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RECREATIONAL ACTIVITY

DRAWING
BY KIM BRYAN J. OCAMPO FROM 12-ST. AUGUSTINE
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WHAT IS RECREATIONAL
ACTIVITY?
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WHAT IS RECREATIONAL ACTIVITY?

- I T I S A V O L U N TA R I LY PA RT I C I PAT I O N D U R I N G F R E E T I M E .
- IT HE LD D U R IN G S PE CI A L O C CA SIO N S.
- IT W ILL G IV E Y O U EN J O Y M EN T A N D R ELA X AT IO N .
- IT IS T H E U N IV ER S A L N EE D O F EV E RY O N E.
- IT C A N RE LI EV E D Y O U FR O M S TR ESS A N D A N X IET Y.
- IT W ILL R EFR E SH E S Y O U R M IN D A N D B O D Y.
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DRAWING
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WHAT IS DRAWING?
I T I S T H E P R O C E S S O F M A K I N G M A R K S O N A S U R FA C E T O
P R O D U C E F O R M S , S H A P E S , O R I M A G E S I S K N O W N A S D R AW I N G .
I T ' S A L S O A F O R M O F A RT I S T I C E X P R E S S I O N T H AT A L L O W S
T H E C R E AT O R T O D E M O N S T R AT E H O W T H E Y S E E T H E W O R L D
O R H O W T H E Y I N T E R P R E T C E RTA I N A S P E C T S O F I T. D R AW I N G S ,
O R T H E E N D R E S U LT O F D R AW I N G , M I G H T D I F F E R D E P E N D I N G
O N T H E S U B J E C T, I N S T R U M E N T S U T I L I Z E D , M E D I U M , A N D
PROJECT GOAL.
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BASIC TOOLS AND EQUIPMENTS USED IN DRAWING?

 COLOR PENCILS  PA I N T S
 PA P E R  BALLPOINTS/PENS
 BRUSH  O R D I N A RY P E N C I L
 GRAPHITE/CHARCOAL PENCIL  BRUSHES
 C A N VA S  WAT E R C O L O R
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DID YOU KNOW THAT THERE IS A

DIFFERENT TYPES OF DRAWING?
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HERE ARE THE SOME TYPES OF

DRAWING :
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1. CARICATURE DRAWING

C A R I C AT U R E D R AW I N G S A R E I M A G E S T H AT A R E
O V E R S I M P L I F I E D O R O V E R D R A M AT I Z E D D E P I C T I O N S O F T H E I R
T H E M E S . E N L A R G I N G O R D E C R E A S I N G S O M E O N E ' S FA C E
C H A R A C T E R I S T I C S , O R P E R S O N I F Y I N G A N O B J E C T, A R E
E X A M P L E S O F C A R I C AT U R E S . C A R I C AT U R E C A N B E U S E D I N
A N I M AT I O N , A D V E RT I S I N G , O R G R A P H I C D E S I G N B Y A RT I S T S .
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2. CARTOON DRAWING

C A RT O O N D R AW I N G S T Y P I C A L LY D E P I C T A M O R E C O M E D I C O R
W H I M S I C A L V I E W O F T H E W O R L D . S I M I L A R T O C A R I C AT U R E S ,
T H E Y M AY U S E O V E R D R A M AT I Z E D S H A P E S A N D C O L O R S T O
S H O W E M O T I O N O R T O N E T H R O U G H I M A G E S . A RT I S T S M AY U S E
C A RT O O N S I N I L L U S T R AT I O N S , A N I M AT I O N , A D V E RT I S I N G A N D
GRAPHIC DESIGN.
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3. FIGURE DRAWING
F I G U R E D R AW I N G S , O F T E N K N O W N A S S T I L L - L I F E D R AW I N G S ,
A R E C R E AT E D B Y A RT I S T S B A S E D O N O B S E RVAT I O N S I N T H E
R E A L W O R L D . H U M A N M O D E L S A R E F R E Q U E N T LY U S E D A S
S U B J E C T S , H O W E V E R O T H E R O B J E C T S S U C H A S F R U I T,
A U T O M O B I L E S , A N D N AT U R A L O B J E C T S C A N A L S O B E U S E D .
F I G U R E - D R AW I N G A RT I S T S AT T E M P T T O D E P I C T T H E W O R L D A S
T H E Y V I E W I T. F I G U R E D R AW I N G I S C O M M O N LY U S E D B Y A RT
E D U C AT O R S T O T E A C H P R I N C I P L E S A N D A S S I S T P U P I L S I N
L E A R N I N G P E R S P E C T I V E , P R O P O RT I O N S , A N D S H A D I N G .
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4. GESTURE DRAWING
G E S T U R E D R AW I N G , L I K E F I G U R E D R AW I N G , I S I N S P I R E D B Y
REAL-LIFE SUBJECTS. GESTURE SKETCHING, ON THE OTHER
H A N D , C O N C E N T R AT E S O N M O V E M E N T A N D A I M S T O
R E P R E S E N T A C T I O N A S W E L L A S S H A P E A N D P O S E . T O I M I TAT E
M O T I O N , M O D E L S O R S U B J E C T S F R E Q U E N T LY C H A N G E
S TA N C E S E V E RY O N E T O F I V E M I N U T E S . B E C A U S E A N A RT I S T
C A N C A P T U R E L E S S I N A S H O RT E R P O S T U R E , G E S T U R E
D R AW I N G S M AY B E L E S S D E TA I L E D T H A N O T H E R S T Y L E S O F
PICTURES.
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5. LINE DRAWING
T H E L I N E D R AW I N G F O C U S T O T H E U S E O F S T R A I G H T L I N E S
A N D C O N T O U R S W I T H O U T S H A D I N G . T H E A RT I S T D R AW S A
F U L L I M A G E W I T H O U T TA K I N G U P T H E I R I N S T R U M E N T F R O M
T H E S U R FA C E I N M O S T L I N E D R AW I N G S . W I T H O U T
E M P H A S I Z I N G D E TA I L , L I N E S K E T C H I N G C A N T E A C H T H E
I M P O RTA N C E O F A N G L E S A N D C U RV E S .
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6. PERSPECTIVE DRAWING
P E R S P E C T I V E D R AW I N G , C O M M O N LY R E F E R R E D T O A S 3 D O R
A N A M O R P H I C D R AW I N G , I S A T E C H N I Q U E U S E D B Y A RT I S T S T O
PRODUCE THREE-DIMENSIONAL IMAGES IN A TWO-
D I M E N S I O N A L S PA C E , S U C H A S O N PA P E R . T O D E T E R M I N E H O W
EACH OBJECT CONNECTS TO ONE ANOTHER, THOSE WHO
U T I L I Z E T H I S F O R M O F S K E T C H I N G PAY AT T E N T I O N T O
D I S TA N C E , S PA C E , L I G H T, V O L U M E , S U R FA C E , A N D S I Z E .
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7 .PHOTOREALISM

P HO TO RE A L IS M, O FT E N KN OW N A S H YP E R RE AL IS M, IS TH E
C ON C EP T OF CR E AT ING A D RAW IN G T HAT A PP E A RS TO B E AS
L IF EL IK E A S A PH OTOGR AP H . ART I S T S F RE QU E NTLY EM PL OY TH IS
A PP RO A CH FO R H UM AN S U BJE CT S, B UT IT C AN AL SO BE AP PL IE D
TO A NIMA L S , L A ND SC AP E S , CIT Y SCA P E S , A N D OT HE R N AT UR AL
O BJEC T S . TO MA KE S U BJE CT S L OO K A S R E A L A S PO S SIBL E,
P HO TO RE A L IS M E MP HA S IZ E S O N C ON TO UR S, S HA DING, A ND
D ETAIL S .
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8. POINTILLISM
P O I N T I L L I S M I S A N A RT I S T I C T E C H N I Q U E T H AT I S M O S T
C O M M O N LY A S S O C I AT E D W I T H PA I N T I N G B U T M AY A L S O B E
A P P L I E D T O D R AW I N G S . I T U S E A S T I P P L I N G T E C H N I Q U E T O
P R O D U C E A L A R G E N U M B E R O F T I N Y D O T S T H AT, W H E N
V I E W E D F R O M A D I S TA N C E , F O R M A R E A L I S T I C I M A G E W I T H
LIGHT AND SHADOWS.
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9. SCIENTIFIC ILLUSTRATION
SCIENTIFIC PICTURES, OFTEN KNOWN AS DIAGRAMS, ARE
C R E AT E D B Y A RT I S T S T O E X P R E S S C O M P L I C AT E D T O P I C S I N A N
E A S Y- T O - U N D E R S TA N D M A N N E R . T H E Y D E P I C T S C I E N T I F I C
S U B J E C T S I N B O T H S TAT I C A N D A N I M AT E D F O R M S , S U C H A S
A N I M A L S , T H E H U M A N B O D Y, A N D N AT U R A L LY O C C U R R I N G
ITEMS IN THE UNIVERSE. TO OFFER THE LARGEST AMOUNT OF
I N F O R M AT I O N F E A S I B L E , S C I E N T I F I C G R A P H I C S M AY U T I L I Z E
A R R O W S A N D L A B E L S T O P O I N T O U T S P E C I F I C FA C T S A N D
E X P L A I N H O W C E RTA I N P I E C E S I N T E R A C T W I T H O N E A N O T H E R .
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10. SCRATCHBOARD DRAWING

G E S T U R E D R AW I N G , L I K E F I G U R E D R AW I N G , I S I N S P I R E D B Y
REAL-LIFE SUBJECTS. GESTURE SKETCHING, ON THE OTHER
H A N D , C O N C E N T R AT E S O N M O V E M E N T A N D A I M S T O
R E P R E S E N T A C T I O N A S W E L L A S S H A P E A N D P O S E . T O I M I TAT E
M O T I O N , M O D E L S O R S U B J E C T S F R E Q U E N T LY C H A N G E
S TA N C E S E V E RY O N E T O F I V E M I N U T E S . B E C A U S E A N A RT I S T
C A N C A P T U R E L E S S I N A S H O RT E R P O S T U R E , G E S T U R E
D R AW I N G S M AY B E L E S S D E TA I L E D T H A N O T H E R S T Y L E S O F
PICTURES.
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11. SILHOUETTE DRAWING

I M A G E S O R D E S I G N S T H AT S H O W T H E O U T L I N E O F A N O B J E C T
IN A SINGLE HUE OR TONE ARE KNOWN AS SILHOUETTES.
A RT I S T S C O M M O N LY U S E B L A C K A N D W H I T E T O C O N S T R U C T
T H E M , W I T H O N E C O L O R S E RV I N G A S T H E B A C K G R O U N D A N D
THE OTHER AS THE SILHOUETTE. THEY'RE POPULAR FOR
M A K I N G P R O F I L E P O RT R A I T S B E C A U S E T H E Y D O N ' T F E AT U R E
A N Y I N F O R M AT I O N B E Y O N D T H E L I N E S A N D C U RV E S I N T H E
OUTLINE.
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12. SKETCH DRAWING

A S K E T C H D R AW I N G I S D I S T I N G U I S H E D B Y I T S R O U G H E R
LINES AND EDGES, AS WELL AS ITS UNPOLISHED APPEARANCE.
S K E T C H E S A R E F R E Q U E N T LY M A D E W I T H S I M P L E , Q U I C K
M A R K S , A N D C E RTA I N D E TA I L S T H AT A R E N ' T I M P O RTA N T T O
T H E P I E C E M AY B E O V E R L O O K E D . T H E Y ' R E C O M M O N LY
U T I L I Z E D T O D E M O N S T R AT E A W O R K I N G N O T I O N O R T O
C A P T U R E S O M E T H I N G V I TA L I N A S H O RT P E R I O D O F T I M E .
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13. TECHNICAL DRAWING

T H E C O N S T R U C T I O N O F A C C U R AT E D I A G R A M S A N D P L A N S
T H AT S H O W H O W T O C R E AT E O R C O N S T R U C T S O M E T H I N G , O R
H O W I T P E R F O R M S , I S K N O W N A S T E C H N I C A L D R AW I N G .
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LET'S HAVE FUN IN OUR

ACTIVITY!
BASED ON OUR DISCUSSION!
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R E A D C A R E F U L LY T H E G I V E N
INSTRUCTIONS: BASED ON THE
P I C T U R E S S H O W B E L O W,
I D E N T I F Y W H AT T Y P E O F
D R AW I N G I T I S A N D A R R A N G E
THE JUMBLED LETTERS.
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HCTKSE WIDRANG
S K E T C H D R AW I N G
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HOUETTESIL DWINGRA
S I L H O U E T T E D R AW I N G
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TISCIENFIC TRAILLUSTION
S C I E N T I F I C I L L U S T R AT I O N
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B R O A D S C A R H C T G N I WA R D
S C R AT C H B O A R D D R AW I N G
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LLIMSPIOTNI
POINTILLISM
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LISRAEMOTOPH
PHOTOREALISM
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ECPPERSTIVE WINGDRA
P E R S P E C T I V E D R AW I N G
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FIUREG DWIRNGA
F I G U R E D R AW I N G
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RT C A O O N D W R I A N G
C A R T O O N D R AW I N G
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RICACARETU DWINGRA
C A R I C AT U R E D R AW I N G
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TGUERSE DWINGRA
G E S T U R E D R AW I N G
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HCTKSE WIDRANG
S K E T C H D R AW I N G
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FIUREG DWIRNGA
F I G U R E D R AW I N G
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B R O A D S C A R H C T G N I WA R D
S C R AT C H B O A R D D R AW I N G
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HOUETTESIL DWINGRA
S I L H O U E T T E D R AW I N G
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ECPPERSTIVE WINGDRA
P E R S P E C T I V E D R AW I N G
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LISRAEMOTOPH
PHOTOREALISM
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RICACARETU DWINGRA
C A R I C AT U R E D R AW I N G
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TISCIENFIC TRAILLUSTION
S C I E N T I F I C I L L U S T R AT I O N
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THANKS AND GOD BLESS

EVERYONE!