Overview of the lessons: Let’s watch the following videos first: Mining literature for deeper meanings - Amy E. Harter.mp4 The Major Genres of Literature
L it e r a t u r e
P ro s e P o e try D ra m a CATEGORIES OF PROSE Fiction
1. Can tell about things that could happen
2. Is read for fun 3. Characters may be like real people or imaginary Non-Fiction 1. Has facts that can be checked and proven 2. The author is an expert on this information. Prose is the most typical form of language and it is derived from the Latin word prosa which literally means 'straight-forward’
It is like talking to someone in a straight- forward
manner and not in a sing-song or poetic way.
This means that anything you say or write in prose
is presented in a straight- forward manner. For instance, this course material is presented in prose. There is usually no effort to present prose in any particular or special structure.
This lack of formal structure makes it to be
adopted as the general mode of communication in many formal and informal presentations like the: spoken dialogue, speeches, factual, topical and fictional writing.
This means that most of the books you read
are presented in prose and that you also talk in prose form. However, in prose the writer does not just present words whether they make sense or not.
Words in prose are arranged in correct sentences and
in a logical sequence for a meaningful understanding of the intended communication.
In view of this, Samuel Taylor Coleridge insists in his
definition of prose and poetry that; “prose is —words in their best order; poetry,—the best words in their best order.” (Quoted in Hall :62). Fiction is derived from the Latin word fictum which means “created”.
Fiction is therefore any form of narrative which
deals, in part or in whole, with events that are not factual, but rather, are imaginary and invented by its author. What then is prose fiction?
It is fictional work that is presented in a
narrative form.
Fiction and narrative are words that distinguish
prose fiction from any other form of narrative or fictional work.
For instance, drama is fiction but it is presented
in dialogue and not narrative. Types of prose fiction • Novella: A work of fiction between 20,000 and 49,999 words is considered a novella. • is the longest of the short fiction forms, granting writers freedom for an expanded story, descriptions, and cast of characters, but still keeping the condensed intensity of a short story. • Novel - is a narrative work of prose fiction that tells a story about specific human experiences over a considerable length. It’s about 50,000 words or more (about 170+pages). Prose style and length, as well as fictional or semi-fictional subject matter, are the most clearly defining characteristics of a novel. Unlike works of epic poetry, it tells its story using prose rather than verse; unlike short stories, it tells a lengthy narrative rather than a brief selection. There are, however, other characteristic elements that set the novel apart as a particular literary form. Types of Novels •Types of Novels - Sir Arthur Conan Doyle’s Sherlock Holmes •Science Fiction and Fantasy - Lord of the Rings series, The Chronicles of Narnia, and Harry Potter •Horror/thriller novels - The Count of Monte Cristo (a revenge thriller) and Heart of Darkness (a psychological/horror thriller). More contemporary examples might be the novels of Stephen King. •Romance •Historical Fiction – A Tale of Two Cities by Charles Dickens •Realist Fiction - Some of the best-known realist authors include Mark Twain, John Steinbeck, Honoré de Balzac, Anton Chekov, and George Eliot. • Novelette: is any short, fictional work of prose narrative. Novelettes have a lower number of words than a novel or novella, but a higher word count than other forms of prose fiction like short stories or microfiction. Despite lacking the page count of a full-length novel, novelettes generally tell a complete story. Some people refer to novelettes as “long short stories” or “short novellas.” Example: The Fall of the House of Usher by Edgar Allan Poe (1839)
• Epic: in its most specific sense is a genre of classical poetry
originating in Greece. It contains long catalogs of heroes or important characters, focusing on highborn kings and great warriors rather than peasants and commoners. Example: Iliad and the Odyssey; The Anglo-Saxon poem Beowulf There are two different types of fiction – Commercial Fiction- Written and published primarily to make money, and it makes money because it helps large numbers of people escape the boring and stressful living.
– Literary Fiction- Written by someone with serious
artistic intentions who hopes to broaden, deepen, and sharpen the reader’s awareness of life. Plunges the reader more deeply into the real world, enabling us to understand life’s difficulties and to empathize with others. Elements of prose Fiction • Characters: imaginary people or animals in a story
• Plot: series of events in a story
• Setting: time and place in which a story is set
• Point of View: vantage point from which a story is
told
• Theme: universal message about life
Elements of Nonfiction • Nonfiction: about real people, events, or ideas
• Point of view: told from the perspective of the
author presents: facts and ideas
• Historical context: may include information about
the society and culture of the time Prose Types of Poetic Forms
Blank verse. Blank verse is poetry written with
a precise meter—almost always iambic pentameter—that does not rhyme.
Rhymed poetry. In contrast to blank verse,
rhymed poems rhyme by definition, although their scheme varies.
Free verse poetry is poetry that lacks a
consistent rhyme scheme, metrical pattern, or musical form. Learn more Epics. An epic poem is a lengthy, narrative work of poetry. These long poems typically detail extraordinary feats and adventures of characters from a distant past. Narrative poetry. Similar to an epic, a narrative poem tells a story. Henry Wadsworth Longfellow’s “The Midnight Ride of Paul Revere” and Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” exemplify this form.
Haiku. A haiku is a three-line poetic form originating in
Japan. The first line has five syllables, the second line has seven syllables, and the third line again has five syllables. Haiku sample: Summer’s gone The leaves fell slowly The leaves fell slow-ly
To the unforgiving ground
To the un-for-giv-ing ground
Too soon – summer’s gone!
Too soon – sum-mer’s gone! Sonnet. A sonnet is a 14 line poem, typically (but not exclusively) concerning the topic of love. Sonnets contain internal rhymes within their 14 lines; the exact rhyme scheme depends on the style of a sonnet.
Elegies. An elegy is a poem that reflects upon death or
loss. Traditionally, it contains themes of mourning, loss, and reflection. However, it can also explore themes of redemption and consolation.
Ode. Much like an elegy, an ode is a tribute to its
subject, although the subject need not be dead—or even sentient, as in John Keats’ “Ode on a Grecian Urn”. Limerick. A limerick is a five-line poem that consists of a single stanza, an AABBA rhyme scheme, and whose subject is a short, pithy tale or description.
Lyric poetry. Lyric poetry refers to the broad category
of poetry that concerns feelings and emotion. This distinguishes it from two other poetic categories: epic and dramatic. Ballad. A ballad (or ballade) is a form of narrative verse that can be either poetic or musical. It typically follows a pattern of rhymed quatrains. From John Keats to Samuel Taylor Coleridge to Bob Dylan, it represents a melodious form of storytelling. Soliloquy. A soliloquy is a monologue in which a character speaks to him or herself, expressing inner thoughts that an audience might not otherwise know. Soliloquies are not by definition poems, although they often can be—most famously in the plays of William Shakespeare. Villanelle. A nineteen-line poem consisting of five tercets and a quatrain, with a highly specified internal rhyme scheme. Originally a variation on a pastoral, the villanelle has evolved to describe obsessions and other intense subject matters, as exemplified by Dylan Thomas, author of villanelles like “Do Not Go Gentle Into That Good Night.” Categories of Drama Drama was broadly categorized into three different forms: opera, pantomime, and creative drama. Opera: this form was accepted warmly during the Renaissance period due to its versatility. Theater and music were in perfect harmony, and the actors displayed exceptional acting and singing skills. Pantomimes: These were composed keeping the theme of folk tales as the primary element, and symbolism occupied a prominent position. It was organized in the form of masques, where characters wore elaborate costumes and makeup. Creative drama: It is the modern version of drama, which was popularized mostly by youngsters, possessing innate acting skills. Stage shows and theaters were organized in schools and colleges, which provided a platform for students to exhibit their talent Types of Drama a. Comedy – Parody - a form of satire that imitates the characteristic style of a particular writer, musician, artist, speaker or genre using deliberate exaggeration for a comic effect. – Satire - the use of humor, ridicule, irony or exaggeration to make fun of or expose and criticize a person’s vices or lack of intelligence. – Farce - a type of comedy which uses improbable situations, physical humor (slapstick) and silliness to entertain. b. Tragedy c. Tragicomedy d. Melodrama Different kinds of imagery in creative writing Visual – something that is concrete and can be seen
Broken hula-hoops, hollow blocks, and tires
are crowded atop a thatched roof. Auditory– something that you can hear through your mind’s ears.
The pattering of the rain is heard against the
window pane. Olfactory– something that you can smell through your mind’s nose.
The aroma of freshly baked Colombian coffee
wafted into the entire room. Gustatory – something that you can taste through your mind’s tongue.
I endured the pungent taste of unripe bananas
Tactile – something that you can touch through your mind’s skin.
The soft velvety feel of silk and satin caressed
my skin. Thermal – something that depicts the temperature.
A sudden gush of December wind breezed
against my face, reminding me of Christmas. Erotic – something that suggests sensation and feeling
I shuddered and felt a tingling sensation as his
warm breath heaved through my nape. Figurative Language is also called figures of speech. It changes the literal meaning of words • to express complexity, • to capture a physical or sensory effect, or • to extend meaning. There are a number of figures of speech. Some of the more common ones are: Simile Making a comparison between unlike things, using “like” or “as.” Forrest Gump’s famous simile is “Life is like a box of chocolates. You never know what you’re gonna get.” Metaphor Making a comparison between unlike things without the use “like” or “as.”
An example is, “Your eyes are the windows
to your soul.” – Immanuel Kant. Hyberbole An exaggeration. I told you a million times to be quiet. You never speak to me. The teacher gave us tons of work. He ate a thousand pounds of pizza. Personification Giving human qualities to an animal, thing or idea. The wind screamed my name. The window flew open. The book jumped out of my locker. Irony • is a literary device for conveying meaning by saying the exact opposite of what is really meant. • Sarcasm is one kind of irony. It is praise which is really an insult Sarcasm generally involves malice, the desire to put someone down, for example “This is my brilliant son who failed out of college.” Onomatopoeia • is the imitation of natural sounds in word form. These words help us form mental pictures, or visualize, things, people, or places that are described. Sometimes a word names a thing or action by copying the sound. Example: Bong! Hiss Buzz! Alliteration • is the repetition of the initial consonant. There should be at least two repetitions in a row. Peter Piper picked a peck of pickled peppers. The first letter, p, is a consonant. Its sound is repeated many times. Oxymoron • seemingly contradictory phrase honest politician friendly divorce gentle giant organized chaos prepared impromptu Antithesis • an exact opposite or the juxtaposition of contrasting ideas
I have never saved a book, but books have
saved me.
He didn’t speak many words, but the words
he spoke, spoke volumes Pun • a play on words
John didn’t understand fractions, so his math
teacher summed up fractions for him. God knows HUDAS (who does) not pay Allusion • a reference to a famous person, place, event, art work, song, character, etc. He is the Goliath of charm. (a reference to the Bible and a metaphor) You are my waterloo. Rhetorical Question • a question that is not meant to be answered, but forces listeners to think “If God is for us, who can be against us?” (Romans 8:31) Reference:
Lacia, F., & Ganong, G.( 2003.) The literature of the world. Manila, Philippines: Rex Book Store.