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New Media ( Chapter 8 in

Text)
 Definition & the Information Revolution
 Changing economics
 Changing regulation
 Social Issues
 Social Challenges:
 The Knowledge Gap
 Surveillance and loss of privacy
 Sharing and Market “Hacktivism”
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History of New Media
 Since 1970s, but especially 1990s, nations concerned with the “
information highway”
 Treated the Internet like an 1840s challenge of the telegraph
 Concern that to remain competitive in a global trading economy,
nations needed to “wire up”
 Provide businesses, workers and consumers access to the
Internet for education, retail, entertainment
 Frontier metaphors often used
 Essential for economic transformation away from industrial to service/
information economies: the so-called “innovation agenda”
 In Canada, wired telco/cable providers dominated agenda: wireless
only now emerging

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Building the Internet
 Nations regulate telecommunications internationally:
agree on bandwidth of electronic transmission, spacing
of satellites, sharing of costs/ interconnection
 Also develop technical standards for interconnection
( IP protocols such as MP3)
 This is the international standards role of nations,
businesses and technical experts in creating a market
for technology, and ensuring consumers don’t buy
technology which will not work
 Business play a bigger and bigger role influencing this
shadow world of standards: citizens underrepresented
 But: companies still need states to rule on standards

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Definition of New Media

 Digital communication
 Used in the production, distribution and
reception of communication
 Involves use of new communication
networks: Internet as mass medium

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Information Revolution
 Digitization: using computers to
store,manipulate and transmit information in
form of speech, text, data, and video more
cheaply and faster than every before.
 Networking: distributed, fast digital networks
wired and wireless
 Convergence: refers to merging of what were
three separate industries: telecommunications,
computing, and electronics or broadcasting
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Characteristics of New
Media
 Convergence of telecommunications
and entertainment/broadcast media
industries
 Wire or wireless communication
 Point to point or addressable
 Interactive ( two way) ( now multiple
conferencing)

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Characteristics Continued
 Interpersonal: ie. The terrain of telephony treats
telephone calls ( discretionary contact between two
consenting persons) as PRIVATE not PUBLIC
communication ( where telco distributors are not
responsible for content of message)
 Multiple: can be Mass/Broadcast which is PUBLIC
communication ( broadcasters are responsible for
message in exchange for spectrum monopoly: hybrid
character)
 Now a grey area of semi public/private communication (
can monitor cell phones, amass, monitor and store
unprecedented personal communication)
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Digital Communication
 Where image text or sound is converted into binary
numbers- ones and zeroes ( 0/1)
 Digital codes can duplicate, track store or play back
complex kinds of content
 Strong when combined with ever greater chip capacity
in computers, and bundles of glass fibre ( fibre optics)
capable of carrying large quantities of information
 Current “revolution”: the Digital Video Disk
 DVDs: higher resolution, no rewinding,now coming
recordable for storage and intending to replace CDS
 Also: wireless Internet ( games on the cell phone)
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Implication of Digitization

 Drive to animation and special effects


 Actors worried about cyber simulators
replacing them
 Domination of nature: totally simulated
worlds?
 Question of authenticity of image

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The Role of the Media in the
Age of Digital Reproduction
 Walter Benjamin, a noted cultural scholar, suggests that the infinite
reproducibility of the communication product ( CD, video, internet) due to
its low marginal cost of duplication changes the nature of the work of art
 But western capitalism has conceived of the realm of ideas and
expression as proprietary
 Books, stories or photos may be copyrighted so they ‘belong’ to the author
and no one may borrow or copy them without permission, attribution or
payment
 The high risk nature of entertainment ( so called hit rule) calls for
imitation or ‘clones’ in popular culture ( riding the next so called fad or
wave)
 Infinite reproducibility, repackaging,repurposing and presenting
information as original
 There are many pressures on ‘news’ or ‘entertainment’ manufacture for
cutting corners on production: ethical standards to prevent recycling
content and presenting it as original are weak– digital watermarking is a
weak barrier

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Technical Potentials of
the New Media
 Costs of production dropping: makes
media creation more accessible ( digital
camera and access to the net)
 Costs of distribution down
 Interactive// less hierarchical
 Faster…more global

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The Internet
 What: a vast network of high speed wires and
satellite relays linking computers worldwide
 No central hub: thousands of computer nodes (
it is highly distributed)
 Uses a type of switching that is hard to trace:
designed after WW2 in the RAND corporation
to avoid worldwide military attack
 Now used for: email, commerce, chat lines,file
sharing etc.
 Sometimes synonmous with on line world
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Components of the
Internet
 World Wide Web
 Internet Service Providers (AOL Time
Warner; Sympatico,Telus, Shaw@Home,
AT&T)
 Portals ( MSN)
 Browsers: Explorer, Netscape
 Search Engines and directories ( Google,
etc)
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Rate of Diffusion
 Each generation of technology ( telegraph,
telephone,radio, satellite to cable TV, VCRs) had an
increasingly rapid rate of diffusion
 Key is where it reaches ‘mass’ or majority ( 60% or
more) of consumers.
 Internet has done so within one decade: only other
technology to do so, but not quite as fast were the VCR
and cell phones
 Now well over 75% of Canadians have access: that
number rises to 100% under 25
 The Internet the fastest techology in rate of social
adaption

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Impacts
 Changed the way we work
 Accellerated space time compression:
globalization processes
 Convergence of computers and distribution
allows greater efficiency of control and
communication
 Much cheaper to sell via Internet than in person (
1/100th cost per transaction for banks, airlines)
 Average person is now estimated to spend 187
hours a year on line ( source: Penguin Media and
Information 2003)

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Social Transformations of
the Internet
 Utopic Visions  Dystopic Visions
 Breaks oligopoly power  Reinforces and extends it ( US
 Allows user control over media controls 65% share of world Internet
selected, compiled, used server hosts)
 Provides new forms of social  Keeps user in ‘invisible walled
connection beyond space based gardens’
 New communities of interest may
form ( beyond borders)  Has enabled social predation: largest
 Together with other technologies use for pornography /weapons and
allow development of artificial illicit drug/and stalking on line
intelligence/body/intelligence  New market intelligence aggregating
augmentation in unprecedented scope: data
 A Democratic Realization shadows and on line surveillance
 Few use the Net for political news,
mobilization: while alt.news and other
organizations are growing:
commercial search engines bury
them so they are difficult to find…thus
an authoritarian politics continued,
not a democratic one

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World Wide Web
 Between 22 and 800 million sites– less than
half indexed
 Main search engines:
 Google (500 m page estimate)
 Alta Vista294)
 Yahoo
 Iwon,
 Northern Light
 Fast
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Industry Structure
 No one owner of Internet
 ISP providers route through a tangled web of other providers
 One dominant PC software manufacturer: Microsoft ( Internet
Explorer)
 Decade long anti trust suit settled out of court
 Like AT&T, US Department of Justice concerned about dominant
market power, and predatory competition
 Until 1990s, little competition between telephones and cable
companies: now starting
 Late 1990s a wave of Stock Speculation and large scale mergers
for dot com sector just before its crash
 AOL ( which owns Netscape) tookover Time Warner: sign of new
technology surpassing old
 Emergence of little known Netscapes of Power

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Ideology of the Internet
 Electronic Freedom  Media Oligopolies ( Incumbent
Foundation Media)
  Social Responsibility model: but
Neo liberal/New Media
self not government regulation
 Free  For Profit
 Egalitarian  Hierarchical
 Decentralized  Systematized and Centralized
 Ad Hoc  Planned
 Open and peer to peer  Proprietary
 Pragmatic
 Experimental
 Accountable
 Autonomous
 Organized
 Anarchic  Reliable
 Source: Richard Campbell, Media
and Culture, 41.

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The Business Case for On
line Start Ups
 Sector characterised by rapidly falling costs
 Transistorization etc.
 Costs for average computer falling 30% per year ( just 0.01% of costs
in 1970)
 E commerce applications growing, but still less than 5% of
retail( slower than supposed)
 Personal messaging ( email) very high
 Use for Information /Research high: but rise of subscription media
( eg. Newspaper on line, growing only among global travel
segment)
 Drive to get video downloadable for entertainment (video cell
phones banned in washrooms)
 Still largest volume of business is porn worldwide

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Globalization of the
Internet
 US has privatized domain names but retained control
over their allocation
 This is a sore point for Europe and other powerful
economic regions
 Internet content providers are estimated to be 98%
English, 87% commercial, and dominantly US in origin
 Other foreign governments now trying to:
 Invest in promotion of infrastructure
 Offer government services on line
 Promote the development of indigenous services
 ( eg. Canada: New Media Content Fund at Telefilm and the
Canadian Television Fund)

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Canadian Shape of
Convergence
 Links telecom and broadcast and news
 No computer sector
 Does link portals and so on
 First impacts of convergence have been
to de-localize news and media production
 Consolidation of media production
 Centralization in a few cities

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Regulation of the Internet
 Canada ‘s CRTC decided in 1999 not to regulate the Internet : to
leave it to open competition
 Australia and Europe are taking very different directions
 1996 US Telecommunications Act ( calling for deregulation) is
opposed world wide:
 It is essentially impossible for one country to act as a content
gatekeeper for a world community– Michael Epstein, quoted in
Campbell, 57.
 Hate and offensive contents are of growing social concern
( especially sexual predation on the Net)
 1996 US Communications Decency Act made it a felony to transmit
obscene, indecent, or harassing material on the Internet where
children might see it: struck down n grounds Internet no different from
a book store: not like broadcast ACLU v. Janet Reno, 1998)23
 Rise of ‘filters’/ ratings? On line entertainment

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“Hacktivism”
 Development of Open Source Code: Linux which is free open
source operating system challenges Microsoft
 File sharing “coops” of the type of Napster ( trading MP3s)
growing
 “junk” and growth of viruses
 Romantic vision of small content providers surging on the net
 Eg. The ‘garage bands’ now can find an audience; the poet
self publish, the digital video camcorder allow the production of
broadcast quality documentaries for $20,000 versus 1.2 million
in the TV industry
 A technologically optimistic view: technology as emancipatory,
“revolutionary” shattering the powers of entrenched business,
cultural authorities
 What Winseck in the courseware calls ‘fantasy’

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Intellectual Property Law

 Part of Intellectual Property Law


 Governs the realm of inventions ( Patent
Law) and brands or names ( Trade Mark
Law), Trade Secrets ( Commercial Law)
and Copyright

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The Canadian Copyright
Act
 “protection”
 For the life of the author plus 50 years
 Where the creator has the sole right to perform the creative act,
grant permission or a “license” to reproduce it, or copy it.
 What is not copyrightable:
 Facts– but the compilation of them ( i.e how they are interpreted, is)
 Ideas- unless they are manifest in a drawing, paper, or written form
( see Vivian and Maurin, page 365)
 Copyright: important in book publishing, sound tracks to films,
films, music
 All TV and radio based on copyright payment to the performers
they use
 Increasingly important in international trade, all forms of academic
expression

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Canadian Copyright
Agencies
 CANCOPY: 130 courseware
 SOCAN

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US Digital Millenium
Copyright Act ( 1998)
 Computer users who copy or distribute
the digital expression of others without
their permission are liable to prosecution
 ISP’s may avoid liability if they police and
remove offenders
 Arose because of spread of MP3 ( a
digital compression technology)

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Napster
 Before 1999, just 5 companies, court cases on
price fixing underway
 Developer launches Website wi 2 mi per day
 Called P to P networking
 Allowed visitors to search for files on other MP3 users’ hard
drive and download to burn their own CDs: control over
compilation shifts to consumers
 ‘freeware’: since Napster’s server did not house or archive the
music, the owners thought they were exempt from copyright law
and reasoned that prosecution should happen at the individual
level: since so dispersed and large ( estimated in the millions a
month) it was believed it was not possible to enforce the law
 Napster’s early success launched a wave of imitators: Gnutella, I
mesh and XXX
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The Napster Case (see
Fleras: 262)
 Musical Recording Industry argued Napster
infringed copyright– even Metallica!
 Damages estimated in the millions
 Refused to admit free sampling in fact
increased exposure to music: eventual
purchase
 Lined up a number of musicians to argue that
the financial damage was to artists ( not the the
multinationals)

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Napster defense
 An information source
 Not ‘housing’ or copying
 Intention to move to a subscription
service
 Struggled to settle out of court
 Agreed to charge a monthly fee
 Purchased by Bertelsmann
 Lost Case
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Effects of Napster
 Now usurped in the market ( Morpheus , Kazaa and others) but
trying a comeback
 Victor? : to large companies:
 BUT– they introduced 2 tier pricing to allow new artists to break in
 They reduced price of CDs
 More services experimenting with subscription and transaction fees
 Major transformation in Music Happening
 Victor? To consumers
 Forcing a major rethink of copyright
 Hierarchy of value: new versus brand artists merit more protection
 Should IP be free? It takes a community to raise an artist.

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The Argument

 Fleras: intrusion of commercial interests


and government regulation has
compromised the regulatory potential of
the Internet
 McLuhan: the inception of a new media
casts into sharper relief the premises,
priorities and power relations of existing
media ( page 249).

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Crucial Questions

 Should those who control the medium


also control the message?
 Cases: GayTV and Shaw Cable
 BCE /CTV and Independent Film
 Sympatico(Bell) and Oliver Hate Site
 Issue is: will gatekeeper show
preference/discriminate against
competitors, or evade responsibility?
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The Consumer’s Guide to
the New Media
 1.Question Everything that is seen, heard or
read in new media. ( no FDA)
 2. Conclude almost everything is to make
money for someone.
 Assume everything is a potential threat to your
privacy:
 Source: John Pavlik “ The Structure of the New
Media Industry: in The Media Entertainment
Industries, Allyn and Bacon, 2000.

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The Myth of Convergence
 Not new
 Since 19th century
 Telegraph and global news agencies born
together ( Winseck)
 AT&T ran RCA/Films until State department
busted it
 In Canada today, we have one of the most
consolidated media systems in the world, with
a high degree of cross-media ownership

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Risk and Political
Economy Game
 Inventors of new technologies generate new patents ( ham
heaven)
 When market become established: patents bought or litigated
( crisis of capital for development)
 Incumbent industries either block development or buy out new
technology
 If new technology threatens core business of old, then predatory
behavior, or massive buyout
 If new technology too risky, then businesses buy not make new
service.
 Thus new technologies rarely challenge the incumbents, but over
50 years can see major change in owner players: market efficient
at reducing risk and adapting to change

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The Critical Political Economy View: Lost
in Cyberspace by Dwayne Winseck

 Sees Intellectual Property Disputes as masking the


larger problem: oligopoly of power and control
 Internet now dominated by big players, not an ideal
perfect competition
 Convergence not new: 19th and 20th century waves and
predicted in Canada since 1971
 In Canada:
 Rogers allied with Microsoft and AT&T
 CanWest: news and TV and radio
 Bell Globemedia, CTV,Expressvue, Globe and Mail and
Sympatico, largest ISP

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Impacts of Cross Media
Ownership
 Now vertically and horizontal  Yes: allows economies of
companies can control all scale, more money reinvested
aspects of message in content, better assumption
 Should those who control the of risk, more choice and
medium also control the convenience for consumers
message?  No: debt means less
investment in content, loss of
jobs, avoidance of risk, less
choice and higher prices for
consumers ( Winseck, 326)

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Canadian Argument
 Canada does have more choice among services
 Highest level of cable, cell, Internet penetration in G-8
 Chronic shortage/ market failure in high cost production
 Shrinking public investment in non commercial or community media
 Indicators News
 More news services, fewer private foreign news bureaus, more reliance on
wire services; diminishing number of jobs
 Indicator Entertainment
 Digital channels not allied with big Canadian companies on verge of
bankruptcy
 Can’t get carried by cable companies, or carried at too high a wholesale rate
 Services high level of repetition( estimated more than 66% reruns)
 Lag of asymmetry: late on video file swapping, speed of video downloads

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Winseck’s conclusion
 In short, there is a resilience in the “old media”
that will not yield
 Incumbents battle new entrants and either buy
them up or forge partnerships, or force them
out of business
 People still mostly rely on TV for their political
information
 Internet works to extend and conserve existing
market dominance in cyberspace

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Netscapes of Power
 Must watch “netscapes of power”: rise of
gatekeepers and “walled gardens”
 Trend to bundling services for convenience
 Styling information services for personal
preferences– and not challenging these ( narrower
and narrower homogenous taste communities)
 Technologies of discrimination: owner preference in
placing subsidiaries at front of retail shelf and
burying competitive service providers

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Fleras: Rhetoric and
Reality ( p.269)

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Rhetoric & Reality
 Subversive/Freewheel  Corporatized/Control
 Egalitarian  Ehaves/Ehavenots
 Anarchic Power to the  Authoritarian power to
People the dollar
 Globalizing  Americanizing
 Free  Marketing and
 Empowering and Advertising
Enlightening  Make Money
 Diversity  Conformity

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Social Issues:
Surveillance
 Network architecture is now “smart”
 Before, telcos did not know the content of messages
 Now, they do. Bits are monitored, stored in charting
flow and effective service
 Nortel and Cisco can establish network architectures
which:
 Identify each traffic type-Web, email, voice, video…and isolate
the type of application even down to specific brands, by the
interface used, by the user typeand individual user
identification or by the site address (winseck:331)

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Surveillance 2
 Rise of “cookies” ( spies on content, personal
information and preferences jeapordizing privacy)
 Technological potential of building a complete ‘data
shadow’ of the consumer, to better market to them
 Emerging self regulation of services
 Eg restrictive private contracts for use, limiting video
downloads, for example, in absence of regulation permitting it.
 Or: @Home…wide open powers to remove offensive matter
which is too prone to authoritarian censorship
 Still major fights: first over spam ( reaccessing your
email accounts, and next data shadowing/market
surveillance)
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The Walled Garden
 AOL Time Warner term
 Disney too
 Keep users within designated zones for as long as
possible ( Winseck, 335)
 How?
 By creation of content and service menus, organization of
hyperlinks, bias of search engings, network architecture,
promotion, content synergies,elimination of bypasses
 Creation of walled gardens: safe, predictable, branded
 Eg: Disney assumes role of immigration officer in AOL’s world:
if people enter their site, and then leave AOL, contract can be
cancelled ( Winseck, 336)

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The Information Gap
 Rest of the World is less than one-tenth on the
way to cyberspace
 Vast continents ( Africa) left out of “global
information highway”
 Rich consumers and those educated elites the
first to embrace computers and the Internet
 Poor, uneducated slow: many countries do not
have policies to help individuals(eg. Computers
in the home), although do help schools

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The Knowledge Gap
 Information and Knowledge gap is widening:
despite mass penetration of the Internet in
Canada, still high levels of illiteracy, ( under
25%) relatively low levels of university
education ( several points below Europe), and
growing child poverty: estimates place one in
four to one in three kids below poverty level
 Structurally higher levels of unemployment,
precarious jobs
 Gendered landscape of technological control
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