Professional Documents
Culture Documents
Academic Text
Academic Text
• MAIN IDEA
Subsidiary or supporting idea to II
Subsidiary idea to II
Subsidiary idea to II
• MAIN IDEA
• EXAMPLE SENTENCE OUTLINE
• Introduction
• Current Problem: Educational attainment rates are decreasing in the United States while health care cost is increasing.
• Population/Area of Focus: Unskilled or low-skilled adult workers
• Key Terms: healthy, well-educated
• Thesis Statement: Because of their income deficit (cite sources) and general susceptibility to depression (cite sources), students who drop
out of high school before graduation maintain a higher risk for physical and mental health problems later in life.
•
• Background
• Historical Employment Overview: Unskilled laborers in the past were frequently unionized and adequately compensated for their work
(cite sources).
o Historical Healthcare Overview: Unskilled laborers in the past were often provided adequate healthcare and benefits (cite sources).
o Current Link between Education and Employment Type: Increasingly, uneducated workers work in unskilled or low-skilled jobs (cite sources).
o Gaps in the Research: Little information exists exploring the health implications of the current conditions in low-skilled jobs.
• Major Point 1: Conditions of employment affect workers' physical health.
o Minor Point 1: Unskilled work environments are correlated highly with worker injury (cite sources).
• Minor Point 2: Unskilled work environments rarely provide healthcare or adequate injury recovery time (cite sources).
• Major Point 2: Conditions of employment affect workers' mental health
• Minor Point 1: Employment in a low-skilled position is highly correlated with dangerous levels of stress (cite sources).
o Minor Point 2: Stress is highly correlated with mental health issues (cite sources).
• Major Point 3: Physical health and mental health correlate directly with one another.
o Minor Point 1: Mental health problems and physical health problems are highly correlated (cite sources).
o Minor Point 2: Stress manifests itself in physical form (cite sources)
• Major Point 4: People with more financial worries have more stress and worse physical health.
o Minor Point 1: Many high-school dropouts face financial problems (cite sources).
• Minor Point 2: Financial problems are often correlated with unhealthy lifestyle choices such unhealthy food choices,
overconsumption/abuse of alcohol, chain smoking, abusive relationships, etc. (cite sources).
• Conclusion
• Restatement of Thesis: Students who drop out of high school are at a higher risk for both mental and physical health problems throughout
their lives.
• Next Steps: Society needs educational advocates; educators need to be aware of this situation and strive for student retention in order to
promote healthy lifestyles and warn students of the risks associated with dropping out of school.
EXAMPLE OF TOPIC OUTLINE
• Several aspects must be considered in writing a topic outline.
• Recall that all headings and subheadings must be words or phrases, not sentences.
• Also, the wording within each division must be parallel.
• Finally, as in any outline, remember that a division or subdivision cannot be divided into one part;
therefore, if there is an
•
"A" there must be a "B," and if there is a "1" there must be a "2."
I. Family Problems
• Custodial: Non-custodial Conflicts
• Extended Family
• Adolescent's Age
II. Economic Problems
• Child Support
• Women's Job Training
• Lower Standard of Living
• Possible Relocation
o Poorer Neighborhood
o New School
III. Peer Problems
• Loss of Friends
• Relationships with Dates
Guidelines in Writing an
Outline:
• Place the title at the center above the outline.
• Every level of the outline must have at least two items (I and
II, A and B, 1 and 2).
• Put a period after each numeral and letter.
• Indent each new level of the outline.
• All items of one kind (roman numerals, capital letters, Arabic
numerals) should line up with each other.
• Capitalize the first letter of each item.
• The terms Introduction, Body, and Conclusion do not have to
be included in the outline. They are not topics; they are merely
organizational units in the writer’s mind.
CRITIQUE
• A critique is a careful analysis of an argument to determine
what is said, how well the points are made, what assumptions
underlie the argument, what issues are overlooked, and what
implications are drawn from such observations. It is a
systematic, yet personal response and evaluation of what you
read.
• It is a genre of academic writing that briefly summarizes and
critically evaluates a work or concept.
• Critiques can be used to carefully analyze a variety of works
such as:
• Creative works – novels, exhibits, film, images, poetry
• Research – monographs, journal articles, systematic reviews,
theories
• Media – news reports, feature articles
• Summary (10%)
‣ Objective or Purpose
‣ Methods used (if applicable)
‣ Major findings, claims, ideas, or messages
Structure of a Reaction
Paper
• Review/Critique (in no particular order 75%)
‣ Does the writer explicitly state his/her thesis statement.
‣ What are the assumptions
‣ What are the contributions of the work to the field where it
belongs?
‣ What problems and issues are discussed or presented in the
work?
‣ What kind of information are presented in the work?
Structure of a Reaction
Paper
• Conclusion (10%)
‣ Overall impression of the work
‣ Scholarly or literary value of the reviewed article, book or
work.
‣ Benefits for the intended audience
‣ Suggestion for future direction of research
WHAT IS BALANCED/OBJECTIVE
REVIEW OR CRITICISM?
•
• Interpretation. Establishing the broader context for this type
of art. It answers the questions:
artwork - "Why did the artist create it and what does it
mean?
piece of writing - "Why did the write create it and what
does it mean?
Here are some points that can help you write your judgment:
• How do you think: is the work successful or not?
• Does this art object seem original or not?
• What do you feel when looking at this piece of artwork?
• Go back to your first impression. Has anything changed? What
did you learn?
• If nothing changed, explain your first reaction to the work.
• What have you learned from this work that you might apply to
your own artwork or your thinking?
In judging the piece of work, there must be:
• Criteria (What criteria do I think are most appropriate for
judging the artwork or writing?),
• Evidence (What evidence inside or outside the artwork or
piece of writing relate to each criterion?)’ and
• Judgment (Based on the criteria and evidence, what is my
judgment about the quality of the artwork or piece of
writing?).
Painting Critique.
• Describe the way the artist applies paint. Are there broad paint
strokes, small points of color, or just a smooth surface? What
effect does it help to achieve? E.g., Van Gogh’s broad brush
strokes help to create a sense of motion.
• Describe how the light is depicted. Where does the light come
from? Is there a strong value contrast? In what way does the
shadow function? What, in your opinion, does it evoke?
E.g., strong contrast makes the central figures stand out.
• Speak about the handling of space in the picture. Does it look flat
or three-dimensional? What kind of perspective is used? (e.g.,
one-point perspective or bird’s eye view?)
E.g., in this painting, Picasso uses multi-dimensional geometrical
shapes.
Sculpture Critique.
• Say if the material gives a particular texture to the statue. Is the surface
smooth, or is it uneven?
E.g., Rodin’s sculpture has an unusual earthy texture.
• The surrounding space is just as important as the sculpture itself. Describe
the place (in the museum, in a park, in front of a building) where it is
situated. What does it add to the sculpture?
E.g., the statue appears to walk along the road.
• Speak about the color of the sculpture. Is it painted? Does it rely on natural
lights and shadows?
E.g., the statue is white. A museum floodlight lights it from above, creating
expressive shadows.
• Describe the composition of the sculpture. What does it look like when you
approach it? Did the sculptor provide any instructions on how to position it?
E.g., the statue is enormous and can be viewed from all sides.
Architecture Critique
You can write art critiques on architecture, too! Just bear in mind the following points:
• What architectural style does it belong to?
E.g., the cathedral is a typical Gothic building.
• Was it built with a purpose? Did a specific person request it?
E.g., the Palace of Versailles was requested by Louis IV as a symbol of his monarchy.
• Did one architect complete the building, or were there any alterations? Why were they
made?
E.g., the spire was added to the cathedral much later. It became the integral part
of its image.
• What do the exterior and the interior look like? What effect do they produce? Is there a
contrast between them?
E.g., the building has a high ceiling painted like the sky. It also makes the organ
music sound louder.
• Are there statues or paintings on the walls? Discuss them as well!
E.g., statues on the cathedral’s facade illustrate scenes from the Bible.
Photography Critique
• Analyzing a photograph is a lot like critiquing a painting. Still,
there are some unique features to consider:
• How does the photographer use focus? Is any part of the image
blurry? What effect does it produce?
E.g., the background is out-of-focus, which has a dreamy effect.
• Is the picture monochrome? If yes, describe its tone, contrast, and
shadows. If no, describe the use of color.
E.g., the picture is in black and white, with stark contrasts.
• If it’s a photo of a face, pay extra attention to the emotion it
expresses. If it’s dynamic, discuss the sense of motion.
E.g., the photograph conveys a sense of cheerfulness through the
girl’s expression and the use of light.