Professional Documents
Culture Documents
• As flutists began to travel to perform, they had a problem adjusting the instrument’s
intonation to compensate for the different pitch centers in each city
• Flute was divided into 4 joints
• Corps de rechange – upper middle joint made in different sizes in order to adjust tuning
of instrument
• Telemann Fantasy in D Major - https://youtu.be/CJQElWBWBX4?t=116
• Bach Partita in a minor mvt 3 Sarabande - https://youtu.be/onB39cumbF4?t=514
1760-1820
• Flute makers begin to add keys to the instrument in order to ease complicated cross
fingerings and aid in better intonation on chromatic pitches
• 8-keyed flute generally considered the standard instrument, but the one-keyed flute
continues to prosper well into the 19th century
• Soussman Etude in G Major - https://youtu.be/40CFVsBY2Is
19TH CENTURY
• As orchestras became larger, there was a greater demand for more projection
• British virtuoso flutist, Charles Nicholson, experimented with making the tone holes and
the embouchure hole larger for greater projection
1820-1851
• Theobald Boehm, a goldsmith and flutist from Munich, began making flutes
• Placed tone holes where it was more acoustically appropriate rather than where fingers
could reach
• Created a mechanism of rods, pins and springs to enable keys that could not be reached
by the hand to open and close
• Covered finger holes with keys containing pads
• Made flutes out of metal – silver, gold, brass for greater projection
PICTURES OF 19TH CENTURY FLUTES
BOEHM SYSTEM FLUTE – MODERN FLUTE