FAA Creative Workshop (Prof.

Lukas Tam)
First-stage brainstorming and development of
creative project

LEE Kwun-leung Vincent (1007070165)

MA Fine Arts – Year 2 Semester 2
 Reference: Paul Ryan – Mixed Media
Sketchbook
• Rational episode / manuscript on the left
page, sentimental episode on the right page
Step 1: Imitation
• Experimental drawing on
visual diary as similar as
Paul Ryan - Dragging of lines
• Imitation on these four
linear-drawing examples
Step 1: Imitation
Step 2: Explorations and
transformations
Step 2: marker drawing on visual diary
• Forces from nature
Step 2: marker drawing on visual diary
• Confusion of electrical power released from the digital world
Step 2: marker drawing on visual diary
• Celebrative energies
from circuses,
amusement parks and
concerts
 Step 2:
marker
drawing on
visual diary

• Forces from
the decaying
of natural
substances in
deep autumn
 Stage 3: The study on graphic art
• From nonchalant dragging motions in a non-objective art
manner to a representation of subconscious vision with
composition
– Example: exhibits from “The Weight of Lightness: Ink Art at M+”
 “History of Modern Graphic Art” by Wolf
Stubbe
• “Concrete art” and autonomous graphic art
– Immaterial qualities:

1.Slackness
2.Tenseness
3.Denseness
4.Diffuseness
• Medium: Oil-pastel on paper
Wolf Stubbe: 1. Slackness
Wolf Stubbe: 2. Tenseness
Wolf Stubbe: 3. Denseness
Wolf Stubbe: 4. Diffuseness
Stage 3.5: Rediscovery of subconscious vision while
playing with the previous bunch of linear
experimentations

• “The Midnight After”

movie – a withdrawal of
figurative elements within
a still episode
– Kowloon Walled City
• No longer being restrained
by the anti-Omicron
measures stressing a zero
tolerance on infection cases
Stage 3.5: Rediscovery of subconscious vision while
playing with the previous bunch of linear
experimentations  Kowloon Walled City