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MYTHS AND PLACES
This volume explores the dialogic relationship between myths and places in the
historically, geographically, and culturally diverse context of India.
Given its ambiguous relationship with ‘facts’ and empirical reality, myth has
sufered an uncertain status in the feld of professional history, with the latter’s
preference for scientifsm over more creative orders of representation. Myths and
Places rehabilitates myth, not as history’s primeval ‘Other’, nor as an instrument
of socio-religious propagation, but as communitarian mechanisms by which
societies made sense of themselves and their world. It argues that myths helped
communities fashion their identities and their habitat/habitus and were fashioned
by these in turn. This book explores diverse forms of territorial becoming and
belonging in a grassroots approach from across India, studying them in culturally
sensitive ways to recover local life-worlds and their self-understanding. Further,
challenging the stereotypical bracketing of the mythical with the sacred and the
material with the historical, the multidisciplinary essays in the book examine myth
in relation to not only religion but other historical phenomena such as ecology,
ethnicity, urbanism, mercantilism, migration, politics, tourism, art, philosophy,
performance, and the everyday.
This book will be of interest to scholars and general readers of Indian history,
regional studies, cultural geography, mythology, religious studies, and anthropology.
She has authored The Making of Early Kashmir: Landscape and Identity in the
Rajatarangini (2018) and Imagining the Urban: Sanskrit and the City in Early
India (2010) and edited Retelling Time: Alternative Temporalities from Premodern
South Asia (2021), Eloquent Spaces: Meaning and Community in Early Indian
Architecture (2019), and Cultural History of Early South Asia (2014). Translations
by her include Hitopadesha (2022) and Looking Within: Life Lessons from Lal Ded,
the Kashmiri Shaiva Mystic (2019).
MYTHS AND PLACES
New Perspectives in Indian
Cultural Geography
List of Illustrations ix
List of Contributors x
Preface xii
Introduction 1
vii
CONTENTS
Supra-Region 215
viii
ILLUSTRATIONS
ix
CONTRIBUTORS
x
CONTRIBUTORS
xi
PREFACE
The fascination that mythology traditionally holds for people at large in this
country is often in direct contrast to the suspicion with which it is regarded
by historians. Caught between a colonial high history that has disowned
it and a popular fction that has assimilated it to fgment in recent times,
myth’s recovery as a historical vector and epistemic mode in its own right
has been imperilled. Myths and Places is a deemed response to this situation.
It arises from two decades of my being in and thinking about the discipline
of history, and also pondering over the cultural and emotional signifcance
of places and what Robert Goldman called the ‘realities of fantasy’ that
were often more keenly felt than those of history and geography. Myths are
efective in so far as they are afective, as Ernest Renan once said, yet they
had been considerably stripped bare of this content in academia to serve a
philosophy of history that preferred value judgments and reduction of cul-
tural forms to power.
Dubbed irrational, primitive, superstitious, un-dateable, and untrue, myth
has often been discredited either as relaying an unhistorical obscure past
of little value or relevance today or as mediating relationships of inequity
between and within communities. It has tended to be seen not as the self-
expression of a people, but typically as a veiled, ulterior project – a result
perhaps of the modern historian’s ‘perturbation at their own inheritance’.
As the Introduction explains, this volume proposes departing from these
approaches and rehabilitating myth, not as history’s primeval Other, nor as
an instrument of power and acculturation, but as communitarian mecha-
nisms by which societies made sense of themselves and their world. Myths
and Places recovers local self-understandings from mythicized narratives of
landscapes. In the process, it redresses history’s cultivated disconnect from
a cultural construct that was – and is – obviously central to the beliefs and
practices, the imagination and lived lives, of diverse groups of Indians across
space and time.
Now, taking such a critical and emic perspective, that too on an issue
as emotive as myth relating to real places, may well be vulnerable to the
casting of extra-academic aspersions today. This became unexpectedly
xii
PREFACE
apparent during the process of peer review of the manuscript where, while
other scholars warmly endorsed the robust project, one worthy lamented
that this volume did not serve socio-political causes after their heart! At
Myths and Places, we take this as a compliment. In the deeply polarized
times we live in, any attempt at a fresh take on India’s past, which is
invested in faithfully representing historical traditions rather than a priori
ideological positions, runs the risk of getting sucked into political battles,
which are often themselves about power in and through academia. Here
is a risk that must be defed, or we run the greater risk of not only acqui-
escing in the subjugation of history to politics but losing out on authentic
perspectives to recover a people’s history – in this case, also geography – of
the land.
*
It is perhaps ftting that tribute be paid here frst to Professor Brajadulal
Chattopadhyaya, who we lost earlier this year. He was my PhD supervisor,
and one who gave me complete freedom to chart my own way in the virgin
research terrain that literary history was in India back in 2002. BDC, as
he was fondly called, was a rather non-dogmatic, non-aligned historian of
early India – a rare breed – whose work is synonymous with rigour and a
quiet creativity, a desire to do and say something fresh almost every time,
and to let his work do the talking rather than any famboyant activism or
entourage. I would like to believe that my work in general, and this book in
particular, are infused with similar ideals.
I take the opportunity to also acknowledge Professors Phyllis Granof,
Sheldon Pollock, David Shulman, TK Venkatasubramanian, Harbans
Mukhia, the late BP Sahu, and Madhavan Palat for the cultural-intellectual
histories they have done in their own ways and for the warm support they
have extended over the years to those that I do.
Sage India kindly provided permission to reuse what is Chapter 4 here,
which frst appeared in Indian Historical Review in 2015. All the other
essays are put together for Myths and Places, for which I thank and con-
gratulate my contributors. They rose to the occasion in embracing the man-
date of this book and all my very many ideas and suggestions. Government
Museum, Mathura, arranged one of the pictures of the Kinship Triad used
in Chapter 4 for which I thank Acting Director Yashwant Singh Rathore.
Vinay Gupta, Ananta Vrindavan Das, and Bala Menon graciously provided
their consent for printing other images in the volume. Sushant Bharti read-
ily helped with the same, and Abhilaksh Verma promptly took photographs
at my behest. Shikha Rai was instrumental in executing the map carried in
Chapter 12, while Tanmay and Shaan provided bibliographic inputs. I am
grateful to them all.
xiii
PREFACE
My father, the late Sumer Kaul, was a proud Indian. A staunchly inde-
pendent journalist of integrity, he continues to be an inspiration for not only
the daughter but the professional in me. My husband, Nachiketa, remains a
warm champion of my work. Our dogs have made the journey of life a joy
and grace. Just before this book could go to print, on 27 November, 2022,
I lost beloved Jim. Myths and Places is dedicated to this angel who kept me
alive every single day for the ten blessed years he gave me with him.
I thank God for these people and this book.
Shonaleeka Kaul
1 December 2022
xiv
INTRODUCTION
1
RECLAIMING MYTH,
EMPLACING HISTORY
Shonaleeka Kaul
The Native American poet and literary critic Paula Gunn Allen once asked:
“Is it we who invent the stories and thus inform the land? Or does the
land give us the stories, thus inventing us?” (1997: 357). Substitute ‘myths’
for ‘stories’, and this is precisely the dialogic, disentanglable relationship
between myths and places that this volume sets out to explore in the histori-
cally, geographically, and culturally diverse context of India.
Myth may be broadly defned as the stories told by a specifc cultural group
to comprehend and articulate their experience of the world they inhabit.
From the ancient Greek ‘mythos’, meaning ‘story’ or ‘plot’, the word was
originally applied, at some variance from its modern connotations, to narra-
tives both sacred and profane, both imaginary and true. Again, contrary to
the primitivist associations lent to mythology by the rationalist anxieties of
modernity, historically all cultures – not only ‘traditional’ or non-literate or
‘socially naïve’ ones given over to superstition – gave rise to myths. Myth-
making was (and is) a crucial heuristic process of meaning-making and con-
fguring reality with its own rationale for any society.
Ironically, this would apply even to the contemporary modern era
which sports what Jason Josephson-Storm (2017) has called the myth of
disenchantment, a misplaced belief that modernity has truly shed faith in
magic, mystery, and wonder. This ‘departure of the supernatural’ (2017: 4),
believed to be emblematic of modernity, has also been a prominent element
of secularization, which has gone hand in hand with modernization based
on the Western experience of the same. Here religion and the supernatural –
and by extension myth – have been posited as opposed to the limits of rea-
son and progress.
Back in premodernity, dealing centrally with nature and with accounts of
the “origins”, “destinies”, and mysteries of humankind and the universe,
myths were sometimes deeply rooted in a phenomenology of the land and
the ecology. They could, however, invoke supernatural forces as well, usu-
ally wedding the two seamlessly. Signifcantly, even if or when a culture no
longer believed that its myths were literally true explanations, the stories
often survived as receptacles of important cultural values – and that was
3 DOI: 10.4324/9781003204848-2
SHONALEEKA KAUL
perhaps the whole point of myth as a vector of value (Ross Murfn and
Supriya Ray 2003: 284). Myths were thus expressive, culturally accepted
ways of knowing and being.
Reaching beyond the limits of verifcation or refutation, myth then may
often have been not about the real as true but about the noble as true, as
Paul Veyne (1988) perceptively observed for the ancient Greeks. Ancient
Indians even asked: What is real and true? And their answer went beyond
the contingent to the transcendent, that is, beyond the empirical and ephem-
eral to the ethical and eternal (Kaul 2018a, 2022). Myths were thus more
than real. They were about that in which, socially speaking, “something
new, strong and signifcant was manifested” (Eliade 1963: 19). They thereby
epitomized cultural curiosity and virtuosity.
Therefore the inclusion of myth in ancient Indic narratives, far from being
a lapse in critical judgment, served a crucial purpose. Its function included
not only making sense of their world for a people but enshrining and trans-
mitting community and ultimately civilizational paragons – a seminal aspect
of identity formation for any demographic group. Here myth acted inextri-
cably in concert with orality and collective memory, those other categories
of scholarly analysis which, like myth, have until recently been confned to
the margins of the conventional discipline of history.
We know that the felds of folkloristics, anthropology, and religious stud-
ies have all long invested in the study of myth as a key to understanding
cultures from the inside. However, given its ambiguous, often symbolic and
subjective rather than literal relationship with ‘facts’ and empirical real-
ity, myth has sufered a somewhat uncertain status in the feld of history,
especially in the manner in which the latter has been ‘professionally’ prac-
tised since at least the 19th century, if not earlier. Indeed myth has perhaps
always been regarded as something of an antithesis and anathema, hence
the loaded binary of ‘historical versus mythical’. As Joseph Mali (2003)
explains for the world stage:
4
R E C L A I M I N G M Y T H , E M P L A C I N G H I S T O RY
No doubt this has a good deal to do with the fact that Rankean history, or
‘scientifc historiography’, came to be a colonial project, even an agent of
Empire, in so far as it helped construct epistemologies of Otherness (Kaul
2021). Thus we were told that there were societies that possessed history
and those that had (only) mythology! Through the works of Imperialist-
Orientalist scholars like James Mill, H. H. Wilson and others, India was,
in efect, developed as an excellent example of the latter. (See Kaul 2018b.)
What’s more, as I have explained elsewhere (2021), this project of history
has outlasted Empire itself by enshrining a deeply empiricist and exclusion-
ary self-defnition as hegemonic even today, one that privileges certitudes,
verifability, and linearity, underwritten, in some measure, by Semitic theol-
ogies and mensuration. This defnition, complete with what Ethan Kleinberg
et al. (2018) have called history’s “disciplinary essentialism” and “methodo-
logical fetishism”, delegitimizes and brackets out the alternative visions and
modes of representing the past that fourished in premodern India. Instead,
the modern ‘global’ discipline of history set up the tyranny of the ‘fact’, of
scientifc method, chronology, objectivity, and rational causality – prime
but fraught emblems of a ‘modern/Western’ intellect. In classic circularity,
non-European, premodern cultures and their texts ended up being heav-
ily misinterpreted in the process, furthering the production of the colonial
Other (Kaul 2021: 3).
To repeat, while the mythological occupied a discrete place in ancient and
medieval worlds and was understood to perform certain central social func-
tions, the post-Enlightenment obsession with rationalism and scientifsm1
as against more creative orders of imagination, and the concomitant, resil-
ient hold of Positivism over professional history-writing, brought about for
the modern historian the instant and overwhelming delegitimation of any
cultural form that did not pass the test of objectivism and facticity. (See Kaul
2018a, 2021.) Myth, especially in ‘traditional’ non-Western societies, did
not just fall from grace in the process; it also came to be exoticized as the
practice of primitive people who became objects of the colonial gaze.
**
In India, a case in point would be some of the older readings of myth found
in texts like the Vedas and Puranas, by Orientalists like W. J. Wilkins of
the London Missionary Society (1882, 1900) and A. B. Keith of the Asi-
atic Society (1916). While these tended to document in the abstract mostly
Hindu but also Buddhist and Jaina myths, they clearly struggled with what
was for them the alien character of the Indic mythological enterprise. The
result was stereotyping assessments and pejorative, comparative comments
such as the following:
Gods and demons were very present to the mind of the Indian then
as they are today . . . [there exists] the essential vagueness of many
5
SHONALEEKA KAUL
I feel that a mere statement of much that was written in books pro-
fessedly inspired by God, carried its own condemnation. And at the
same time . . . amid much evil, there was also much good. The sages
of India were not in complete darkness. . . . [But] As we examine
the earlier writings . . . instructive to note the marked deterioration
in the quality of the teaching [later].
(Wilkins 1900: vii)
6
R E C L A I M I N G M Y T H , E M P L A C I N G H I S T O RY
Though making a case for taking seriously this deemed mythological text,
Thapar argued that the men of Ayodhya and the demons of Lanka together
with the monkeys of Kishkindha represented real, contrasting social groups
in confict, namely, agrarian ‘Aryans’ aggressing against forest-dwelling
non-Aryan ‘tribals’, respectively. Similarly, Vijay Nath (2001) argued that
Sanskrit Purāṇas were an acculturative instrument for the imposition of
“mainstream civilization” and “brahmanization” on “tribal societies” to
facilitate the spread of agriculture. As Christopher Minkowski (2001: 94)
put it, this is “as if brahmins were a species of benefcial, exotic plant or
insect”! It could also be wondered how an essentialist and instrumentalist
position such as this could be sustained on the back of a genre (the Purāṇas)
that, it is well known, was an amorphous and heterogenous compilation
of free-foating oral narratives and encyclopaedic materials over centuries,
if not millennia. Yet this is how these texts are seen even today, in other
infuential studies of religious process in early India, as some kind of orches-
trated project of power and domination, be it based on caste, ethnicity,
state, or gender (Sahu 2001; Chakrabarti 2001; Sharma 2008, Shin 2018;
for a pithy critique of hierarchical and instrumentalist interpretations of the
Purāṇas, see Shulman 2003).
However, some scholars like the anthropologist Arjun Appadurai (1986)
have signifcantly called out this obsession with hierarchy in studying India
and cautioned that concepts like legitimation, acculturation, and indeed
Sanskritization as the prime vehicle of such acculturation in the Indian sub-
continent have become “theoretical metonyms” and surrogates for Indian
civilization as a whole, “gate-keeping concepts” thought to apply to every
socio-cultural process. This approach then perhaps limits the full potential
for apprehending what was in fact a complicated compound of local reali-
ties (Appadurai 1986: 356–360).
And this is why, tempting though the materialist approaches to reading
Indic mythology may be, they remain speculative, running the risk of force-
ftting a sociological narrative on the textual intent, rather than tapping the
semantic potential of a less literal and riven reading, aligned with the text’s
didactic purpose and strategies of representation instead. For example, the
Sanskritist Sheldon Pollock (1986, 1991) pointed out a needed corrective
to interpretations of the Rāmāyaṇa by reminding us of what the text itself
may have been aiming at, namely, the pedagogical depiction of righteous-
ness via Ayodhya and Lanka – alternative ideals and models of emotion
and behaviour (disciplined and afective versus licentious and unbridled) as
symbolized ethical choices before one and the same society/audience rather
than a portrayal of two real and antagonistic social groups.
In fact it can be argued that ethics and didacticism lay at the heart of not
just Indic mythology but Indic historical visions as well, as seen in itihāsa
purāṇa but also other historical texts like the Rājataraṅgiṇī. This has been
discussed at length elsewhere (Kaul 2018a, 2018b, 2022). These ethics
7
SHONALEEKA KAUL
inscribed cultural truth-claims. And the stories bearing and projecting these
truth-claims must be understood as “not dogmatic but dramatic stories of
tradition” whose social utility lay precisely in their dramatic reactivation of
the community’s original motivations (Victor Turner paraphrased by Mali
2003: 6).
Similarly, R. P. Goldman (1986) and Alf Hiltebeitel (1989) argued for crea-
tive ways of reading myth in connection with symbolic constructions put on
the city of Mathura in the Epics and the Purāṇas. For Goldman, Mathura and
its environs served a “symbolic, even metaphysical function” in myth and
8
R E C L A I M I N G M Y T H , E M P L A C I N G H I S T O RY
9
SHONALEEKA KAUL
10
R E C L A I M I N G M Y T H , E M P L A C I N G H I S T O RY
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SHONALEEKA KAUL
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R E C L A I M I N G M Y T H , E M P L A C I N G H I S T O RY
This volume sets out to reclaim such modes of territorial becoming and
belonging.
In this context, the phenomenology of several of the mythicized rendi-
tions of places elaborated as landscapes in this volume needs also to be
noted: As readers will see, the immediacy and specifcity of the natural
and constructed elements with which myths put together the spatial imagi-
nary constitute a vivid materiality. So a constant interweaving of the two
discourses, the ‘real’ and the ‘imagined’, the topographic and the mythic-
narrative, is on display at many, if not all, junctures.
Further, this advanced perspective is applied to a number of new places
from the nooks and corners of India that, studied through their myths, are
presented here for the frst time (Kodungallur, Manyul, Valabhī, Belgar) as
well as a number of older myths around iconic places studied anew, advanc-
ing fresh interpretations of them (Kāśī, Mathurā, banks of Ganga-Yamuna,
Dhārā, Rajasthan, and indeed India). Moreover, a host of creative, mul-
tidisciplinary methods are brought to bear in this volume, including the
philological, epigraphic, art historical, text historical, ethnographic, and
performance studies. And these are enacted in equally variegated geo-
cultural contexts, which the volume packs into fve sections, namely, “Hills
and Mountains”, “Plains and Deserts”, “Rivers and Forests”, “Cities and
Coasts”, and “Supra-region”. While covering northern, southern, western,
central, eastern, and north-eastern regions of India, the studies also relate to
diferent time periods across history, from antiquity to the contemporary,
with a slight slant towards the former; the larger purpose achieved is per-
haps to explore the remarkable continuity and relevance across time of such
fecund communitarian devices as myth.
Note
1 For a succinct discussion of how science itself may not be counterposed to myth
but a form of it, see Mali 2003: 18.
References
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quary, 28, 1–6.
Allen, P.G., 1997. Cuentos de la Tierra Encantada: Magic and realism in the south-
west borderlands. In: D.M. Wrobel and M.C. Steiner, eds. Many Wests: Place, Cul-
ture and Regional Identity. Lawrence, KS: University Press of Kansas, 342–365.
Appadurai, A., 1986. Theory in anthropology: Centre and periphery. Comparative
Studies in Society and History, 356–360.
Bhan, S., 1972. Changes in the course of the Yamuna and their bearing on the proto-
historic cultures of Haryana. In: S.B. Deo, ed. Archaeological and Congress Semi-
nar Papers. Nagpur, 125–128.
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Bhargav, P.L., 1982. A fresh appraisal of the historicity of Indian epics. Annals of
Bhandarkar Oriental Research Institute, 63 (¼), 15–28.
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Cecil, E., 2020. Mapping the Pāśupata Landscape: Narrative, Place, and the Śaiva
Imaginary in Early Medieval North India. Leiden: Gonda Indological Series 21.
Chakrabarti, K., 2001. Religious Processes: The Purāṇas and the Making of a
Regional Tradition. Delhi: Oxford University Press.
Chattopadhayaya, B.D., 1975–76. Indian archaeology and the epic traditions. Pura-
tattva, (8), 67–72.
Chattopadhyaya, B.D., 1984. A Survey of Historical Geography of Ancient India.
Calcutta: Manisha Granthalaya.
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Danino, M., 2010. The Lost River: On the Trails of Saraswati. Delhi: Penguin.
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London: Luzac & Co.
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104–118.
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Macmillan.
Eck, D.L., 1981. India’s “Tirthas”: Crossings in sacred geography. History of Reli-
gions, 20 (4), 323–344.
Eck, D.L., 2012. India: A Sacred Geography. New York: Harmony, Random House.
Eliade, M., 1963. Myth and Reality. New York: Harper and Row.
Feldhaus, A., 2003. Connected Places: Region, Pilgrimage, and Geographical Imagi-
nation in India. New York: Palgrave Macmillan.
Goldman, R., 1986. A city of the heart: Epic Mathurā and the Indian imagination.
Journal of the American Oriental Society, 106 (3), 471–483.
Haberman, D.L., 1994. Journey Through the Twelve Forests: An Encounter with
Krishna. New York: Oxford University Press.
Haberman, D.L., 2013. People Trees: Worship of Trees in Northern India. Oxford:
Oxford University Press.
Hiltebeitel, A., 1989. Kṛṣṇa in Mathurā. In: D. Meth-Srinivasan, ed. Mathura: The
Cultural Heritage. New Delhi: American Institute of Indian Studies.
Josephson-Storm, J.A., 2017. The Myth of Disenchantment: Magic, Modernity, and
the Birth of the Human Sciences. Chicago, IL: University of Chicago Press.
Kaul, S., 2018a. The Making of Early Kashmir: Landscape and Identity in the Raja-
tarangini. Delhi: Oxford University Press.
Kaul, S., 2018b. Speaking of matters past: Critical refections on the translation and
study of Kalhaṇa’s Rājataraṅgiṇī. In: M. Devadevan, ed. Clio and Her Descend-
ants: Essays for Kesavan Veluthat. Delhi: Primus Books.
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Kaul, S., 2022. Early indic visions of history – I, II, III. The New Indian Express, March–
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[133] Two patriarchial rulers of China (b.c. circa 2300) whose
wise principles of government were immortalised by Confucius.
[134] With the Empress Dowager of China (Eveleigh Nash,
1906).
[135] Since the days of the Emperor Ch’ien-Lung, these
expenses have averaged some forty millions of taels per annum.
Vide “The Times,” special article, 7th Dec., 1909.
[136] The nucleus of this hoard was the money confiscated
from the usurping Regent Su Shun in 1861.
[137] An account of his life was given in a memoir published by
The Times on the 6th October, 1909.
[138] Vide supra, Chapter I., page 12.
[139] It has remained thus in many districts until now, vast
solitudes of ruins being the chief characteristic of a region that,
before the rebellion, supported some thirty million inhabitants.
[140] Subsequently Governor of Formosa.
INDEX
“I-cheng-wang,” 56, 60
I-Ho Yüan, vide Summer Palace
Ili, Russians at, 112, 181, 501-3
Imperial Clan Court, 32, 44, 48, 213
Imperial Clans, 122, 187, 267, 325, 326, 418, 425, 447, 481
Imperial Clansmen, 40, 47, 54, 60, 91, 123, 158, 212, 326, 429
Imperial Commissioner, 370
Imperial Decrees, vide Decrees
Imperial Guards, 38
Imperial Household, tribute to, 86, 97, 99, 104, 359, 361
accounts of, 87, 103, 495
Comptrollers of, 87-8, 121, 151, 251, 259, 457
eunuchs in, 81 et seq.
Imperial Succession, vide Succession
Imperial Tombs, vide Tombs
Incantations of Boxers, 279, 315
Inspector General of Customs, 170, 510
Intermarriage, Chinese and Manchus, 428, 491
International jealousies, 333, 392
Iron-capped princes, 2, 6, 182
Ito, Prince, 391, 438