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HEARING
Biophysical mechanisms
Which sense is most valuable to you,
seeing or hearing?
The sound intensity from a point source of sound will obey the
inverse square law if there are no reflections or reverberation. A plot of this
intensity drop shows that it drops off rapidly
2. The middle ear
There is a mechanical linkage of three small
bones-the ossicles, between the eardrum and a
smaller membrane, called the oval window.
The bones are called the malleus, incus and
stapes, or, reflecting their shapes, the hammer,
anvil and stirrup.
They act as combined lever and pistons in the
air-filed cavity between the membranes.
2. The middle ear
The Ossicles
The three tiniest bones in the body form
the coupling between the vibration of the
eardrum and the forces exerted on the
oval window of the inner ear.
Formally named the malleus, incus, and
stapes, they are commonly referred to in
English as the hammer, anvil, and stirrup.
With a long enough lever, you can lift a big rock with a small applied
force on the other end of the lever. The amplification of force can be
changed by shifting the pivot point.
Ossicle Vibration
Ossicle Vibration
The vibration of the eardrum is transmitted
to the oval window of the inner ear by
means of the ossicles, which achieve an
amplification by lever action. The lever is
adjustable under muscle action and may
actually attenuate loud sounds for
protection of the ear.
A physiology book describes the ossicles as
small enough to fit collectively on a U.S. dime.
The image to the right actually makes the
ossicles a bit too large - they may be half that
large in some persons.
The ossicles can be thought of as a
compound lever which achieves a
multiplication of force. This lever action is
thought to achieve an amplification by a
factor of about three under optimum
conditions, but can be adjusted by muscle
action to actually attenuate the sound
signal for protection against loud sounds .
The Tympanic Membrane
The tympanic membrane or "eardrum" receives
vibrations traveling up the auditory canal and
transfers them through the tiny ossicles to the
oval window, the port into the inner ear.
The small bone called the stirrup, one of the ossicles, exerts force on
the thin membrane called the oval window, transmitting sound
pressure information into the inner ear.
The Inner Ear
The inner ear can be thought of as two organs:
the semicircular canals which serve as the
body's balance organ and the cochlea which
serves as the body's microphone, converting
sound pressure impulses from the outer ear into
electrical impulses which are passed on to the
brain via the auditory nerve.
The basilar membrane of the inner ear plays a
critical role in the perception of pitch according
to the place theory.
The Semicircular Canals
The semicircular canals are the body's balance organs, detecting
acceleration in the three perpendicular planes. These accelerometers
make use of hair cells similar to those on the organ of Corti, but these
hair cells detect movements of the fluid in the canals caused by
angular acceleration about an axis perpendicular to the plane of the
canal. Tiny floating particles aid the process of stimulating the hair cells
as they move with the fluid. The canals are connected to the
auditory nerve.
Organ of Corti
The Body's Microphone
This schematic view of some of the auditory areas of the brain shows that
information from both ears goes to both sides of the brain - in fact, binaural
information is present in all of the major relay stations illustrated here. That is,
when the auditory nerve from one ear takes information to the brain, that
information is directly sent to both the processing areas on both sides of the
brain.
TRANSMISION AND
MEASUREMENT OF
SOUND
Sound Intensity
Sound intensity is defined as the sound power
per unit area.
The usual context is the measurement of sound
intensity in the air at a listener's location. The
basic units are watts/m2 or watts/cm2 . Many
sound intensity measurements are made relative
to a standard threshold of hearing intensity I0 :
Sound intensity measurement. Threshold
of Hearing
This is the kind of information contained in equal loudness curves for the
human ear. It must also be considered that the ear's response to increasing
sound intensity is a "power of ten" or logarithmic relationship.
This is one of the motivations for using the decibel scale to measure sound
intensity. A general "rule of thumb" for loudness is that the power must be
increased by about a factor of ten to sound twice as loud. To more
realistically assess sound loudness, the ear's sensitivity curves are factored
in to produce a phon scale for loudness. The factor of ten rule of thumb can
then be used to produce the sone scale of loudness. In practical
sound level measurement, filter contours such as the A, B, and C contours
are used to make the measuring instrument more nearly approximate the
ear.
Equal Loudness Curves
Phons
Two different 60 decibel sounds will not in general have
the same loudness
Saying that two sounds have equal intensity is not the
same thing as saying that they have equal loudness. Since
the human hearing sensitivity varies with frequency, it is
useful to plot equal loudness curves which show that
variation for the average human ear.
If 1000 Hz is chosen as a standard frequency, then each
equal loudness curve can be referenced to the decibel
level at 1000 Hz.
This is the basis for the measurement of loudness in
phons. If a given sound is perceived to be as loud as a 60
dB sound at 1000 Hz, then it is said to have a loudness of
60 phons.
60 phons means "as loud as a 60 dB, 1000 Hz tone"
Timbre
Sounds may be generally characterized by pitch, loudness, and
quality.
For an air temperature of 20°C where the sound speed is 344 m/s,
the audible sound waves have wavelengths from 0.0172 m (0.68
inches) to 17.2 meters (56.4 feet).
Relation between sound intensity
and ear‘s response
The ear’s response to an increase in intensity
has at least three parts:
1. A greater movement of the basilar membrane,
producing more stimulation of the nerve
endings by the hair cells.
2. Additional hair cells are activated to stimulate
nerve endings, in the particular location for the
frequency of sound.
3. Nerves are stimulated beyond the part of the
membrane as a result of his greater
movement.
Frequency discrimination
Is the ability to distinguish one frequency from
another.
The ear response is also frequency dependent.
It is greatest at low frequencies: in the range 60-
100 Hz a difference of about 3 Hz can be
distinguished, but above 10 KHz it is very poor.
The behavior of the ear has resulted in the
development of musical intervals, which depend
on the ratio on the ratio of upper and lower
frequencies of 2:1.
DEFECTS OF
HEARING
Hearing Loss
Hearing loss is typically described as being conductive,
sensorineural, or mixed.