You are on page 1of 22

DAY - 1

Creating house hold objects with dimension

- Mr. K. Prakasam

V Ray Training

DAY 1
Creating house hold objects with dimension

V Ray Training Measurement Details


(All dimensions are in Inches)

SEATINGS : SOFA

Seat width back Seat depth Seat height from floor Slope of seat front to rear Slope of seat front to rear

: : : : :

24/person + 4-6/armrest 18 -22 14 - 18 25 4-8 15 - 18

Seat back height (above seat) :

V Ray Training Measurement Details


(All dimensions are in Inches)

SEATINGS : Desk chair

Seat width front Seat depth Seat height from floor Slope of seat front to rear Armrest height above seat

: : : : :

15-1/2 16 to 16-1/2. 16 to 17 1 7 to 9 12 to 20

Seat back height (above seat) :

V Ray Training Measurement Details


(All dimensions are in Inches)

SEATINGS : Dining chair

Seat width front Seat depth Seat height from floor Slope of seat front to rear Armrest height above seat Armrest length (full armrest) Armrest width

: : : : : : :

16 - 20 15 - 18 16 - 18 5 to 8 (3/4 - 1) 7-9 8 minimum 2 2-3

Set back of armrest from front :

V Ray Training Measurement Details


(All dimensions are in Inches)

Desk

Desk Width Desk Depth Desk Height

: : :

48 to 60 29 to 30 29 to 30.5

V Ray Training Measurement Details


(All dimensions are in Inches)

Dining Table - Oblong or oval

Dining Table Height Width and Depth

: : : : : :

30 36 28 by 46 to 42 by 54 (4 to 6 people) 36 by 56 to 42 by 64 (6 to 8 people) 42 by 72 to 42 by 84 (8 to 10 people) 42 by 90 to 42 by 96 (10 to 12 people) 42 by 100 to 42 by 120 (10 to 12 people)

Dining Table - Round


: : : 36 to 44 in diameter (4 people) 44 to 54 in diameter (4 to 6 people) 60 to 70 in diameter (6 to 8 people)

V Ray Training Measurement Details


(All dimensions are in Inches)

Bar Table

Dimensions Height

: :

34 dia 42

Center Table

Height Width Depth

: : :

18 - 24 12 - 72 12 - 72

V Ray Training Measurement Details


(All dimensions are in Inches)

Kitchen platform

Height Cooking side width Washing side width

: : :

30 to 36 24 18 - 24

V Ray Training Measurement Details


(All dimensions are in Inches)

Door

Stairs

10

V Ray Training Measurement Details


(All dimensions are in Inches)

Bed

Standard King or Eastern King beds California King or Western King beds King Split
Queen

: : :
:

76 72 Two 39 60 Two 30 54 54 36 39 39 28

X X X X X X X X X X X

80 84 80 80 80 75 80 75 75 80 52

Queen Split Double Full Full Extra Long Single Twin Single Twin X-Long Extra Long Single Crib Baby bed

: : : : : : :

11

V Ray Training Measurement Details


(All dimensions are in Inches)

Lamp

Height Width

: :

25 5

12

V Ray Training

About Vray

Vray is a plugin for 3dsmax for photorealistic rendering and the product of Chaos group Ltd. Chaos Group Ltd. was established in 1997, mainly as a provider of 3D design and animation services. For more information visit www.chaosgroup.com

13

V Ray Training

Initializing Vray rendering


1. Install Vray Plugin 2. Go to rendering >Render

3. In render scene> Assign Renderer>select Vray render in Production and give ok

14

V Ray Training

VRAY Material
A special material - the VRayMtl - is provided with the V-Ray renderer. This allows for better physically correct illumination (energy distribution) in the scene, faster rendering, and more convenient reflection and refraction parameters. Within the VRayMtl you can apply different texture maps, control the reflections and refractions, add bump and displacement maps, force direct GI calculations, and choose the BRDF for the material.

Vray unsupported 3ds max features


As a rendering plugin for 3ds Max, V-Ray supports most of the standard 3ds Max features and many of the 3rd party plugins. However, some features of 3ds Max is not supported or works only partially.

3ds max materials


Raytrace material : This material is not fully supported by V-Ray Advanced lighting override : This material is not supported by V-Ray Matte/shadow : V-Ray only partially supports this material. Specifically, the Opaque Alpha . parameter is not supported. The standard Matte/shadow material will also not pick up GI . . . shadows.

3ds max maps


Raytrace map: This map is not fully supported by V-Ray Reflect/refract map: This map is not supported by V-Ray; using it with V-Ray is not recommended Flat mirror map: This map is not supported by V-Ray; using it with V-Ray is not recommended

15

V Ray Training

VRAY MATERIALS

Vraymtl

16

V Ray Training

Basic parameters
Diffuse
Diffuse - this is the diffuse color of the material. Note the actual diffuse color of the surface also depends on the reflection and refraction colors. See the Energy preservation parameter below. Rougness - this parameter can be used to simulate rough surfaces or surfaces covered with dust (for example, skin, or the surface of the Moon).

Reflection
Reflect - reflection color. Note that the reflection color dims the diffuse surface color based on the Energy preservation option. Fresnel reflections - checking this option makes the reflection strength dependent on the viewing angle of the surface. Some materials in nature (glass etc) reflect light in this manner. Note that the Fresnel effect depends on the index of refraction as well. Fresnel IOR - the IOR to use when calculating Fresnel reflections. Normally this is locked to the Refraction IOR parameter, but you can unlock it for finer control. Hilight glossiness - this determines the shape of the hilight on the material. Normally this parameter is locked to the Reflection glossiness value in order to produce physically accurate results. Reflection glossiness - controls the sharpness of reflections. A value of 1.0 means perfect mirror-like reflection; lower values produce blurry or glossy reflections. Use the Subdivs parameter below to control the quality of glossy reflections. Subdivs - controls the quality of glossy reflections. Lower values will render faster, but the result will be more noisy. Higher values take longer, but produce smoother results. Use interpolation - V-Ray can use a caching scheme similar to the irradiance map to speed up rendering of glossy reflections. Check this option to turn caching on. See the Reflection interpolation section for more details. Max depth - the number of times a ray can be reflected. Scenes with lots of reflective and refractive surfaces may require higher values to look right. Exit color - if a ray has reached its maximum reflection depth, this color will be returned without tracing the ray further.

17

V Ray Training

Refraction
Refract - refraction color. Note that the actual refraction color depends on the reflection color as well. See the Energy preservation parameter below. IOR - index of refraction for the material, which describes the way light bends when crossing the material surface. A value of 1.0 means the light will not change direction. Glossiness - controls the sharpness of refractions. A value of 1.0 means perfect glass-like refraction; lower values produce blurry or glossy reractions. Use the Subdivs parameter below to control the quality of glossy refractions. Subdivs - controls the quality of glossy refractions. Lower values will render faster, but the result will be more noisy. Higher values take longer, but produce smoother results. This parameter also controls the quality of the translucent effect, if on (see below). Use interpolation - V-Ray can use a caching scheme similar to the irradiance map to speed up rendering of glossy refractions and translucency. Check this option to turn caching on. See the Refraction interpolation section for more details. Max depth - the number of times a ray can be refracted. Scenes with lots of refractive and reflective surfaces may require higher values to look right. Exit color - if this is on, and a ray has reached the maximum refraction depth, the ray will be terminated and the exit color returned. When this is off, the ray will not be refracted, but will be continued without changes. Fog color - the attenuation of light as it passes through the material. This option allows to simulate the fact that thick objects look less transparent than thin objects. Note that the effect of the fog color depends on the absolute size of the objects and is therefore scene-dependent. The fog color also determines the look of the object when using translucency. Fog multiplier - the strength of the fog effect. Smaller values reduce the effect of the fog, making the material more transparent. Larger values increase the fog effect, making the material more opaque. In more precise terms, this is the inverse of the distance at which a ray inside the object is attenuated with am amount equal to the Fog color. Fog bias - this parameter allows to change the way the fog color is applied; by adjusting this parameter you can make thin parts of the object to appear more transparent than normal, or less transparent than normal. Affect shadows - this will cause the material to cast transparent shadows, depending on the refraction color and the fog color. This only works with V-Ray shadows and lights.

18

V Ray Training

Affect alpha - this will cause the material to transmit the alpha of the refracted objects, instead of displaying an opaque alpha. Note that currently this works only with clear (non-glossy) refractions. Translucency Type - selects the algorithm for calculating translucency (also called sub-surface scattering). Note that refraction must be enabled for this effect to be visible. Currently only single-bounce scattering is supported. The possible values are: None - no translucency is calculated for the material; Hard (wax) model - this model is specifically suited for hard materials like marble; Soft (water) model - this model is mostly for compatibility with older V-Ray versions (1.09.x); Hybrid model - this is the most realistic sss model and is suitable for simulating skin, milk, fruit juice and other translucent materials. Back-side color - normally the color of the sub-surface scattering effect depends on the Fog color; this parameter allows you to additionally tint the SSS effect. Thickness - this limits the rays that will be traced below the surface. This is useful if you do not want or dont need to trace the whole sub-surface volume. Light multiplier - a multiplier for the translucent effect. Scatter coefficient - the amount of scattering inside the object. 0.0 means rays will be scattered in all directions; 1.0 means a ray cannot change its direction inside the sub-surface volume. Forward/backward coefficient - controls the direction of scattering for a ray. 0.0 means a ray can only go forward (away from the surface, inside the object); 0.5 means that a ray has an equal chance of going forward or backward; 1.0 means a ray will be scattered backward (towards the surface, to the outside of the object).

19

V Ray Training

BRDF
The BRDF parameters determine the type of the hilights and glossy reflections for the material. There parameters have an effect only if the reflection color is different from black and reflection glossiness is different than 1.0. Type - this determines the type of BRDF (the shape of the hilight): Phong - Phong hilight/reflections Blinn - Blinn hilight/reflections Ward - Ward hilight/reflections Anisotropy - determines the shape of the hilight. A value of 0.0 means isotropic hilights. Negative and positive values simulate brushed surfaces. Rotation - determines the orientation of the anisotropic effect in degrees (rotation in degrees). Different brushed surfaces can be simulated by using a texture map for the anisotropy rotation parameter. Local axis - controls how the direction for the anisotropic effect is chosen: Local axis - the direction is based on the selected local object axis. Map channel - the direction is based on the selected mapping channel.

Options
Trace reflections - if this is off, reflections will not be traced, even if the reflection color is greater than black. You can turn this off to produce only hilights. Note that when this is off, the diffuse color will not be dimmed by the reflection color, as would happen normally. Trace refractions - if this is off, refractions will not traced, even if the refraction color is greater than black. Cutoff - this is a threshold below which reflections/refractions will not be traced. V-Ray tries to estimate the contribution of reflections/refractions to the image, and if it is below this threshold, these effects are not computed. Do not set this to 0.0 as it may cause excessively long render times in some cases. Environment priority - this specifies how to determine the environment to use if a reflected or refracted ray goes through several materials each of which has an environment override.

20

V Ray Training

Double-sided - if this is true, V-Ray will flip the normal for back-facing surfaces with this material. Otherwise, the lighting on the outer side of the material will be computed always. You can use this to achieve a fake translucent effect for thin objects like paper. Reflect on back side - if this is true, reflections will be computed for back-facing surfaces too. Note that this affects total internal reflections too (when refractions are computed). Use irradiance map - if this is true, the irradiance map will be used to approximate diffuse indirect illumination for the material. If this is off, brute force GI will be used. You can use this for objects in the scene which have small details and are not approximated very well by the irradiance map. Treat glossy rays as GI rays - this specifies on what occasions glossy rays will be treated as GI rays: Never - glossy rays are never treated as GI rays. Only for GI rays - glossy rays will be treated as GI rays only when GI is being evaluated. This can speed up rendering of scenes with glossy reflections and is the default. Always - glossy rays are always treated as GI rays. A side effect is that the Secondary GI engine will be used for glossy rays. For example, if the primary engine is irradiance map, and the secondary is light cache, the glossy rays will use the light cache (which is a lot faster). Energy preservation mode - determines how the diffuse, reflection and refraction color affect each other. V-Ray tries to keep the total amount of light reflected off a surface to be less that or equal to the light falling on the surface (as this happens in the real life). For this purpose, the following rule is applied: the reflection level dims the diffuse and refraction levels (a pure white reflection will remove any diffuse and refraction effects), and the refraction level dims the diffuse level (a pure white refraction color will remove any diffuse effects). This parameter determines whether the dimming happens separately for the RGB components, or is based on the intensity: RGB - this mode causes dimming to be performed separately on the RGB components. For example, a pure white diffuse color and pure red reflection color will give a surface with cyan diffuse color (because the red component is already taken by the reflection). Monochrome - this mode causes dimming to be performed based on the intensity of the diffuse/ reflection/refraction levels.

21

V Ray Training

Maps
These determine the various texture maps used by the material.

Reflect interpolation
These determine the options for the interpolation of glossy reflections. They are very similar to the options for the irradiance map. Note that it is not recommended to use interpolation for animations, since this may cause severe flickering.

Refract interpolation
These determine the options for the interpolation of glossy reflections. They are very similar to the options for the irradiance map. Note that it is not recommended to use interpolation for animations, since this may cause severe flickering.

22