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GGFF II – 1.

Medieval
literature

Middle English
Literature
The C anterbury
Tales
(1387-1400)

GGFF II – 1. Medieval
literature
Middle English
Literature

GGFF II – 1. Medieval
literature
Middle English
Period
Medieval soc iety: three
“estates”
• The nobility
• The Churc h
• The Commoners
Also: A growing and prosperous middle c lass was
beginning to play important roles in church and
state.

GGFF II – 1. Medieval
literature
Geoffrey
Chaucer
1343-1400

• Chauc er’s father was a


wine merc hant in London

• Chauc er worked as a
page

• He eventually became a
civil servant:
 Diplomatic missions

 Travelling around Europe


and Italy

GGFF II – 1. Medieval
literature
Chaucer in
Italy
Literary influences: Chaucer’s Works:
o Troilus and Criseyede
– Dante
o The C anterbury Tales
– Petrarch
o Consolation of Philosophy
– Boccaccio (a translation from Boethius’s work, written in
Latin)

GGFF II – 1. Medieval
literature
The Canterbury
Tales
30 pilgrims  Each tells 2 tales om the road
to Canterbury & 2 on the way bac k to
London.

120 tales  Only 24 were found

Variety of pilgrims & narrative

genres:

- Sec ular & religious, high & loq

- Courtly romanc es, c omic


GGFF II – 1. Medieval
tales, satires, etc. literature
Why are they so
relevant?
• The Canterbury Tales turned vernacular English into popular
literature.
 They are written in the London dialect of M.E.
 Chauc er’s contemporaries were using French and Latin.

• It is the first work that comprises the tales of pilgrims on a


pilgrimage.

 Influenced by Boccaccio’s Decameron

GGFF II – 1. Medieval
literature
The Canterbury
Tales

The General Prologue

GGFF II – 1. Medieval
literature
The Canterbury
Tales
Original version in
M.E. Adapted
version
When in April the sweet showers fall
WHAN that Aprille with his shoures soote
The droghte of M arc he hath perc ed to That pierce M arch's drought to the root and all
the And bathed every vein in liquor that has
roote, And bathed every veyne in swich power To generate therein and sire the
licour, flower;
Of which vertu engendred is the flour; When Zephyr also has with his sweet breath,
Whan Zephirus eek with his swete Filled again, in every holt and heath,
breeth Inspired hath in every holt The tender shoots and leaves, and the young
and heeth sun His half-co urse in the sign of the Ram has
The tendre croppes, and the yonge run, And many little birds make melody
sonne That sleep through a ll the night with open eye
Hath in the Ram his halfe c o urs y- (So Nature pricks them on to ramp and rage)
ronne, And smale fowles maken Then folk do long to go on pilgrimage,
melodye, Tha t slepen al the night And palmers to go seeking out strange strands,
with open ye, (So priketh hem To distant shrines well known in distant lands.
And specially from every shire's end Of England
nature in hir co rages: they to Canterbury went,
Than longen folk to goon on pilgrimages, The holy blessed martyr there to seek
And palmers for to seken straunge strondes,
Who helped them when they lay so ill and weak
To ferne halwes, couthe in sondry
londes; And spec ially, from every
shires ende
Of Engelond, to Caunterbury they
wende, The holy blisful martir for to
seke, GGFF II – 1. Medieval
literature
The Canterbury
Tales
Pier Pablo Pasolini adapted Chaucer’s
celebrated work on screen:
https://youtu.be/HSAKwwsjmZg

GGFF II – 1. Medieval
literature
GGFF II – 1. Medieval
literature

Tas
k
The C anterbury
Tales

GGFF II – 1. Medieval
literature
Tas
• k
Visit Harvard’s G eoffrey C hauc er Website

1. What is the ‘framing narrative’ in The


Canterbury Tales?

2. Choose a tale and find information about


the plot and characters. Tell this tale to
your classmates.

GGFF II – 1. Medieval
literature

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