colors were precisely planned and positioned to give the illusion of movement. 2. Was a style characterized by dream fantasies, memory images and visual tricks and surprises. 3. The movement expressed the artist’s role in social reform. 4. In this style, basic forms such as planes, cones, spheres and cylinders all fit together and neatly in their appointed places. 5. Their works ranged from paintings, to posters, to collages, to three- dimensional “assemblages” and installations. 6. Was a style that used bold, vibrant colors and visual distortions. 7. This style derived its name from the cube, a three-dimensional geometric figure composed of strictly measured lines, planes and angles. 8. Works in this style did not make use of figures or even representations of figures. 9. Was an art style that incorporated elements from the native arts of the South Sea Islanders and the wood carvings of African tribes that surged popularity at that time. 10. Was a style that depicted an illogical, subconscious dream world that seemed to exist beyond the logical, conscious, physical one. 11. Created art for a fast-paced, machine- propelled age. 12. Worked on huge canvases spread on the floor, splattering, squirting, and dribbling paint with no preplanned pattern or design in mind. 13. Used different color saturations (purity, vividness, intensity) to create their desired effects. 14. Their work often requires little or no physical craftsmanship. 15. Bonus