Dreams, Soul and Space

MEMBERS

Lavendia, Galban, Arjoy Omping, Pajarito, Doroja,

Michael John A. Ansarie Hamel Angelie L. Emmanuel
E. G. Gabriel C.
 Textile Art
 A process of creating something using fibers
gained from sources, like plants, animals,
insects (silkworm), or synthetic materials.
Making textiles is an extreme old art form.
 People develop textiles to keep warm, to
protect surfaces, and to insulate dwellings.
 Textile Art
RUGS  QUILTS CLOTHING  SEWING
Textiles Art in the
Philippines
 Southeast Asian textiles are outstanding
works of art, formed by rich variety of
techniques. The finest examples, often
of elaborate and complex design,
display superb levels of technical skill in
weaving, dyeing, embroidery and
applique.
TWO MAJOR POINTS
IN PHILIPPINES
TEXTILE ART
TRADITIONS
 Philippine Textile Art Traditions

 Ancestors invented the

loom, a manually operated
device that holds the warp
threads steady while filling
weft threads are woven
through them.
 Philippine Textile Art Traditions

 Weave – The interlace of

warp and weft threads
 Characteristics of Philippine
Textile Art Traditions
Kalinga Textiles are characterized by dominant red  Colorful, Bright and Bead –
stripes and motifs of geometric patterns, as well as accented
nature symbols interfaced with white, yellow and
black fibers.

Ifugao Textiles are characterized by dominant Less colorful and darker.

blue stripes and motifs of diamond stripes of
white and red. Less colorful and darker.
Exclusive task for Women.
Philippine Textile Art Traditions
Cordillera Administrative Region – Woven Fabrics:

 Weaving Process:
 Iwalangan – spinning, winding and skinning threads
 Dyeing – Warping the color threads
 Actual Weaving – involves two females to operate
 Blankets have 3 pieces
 Adolna – body of the blanket
 Balingbing – side pieces
 Talungtung – Narrow band with fringers
 WEAVING PROCESS SAMPLE

 ACTUAL
 IWALANGAN  DYEING WEAVING
 BLANKETS PARTS

 ADOLNA  BALINGBING  TALUNGTONG

Philippine Textile Art Traditions
Cordillera Administrative Region – Woven Fabrics:

Blankets have several types:

Kintog – Used for exchange for pigs
Kinuttiyan - It is woven exclusively using the
binobodan technique in Kiangan and Asipulo
Hape – For the wealthy
Gamong – For the dead
Bayaong – Most common blankets (Dark Blue)
 Philippine Textile Art Traditions

Region IV – A Aurora Province – Sabutan – Woven Fabrics:

Sabutan – are strong and durable and its texture resembles that
one of the Panama hat
Unbleached Hats because the materials does not bleach readily
AURORA SABUTAN HAT
 Philippine Textile Art Traditions
Region IV – B Palawan – Woven Fabrics:
 Ammutina Grass – only found in Palawan and used for
weaving.
 Dyeing the grass into one’s desired color, dry it and dye the
fibers that are used
 Wrapping the threads that need to be used for weaving
 Harvested threads are drawn through heddle wires and reeds.
 wafting the threads by pushing the pedals
 Battening the weaves
Palawan Woven Fabric
 Soul and Space
Soul – as the “immaterial essence or animating
principle of an individual life; a person’s total
self;” or even “the cultural consciousness and
pride of a person.”
Space – on the other hand, may refer to “an
area; a distance from other people or things that
a person needs in order to remain comfortable;
an opportunity for privacy or time to oneself.”
Folk Architecture.
 These are simple structures built of local
materials and available tools to provide
shelter for its inhabitants.
1. IVATAN HOUSE IN BATANES

- Most of the houses are built

with limestone walls, and
cogon roofs.

- It has narrow doors and

windows with wooden
shutters and often secured by
wooden bars.
IVATAN HOUSE IN BATANES
2. BADJAO’S STILT HOUSES AND
HOUSEBOATS
- Strong platforms are made on
both ends of the boat.
- The kitchen area usually
found at the back
- Its foundation are carefully
placed in between coastal
rocks and corals.
BADJAO’S STILT HOUSES AND
HOUSEBOATS
3. TOROGAN OR MARANAO’S
HOUSE
- It literally means a “PLACE FOR
SLEEPING”
- It is a stately house for the elite
members of Maranao tribe in
Mindanao.
- It is a symbol of status and
leadership.
- It also serves as a courthouse, hall for
community meetings and its courtyard
as ritual areas for weddings.
TOROGAN OR MARANAO’S HOUSE
4. BAHAY KUBO / NIPA HUT
- It also known as kamalig
- It serves as an icon to Filipino
lowland and rural culture
- It is made up of bamboo rods
and bamboo mats or sawali,
and a thatched roof made up
anahaw or nipa
BAHAY KUBO / NIPA HUT
BAHAY KUBO / NIPA HUT
5. BALE OR IFUGAO HOUSE
- It is a one room house with an
attic for storage
- The exterior of the house looks
like a pyramid resting on four
posts.
- The interior is enclosed by
slanting wails and ceiling that
appears to be spherical that are
formed by the loft.
BALE OR IFUGAO HOUSE
Filipino Concept of Space
Unlike the westerner who places a premium on privacy, the
Filipino prefers living space that is communal, surrounding
himself with people all the time.
Someone is always at home, whether family, distant relative
or household help.
Three or more generations of the same family live their
separate but interconnected lives under one roof, most of the
time hanging out in one room.
Filipinos follow the Asian concepts of shared space and
limited privacy.
The Art of Okir or Ukkil
Term for “Geometric and flowing designs and folk motifs that
can be usually found in Maranao and Muslim – influenced
artwork in Mindanao, especially in the Sulu Peninsula.
Decorative design that is used in carving, painting, and
sculpturing depicting the social an d psychological identity of
Maranao Society and a weaving with patterns similar to the
western style of Arabesque and Art Nouveau.
Applied by Tausug, Maranao and Yakan.
It is a symbol of power and prestige usually adorned during
festival.
The Art of Okir or Ukkil
Term for “Geometric and flowing designs and folk motifs that
can be usually found in Maranao and Muslim – influenced
artwork in Mindanao, especially in the Sulu Peninsula.
Decorative design that is used in carving, painting, and
sculpturing depicting the social an d psychological identity of
Maranao Society and a weaving with patterns similar to the
western style of Arabesque and Art Nouveau.
Applied by Tausug, Maranao and Yakan.
It is a symbol of power and prestige usually adorned during
festival.
The Art of Okir or Ukkil
The Art of Okir or Ukkil
 Characteristics of Philippine
Textile Art Traditions
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
The quick brown fox jumps over the lazy dog.
 EXAMPLES

EXAMPLE 1 EXAMPLE 2 EXAMPLE 3 EXAMPLE 4

Insert short Insert short Insert short Insert short
description here. description here. description here. description here.
 CONCLUSION
The quick brown fox jumps over the lazy dog. The quick brown fox jumps
over the lazy dog. The quick brown fox jumps over the lazy dog. The quick
brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy
dog.

The quick brown fox jumps over the lazy dog. The quick brown fox jumps
over the lazy dog. The quick brown fox jumps over the lazy dog. The quick
brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy
dog.
 THANK YOU!

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