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Anon Dream Board F 21v-22
Anon Dream Board F 21v-22
Anon
Adapted from the Margaret Bord Lute Book, GB-Lam_MS603, f. 20v–21
A
" $ %& ' %( %% % % ) %& ' %( ) %%& % % % % % %% %%
) &&% % ) %%% *
! # & % %
& & & % % &
0 +1 0 0 0 +1 3 5 3 +1 0 0
*
1 2 3 4 5 6 7 8
A . . .
+ 3. 3 3
E
2 2 . ˚2.
2
3
. ˚ 2
2
3
˚ 5 3
˚ 2
2 2
˚ 2
C
0 0 2 0 3 5 0 2
G
˚..5 3 0 +1 0 1 3 5 3 5 1 0
*
9 10 11 12 13 14 15 16
T 5 2 3 . . .. 5 . 3 +3 2 +3 +3
*
A
˚ 2 2 0
˚ 2 . 2
B 3 5 0 0 2 4 0 4
A'
" %& ' ) % % % % %%% % ) %& ' % % % % )% % % % % % %% % %%
% ) &&% % ) %% *
! % % %,
& & %' % % .-
17
+ 3. 2 3
0
.
18 + 1 0 1 0
. 3
19 20 0
..
0
.
21 1 3
. ..
5 22 3 5
.
1 23 0 24 0
*
T
˚2. 0 2 3 2 5 3 2 2
.-
A 2 . . 2 . . . 2 5
˚ 2 2
˚
B 0 0 0. 3 0 2
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/ %, % % & % % %
%& ' % +% %
3B [1]
˚..5 5 3 0
˚ 1 0. + 1 3. 5 3 5 1 3 0
*
25 26 27 28 29 30 31 32
T 3 . 5 2 .. 0 5 . 3 . 3 2 +3 3
/
A
˚ 2 0 2 5 2. 0 2
B 3 5 0 0 2 . 4 0
B
" * %% %% % %% * %% %% %%
! %
% % % ) &&% %% "% %
% % % % %
+1 0 3 +1 0
* 1 1 1
*
33 34 35 36 37 38
T 3 0 3 0 1 3 2 1 3 1
A 0 . 2 2 3 2
B 0
˚ 3 2 0 2 3
39 6 5 40 3 41 +8 42 6 5 43 3 44 1.
T 3 5 6 5 .. 6 3 5 6 +6 5 1.
*
A . 5 . . 2.
B 5 3 7 5 3 5 3. 2
B'
" % %% % % % % %% * %% &% '
! % % % % ) &&& %% "% % %
% % % % % % % &
45
T
+1 46 0
0 3
0 1
.
47 3
0 1
1
3 0
48 0
2
49
* 1
1
50 1
3 1
A 0 2 0 . . ˚ 2 2 3. 2
B 3 . 0
˚ 3 2 0 2 3 .
51 6 5 52 3. 5 6 53 +8 54 6 5 55 3 56 1
T 3 5 6 5 . 8 3 5 6 3 5 6 5 1
*
A . 5 . . 6 . . 2
B 5 3 5 5 5 0 5 3
C
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! & % %% % %%
& % & % %
/ *
57
T
0
.
1 3
.
58 5 59 1
0
60 3 61
* 0
1
62 1
3
0
1
A 2 0
B 3 3 0 2 2 0 2
" % % % % %( ) %%& % % %% % %
! % % ) %& '
& % % %%' )% % &&
+%
% & %
63 1 0 64 65 0 0 66 1 0 67 68
T 3 . 3 2. 3 2 3 . 3 3 +3 2 3
A 0 . ˚ 2 . ˚ 2 2 0 . 2. 0 2
B 3 2 0 0 . 4 0
C'
" .
-
/ / %( % % % % % % / %( % % % % % % / %( % %
! &
% % % & & & &
69 .- 70 / 1 0 71 1 0 1 72 / 0 73 0 0 74 / 0
T . 3 . 3 . . 1 3 1 3 . 1 3 .
/
A 0 2 . 0 . . .
B 2 3 . 3 2 3
.
0 Fine
" % % % % % + % %% % % % %
! % )% % % ) && % ) %%& % % % &% &&
& / %, % %
/ , & % &
75 1 0 76 77 0 2 3 5 3 78 1 0 79 0 80 81
T 3 . 3 2 0 2 . . .. 3 2 0 +3 2 +3 +3
/ /
A 0 . .. 2 . ˚ 2 0 . 2 . . 2 2
B 3 2 0 2 0 0
82 / 0 1 3 83 5 84 1 85 3 86 0 87 1 88 1 0
T . . .. .. .. 3 . 3
/ / *
A 0 .
B 3 0 2 3 0 2 3 2 2 0 2 2 0 2 2 0 2 3
Fine
" % + % % % % % % %
! )% % % ) && % ) %%& % % % &% &%
/ %, % %
/ , & % %
89 90 0 2 3 5 3 91 1 0 92 0 93 94
T 2 0 2 . . .. 3 2 0 +3 2 +3 +3
/ /
A .. 2 . ˚ 2 0 . 2 . . 2 2
B 2 0 2 0 0
There are 3 strains of 16, 12 and 12 bars. The repeat pattern is 2 x (A, A’), 2 x (B, B’ C, C’). Transcription was unusually quite easy because the original
made little use of strings 5 and below. The principal challenge was in bars 69 – 74, where the bass line uses notes on the 5th string, which we don’t have. I
have therefore exchanged the voices, but appended a version of §C’ in whch the voices are as close to the original as possible. The choice is yours. Also, I
have indicated barrés where you might find them convenient.