Romantic and Modern Instrumental Music Baroque The Baroque period (1600-1750) refers to an era which includes composers like Bach, Vivaldi and Handel, who pioneered new styles like concerto and the sonata. The Baroque period saw an explosion of new musical styles with the introduction of the concerto, the sonata and the opera.
Romantic and Modern Instrumental Music Baroque The loosening of the Church’s political control of Europe meant that non-religious music could now flourish, in particular instrumental music. The idea that instruments should be grouped together in a standard way created the first version of the modern orchestra.
Romantic and Modern Instrumental Music Baroque An important type of instrumental music in the Baroque era was the concerto. Two of the greatest composers of concertos were Corelli and Vivaldi. Opera encouraged composers to devise ways of illustrating moods in their music; affecting the listener’s emotions became a major objective in composition during this period. “Archangelo Corelli”
Romantic and Modern Instrumental Music Baroque Opera spread to France and England, composers such as Rameue, Handell and Purcell began producing great works. Bach is regarded as one of the greatest geniuses in the history of music. He demonstrated a standard approach to harmony that dominated music until the late 19th century. ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music Notable Musicians of the Baroque Era
Romantic and Modern Instrumental Music Antonio Vivaldi •Antonio Vivaldi, in full Antonio Lucio Vivaldi •Born March 4, 1678, Venice, Italy •Died July 28, 1741, Vienna, Austria •Notable for concerto and the style of late Baroque instrumental music. “Giovanni Battista •Vivaldi’s main teacher was probably his Vivaldi” father, Giovanni Battista Vivaldi ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music Antonio Vivaldi • 1685 was admitted as a violinist to the orchestra of the San Marco Basilica in Venice. • 1696 he made his first known public appearance playing alongside his father in the basilica as a “supernumerary” violinist • 1703 was appointed violin master at the Ospedale della Pietà “Ospedale della Pietà”
Romantic and Modern Instrumental Music Antonio Vivaldi
• 1703–09; 1711–15 Vivaldi as violin master in Pieta
• 1716–17; 1735–38 Vivaldi as director of instrumental music in Pieta • 1723–29; 1739–40 Vivaldi as paid external provider of compositions in Pieta ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music Antonio Vivaldi • Trained for the priesthood and was ordained in 1703 • Soon after his ordination as a priest, Vivaldi gave up celebrating mass because of a chronic ailment that is believed to have been bronchial asthma. • His distinctive reddish hair would later earn him the soubriquet Il Prete Rosso (“The Red Priest”) ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music Johann Sebastian Bach
Romantic and Modern Instrumental Music Johann Sebastian Bach • Born 1685, Eisenach • Died July 28, 1750, Leipzig) • He was a member of a remarkable family of musicians • Was admired by his contemporaries primarily as an outstanding harpsichordist, organist, and expert on organ building
Romantic and Modern Instrumental Music Johann Sebastian Bach • Celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music • 1735 he drafted a genealogy, Ursprung der musicalisch- Bachischen Familie (“Origin of the Musical Bach Family”) ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music Johan Pachelbel
Romantic and Modern Instrumental Music Johan Pachelbel • Died March 3, 1706 • Pachelbel studied music at Altdorf and Regensburg and held posts as organist in Vienna, Stuttgart, and other cities • 1695 he was appointed organist at the St. Sebalduskirche in Nürnberg, where he remained until his death • He also taught organ, and one of his pupils was Johann Christoph Bach, who in turn gave his younger brother Johann Sebastian Bach his first formal keyboard lessons. ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music Johan Pachelbel • His organ compositions show a knowledge of Italian forms derived from Girolamo Frescobaldi through Johann Jakob Froberger • His popular Pachelbel’s Canon was written for three violins and continuo and was followed by a gigue in the same key • His son, Wilhelm Hieronymous Pachelbel, “Wilhelm Hieronymus was also an organist and composer. Pachelbel” ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music George Frideric Handel
ARTAPP WEEK 12-13 Baroque, Classical Instrumental
Music, Romantic and Modern Instrumental Music George Frideric Handel • German (until 1715) Georg Friedrich Händel, Händel also spelled Haendel • Born Febuary 23, 1685, Halle, Brandenburg [Germany] • Died April 14, 1759, London, England • a pupil in Halle of the composer Friedrich W. Zachow, learning the principles of keyboard performance and composition from him. “Friedrich Wilhelm Zachow” ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music George Frideric Handel • German-born English composer of the late Baroque era, noted particularly for his operas, oratorios, and instrumental compositions. • He wrote the most famous of all oratorios, Messiah (1741) • and is also known for such occasional pieces as Water Music “Music for the Royal (1717) and Music for the Royal Fireworks” Fireworks (1749) ARTAPP WEEK 12-13 Baroque, Classical Instrumental Music, Romantic and Modern Instrumental Music