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PHOTOGRAPHY
PHOTOGRAPHY
They are taken from the air and can be divided into two types: vertical and oblique.
• Example:
– Focal length = 6 inches
– Flying height = 10,000 ft
– Scale = 0.5 / 10,000 = 1:20,000
Ray, R.G. (1960) Aerial Photographs in Geologic Interpretation and Mapping. Geological Survey Professional Paper 373.
Basic Camera
• Everything above “C” is inside
the camera
• f = focal length
• H = Elevation above ground
• ACB = angle of coverage
• Scale: RF = 1/(H / f)
http://www.clas.ufl.edu/users/mbinford/geo4120c/Lectures/week_2_2005_Image%20Acquisition,%20Aerial%20Photography%20Programs,
%20Cameras%20and%20Films.pdf
Uses of photographs
• It gives quick information about an area than
a map
• Photograph can work instead of the map i.e.
it is used to determine features formed on
landscape such as man-made features like
roads, houses and natural features like hills
mountain, oceans etc.
• It does not need trained eyes to identify
features because all features are shown as
they are
Uses cont.
• Photograph is used to store information for
future generation
• Photograph replace a great deal of verbal
description and therefore they save time
• It is used to show different geographical
events, for example one can determine the
climate of the area by looking at the crops and
relief shown in photograph of that area.
•
Photographs show changes
overtime -seasonal
Changes in time during the day
Gold Coast QLD, Daytime
Gold Coast QLD, Night time
Changes in different time
periods
Glebe Island Bridge
2008 – glebe and Anzac
1995 – Anzac Bridge
Bridge
Basic Camera
• Film exposure:
– Controlled by relative
aperture (f-stop) and
shutter speed, as well as
energy source
http://www.clas.ufl.edu/users/mbinford/geo4120c/Lectures/week_2_2005_Image%20Acquisition,%20Aerial%20Photography%20Programs,
%20Cameras%20and%20Films.pdf
Photographs can be used to draw
line sketches
Photographs can be used to make
Sketch (Land-use) maps
Photographs can be used with
maps
Aerial Photo Interpretation (2)
• Detection involves selectively picking out objects that are directly visible
(e.g. water bodies, rivers, rock faces etc.) or areas that are indirectly
visible (e.g. areas of wet soils or palaeochannels) on the photographs.
• Recognition and identification involve naming objects or areas (most
important task in this chain of events).
• Analysis involves trying to detect the spatial order of the objects or
areas.
• Deduction is rather complex and involves the principle of convergence of
evidence to predict the occurrence of certain relationships on the photo.
• Classification helps or comes in to arrange the objects and elements
identified into an orderly system before the interpretation is
idealised using guidelines/directions which are drawn to summarise the
spatial distribution of objects (e.g. land use/land cover).
• During accuracy determination random points are visited in the field to
confirm or refute the interpretation.
Elements of Photo Interpretation
• An interpreter uses following basic characteristics of photograph such as tone,
texture, pattern, place, shape, shadow and size.
• Tone or hue refers to the relative brightness or colour of objects on an
image. It is the most important characteristics of the photo. It represents a
record of the radiation that has been reflected from the Earth’s surface onto
the film.
• Light tone represents areas with a high reflectance/radiance and dark tone
represents areas with low radiance. The nature of the materials on the Earth’s
surface affects the amount of light reflected.
• Texture is the frequency of tonal changes within an aerial photo that arises
when a number of features are viewed together. Texture is produced by an
aggregation of unit features that may be too small may be discerned
individually on the image such as the tree leaves and leaf shadows. It
determines the overall visual “smoothness” or “coarseness” of image features.
• Texture is dependent on the scale of aerial photograph. As the scale is reduced
the texture progressively becomes finer and ultimately disappears.
Elements of Photo Interpretation
• An interpreter uses following basic characteristics of photograph such as tone,
texture, pattern, place, shape, shadow and size.
• Tone or hue refers to the relative brightness or colour of objects on an
image. It is the most important characteristics of the photo. It represents a
record of the radiation that has been reflected from the Earth’s surface onto
the film.
• Light tone represents areas with a high reflectance/radiance and dark tone
represents areas with low radiance. The nature of the materials on the Earth’s
surface affects the amount of light reflected.
• Texture is the frequency of tonal changes within an aerial photo that arises
when a number of features are viewed together. Texture is produced by an
aggregation of unit features that may be too small may be discerned
individually on the image such as the tree leaves and leaf shadows. It
determines the overall visual “smoothness” or “coarseness” of image features.
• Texture is dependent on the scale of aerial photograph. As the scale is reduced
the texture progressively becomes finer and ultimately disappears.
Photo Elements
Elements of Photo Interpretation (2)
• Pattern is the spatial arrangement of objects. The repetition of certain
general forms or relationships is characteristic of many objects. For
examples road patterns or drainage pattern, crop disease pattern and
lithological pattern.
• Place/site is a statement of an object’s position in relation to others in
its vicinity and usually aids in its identification (e.g. certain vegetations
or tree species are expected to occur on well drained uplands or
in certain countries).
• Shape is a qualitative statement referring to the general form,
configuration or outline of an object (e.g. ‘V’ shaped valleys indicative of
deeply incised river).
• Shadows of objects aid in their identification. Shadows are important
in two opposing respects: (1) the shape or outline of shadow affords an
impression of the profile view of objects (which aids in interpretation)
and (2) objects with shadows reflect little light and are difficult to
discern on a photo.
Shadows in Photographs
Elements of Photo Interpretation (3)
• Size of an object is a function of photo scale. The sizes of objects can be
estimated by comparing them with objects whose sizes are known.
http://www.clas.ufl.edu/users/mbinford/geo4120c/Lectures/week_2_2005_Image%20Acquisition,%20Aerial%20Photography%20Programs,
%20Cameras%20and%20Films.pdf
Flight Lines
• Successive photos on a
flight line typically have
~60-65% overlap to allow
stereoscopic viewing
http://forest.mtu.edu/classes/fw4540/lectures/aerialphoto.pdf
Stereoscopic Parallax
• Stereoscopic Parallax
is caused by a shift in
the position of
observation
• Parallax is directly
related to the elevation
/ height of features
http://www.geog.okstate.edu/users/rao/raoweb/4333/fall07/lectures/lec5.pdf
Air Photo Mosaic
http://www.acsu.buffalo.edu/~liangmao/RS_LAB/Lab9.pdf
Stereopair
http://www.acsu.buffalo.edu/~liangmao/RS_LAB/Lab9.pdf
Stereoscope
http://www.acsu.buffalo.edu/~liangmao/RS_LAB/Lab9.pdf
Aligning Air Photos
• Fiducial marks
– Type and number vary amongst cameras
– 4-8 marks (e.g., top, bottom, left, right, & 4 corners)
http://forest.mtu.edu/classes/fw4540/lectures/aerialphoto.pdf
http://forest.mtu.edu/classes/fw4540/lectures/aerialphoto.pdf
Sources of Distortion
• From Collection:
– Yaw – plane fuselage not parallel to flight line
• Think about having to steer your car slightly into a strong cross wind
• Leads to pictures not being square with the flight-line
– Pitch – nose or tail higher than the other
• Leads to principal point not being at nadir
– Roll – one wing higher than the other
• Leads to principal point not being at nadir
• Natural:
– Haze
– Topographic changes
• For example, if flying over mountains, the height above the ground will a)
change from picture to picture, and b) not be uniform in a single picture. Both
of these lead to irregularities in the photo scale
Types of aerial photograph
• Vertical
• Low oblique
• High oblique
Types of aerial photograph
• Vertical
• Low oblique (no horizon)
• High oblique
Types of aerial photograph
• Vertical
• Low oblique
• High oblique
Types of aerial photograph
Fiducial
marks
Types of aerial photograph
Fiducial
axes
Types of aerial photograph
Principal
point
Marginal
information
Types of aerial photograph
Scale = f/H-h
Scale = f/H-h
You can do
this thanks to
parallax
Structure
Optical Fovea
plane centralis
Structure
*DRAFT*
History of Aerial Photography
• 1906 - George Lawrence photographs San
Francisco after great earthquake and fire
Mosaic view of rock avalanches across Black Rapids Aerial view of the Trans-Alaska
Glacier. Photo by Dennis Trabant, USGS; mosaic by Pipeline and Richardson
Rod March, USGS. Highway. Rupture along the fault
resulted in displacement of the
highway. Photo by Patty Craw,
DGGS.
History of Aerial Photography
• 2006 - Effie Kokrine Charer School Students take
digital “flotographs” at Twin Bears Camp, Alaska
Types of Air Photos
High (horizon) &
Low (no horizon)
Oblique
• Vertical
• Stereo/3D
• Size
– relative size is an
important clue
– big, wide river vs.
smaller river or slough
– apartments vs. houses
– single lane road vs.
multilane
Photointerpretation: Recognition Elements
• Color/Tone
– coniferous vs. deciduous trees
• Pattern
– overall spatial form of
related features
– repeating patterns tend
to indicate cultural
features - random =
natural
– drainage patterns can
help geologists A dendritic pattern is characteristic
of flat-lying sedimentary bedrock
determine bedrock type
Photointerpretation: Recognition Elements
• Site
– site - relationship of a
feature to its environment
– differences in vegetation
based on location: Meandering
• In interior Alaska, black Alaskan river
spruce dominant on the
north side of hills and
deciduous trees on the south
side.
• Vegetation is often has N
different characteristics by
rivers than away from them Interior Alaskan
hillside
Photointerpretation: Recognition Elements
• Association
– identifying one feature can help identify another -
correlation