3 2 3 . 3 3 +3 2 3
A 0 . ˚ 2 . ˚ 2 2 0 . 2. 0 2
B 3 2 0 0 . 4 0

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A Dreame - Anon

C'
" .
-
/ / %( % % % % % % / %( % % % % % % / %( % %
! &
% % % & & & &

69 .- 70 / 1 0 71 1 0 1 72 / 0 73 0 0 74 / 0
T . 3 . 3 . . 1 3 1 3 . 1 3 .
/
A 0 2 . 0 . . .
B 2 3 . 3 2 3
.

0 Fine
" % % % % % + % %% % % % %
! % )% % % ) && % ) %%& % % % &% &&
& / %, % %
/ , & % &

75 1 0 76 77 0 2 3 5 3 78 1 0 79 0 80 81

T 3 . 3 2 0 2 . . .. 3 2 0 +3 2 +3 +3

/ /
A 0 . .. 2 . ˚ 2 0 . 2 . . 2 2
B 3 2 0 2 0 0

C' nearer original voicing


" / % % % & & & &
! & % % % %
/ %, % % % % % % / %, % % % % % % * %, % % % %

82 / 0 1 3 83 5 84 1 85 3 86 0 87 1 88 1 0
T . . .. .. .. 3 . 3

/ / *
A 0 .
B 3 0 2 3 0 2 3 2 2 0 2 2 0 2 2 0 2 3

Fine
" % + % % % % % % %
! )% % % ) && % ) %%& % % % &% &%
/ %, % %
/ , & % %

89 90 0 2 3 5 3 91 1 0 92 0 93 94

T 2 0 2 . . .. 3 2 0 +3 2 +3 +3

/ /
A .. 2 . ˚ 2 0 . 2 . . 2 2
B 2 0 2 0 0

Transcribed from a facsimile of the original online here: https://archive.org/details/GB-Lam_MS603.

There are 3 strains of 16, 12 and 12 bars. The repeat pattern is 2 x (A, A’), 2 x (B, B’ C, C’). Transcription was unusually quite easy because the original
made little use of strings 5 and below. The principal challenge was in bars 69 – 74, where the bass line uses notes on the 5th string, which we don’t have. I
have therefore exchanged the voices, but appended a version of §C’ in whch the voices are as close to the original as possible. The choice is yours. Also, I
have indicated barrés where you might find them convenient.

NOTE [1] Bar/measure 32 added editorially

Indications of fingering, as in the original MS:


• A single dot (originally called a prick) under a note indicates plucking with the (weaker) index finger, otherwise with the thumb or middle finger.
•• A double dot speciifies a strong note with the middle finger.

Ornament interpretation according to https://luteshop.co.uk/articles/dowlands-graces/:


+ A plus sign to the left of a note probably meant a “fall” where the next lowest note should be plucked and then hammered on to the indicated note.
º A hollow dot to the left of a note might mean a “shake”: pluck the indicated note, then sound (hammer on or pull off) next note above or below, and then
the original note. Not always easy!

09/01/2024 12:57:54 https://renaissance-ukukele.blogspot.co.uk File: Anon Dream Board f 21v-22.tef Page 3 / 3

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