INTRODUCTION Text detailing the video that was delivered 13th June to Mushroom Records explaining the moments

and what took place a week after the front page news 2001 Crown Casino incident and events that took place on June 22nd 2001. Scrolls through and text continues about the mental institution and the 17 days of hell while in there. SCENE 1 INT FLASH BACKS DAY

Text: 10 years later Shot of room where Raed is chilling out, showing what is in the room to reflect Raed as an artist and his inspirations e.g. pictures, photos, news paper articles, books, CDs. CUT TO MENTAL INSTITUTION Flashing blurry images of the following: Raed is strapped tightly in a hospital bed, and is refusing to take his medication. Two large male nurses are holding him down, one with their hand on his nose. A doctor starts to talk to nurses about Raed's mental condition and how they found him rapping at Crown, completely oblivious that Raed can hear him. Distorted dialog here. A third female nurse reluctantly washes some pills down Raed's throat, then begins to prepare needle containing morphine. Nurse looks at Raed with pity. Hes eyes say it all. She begins to administer sedatives via a needle into his arm. SCENE 2 EXT THE LETTER BOX DAY

Raed walks outside. Its after midday (sun overhead). Raed checks the letter box. You can tell its been a while since he has checked the letter box from the amount of letters in the box. Close-up down shot as he flicks through the letters which are mainly speeding tickets, bills and a few album knock back letters from music agencies. Raed spins around walks back up front path

talking to himself in frustration door closes. SCENE 3 INT ANSWERING MACHINE DAY

Back in the house Raed drops all the letters into the kitchen bin. Camera fixed on the answering machine as Raeds finger moves in and out of shot as messages are played. There are 3 messages on the screen. Raeds finger presses play. ANSWERING MACHINE MESSAGE 1 BEEP. Message received at 11.55 am on Sunday the 4th of June, 2010. Hello Raed its Ash. Hope you are all good. I had a chat to my manager about the gig mate. He wasn't for it man. Sorry champ, talk to you soon buddy. BEEP cuts in as Raed presses fast forward button. ANSWERING MACHINE MESSAGE 2 Message received at 12.02 pm on Sunday the 4th of June, 2010. Hey Raed its Rach, just letting you know they had a listen to your CD and said that they weren't willing to get you in the club on the mic. Sorry, see you around. BEEP cuts in as Raed presses fast forward button. ANSWERING MACHINE MESSAGE 3 Message received at 12.06 pm on Sunday the 4th of June, 2010. Hey mate, yea look its Roger from The Last Word here. [Pauses]. Yea look, its my cuss 30th this Fri mate, so we need the venue. I know you were booked in to roll and all. Maybe next week yea? Raeds finger hits delete. You have no more messages.

ANSWERING MACHINE You have no more messages. Clock flashes from 12.12 pm to 12.13 pm. Another answering message has just been left. Raeds finger hits play. ANSWERING MACHINE MESSAGE 4 (FROM MARK) Message received at 12.13 pm on Sunday the 4th of June, 2010. [Stern annoyed professional] Look you freak would you stop calling?! Seriously, if you leave another piece of meaningless shite like that on my voicemail again Ill get a frigg'n restraining order out against you. MEEP MEEP MEEP [has hung up]. ANSWERING MACHINE MESSAGE 5 (FROM CAFE BOSS) Sorry Raed we're going to have to let you, cause its too quiet and we need to drop shifts. Cuts to Raed getting a OJ drink from the fridge. He is in a worried mood. Makes a call to Micky his mate for a favor. RAED Hey Micky, I need you to hook me up man. I just lost my job man. I need to get back in to the scene man and do what I gotta do. MICKY (Trying to persuade him not to). Man you're on a suspended sentence for that shit, but any way leave it with me. I'll let you know where to meet. SCENE 4 INT A FEMALE FRIEND DAY

We hear a knock at the door. Raed opens it to find Bianka, his next door neighbor.

BIANKA Hi gorgeous! RAED Haha, heya Bi. How ya doing hun? Come in, come in. He lets her in. Its clear by the way he moves that he is down. They sit in the lounge. BIANKA So mister, I checked out your Myspace page the other night. The clip for gotta love this city is rad hun. I've never been in a stretch Hummer before. Bianka notices Raed's arms are crossed, and his sad temperament. BIANKA You're worth a whole lot better than that anyways. Christ babe, there's a whole city of cooler chicks out there awaiting you! Raed laughs. Don't worry about it Beez, I'm over it. You can tell by my flow. BIANKA [Playfully] So, are we still going out tonight? RAED [Still down about the gig & message]. Sorry Bi, Im really not in the mood. BIANKA Why? Whats up? Raed is not saying much at all, but is happy to see her. BIANKA You are strong Raed. Whatever it is that you are going through youll be ok. Bianka's phone rings. It is her friend (another

resident on Raed's street, that Raed doesn't know) asking if she could babysit her kid for a while. This is because she has to go pay some bills and do some female stuff. She has been invited out on date with her dream man just moments ago and needs to pamper herself. She is very excited. SCENE 5 INT SYDNEY DMA RECORDS STUDIO DAY

Three Agents are kicking back in an office studio looking for fresh acts on the internet. They somehow find the My space account for Raed. There is also a flashing number on the website, 0421 000 911 on a LSD banner, that they don't really pay attention to till later on in the film. They like his rap style and flow. RICHARD [Typical, cocky character]. He's original. Its just what we need. This guy will go off here. Some body find him for me. LADY USED TO BE GERRY [Classic case of a hard rider]. Ive heard of this guy before. He freestyled on our answering machine awhile ago. His style is quiet intense, like crazy. MIKE You knew about this artist, and you never said anything? All three are talking to each other and are thrilled with their discovery. They have a look in the website and find interesting articles. RANDEL [Brains of the three]. Hey, check it. Seems like this guy's had a heap of heat. He's dedicated to his style. RICHARD I want youto find him

for me I need him found before the 13th. THE LADY [Laughs] That's only two weeks away. RANDEL [Laughs, shaking head] That's crazy. What do you mean? RICHARD I want him to put something down on this new compilation album. He will boost the sales through the roof and make it go international. Sydney will love this guy. MIKE [Laughs] Alright then Amigos. Let's jet to Melbourne find this Raed guy and sign him up. LADY & RANDEL [Laugh together] Deal! RICHARD I will have a driver waiting for you at the airport. mike grabs a piece of paper and starts scribbling down Raed's contact details off the Myspace site. SCENE 6 EXT MELBOURNE AIRPORT DAY

Play upbeat tune here. Time lapse of sun coming up over city, lights going off along South Yarra, trams going over bridge. Cut to shot of plane landing at Melbourne Airport. Cut to Lady, Randel & Mike standing at a Taxi rank. RANDEL Well welcome to Melbourne boys. This place smells better than Sydney. THE LADY Hey, what if this Raed

guy is just a myth? MIKE What like some kid playing a hoax, nah this guy is a freak ? RANDEL The clock is ticken, we haven't got much time. Where's our driver? THE LADY Something's fishy about this Raed I don't think he is here at all. MIKE Well I bet you my plane trip home he is. You're on. The driver is seen buy this stage. DRIVER Doesn't say much he escorts them to the car and takes them to hotel. SCENE 7 CUT TO MEETING WITH INFORMANTS DAY THE LADY

Two guys and a lady drinking coffee and smoking cigarettes, while sitting down talking about Raed in the Governor's Office. Lora walks into the Governor's office, where Dug & Luke are sitting. LORA I need a new job. All this shit is too much for me. This Raed doesn't give up, he keeps calling and rapping to the receptionist. There's got to be something else other than this Crown Public Relations Officer shit. DUG You have a point. Maybe you should talk to your uncle since he runs the

joint. Lora lights up a smoke, the thin type. LORA That Raed rap-freak has been thrashing the building with calls. It is like he knows what went down. He knows more than he should. He is a worry. LUKE Yes, I heard the fool's been arching up about what happened to him at Crown. He's been dialing the joint directly and making threats in revenge to what I and your uncle arranged for him. Tim walks in and begins to listen to everything. He doesn't know as much as everyone else. DUG You would have thought a silencer to the head would shut anyone up. LUKE Nah, not this whack job. All the media exposure is edging him on. Fueling his cause. He's delirious. The guy's gotta go ... Luke sips and stirs his coffee. DUG Well better him than us. LORA He is a sexy-freak. It is like he is on a mission. I just don't know what the hell to do with him. GOVERNOR BIG BOSS Well I do. He has got to go. He has way too much on us, he could ruin our whole careers. Tim go get me another

coffee. Luke I need you to sort it out. LORA Double that. DUG Me too, I want three sugars with mine. Tim nods his head. Luke gets up to go sort out Raed. Lora flicks her cigarette ash. CUT TO footage of real video that was sent to Crown after Raed got out of the ward. The threat that shut down Heat, where Raed says "You are all fucked." SCENE 8 INT RAED AT HOME DAY

Raed making calls to a few Rogers house to remind Roger about his first recorded song. The song will be playing in the background until just before the knock at the door. Raed gets through to Roger's answering machine. ANSWERING MACHINE The person you have called is unavailable. Please leave a message after the tone. BEEP. RAED Ten years man, I've been calling for you for ten years. Man, remember this song. Knock at the door. Raed hangs up the phone and goes to the front door. It is a Sheriff who has come to serve an intervention order against him from a record label. SHERIFF Are you Raed Melki of 16 Fairbank St, Burwood? Yea. SHERIFF Does the mobile number 0421 000 911 belong to RAED

you sir? RAED Yeh, thats mine. SHERIFF Mr Read Melki, a Mr Guadinskly has been granted an intervention order by the Victorian Magistrates' Court preventing yourself from contacting him verbally or going within 250 meters of this person. Do you understand? RAED [Looking dumbfounded] Yes, sir. The Sheriff hands him the papers to sign, separates the copies, then turns to walk away. SHERIFF Hey by the way, nice number. How did you get that? Raed grins and replies .. RAED Its a cool number isn't it. Hey by the way what time is it? 1.13pm SCENE 9 INT ASSASSIN HIRED BY LUKE NIGHT SHERIFF

A phone conversation is over heard between Luke hiring an assassin. The government are trying to get rid of Raed. LUKE Melki is a serious liability. What do you want for the job? ASSASSIN 300 thousand euro. All notes, half up front and the rest after it's complete.

LUKE Meet me at The Dudges at mid night. ASSASSIN See you there. SCENE 10 EXT THE REC AGENTS DAY The Sydneyites arrive at their hotel. While unloading bags from the taxi they debate if they will find Raed. MIKE So, where do we start looking for this hot shot boys? The Lady reaches out the piece of the website, she They call but it into her jacket pocket to pull paper with Raed's number from wrote down was 0433 777 666. is disconnected.

Mike sarcastically congratulates The Lady, and laughs while hand shaking him and patting him on the back. MIKE You're da man!(won't suit as Gerry is now a lady - Maybe great going??) We're off to a good start. A disconnected number hey, fantastic. LADY [Pulls away, pissed off at herself] Yo, shut up bro. At least I noticed it. You probably didn't see it. Mike looks confused. All three are now looking confused about where and who to start talking to, in order to track Raed down. Randal is becoming negative and thinks that the whole thing is fabricated. The Arab taxi driver overhears the conversation and comments. DRIVER Where we going first my friends? THE LADY

Not sure yet. We came here to look for a rap artist. You heard of a r..a..e.. to the other fuken d? DRIVER Sorry mate. I've never heard of him. I don't like rap, I like my jazz. RANDEL You know, for all we know Raed could just be some pimply little gangsta wannabie's stage name. It's gotta be a joke. I mean how can his name at birth be Raed? DRIVER He sounds Arab with a name like that. THE LADY [laughs] R..A...E...D, yeh you know, on the phone message he left on the answering machine he said if you spell it backwards it reads dear. DRIVER [laughs, as he drives] He must be a smart Arab then. MIKE Yea? Why's that? DRIVER [Through window, typical Arab ornament hanging on rear view mirror]. Cause Arabs read from left to right.

Shot of guys acknowledging the statement. Randel looks more confident that Raed exists. A bag boy helping them take their bags out of the out of the car boot. SCENE 11 EXT ROGERS HOUSE DAY

Raed drives to Rogers house. There is a crew of 6 rappers there. Raed goes towards the door. They are talking shit about him. Raed just wants to know why Roger knocked back his gig. Roger is more honest in person, and says that the music is not appropriate and doesnt suit the club. The other rappers start making smart remarks. Raed confronts them. Rude rapper pushes Raed in the chest because Raed gets too close. A scuffle breaks out. Raed stays strong on his feet. Raed gets out of car. The boys are talking crap about Raed as he walks up to Roger. RAED Hi Roger, hey why did you knock the gig back? ROGER Your style of rap won't suit the club my friend. Sorry but that is how it goes. RAED What do you mean man? Let me have one gig there and we'll take it from there. ROGER No dude, forget it, it's not gonna happen for you. Rude boy in crew is mouthing off about Raed. A scuffle breaks out. RAED Youre all a bunch of pussies. Takes five of you and you're still trying bitches. RUDE RAPPER [Fiercely] Dont call me a bitch. RAED Yeh, well dont be making fun of me. What you think cause you got your crew here Id be afraid? Mother fucker you're a bitch.

ROGER [Stern loud authoritarian voice] Go inside. All of you. RAED [Rushing with adrenaline] This is rap mother fucker. Not some sort WWF wrestling match What? You deaf man? Keep walking bro. SCENE 12 MEET EXT LUKE & ASSASSIN NIGHT

We see Luke pass a bag to the Assassin through the car window. Its a very quick meeting in a discrete alley car park. Two cars side by side. Both of them are smoking cigarettes. The Assassin opens the bag on his lap. It contains all the information the Assassin needs to do the job e.g. maps, photos, addresses etc. LUKE Here is everything you need. All the info is in the envelope. Mmmm LUKE Take him out and do it quietly .. not to much noise.. understand? Assassin nods. SCENE 13 NIGHT EXT STREETS OF MELBOURNE WITH BARS ASSASSIN

Montage: Gangsta style music playing. Different shots of street activity going on i.e. drug deals, hoes around hustling street buskers, night life, the number 13 (tram stop perhaps?). Cut to Raed and Nima (a good mate) about to enter the bar. They walk past a Muslim on a rug on the pavement that is preaching the Koran. Raed asks him a question. RAED How do you know that God is a male and not a female man?

The preacher is frustrated & confused. Cut to shots of hot spots around Chapel Street. Some drug dealing going on, prostitution, kinky stuff. Cut to Raed and Nima walking into a bar with a live show on. Important shot for later on. A female rapper is in the back ground. Shot of Raed and Nima sitting down, chilling, relaxing and catching up in the bar having a quite drink. Raed talks about how he has been contacting agents etc. However, realistically, Raed has been calling the people who knocked back his music and leaving rap tone messages on their voicemail to freak them out when they get to work. Also we see the assassin trying to take him out long shot sniper. NIMA So how's life man? Any news on the record deal? RAED Nah, just a heap of junk mail. I've made a few phone calls to the people that knocked me back and have tried to re-negotiate. The female rap artist approached to say hello to Raed. WAITRESS Hey, how you been Raed? RAED Still working on shit. WAITRESS You need to start performing hun! RAED Yeh, I know. You're right. Just not at the moment. Not until I resolve a few personal issues with a few people. NIMA Dont take too long. I mean we're getting older not younger.

You're out of work so you might as well. Who knows, you might make some extra cash. WAITRESS Make sure you tell me when the gigs are on. Raed's phone rings. It's Micky inviting him to a party in a hotel room tomorrow.(Come down will talk some bizzo about what you asked me the other day). RAED Hey man [pause] Yea for sure, I'm up for a few drinks tomorrow night [pause], sweet see you there bro. Camera focuses on people walking on the street in the background of Raed on his phone. Zoom in to identify the three Sydneyites who have found their way to Chapel Street. CUT TO INT THE SYDNEYITES NIGHT The three Sydneyites are walking close to the place where Raed is but they keep walking on. SCENE 14 INT OFFICE RECEPTIONIST DAY

Morning scene of receptionist (Diane) coming into the club office. She turns the lights and computer on, puts her hand bag down, presses play on the answering machine. A few office related phone messages are played, the 3rd message is most important. ANSWERING MACHINE Message received at 5.13 pm on Saturday 3rd of June, 2010. (lengthy message in rap style). Freaks receptionist out. Mark enters office. Morning! Mark looks at Diane who is still looking at the answering machine in shock. DIANE You have to hear this, he has gone crazy. MARK

Plays the message. Mark from a distance freaks out when the rap drops. MARK Full on. He doesn't give up does he? He's fervent because we knocked his album gig back. DIANE I love it, I get goose bumps listening. No other rap artist can do that. We gotta do something for him. MARK Nah, I've been told to let this freak go. How come? MARK There's just not enough of a market for that sound here in Australia. Oh. SCENE 15 EXT ON THE STREETS DAY MONTAGE SHOT DIANE DIANE

The Record agents are trying to find Raed. We see them coming out of an internet cafe with a picture that have printed up of Raed. They show it to passers-by on Chapel Street. There seems to be a little frustration here with the crew when no-one recognises they guy in the picture. The agents appear tired and are losing faith. Pan across the street to find Raed walking out of a cafe with a latte. SCENE 16 EXT ASSASSIN DAY Long shot of the assassin in sniper mode attempting to shoot Raed from a high distance but is unable to due to the volume of people. Raed makes a call to Roger while walking along to see if Roger can help him release his album. As usual Roger doesn't answer. Raed ends the call. His phone rings. It is a booking agent letting him know that they haven't been able to arrange any gigs for Raed, but they are confident that they will have something hooked up soon.

SCENE 17 EXT LUKE CALLS ASSASSIN DAY Luke calls the Assassin to see if he is on target. It's a brief phone call. Few words are said but Luke is not happy with the Assassin. Lora is in the background. LUKE (Smoking cigar) Have you completed the job? Do you hear me? I need Melki dead. Kill him. Don't take too long. He has information that can destroy us. Kill him. ASSASSIN I'm on to it. Shot of Luke trying to relight Cigar as it was gone out. Lighter out of gas. SCENE 18 INT RECORD LABEL TEAM MEETING DAY At this point the record label agents are beginning to give up hope, they have been looking but no luck.They're talking about how Raed is not real and it is just some sort of hoax. They get into a conversation about the bomb hoax. Gerry brings up Raed's skitzo rap and how it made so much noise around the streets. They all split up and meet each other later but no sign of Raed. RANDEL Maybe we are wasting our time. I mean we have been asking people and they have never heard of this guy, we got 11 days left to find him. I mean what are the chances of that? THE LADY What you wanna quit now? MIKE Nah I'm sure he be found, have a bit off faith, and stop being so negative. THE LADY Your right the guy's rapping antics shook this city to its core.

Anyone who's rhymes and makes that much of a noise around the streets, gotta be real. MIKE You're right. It cant be a prank. There's online links posted by other artists. People like his shit. RANDEL Yea, like what? MIKE DJ Cool's posted a flow Raed left on his answering machine. It went on for like 10 minutes man. The R, the A, the E, the D ... he was flowin'! No phantom be doing that. Now lets stop this crap and lets find him. I know he is here somewhere. SCENE 19 INT REC AGENTS BOSS DAY The big boss rings the team to see how theyre going. He is making sure they are on the go, are on schedule, and are looking for Raed. RICHARD Mike how are things going? You found him yet? MIKE No boss, but I won't let you down. RICHARD It is important that we find him and sign him up. I want him. He can make me lots of money. MIKE I'm on to it. Leave it with me. I wouldnt come out this far from home, just so to fuck around.

ADD INT NIMA RAED THE BOULEVARD SCENE FULL MOON HOWLING NGT Raed and Nima are at The Boulevard talking. Nima is telling Raed about how he wants to go overseas to pursue his career in interior decorating. It cuts to them howling and then they make their way to the party. RAED My mate Micky knows me too well. He knows I love my full moons. No better night for a party, hey? NIMA Yeh man, I feel like getting sloshed. SCENE 20 INT AT GOVERNOR'S OFFICE SITTING DOWN NIGHT Scene between all the government members who were involved and police officer(s) who were trying to cover up a bad procedure. In this scene we get an understanding of how horrible the treatment was that Raed experienced as a result of the bomb hoax. Doug, Tim, Luke, Police Officer(s) and Lora (maybe more) talk about what happened and the audience find out what actually took place. Video footage shown: The Video Delivered to Crown, The Spook Video and The Speech Video (to be disclosed to editor). This provides the audience with a real glimpse of the situation. POLICE MAN He has made some more threats there getting very serious we need to follow up on it. LORA He seems to be still upset about the ward you had him in. GOVERNOR BOSS We had to institutionalize Raed for many reasons. He knows way too much. Claiming him to be mentally ill meant nobody would pay attention to him. LORA His rap sounds

dangerous, he gives me goose bumps I'm kinda starting to like this freak. POLICE MAN He freaks me out. We need to silence him. Cuts to Raed making a threatening phone call to the psychologist Dr Ian Murphy. (From past). Cuts to Dr Ian Murphy making phone call to Luke questioning how Raed got his number. (From past). Cut back to government team and corrupt police discussing Raed. DUG (Super stressed) He orchestrated a bomb hoax guys. A freakn' hoax. There's gotta be more to this. We put him in a mental home and kept him unconscious for 5 days. He is pissed off. He knows we tried to shut him down and make him look like a fool. But the freak lived. He's not normal. We are all fucked if we dont take him down. LUKE Stop sweating it, its only a matter of time. LORA Glad to hear you've got it under control. Tim is still learning about what happened, whereas everyone else already knows. Tim talks towards Lora and Luke. TIM I found this tape in the his file. It wasnt a normal bomb hoax. Its a tape Raed sent into Crown Casino the week before the stunt. I still don't understand why he would send this tape to Crown.

It is here we see 13 seconds of the tape that made front page news with voice overs. Lora lights up a cigarette. She is not surprised about the tape. It seems like they know she is a Russian Jew, as well as the Governor's niece. The Governor knew about the tape. TIM Who's they man in the tape? LORA That's Raed's old man. TIM That doesn't make sense. BOSS GOVERNOR Looking at Lora. I told you to hide that tape so noone would find it. LUKE Talk about a hell of a final few words. GOVERNOR BOOSS Raed delivered that tape a few months after he's old man passed away. TIM Dam I wish I had a son like that. LORA He's old man would be proud of him. POLICE MAN He is trouble. We don't want trouble. TIM Well you should have thought about that before you put him in to a mental institution. He is stronger now than what he was 10 years ago.

SCENE 21 INT HOTEL RELIGON TALKS NIGHT Its a party banging scene. Raed and Nima rock up to the hotel. We have a room of around 13 people. Raed arrives at the hotel to get a drug run started because he is out of work. Somehow the topic of religion comes up and intensifies. There are a few ladies that are really sexy and kinky. One of the people there make a smart remark about Raed and bring up the bomb hoax situation. This sets off a string of jokes about the situation. Raed gets a bit upset he leaves and one of the girls leave with him. a knock at the door samantha answers the raed and nima at the door hey guys RAED 'we hear to see miky blue eyes samantha being cheeky mick and boby and abdoulah talking MICKY the teriosit him self come in alex introduces raed to boby and abdoulah BOBY rae how u been bro its been awhile MICKY what u guys no each other RAED e went to school togeather nima how u been man NIMA partying man and bitches all night every night SIA Pass me some of that weed. SAMANATHA (THE LISTENER) SAMANTHA door

(She is a tripper with a serious look on her face all the time listening.) Honey I wanna another pill. PUT THAT MUSIC UP KATE Chilling enjoying the scene. MICKY abdoulahs ur man hill hook u up with any thing u need my man u just gotta make sure u keep up todate with figures ABDOULAH @ raed i herd about you u had the casinoi under siege with hostages SIA why the fuck did u have hostaiges for people snorting in the back ground nima couple of the girls JESS Cruising along. NIMA Snorting shit. SAMANTHA What did you do? FLICK party going on for her. She keeps looking at Raed. She likes him. RAED That's not what happen man. RANDOM LADY Then tell us what happened. Raed looks angry. Wide shot of everyone. RAED Most people receive a

will when their old man passes away. I received a video tape from mine. You know like his last message to the world. His was really political. I know what he would of wanted. I mean it was a nice speech, so I sent it in to Guadinskly's Office. The next day it made front page news. Man you should have seen how they'd twisted it and made me look like some sort of stalker. SAMANATHA Who the hell's Guadinskly? FLICK That's Kylie Minogue's manager you idiot. MICKY Didn't he own Mercury that club in Crown Casino? RAED Of course he did. That's why I decided to shut down Crown Casino. SAMANTHA You're such a freak. RAED Yea but I'm the first and only rapper in the world to have to shut down an internationally recognized casino. SIA You shut the casino down? What like completely? RAED Yea man, the whole quarter block of the city was lights out. SIA You crazy mother fucker.

NIMA You think that's crazy. The freak had the SOP's pointing a silencer to his head the whole time, but Raed kept rappn at them. Now that's the mother fucking G for you!! SAMANTHA I guess you loved your old man hey. He'd be proud of you. Raed nods his head. Samantha the listener Her expression should set the scene better. She be so off her wanting more drugs. ???? ABDOULAH u crazy mother fucker so u now a rap terorist

abdoulah walks off picks a coner and starts praying while others snorting RAED Just leave it at that. I'm an Arab. They're Jews man. I don't hate them but it feels like they hate me. BOBY Fucken Jews. SIA Shut the fuck up bitch my old man's a Jew. BOBBY fuck the both of you pass me the pipe you tight ass Jewish mother fucker. Expression on Raed face says it all, he is already over it. SIA Here you go you ugly

arab Muslim mother fucker I hope this shit makes you oddee. BOBY gee thanks bro this part is gonna be random free style diss every body is in this flick micky and samanth jess all having a snort nima buy this stage is inhailing soda bolbs MICKY abdoulah get the fuck up man come and have a line pay layeter abdoulah gives micky a grizzy JESS fuck all of youz ur boaring me with all this religon crap i hear it all the time NIMA what u must be a catholic u think u better than all of u guys take all that charity money and do shit all with it SAMANTHA listening to all of them while she pops another pill FLICK u guys should be a ashamied of ur selfs have some respect for eachother .... SIA some bodey talking sense for a change MICKY u guys are all fucked wheres my bag of coke nima is in to it heads down intense snorting

JOHNNY/DANNY

they have a conversation in Arabic with Raed they ask if what i did was real i answer back in arabic MICKY u better get me another bag u vacume cleaner @nia RAED you guys are all fucked man maick man i came hear for a bit of assistanse instead i have a head ache man what the fuck,, u no my situation man ... SIA AND BOBY AT IT AGAIN Raed and flick sincranized at the same time say guys enough RAED im outy man nima stays behind inhailing soda bolbs Raed totally head fucked from all the questions and the religious talk, walks out with Flick. FLICK I wanna come with you. ABDOULAH where has he gone with one of my laddies MICKEY dont stress u still got plenty more Everybody has their say on the topic of religion. They all diss each other, while people are snorting and taking pills. There is a Muslim drug dealer snorting and talking about the Koran. A Catholic taking pills. And a Jew in with the action. This is a funny scene, everyone is high and the room is Number 13. It ends with everybody passed out except Raed. He leaves with a girl (she likes him, so she follows him). Nima stays behind as he is drunk and high, tired and wants to sleep. He passes out on a chroming high.

SCENE 22 EXT ALONE AT THE BEACH NIGHT FULL MOON Raed hangs out with the girl who is a bit tipsy. They sit at the beach under the full moon. Raed has a flash back about the institution. The girl start talking about the moon, then encourages Raed to rap. She asks about his tattoos and what they resemble. Raed answers. She also asks about who Edmond/Edmond/Nabiel are. Raed responds that they are dead. night of a full moon. FLICK Don't worry about them, they're all off their heads, rap to me. RAED Not really in the mood babe. FLICK Oh come on please. RAED Spits the verse from 'One sensation', You know I deserve this. Nice. RAED You think people will like that? FLICK You know it babe. RAED Just looks at her with a smile. FLICK Who are those two names tattooed on your arm babe? RAED My dad and bro, they both died a long time ago. FLICK Sorry, I heard you saying he passed away, but didn't know your dads' name was Edmond. Otherwise I wouldn't of asked. That must of FLICK

been hard to deal with hey. RAED Loosing your older brother and father in the same 5 years, yeh its been intense I guess that's the main reason why I'm always on the rap. It makes me feel better like, it heals me when I create the flows. Maybe when the album comes out people will relate to it and like it. I don't know I guess that's just me and that's who I am. FLICK What you did was deep I heard what you were saying about the tape and how you received it, your love for your old man was for real. Your actions say it all, he'd be proud of you. You know that. RAED I'm glad I met you tonight and that you came with me, that room was getting out of control. FLICK I'm glad I came too. Your a cool guy, I hate the topic of religion and all that shit. RAED Thanks, hey what's your number? FLICK WRITES IT DOWN AND GIVES IT TOO HIM Raed just listening to her. He is looking at her straight in the eye. The moon is full you can see this. SCENE 23 INT THE REC AGENTS HAVING MCDONALDS

NIGHT They're hungry and eating McDonald's and tired. They make a funny comment about the burgers and to the left of them the assassin is sitting in his car having a meal too. They look at each other but that's it. The Sydneyites comment on the burgers. How the taste is spot on. SCENE 24 INT GOVERNOR CALLING ASSASSIN NIGHT Short phone call between Governor & Assassin. GOVERNOR What's going on? Have you fixed it up yet? ASSASSIN It won't be long now SCENE 25 INT THE OFFICE AGAIN DAY The two receptionists are in a total trip mode from the new rap messages that were left over night from Raed. All that is heard are the raps left on the phone. The receptionist's face expression is strange and freaked. More cool rap messages are left. Use verses from 'One step closer to the moon' for the messages. Face expression. whos?? RECEPTIONIST What a freak. MARCO Why is he always so angry like some one has done him, wrong? RECEPTIONIST 2 REBECCA He gives me goose bumps, I love it. SCENE 26 EXT DIFFERENT OFFICES DAY MONTAGE

Music playing in back ground The Sydneyites go in and out of different building offices looking for Raed. They flash his picture to workers to see if there is anyone one that can lead them to him.

SCENE 27 INT REC AGENTS COME TO THE OFFICE DAY The Agents///// are in negative moods. They walk in to the club office just as the rap message finishes, and ask the secretary a few questions about a rapper called Raed. RAP PLAYING ON MESSAGER R..a...e.. the...mother fucking....d The message ends with Raed leaving one of his famous numbers 0421 000 911. The secretary freaks out. They are all in trip mode but still have not got an answer from her yet. RANDELL What up babe? SECRETARY Hi, how can we help you? Gentleman. MIKE Have you heard of R.a.e.d or do you know anything about him? Yes. Diane is nodding her head. Randell looks at The Lady. DIANE He left a message on our phone. MIKE [Very happy] I told you he was real mother fuckers. That number 000 911 was on his website but I thought it was there for fun man. They play the same message again, and freak out in joy writing down Raed's the phone number. SCENE 28 INT HOTEL DAY Back at the hotel, people are passed out and hungover. One of them asking where Raed has REBBEKA MARCO

gone. Nima is hungover in a major way. He has a girl's bra on his head but sleeping next to a bloke. SCENE 29 INT CAFE RAED ON WITH THE GIRL DAY Raed is sitting down minding his own business and having a bite to eat when he gets a phone call from Spin FM. They call to say they are not going to support his music this year, maybe next year as their slots are full. Raed hangs up the phone. RAED Yeh, whatever,take care. FLICK Who was that? RAED Spin FM, they just keep pushing my music back, they don't wanna support it. In the back ground someone notices Raed and starts making fun of him like the classic case of Jordan in Chapel (?). Typical cocky attitude rich mother fuckers hanging shit on Raed. At this point the Raed becomes really sad and has had enough of all the built up negativity. He walks away from them without saying anything. The guys can be still heard in the background calling Raed names. Raed keeps walking away The girl he just met is still there. He walks away from her. She tries to follow but he asks her to leave him alone. Raed goes away leaving his phone behind. He heads for the bush. No place to go out of anger. The girl starts skiting at the [rich street] guy and threatens him. NATHAN hey theres that freek silly arab rapper, check it out JORDAN dam how did a looser like that grab a girl like that

NATHON tell e about he is such a wanker, i saw his clip on u tube the one he did out infront of crown. ZAC his dreaming. Nobodys gonna release his shit.he should quit while his at it his a joke. SARAH Stop being mean to him. At least his trying to do something and he's not afraid of rejection. JORDAN He is such a loser. He can't rap I can do it better. More insults. NATHAN More insults. JORDAN More insults. Face expression from Flick and Raed they can hear what is being said NANCY Why do you care so much what he does any way? It's his life babe leave him alone. FLICK grow up guys ur so imature JORDAN whats a sexy lady like ur self doing with an idiot like that.. SAHRA jordan srtop being so jelouse JORDAN jelouse of what he is a looser with a capital

C. ZAC ur such a freak

Raed sad starts walking off with Flick trying to cheers him up. Raed walks away and tells Flick to leave him alone. He is in a really emotional way, Flick gets angry at the guys. FLICK If anything happens to Raed your gonna regret you were ever born! JORDAN He's such a pussy. SAHRA NANCY both walk off as they are also pissed off with there mates behavior Gone. Raed walks off, leaving the phone behind and telling the girl to leave him alone. SCENE 30 INT ASSASSIN DAY The assassin is parked in front of Raed's place for awhile but no sign of Raed. SCENE 31 EXT RAED WALKING IN NO MAN'S LAND LATE EVENING Raed drives very far out bush. His car breaks down after passing a sign with 13km on it. Raed is miserable and sits down in a bush next to a river. He has another flash back out of the blue. An Aboriginal appears to mentor Raed. The man knows Raed is sad, asks him to follow him. They come to a clearing and sit down at a bon fire. The man and Raed have a magic conversation that enlightens Raed. The man talks about the hardship of Aboriginal people and how evil the government was to them. Raed tells him a little bit about the situation. They chat. The Aboriginal mentor gives Raed hope. Cut to Raed waking up to the break of dawn shinning through the leaves. The bon fire is out RAED

and the mentor is no longer there. Raed remembers the advice the mentor gave him about confronting the kingpins and certain government powers holding his music back. The mentor has revived Raed's confidence to confront the situation. He now realises that the government tried to kill of his rhythm by forcing him to be medicated. Raed realises that there are only a few people who can be involved. This is a climatic and catalytic turning point of the movie. SCENE 32 INT REC AGENTS STILL TRYING TO FIND RAED DAY Work out something cool for this scene. Its the turning point of the movie so we got to heat it up a bit. This is the part where one of the agents realises there was an other number on the website banner in LSD mode. 0421 000 911 SCENE 33 INT ASSASSIN STILL PARKED IN FRONT OF RAED HOUSE DAY He is sleeping in his car in front of Raed place. Phone rings. Its his boss again asking if there is any sign of Raed. ASSASSIN, No sign of him yet. SCENE 34 INT RAED HIS PLACE PLACE DAY

Raed back in his place in the bathroom talking to himself. Skiz mode, angry, hyped up and motivated. Flash backs start to occur again. We see in this Flash back the big boss and the doc trying to do bad shit to Raed..this time everything comes together when Raed gets out of the brain flash back he smashes the mirror RAED He remembers Flicks number in his pocket jacket. After he comes out of the flash back he calls her and tells her he is ok. She is at home in her bed worried, and is happy and relieved to hear from him.

FLICK On the phone..oh bye the way I got your phone..you left it behind its on charge for you it was wet and flat. RAED Cool can I swing by quickly and grab it? I'm gonna need. As Raed is walking out, he tells Flick about his safe custody account with all this music in it. He asks her to look look after it if the shit hits the fan. FLICK Why? Are you planning on locking down the city again so you can rap to the bomb squad? RAED Something like that. SCENE 35 INT GOVERNORS OFFICE LUKE PLAYING CHESS DAY The Governor is playing chess and smoking cigarettes with a lady friend. The Governor receives a call from his superior Antonios the big boss. The superior is checking if the Governor is on track with his responsibilities. It is also a courtesy call to inform the Governor of Raed's recent threat whereby Raed mentioned that he was planning to pay the Governor a visit. Theyre playing the part of the video underground version on repeat. In particular, the part where Raed sent in the casino spook and was skitzing saying Look in to my eyes. They stop and rewind the part several times. LUKE This video rattles my bones every time I watch it.. LORA Nobody can act that well its gota be real. Maybe he is trying to tell us something in criptic form and we're not getting it.

Their still playing chess at this point. Lora seems to be winning. ADD IN ADD IN SCENE FOR RECORD AGENTS

Their boss Richard calls to see how they're going. RICHARD Guys I need him found in 4 days. THE LADY No problem boss, we will find him. MIKE Don't stress boss will find him. They close the phone...and start talking amongst themselves about where to start looking. ADD INN THE MOHAMMAD ALI SCENE DAY

Walking down the road Raed cross the path of the people that were giving him shit in the ?? scene. This time they try to be smart and be mean, but he retaliate like Mohammad Ali scene. What's my name in face face??????? like a freak mode retaliation. Jordan and his group are in Raeds' face. They are sitting down where he gets coffee and from the start trying to be mean but Raed don't take no shit. This time I switch to freak mode and in his face repetitely say what's my name ..to his face till he drops on the floor. Say my fucken name bitch. What is my fucking name. Once Jordan drops on the floor Nathan walks off in fear. The girls are in trip mode but feel safe . Raed walks off. ADD IN LORA & TIM LUKE LOOKING THROUGH SOME FOOTAGE show the audience some of the freak footage. A few comments but more important here is their face expression. SCENE 36 INT CONFESSION WITH PRIEST DAY

A funny scene. Raed is in a church confession box confiding with a priest about what has happened in a discrete code type of language. Here Raed opens up about his plan and why its important for him to take a risk, to stand up for himself without resorting to medication despite what they did to him. Raed lighting up a candle. PRIEST Just walking towards Raed. RAED I know what happend to me in the ward. PRIEST What happen? You sound a little up set and angry. RAED They had me sedated for over 4 days, just so they can tamper with me and get the best of ???? of what??????? Raed lighting up another candle at St Nicolas church location. PRIEST Let the lord take care of it son. Don't take it in to your own hands. RAED I need you to do a little blessing over me so that nothing happens to me, while I'm doing this revenge thing. PRIEST Son, it is not wise to take the law into your own hands. God will punish them in due time. RAED I need to do this for me. I hope you and God will forgive me. PRIEST

Take a break from things for a while and think it over again let the lord fix this for you. Raed walks out on the phone and is making calls. He threatens the opposition. RAED On the phone to the Governors secretary trying to get through. SCENE 37 ADD IN ASSASSIN DAY Shot of Assassin. He is on the prowl. SCENE 38 ADD IN RAED CALLS UP A FEW FRIENDS GIRLS GUYS DAY Raed calls some people that will help to seduce the situation. Gaining entry to the Governor's house (Luke). And obtaining details to where they live through Jack. Jack is a security guard at the Crown. He gives him a little present in return. RAED Hey Jack I need a favour. JACK I love you man. Cool if I get fired, your worth it. Here are the details. SCENE 39 INT PULLED OVER FOR SPEEDING RAED DAY Raed gets pulled over for his driving. Cops ask him questions straight out. The cops recognise his face. They ask him for reasons as to why he was speeding. Raed tells them he is on the way to the Governors house to shove medication down his throat the cops laughs, he likes the scicazium even though its the truth. COP Why you in such a rush? What for? RAED I gotta get to the Governors' place he needs his medication.

COP You that rap artist that shut down quater block of the city hey. mmm COP2 You got any CD's or new stuff of urz with you? RAED Hands them a copy of new material. COP They walk back to the car and crank the CD. They like it and they start noding there heads to it. COP2 All good, nice mix. Keep going but slow down a little. Cop 1. As if he would tell us what he would be doing to the Governor. SCENE 40 ADD IN ASSASSIN PIMPED UP DAY A sharp scene with little dialog. Assassin is trailing Raed and a bit confused to what the hell is going on. SCENE 41 ADD IN GOVERNOR'S HOUSE RECEPTION'S DAY The receptionist receives a phone call from Raed. He requests to be put through to the Governor but she tells him he is busy. RECEPTIONIST Would you like to leave a message? RAED Yeh, I'd like to leave a message. Yea could you tell him I'll call back in 5 minutes? Good luck. CUT TO Sydneyites trying to find Raed. They are close and know that there is something up. They tried to call the number but its an answering machine service for Raed. RECEPTIONIST RAED

CUT BACK TO Receptionist. The phone is ringing however she is filling her nails. RAED Is he still busy? RECEPTIONIST Yes, he is always busy. RAED Yeh, well how about I leave a message for him and my phone one number? Sure. RAED Tell him it will be like a shark attack. RECEPTIONIST What is this some sort of threat? What do you mean shark attack? RAED They will pop up from underneath and there will be lots of blood. Get him to call me. There is still hope.0421 000 911 In this part use the script that you wrote for your uni final exam the shark attack. SCENE 42 ADD IN ASSASSIN BUMPS IN TO THE SYDNEYIST DAY Simple short scene that you won't think much about but sharp. SCENE 43 ADD IN BACK TO THE GOVERNOR DAY Playing chess. [Use the shark attack script from uni]. A representative of the Governor calls the number Raed left thinking it was a prank. Raed answers. The penny drops and they realise it was Raed, he wasn't joking and they have fear on their faces. Raed walks into the office still on the phone to the representative. He hangs up, walks past the receptionist that is still filing her nails, goes RECEPTIONIST

straight through the office and surprises them. Before you know it Raed is in the room and they're shitting themselves. SCENE 44 EXT RECORED AGENTS TRYING TO GET CALL DAY For some random reason they call the number 0421 000 911 and get through to Raed somehow. Raed picks up quickly. THE LADY Lets call him we only got to 2 days left. Call him. RAED I'm busy, text me a message and I'll get back to you. The Sydneyites are in disbelief as that number is real. 911 yea right, its gotta be fake. I mean seriously. 000 911, that's an international emergency line how did he get that? SCENE 45 ADD IN OFFICE WITH THE GOVERNOR Deep talking. Lora is dressed up nicely, her legs are crossed. The Governor is sitting down paranoid and dug to Tim not surprised at all. Raed grabs Luke, holds his head back with his nose sealed and starts popping antidepressant pills one-by-one down his throat. They know Raed is pissed and they're scared so they co-operate. Raed starts giving the Governor another hand full of pills. He begins coughing them up so Raed shoves them down his throat. They say it wasn't from them, the call came from our? boss He demands the address of the big boss. LUKE It wasn't me. I didn't make the call but I know who did. RAED Who? You better tell me or I'm gonna shove more pills down your throat! The Governor drops the name down to Raed and MIKE

telling him as he walk out. LUKE ' Domenic he is the head of department nothing happens with out his say or his saying he calls the shots,, RAED where is he at now..i wanna see him tonight LUKE address given LORA Luke u are such a pips week pusy she looks at Raed and winks at him LUKE if ur uncle didn't orgainze to of had this freak put in an installation we wouldn't be in the mess right now TIM i new something was up LORA it wasn't just my uncle it was u that sugested it and arranged it,,, ur uncle LORA unfortunately lora just sitten down relaxed and looking carm and beautiful RAED If you want to sleep at night with out having to worry about anything make sure this time around the right publicity is put out there. Yeh, we don't want to involve too many people in this. I mean what RAED

you did was fucked yeh. Sort it out before I sort you out. Luke is in shock mode. He is scared, and is nodding his head. Raed walks out. CUT TO LATER Later on cops hear on radio. Breaking news about what has happened. SCENE 46 ADD IN REC AGENTS IN THE CAR DAY They listen to a radio news flash about an altercation with a rapper at a high profile governmental representative. Reports are still coming in. The Sydneyites are tripped out and are ready for action. RANDEL I knew there was something going on. THE LADY We gotta help him out so he knows we're here for him, before he does something that will get him in major trouble. SCENE 47 ADD IN ASSASSIN DAY Has also just heard of the breaking news. ADD IN THE GOVERNORS OFFICE THE CALL

IN THIS SCENE WE SEE DUG TRYING TO CALL THE BIG BOSS dommanic IT CUTS TO THE BOSSES HOUSE BUT THE GOVERNOR LETS HIS MOBILE RING OUT CAUSE HIS WITH HIS MISTRESS ALL RUGED UP AND KINKY WE SEE TIM CALLING UP THE REPORTERS AS RAED REQUEST Tim also calls high up police to let him know Raed is cool let him do whatever he has to do. He's pissed off, and he has every right to be. Tim likes Raed and makes a few calls to back him up. Lora lights up another cigertte and starts blowing circles. SCENE 49 ADD IN ROGER CALLS WANTS TO GET A GIG GOING ON FOR RAED NIGHT

ROGER IN HIS CAR HEARS THE RADIO NEWS FLASH REPORT ABOUT RAED AND THE GOVERNORS OFFICE GETS IN CONTACT WITH RAED ASAP. Similar to the classic manager scene in Rocky about prime time and how he has never had it. Raed starts screaming and Roger walks away. Raed chases Roger and accepts his help. Roger uses persuasive techniques to try to convince Raed to perform for him. Roger talks about the show, the publicity stunts and so forth and how they can all work out for a positive. ROGER HAS HEARD ON THE STREET, THE WORD IS OUT THAT RAED IS ON A MISSION AND IT COULD GET MESSY ROGER I know your angry right now and you have every right to be. RAED Just looking at Roger not really happy yet. ROGER I'll get you a gig wherever you want, just don't do anything stupid. RAED No comment. ROGER People think your crazy, I know your not. You're one of the best I've seen in my time, but you have made things difficult for me to promote you. RAED ?? THIS IS CONFUSING? Difficult? You've done everything? and should make things easy to promote this freak? Quarter block of the city down guru. Left in trip mode, the city and all the phone lines are canceled???? I've rocked this shit. I'm 32 years old man, where's my prime time? Not even one gig man in the last ten years. I see the lamest of artists out there making thee means met,

but you choose to leave me out like I meant nothing to the game. How you expect me to be? Everywhere I go they call me freak, I'm sick of this shit and I'm sick of they way I'm living this life. It doesn't have to be like this, nothing has to be like this .I DON'T HAVE TO BE LIKE THIS everybodys gotta prime time man. ROGER I'll get you. Your prime i'll get you ur gigs, i'll get you everything you need man, just don't do nothin stupid. RAED It's too late for that shit, I know what I'm doing, ROGER Your an artist remember, that your not like the rest of them. Stay true to your game you don't need to hurt nobody, retaliation on the stage man. Don't do this man, they will lock you up, there be no stage, think about it. RAED I have already thought about it I gotta do this or there will be no stage. ROGER If anyone gets hurt I can't help you ... RAED You never have helped me man.

SCENE 48 ADD INN FRIENDS OF RAED NIGHT

THIS CUT IN WITH THE SCENE ABOVE IT WHEN ROGER HEARS THE NEWS. THEY ARE HEARING IT AT THE SAME TIME ....A few people including girls that were in the hotel room and in different scenes that were giving shit to Raed, have heard what happened. Also the assassin tunes into the radio now and knows/learns the truth via radio & TV news report. They feel bad now because these people were always given him shit. Also cuts to the three Sydneyites in the drivers car listening to the radio da situation there in disbelief they write down the info where the situation took place and make there way SCENE 50 ADD IN RAED FRIEND COMES IN TO SEDUCE NIGHT Raed meets up with a hot girl to tell her the plan, so they can pass the security at the building to get to where they need to. He gets her to repeat the plan so she knows what she has to do. SCENE 51 ADD IN THE BIG BOSS PLACE NIGHT The mistress walks out, as the Big Boss comes out of the bathroom from having a shower. He lights up a cigar and walks to the TV. The news channel flashes a report of what happen at the Governor's Office. The Big Boss receives a phone call from a girl telling him that she is down stairs and she met him at the Crown. He had told her that if she ever needed something he would help. He is aroused by her and lets her in. She asks for some money in a really flirty way. He is turned on by her and gives her money. dommanic lets his phone ring out he sees caller id its work so he lets ut go... GIRL FRIEND ok babbe it was nice to see u again like wise GIRL FRIEND i have to get going i got a plane to catch i have to go to my brothers ingagment party in l.a the plain flys out in 3hrs DOMMANIC il have my shoffer take DOMANIC

u express to the air port GIRL FRIEND thank you i dont no what i would do with out u,,,ur the best sugar daddy ive had,, she givesher man a hug and leaves saying god by... Cuts to the Sydneyists ariving at the office. Luke and Tim are there. Lora is smoking and not saying much. The Sydneyites ask the main questions. They are not really happy. They have angry faces on for what they did to him. Tim gives them the details to where Raed was headed and the phone number 0421 000 911. Randle: 0421 000 911 I saw that number on his web sight but I didn't think a number like that is real. I LOVES THIS GUY THEY BOLT OFF AND TELL THE GROUP WHO ARE THERE THAT THIS IS NOT OVER (TIM SMILES AS HE LIKES RAED AND SUPPORTS HIM). CUTS BACK TO KING PIN SCENE GIRL I'll pay you back, don't worry. She goes to walk out. Why go? GIRL Oh, my girlfriend is in the car. BIG BOSS Ask her to come up too. I'm on my own tonight. My lady is away. She just left. She is never here anyway. GIRL Oh, are you sure? BIG BOSS Yeh bring her up. We'll have a good time. Trust me. OK. GIRL BIG BOSS

She goes down and comes back up with Raed. The Big Boss shits himself. At the same time the Assassin, who is parked down stairs sees Raed heading into the Big Boss' office. Shot of Raed's CDs in Assassin's car. He has been getting in to Raed's music and has grown fond of him. The scene gets intense. The Assassin walks in while Raed is shoving medication down the Big Boss' throat. The Assassin does nothing, just sits on the chair. Raed has no fear of them. The assassin has now grown to like him. The Big Boss asks him to do something, to help him but the Assassin doesn't. The Big Boss doubles his money offer but still the Assassin won't help. Raed gives the Boss the bottle of medication and tells him to start putting the pills down his throat. RAED so u were the one to calls the shots ha DOMMANIC well if it isnt the famouse rapper him self DOMMANIC we should of killed u when we had the silenser pointed at ur head on the day u did ur famouse silly stunt RAED u must of seen the video i sent u from my old man DOMMANIC ur just as stupid as ur old man RAED i no u seen the speach i sent u thats why u went to all this trouble and try and make me look like an idiot DOMMANIC i dont need to try u were born an idiot RAED u are a jew and i am an arab i guess u and me

got alot of history but this is where it all ends for u assassin walks in takes a seat and listens to the conversation DOMMANIC u stupid arab silly piss of shit RAED ur nease said that u might be needing ur medication so i brought it with me...she told me u suffer from a mental ilnis DOMMANIC oh yeh and whats that RAED its called u fucked big time now swallow these one by one till i say stop DOMMANIC what the fuck did i pay u for kill him THE ASSASSIN paying more attention to the sexy laddy she sitts on hs lap dommanic looking disappointed and defeated by this stage RAED If you want to see a better day Governor.MAKE SURE THE MEDIA GET EXPOSED in the right manner this time ...if it doesnt we gona have some serious fun togeather

dialog to be added dialog to be added dialog to be added

Assassin and girl are eyeing each other off. Its funny revenge but serious at the same time. The Big Boss gets the bottle shoved down his throat and gets told that he is sick and needs help. Raed walks out, and the assassin and the girl hook up. SCENE 52 ADD IN EXT REPORTERS IN FRONT WAITING THE REPORTERS ARE ON TO IT THEY HEAR ABOUT IT FROM TIM CALLED THEM THERE AS A SPECIAL REQUEST FROM RAED SO WE SEE THEM ALL OUT SIDE THE BIG BOSS'S OFFICE/HOME. Some irony here, as they are now the ones being embarrassed and wrongly conveyed by the media. They know the government is covering up the government's side. Raed comments to one reporter that the Governor was feeling a bit sick, so he gave him his medication. ....LIVE (BREAKING NEWS) Why bold??? SCENE 53 EXT RECORD AGENTS ARRIVE TO RAED NIGHT

They send a text to Raed. Raed receives the text. WHILE REPORTERS HOUNDING HIM. CUT TO TIME. The REC AGENTS SEEING RAED FOR THE 1ST

THEY ALL SAY R...A...E..2 THE MOTHER FUCKEN..D. ALL TOGETHER SYNCRONIZED AND TAKE A LOOK AT EACH OTHER IN JOY. REPORTERS ALL AROUND THEM, WHILE HAVEN A CHAT, THE SYDNEYITES TELL RAED THERE HERE TO SIGN HIM UP.

SCENE 54 NIGHT

THE BAR WITH RAED AND REC AGENTS

They're all sitting at a bar talking about a show that they can get happening for Raed. I'LL FIX THIS PART THERE, IS STILL STUFF MISSING HEAR THE SYDNEYITES TELLING RAED ABOUT THE JOURNEY TRYING TO FIND HIM to sign him up WHILE HAVING A DRINK. (WHY CAPS??) Raed is happy, but will only sign up on the condition that they help him out to track down the other to cops that were involved, have the cops cuffed to the stage at his gig and have medication shoved down their throats.

THE LADY WE BEEN LOOKING FOR YOU EVERY WHERE MIKE WE NEARLY GAVE UP HOPE PHONE rings, its Richard their boss, asking if they have found him, they share the good news. RANDLE I got a friend of mine here owns the Crsytal club you ok to rock the mic? and show these peeps what they been missing out on? RAED Can you do that for me, cause all I'm getting is noz [Jokingly] On stage I'll put medication down the two cops throat that I'm still looking for just before I rock the mic! They all just look at each other and have a toast.

SCENE 55 INT

THE GIG

FINAL SCENE NIGHT CLUB

We show the cops at request, cuffed upside down and medicated just before the gig kicks off. While we see the show going on, we see the people from scene 29. The girls that were there and who like Raed. They come to realise that there boys are just mean people. We then see there boys the rich cocky dude Jordan and his friends' face expressions. Not really happy with the situation but start getting in to the gig and the show goes off the track that I bang is ???????? that I bang is not sure makes sense??? YOU BETTER LEAVE NOW

THE END. Roll credits.