Professional Documents
Culture Documents
Objestives
Record ideas, observations and
Record insights relevant to intentions as
work progresses
https://www.youtube.com/watch?v=milXH-433vs&t=3s
Jason de Graaf 1971 Canadian
ron mueck
born 1948 Australia now live in
London
Hyper-realism
“My paintings are about staging an alternate
reality, the illusion of verisimilitude on the
painted surface, filtered so that it expresses
my unique vision. Though my paintings may
appear photoreal my goal is not to reproduce
or document faithfully what I see one hundred
percent, but also to create the illusion of depth
and sense of presence not found in
photographs.”
Jason de Graaf
Values Study
Use the grid technique to create a
portrait (use a 2B- 4B Pencil.)
Your focus should be on the
accuracy of proportion and tonal
values.
‘Grids break down a picture into manageable sized pieces. You only need to focus on one square at a time
and, before you know it, you have a great drawing staring you in the face!’
Points to remember:
Points to remember:
• Draw your grid lines lightly so you can erase them later
• Draw your grid lines lightly so you can erase them later
• Make you grids is made of squares not rectangles
• Make you grids is made of squares not rectangles
• Measure all edges of your page to avoid distorting your
• Measure all edges of your page to avoid distorting your
image.
Grid Method Task: Michael Phelps
•High quality/resolution
Print and start use the grid technique to get your values and
proportions perfect!
Student Examples:
Year 9 Year 12
Exploring identity – Symbolic
Self Portrait
Look at one of the following artists to inform and inspire your style and technique.
•Henry Mattisse
•Yue Minjun – Chinese
•Kehinde Wiley's – African American
Critical
Investigration – Artist
Model
Task 2 – Artist Study
look at 2-3 a internationally recognised portrait
artists to inform and inspire your experiments,
style and technique. See list of Artist on
previous slide.
• Formal Qualities
• Analyse the elements of art how they are used to communicate
intention:
• How has the artist used light? What effects does he achieve? (tone,
depth, form)
• What colours does the artist use? Why? How is colour organised?
(emotional, mood)
• What kind of shapes or forms can you find? How do they relate to
each other? What impact do they have on the piece? (overlapping,
proportions)
• What is the surface like? What kinds of textures can you see? How
are they achieved? (pattern. repetition, movement)
• How has the artist composed the picture? Does it influence the way
we react to it? (balance, variety, direction)
• How does the size of the Artwork impact the audience? (scale,
dominance)
• Cultural Context – The particular time, place,
culture and society in which the art was
produced.
• When was it made? Where was it made?
Who made it?
• What do you know about the artist? What
cultural or personal events influenced the
artist?
• How does the work relate to other art styles of
the time? What artistic influences was the
artist exposed to?
• Can you link it to other performing arts of the
period, such as film, music or literature?
• function and purpose
• Task 5.
• Using the synergy of techniques to create a
portrait incorporating your symbol into your
composition.
• Think about the expression, colour, and
background that would best communicate this
information. (you may choose to experiment
with text also)
• Good Luck!
Cubism, Pablo Picasso
“Are we to paint what is on the face,
what is inside the face, or what is behind
it?”
Henry Mattisse
- France
Kehinde Wiley's –
African American
Mahmoud Saïd - Egypt
Jean Hanna - Syria
Krastyo Todorov
Bulgaria
Manal deeb
• Palestinian American artist
This Photo by Unknown Author is licensed under CC BY-NC-ND