Development

and Principles of
Editing
By Lucy salmons
Time line of the key developments of
editing
January 9000
The very firsts were called
actualities there were short,
single shot films with a
stationary camera, viewing
a scene without editing of
any kind.  which creates animated
October 1971
The first NLE was the CMX 600
in 1971- it was a beast of a
July 1959
October 1923 March 1937 mechine that resolution black and
In the films most-
Walt Disney Animation The walt disney white video files onto washing
renowned and
studios, headquartered at the studios releases machine size disk packs and coats
brilliantly-edited 7
walt Disney studios in films from disney- a little over £250,000 in 1971
minute attack
Burbank, California is an owned and non- dollars- which is aboput 1.2
sequence with a slow
America animation studio disney owned million in 2013money . Only 6
suspenseful buildup-
animation studios were produced 
the cornfield crop-
feature films.
dusting sequence

January and August 1903 January 1941 January 1961

December 1925
Porter, chief of production as the Edison studio, helped to Orson welles this highly-rated The technology behind
Sergei Legendary russian
shift film production towards narrative story telling with classic masterpiece from the worldwide
auteur director sergei eisenstein
such films as this one- the first realistic film with director-star producer orson consumer video
classic landmark and visionary
continuity editing. Porter this 10 minute film was the first welles brought together many revolution, and is used
film was released in the us in
to use a number of innovative, modern film techniques, cinematic and narrative in all home video
1926, advancing the art of
many of them for the first time, such as parallel editing, techniques and experimental recorders today.
cinematic storytelling with the
minor camera movement, location shooting and less innovations.
technique of montage.
stage- bound camera placement.
Time line of the key developments
of editing
June 1981
At the start of a memorable
sequence in the films exciting
prologue, indiana "indy" jones had
just snatched a fierce-looking but
beautiful golden idol from an altar,
located in a mid- 1930s south
american rainforest jungle cave
setting.
January 2003
Covering a period of two
decades, this auteurist
crime-drama film told
about the cidade de deus,
a violent slum-ghetto
section of housing
projects in rio de janiero

February 1991
In the shelby county
courthouse, the fourth
and final enconter
between FBI agaent-
trainee clarice starling
and ex-psychiatrist dr.
October 2013
The earth was ravaged by the
formics, an alien race seemingly
detemined to destroy humanity.
Seventy years later, the people of
earth remain banded together to
prevent their own annihilation from
this technologically superior alien
species
Describe the 180 Degree Rule
The 180 degree rule is a filmmaking guideline for spatial relations between two characters on screen. The
180 rule sets an imaginary axis, or eye line, between two characters or between a character and an object.
By keeping the camera on one side of this imaginary axis, the characters maintain the same left/right
relationship to each other, keeping the space of the scene orderly and easy to follow. 
If you find yourself filming a scene with a group of characters, it helps to think of your see as though it
were a stage play, with the camera placed in the audience. The same line that separates the viewer from
the performers is the same line you will use to maintain a constant screen direction.
You can go past this line, and attempt to establish individual lines between each character, but each time
you do this you will amplify the degree of difficulty for maintaining a consistent orientation throughout
the scene. Keep your camera setups “in the seats,” you’ll be able to maintain a single line. This is also
when film blocking becomes important, especially when you're working with a group of
actors. scene. Keep your camera setups “in the seats,” you’ll be able to maintain 
 Describe Diagetic and Non Diagetic Sound
Diegetic sound is a noise which has a source on-screen. They are noises which have not been edited
in, for example dialogue between characters or footsteps. Another term for diegetic sound is
actual sound. Non-diegetic sound is a noise which does not have a source on-screen, they have been
added in.