EAST ASIAN ARTS

CHINA
1.CENTIPEDE
CONCEPTS
ZHU
CAO
GUAN
KITE
LOGOGRAPHS
3.
ZHONGGUO:
IDEOLOGIES:
SWEEPING
WEN:
CAO:
MAKING:
JU:OF
WHITE
GREEN
REDARTS:
IT
THESE
EXPENSIVE
JIANG
TEMPLES
HUANG
LANDSCAPE
CHINESE
WINDOW
HELPS
IT
2.
ZHANG
LIAN
PAPER
CHINESE
JINGJU
PROTECTS
MULTI
LOGOGRAPHS
EXPRESSION:
ROOFS
GAN:
CANGJIE
JIANZHI:
CAI
PANG:
WARD
PO:
AND
CALIGRAPHY
FEI:
CUTTING
MEDIUM
FLOWERS
LUN
LIANPU
INCLINED
CLOWN
PURPLE
PAPER
PAINTING
ARE
BLACK
HOUSES:
YELLOW
THEM
OFFUSED
EVIL
OR
TO
:
1.HEAVEN
1.
2.HARD-WINGED
HAVE
USUALLY
1.SUBJECTS
DEVOTION,
IT
CHINESE
IMPULSIVE,
CONFUCIANISM
ORIGINATED
IS
STRAIGHT
(ENGRAVED
BURNED
CURVES
TREACHERY,
JIAGUWEN
RESERVED
DECORATIVE
ORCOURAGE,
VIOLENT
INCLINED
THAT
THEMES:
DURING
INONWEI
RISE
FOR
RELATIONSHIP
FROM
12
FIERCENESS,
THE
GOODLUCK
LEGENDARY
UPRIGHTNESS,
INVENTOR
PEKING
FOR
ANIMALS
HIGHEST
ANCIENT
ROUGHNESS
TWO
ART
HOUSES
CHUANG
PAINT
THE
RESIDENCES
FOLDING:
SPIRITS
CHOU
OF
OPERA
OR
ELEMENTS
FORM
UPON:
WRITING
AND
OF
BEAUTIFUL
AMBITION,
INVENTOR
MORE
HAVE
HUA
BETWEEN
CHINESE
PAPER
AND
COOL-
FACE
DRIVE
OF
OFOF
2.EARTH
2.
3.SOFT-WINGED
SHELL-AND-BONE
AT
BRAVERY,
TEMPLES
PALACES
SHOULDER
BAMBOO
FLOWERS
MORE
THE
DAOISM
AND
THE
SUSPICIOUSNESS,
HUMAN
FANG,
HANDICRAFT
LANDSCAPES
GHOST
CORNERS
ANIMALS
LACK
ECONOMICAL
AND
UPRIGHTNESS
SANDONG
AND
AND
BONES
FIGURES
OF
FESTIVAL
TEMPLES
PALACES
STONES
SELF-
BIRDS
OF
SCRIPT
AND
THE
WATER,
XIAOHUALIAN
NATURE
OF
“WINDOW
SECTIONS
COOL-HEADEDNESS
CHINESE
(BUDDHIST
YUNBAO
WEALTHY
SWEEPING
( 1HANDWRITING
CHINESE
AWAY
HEADEDNESS
FIERCENESS
ST
PAINTING
SYMBOLS
CENTURY
ZODIAC
WIND
AND
SILK
PAINTING
SPIRITS
OR
INCLINED
FLOWER”
CHINESE
WRITING
ROOFS
BELIEF)
HUMANS
PATTERN
AND
SYCEE
AD)FIRE
3.HUMANKIND
3.
4.FLAT
(TANG
BUDDHISM
TORTOISE
CONFUCIANISM
CRAFTINESS
BUDDHISM
RESTRAINT
KITES
&
JIAGUWEN
AND
DAOISM
CANGJIE
CAI
ROOFS
LOYALTY
LUN
SONG
SHELLS)DYN.)
 JAPAN
IT
WOODBLOCK
SUBJECT
ORIGINATED
TYPESORIGAMI
OFORMAKE
THEMES:
PRINTING
IN CHINA
UP
ORIGAMI
SUBJECT
TYPES
PAPER
PAPER
DARK
ORIGAMI:
UKIYO
UKIYO-E
OFBUTTERFLIES:
ORCRANE:
CRANE
MAKE
BLUE:
THEMES:
–E UP
AND
TRADITIONAL
2.
DARK
KABUKI
NARRATIVE
KUMADORI
A HANAMUSUBI:
TECHNIQUE
ADAPTED
LIGHT
RED:
PURPLE:
BLACK:
MAKE
GREEN:
PASSION
JAPANESE
SCENES
MAKE
INUP
FOR
JAPAN
OR
OR
UP
SCENES
1.STANDARD
USED
THOUSAND=
“PICTURES
THE
MOST
DEPRESSION
“ORI”-FOLDING
PINK:
DURING
FROM
BESTPOPULAR
YOUTH
KNOWN
OF
EVERYDAY
MAKE
1SHINTO
WISH
OR
THEUP
PRINTING
ART
JAPANESE
APPLIED
DURING
CROWDED
OFNOBILITY
PAPER
ANGER
KESHO
CALM
FEAR
FOR
TEXT,
KNOT
THEVILLAINS
WITH
FOLDING
IMAGES
EDO
TYING
GRANTED
USEJAPANESE
FLOATING
“KAMI”-PAPER
FOR
JAPANESE
WEDDINGS
SADNESS
MOST
LIFE:
BY ORIGAMI
THE
WORD”
ART
ACTORS
CRANE
FIGURES
(17
OR
ANDPERIOD
TH
PATTERNS
CENTURY)
AND
HEROESDETAILS
 KOREA
SUBJECTS
HALF
SPECIAL
PLUM
FUNCTIONS:
HISTORY:
RED
BLOSSOMS
FEATURES:
ORANDTHEMES:
HALF
BLACK
DARK
FUNCTIONS:
REDFACE
AND MASK
WHITE:
SUBJECTS
1.
STARTED
3.KOREAN
USED
FOUR
KNOT
WATER
2.ORCHIDS
MINHWA
WHITE:
IN
OR
GRACIOUS
IN
TYING:
MASK:
FUNERAL
AND
108
THEMES:
C.E.
AGE AND2.
BORN
USED
RACE
WITH
FOR
OF THE
SERVICE
1.MAEDEUP
(TRADITIONAL
LANDSCAPE
CHRYSANTHEMUM
WEARER
WITH
5.
MOUNTAINS
TAL
4.PORTRAITS
TO
PLANTS
BAMBOO
OR
CHINESE
HELP
HAS
ORT’AL
PAINTING
DORAE
TWO
FOLK
BANISH
ADULTEROUS
SHAMANISTIC
FIGUREMOTHER
RITES
(SITEINFLUENCE
PAINTING)
BAMBOO
FOR
FATHERS
SPIRITS
TEMPLES)