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Introduction To Tabla
Introduction To Tabla
By
Chintan Vaishnav
Collin Joye
Class Format
• Theory
• Counting Exercises
• Hands-on
• (http://web.mit.edu/chintanv/www/tabla/tabla.html)
– Listening Assignments
– Syllabus
Class Outline
• 01/08/04
– Dadra
• 01/15/04
– Kaherva
• 01/22/04
– Tintaal
• 01/29/04
– Accompaniment
Origin of Tabla
• [Most Popular Theory] Invented by Amir
Khusru, the 13th century scholar
• by dividing Mridanga/Pakhavaj, double ended,
skin-covered instrument
• [Controversy] Depicted in temple carvings dated
500 BC
• [One thing is for certain] Use in classical music
after coming together of Hindu and Muslim
Parts of Tabla (Terminology)
Gudri
Parts of Tabla (Terminology)
Syahi (Ink)
Maidan (Ground)
Chati
Gajra
Basic Constructs (Terminology)
• Matra (Beat): Smallest unit of time
• Bol (Sound): Individual or collection of sound(s)
• Taal (Rhythmic Formation): Collection of Matra (Beats)
• Theka: Most basic form of any Taal defined by a
collection of bols.
– Sam: Starting point or first beat of the Taal
– Tali (Clap): When reciting a Taal in counting exercise, the beats
on which we clap
– Khali (Empty): When reciting a Taal in counting exercise, the
beats on which we wave
– Vibhag (Section): A Theka is divided into sections, each section
starts either with Tali or Khali
– Avartan (Cycle): From Sam to all Matras and back to Sam.
Basic Constructs (Terminology)
• Laya: Velocity or Movement of the song or dance
– Vilambit (slow): Very slow rhythm, where the duration between
two beats is 2-3 seconds
– Madhya (Middle): Moderate pace rhythm, where the duration
between two beats is approximately one second
– Dhrut (Fast): Fast rhythm, where there are two or more beats in
one second
1 2 3 4 5 6
Dha Dhi Na | Dha Tu Na ||
X O
X – Sam
O – Khali
| - Vibhag
|| - End of Taal
Learning and Teaching Tabla
• Must understand basic Tabla (rhythm ) to
appreciate Indian Classical Music
• Vast Subject, these four weeks are just an
introduction
• Do not get frustrated, keep at it…