Professional Documents
Culture Documents
Diseñar el anuncio
Un mensaje publicitario generalmente se enfoca en los beneficios clave
del producto que son importantes para un posible comprador al tomar
decisiones de prueba y adopción. El mensaje depende de la forma
general o el atractivo utilizado en el anuncio y las palabras reales
incluidas en el anuncio.
• Creating the Actual Message Advertising agency Wieden+Kennedy was recently
designated number one on Advertising Age magazine’s A-List (Agency of the Year) for
doing “work that influences culture and builds business value.” Examples of the agency’s
approach include its “Built to Be a Better Big” campaign for Ford’s redesigned Expedition,
the “Ingredients” campaign for Bud Light, the “A Coke is a Coke” campaign for Coca-Cola,
and a creative campaign for dating app OkCupid. Wieden+Kennedy’s best-known work,
however, may be for Nike. The agency created the “Dream Crazy” campaign featuring
Colin Kaepernick, an NFL quarterback who had expressed concern about police violence
in communities of color. The contentious nature of the issue led to positive and negative
reactions from Nike fans but fit with the agency’s perspective on advertising. In fact, the
agency’s website describes its core mission as “building strong and provocative
relationships between good companies and their customers.”
Creación del mensaje real
La agencia de publicidad Wieden + Kennedy fue designada recientemente
como la número uno en la lista A (Agencia del año) de la revista Advertising Age
por realizar "trabajos que influyen en la cultura y generan valor comercial".
Ejemplos del enfoque de la agencia incluyen su campaña "Built to Be a Better
Big" para la Expedición rediseñada de Ford, la campaña "Ingredients" para Bud
Light, la campaña "A Coke is a Coke" para Coca-Cola y una campaña creativa
para las citas. aplicación OkCupid. Sin embargo, el trabajo más conocido de
Wieden + Kennedy puede ser para Nike. La agencia creó la campaña "Dream
Crazy" con Colin Kaepernick, un mariscal de campo de la NFL que había
expresado su preocupación por la violencia policial en las comunidades de
color. La naturaleza polémica del problema provocó reacciones positivas y
negativas de los fanáticos de Nike, pero encajaba con la perspectiva de la
agencia sobre la publicidad. De hecho, el sitio web de la agencia describe su
misión principal como "construir relaciones sólidas y provocativas entre las
buenas empresas y sus clientes".
Selecting the Right Media
Every advertiser must decide where to place its advertisements. The
alternatives are the advertising media, the means by which the message is
communicated to the target audience. Newspapers, magazines, radio, and
TV are examples of advertising media. Media selection is related to the
target audience, type of product, nature of the message, campaign
objectives, available budget, and the costs of the alternative media.
Selección de los medios adecuados
Cada anunciante debe decidir dónde colocar sus anuncios. Las
alternativas son los medios publicitarios, el medio por el cual se
comunica el mensaje al público objetivo. Los periódicos, revistas, radio
y televisión son ejemplos de medios publicitarios. La selección de
medios está relacionada con la audiencia objetivo, el tipo de producto,
la naturaleza del mensaje, los objetivos de la campaña, el presupuesto
disponible y los costos de los medios alternativos.
Different Media Alternatives
Scheduling the Advertising
There is no correct schedule to advertise a product, but three factors must be considered.
First is the issue of buyer turnover, which is how often new buyers enter the market to buy
the product. The higher the buyer turnover, the greater the amount of advertising required.
A second issue in scheduling is the purchase frequency; the more frequently the product is
purchased, the less repetition is required. Finally, companies must consider the forgetting
rate, the speed with which buyers forget the brand if advertising is not seen.
Setting schedules requires an understanding of how the market behaves. Most companies
tend to follow one of three basic approaches:
• Continuous (steady) schedule. When seasonal factors are unimportant, advertising is run
at a continuous or steady schedule throughout the year.
• Flighting (intermittent) schedule. Periods of advertising are scheduled between periods of
no advertising to reflect seasonal demand.
• Pulse (burst) schedule. A flighting schedule is combined with a continuous schedule
because of increases in demand, heavy periods of promotion, or introduction of a new
product.
Programación de la publicidad
No existe un calendario correcto para anunciar un producto, pero se deben considerar tres factores. En
primer lugar, está la cuestión de la rotación de los compradores, que es la frecuencia con la que nuevos
compradores entran al mercado para comprar el producto. Cuanto mayor sea la facturación del
comprador, mayor será la cantidad de publicidad requerida. Un segundo problema en la programación es
la frecuencia de compra; cuanto más frecuentemente se compra el producto, menos repetición se
requiere. Finalmente, las empresas deben considerar la tasa de olvido, la velocidad con la que los
compradores olvidan la marca si no se ve publicidad. Establecer horarios requiere comprender cómo se
comporta el mercado. La mayoría de las empresas tienden a seguir uno de los tres enfoques básicos
Horario continuo (estable). Cuando los factores estacionales no son importantes, la publicidad se ejecuta
en un horario continuo o constante durante todo el año.
Horario de vuelo (intermitente). Los períodos de publicidad se programan entre períodos sin publicidad
para reflejar la demanda estacional. Programación de pulsos (ráfagas). Un cronograma de tramos se
combina con un cronograma continuo debido a aumentos en la demanda, períodos intensos de
promoción o introducción de un nuevo producto.
Pretesting the Advertising
To determine whether the advertisement communicates the intended
message or to select among alternative versions of the advertisement,
pretests are conducted before the advertisements are placed in any
medium.
Pretesting the Advertising
To determine whether the advertisement communicates the intended
message or to select among alternative versions of the advertisement,
pretests are conducted before the advertisements are placed in any
medium.
ASSESSING THE ADVERTISING PROGRAM
The advertising decision process does not stop with executing the advertising program. The
advertisements must be evaluated to determine whether they are achieving their intended objectives,
and results may indicate that changes must be made in the advertising program.
Posttesting the Advertising
An advertisement may go through posttests after it has been shown to the target audience to
determine whether it accomplished its intended purpose. Five approaches common in posttesting are
discussed here.
Making Needed Changes
Results of posttesting the advertising copy are used to reach decisions about changes in the
advertising program. If the posttest results show that an advertisement is doing poorly in terms of
awareness, cost efficiency, or sales, it may be dropped and other ads run in its place in the future. On
the other hand, sometimes an advertisement may be so successful it is run repeatedly or used as the
basis for a larger advertising program.
EVALUACIÓN DEL PROGRAMA DE PUBLICIDAD
El proceso de decisión publicitaria no se detiene con la ejecución del programa de publicidad. Los anuncios
deben evaluarse para determinar si están logrando los objetivos previstos y los resultados pueden indicar
que se deben realizar cambios en el programa de publicidad.
Prueba posterior de la publicidad
Un anuncio puede pasar por pruebas posteriores después de que se haya mostrado a la audiencia objetivo
para determinar si logró su propósito previsto. Aquí se analizan cinco enfoques comunes en las pruebas
posteriores.
Realización de los cambios necesarios
Los resultados de la prueba posterior de la copia publicitaria se utilizan para tomar decisiones sobre los
cambios en el programa publicitario. Si los resultados de la prueba posterior muestran que a un anuncio le
está yendo mal en términos de conocimiento, rentabilidad o ventas, es posible que se elimine y que se
publiquen otros anuncios en su lugar en el futuro. Por otro lado, a veces un anuncio puede tener tanto
éxito que se ejecuta repetidamente o se utiliza como base para un programa publicitario más amplio.
SALES PROMOTION
Sales promotion is a key element of the promotional mix today; it now accounts
for more than $85 billion in annual expenditures. In a recent forecast by Zenith
Media Services, sales promotion expenditures accounted for 18 percent of all
promotional spending.
Self-Regulation
Unfortunately, over the years, many consumers have been misled, or even deceived,
by some promotions.
Glosario
Message Content Most advertising messages are made up of both informational and persuasive elements. These
two elements are so intertwined that it is sometimes difficult to tell them apart. For example, basic information
such as the product name, benefits, features, and price can be presented in a way that tries to attract attention and
encourage purchase. On the other hand, even the most persuasive advertisements have to contain at least some
basic information to be successful.
Portfolio Tests Portfolio tests are used to test copy alternatives. The test ad is placed in a portfolio with several
other ads and stories, and consumers are asked to read through the portfolio. Afterward, subjects are asked for
their impressions of the ads on several evaluative scales, such as from “very informative” to “not very informative.”
Jury Tests Jury tests involve showing the ad copy to a panel of consumers and having them rate how they liked it,
how much it drew their attention, and how attractive they thought it was. This approach is similar to the portfolio
test in that consumer reactions are obtained. However, unlike the portfolio test, a test advertisement is not hidden
within other ads.
Theater Tests Theater testing is the most sophisticated form of pretesting. Consumers are invited to view new
television shows or movies in which test commercials are also shown. Viewers register their feelings about the
advertisements either on handheld electronic recording devices used during the viewing or on questionnaires
afterward.
• Choosing a Medium and a Vehicle within That Medium In deciding where to place
advertisements, a company has several media to choose from and a number of alternatives, or
vehicles, within each medium. Often advertisers use a mix of media forms and vehicles to
maximize the exposure of the message to the target audience while at the same time minimizing
costs. These two conflicting goals are of central importance to media planning.
• Basic Terms Media buyers speak a language of their own, so all advertisers involved in selecting
the right media for their campaigns must be familiar with some common terms used in the
advertising industry.
• Aided Recall After being shown an ad, respondents are asked whether their previous exposure
to it was through reading, viewing, or listening. The Starch test shown in the accompanying photo
uses aided recall to determine the percentage of those who remember seeing a specific ad
(noted), saw or read any part of the ad identifying the product or brand (associated), read any
part of the ad’s copy (read any), and read at least half of the ad (read most). Elements of the ad
are then tagged with the results, as shown in the photo.
• Unaided Recall The unaided recall approach involves asking respondents a question such as,
“What ads do you remember seeing yesterday?” without any prompting to determine whether
they saw or heard advertising messages.
• Attitude Tests Attitude tests involve asking respondents questions to measure changes in their
attitudes after an advertising campaign. For example, they might be asked whether they now
have a more favorable attitude toward the product advertised. Research suggests that attitudes
can be influenced by many factors, including the increasingly popular use of co-creation to
develop consumer-generated ads.
• Inquiry Tests Inquiry tests involve offering additional product information, product samples, or
premiums to an ad’s readers or viewers. Ads generating the most inquiries are presumed to be
the most effective.
• Sales Tests Sales tests involve studies such as controlled experiments (e.g., using radio ads in
one market and newspaper ads in another and comparing the results) and consumer purchase
tests (measuring retail sales that result from a given advertising campaign). The most
sophisticated experimental methods today allow a manufacturer, a distributor, or an advertising
agency to manipulate an advertising variable (such as schedule or copy) through cable systems
and observe subsequent sales effects by monitoring data collected from checkout scanners in
supermarkets.