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Aldous Huxley
Table of contents 1.
2.
AUTHOR’S BIOGRAPHY
CONTEXT
3. SUMMARY
4. THEMES AND SYMBOLS
5. CHARACTERS
6. RELEVANT SCENES
7. SHORT DESCRIPTION OF
MODERNISM
8. HOW DOES MODERNISM
APPLY TO THE NOVEL
9. PARALLEL WITH 1984
Aldous Huxley
Aldous Huxley, in full Aldous Leonard
Huxley, (born July 26, 1894—died
November 22, 1963) was an English
novelist and critic gifted with an acute and
far-ranging intelligence whose works are
notable for their wit and pessimistic satire.
Huxley established himself as a major
author with his first two published novels,
Crome Yellow (1921) and Antic Hay
(1923); these are witty and malicious
satires on the pretensions of the English
literary and intellectual coteries of his day.
"It isn't only art that's incompatible with happiness; it's also science. Science is dangerous; we have to keep it
most carefully chained and muzzled."
Consumerism
“You can’t consume much if you sit still and
read books.”
Central planning
In chapter 2, it's presented to the students the process in which the babies are conditioned to
''be safe'' from books and nature by inducing pain through electric shocks. When one of the
students asks why they should hate nature the director says:
Not so very long ago (a century or thereabouts), Gammas, Deltas, even Epsilons, had been
conditioned to like flowers–flowers in particular and wild nature in general. The idea was to
make them want to be going out into the country at every available opportunity, and so compel
them to consume transport.
“And didn’t they consume transport?” asked the student.
“Quite a lot,” the D.H.C. replied. “But nothing else.”
Primroses and landscapes, he pointed out, have one grave defect: they are gratuitous. A love of
nature keeps no factories busy. '
Q: In what way does nature make people turn away from excessive
consumerism?
At the beginning we see Bernand as being marginalized because he doesn't fit the physical characteristics of his
social class and also because he refuses to take soma. During his date with Lenina, when he wants to watch the sea in
silence, Bernand says:
“It makes me feel as though …” he hesitated, searching for words with which to express himself, “as though I were
more me, if you see what I mean. More on my own, not so completely a part of something else. Not just a cell in the
social body. Doesn’t it make you feel like that, Lenina?”
But Lenina was crying. “It’s horrible, it’s horrible,” she kept repeating. “And how can you talk like that about not
wanting to be a part of the social body? After all, every one works for every one else. We can’t do without any one.''
However, after he gains recognition from society as John's guide, his initial mindset is forgotten and he starts to
enjoy what this world has to offer him, just like his peers.
Q: What do you think this says about the human condition and the way in which society
takes advantage of that? Could you possibly relate this to the way in which our system
works today?
3. John's revolution and the debate with Mustafa Mond
After John's attempt to start a revolution by making the children free ''whether they want to or not'', he is called to Mustafa
Mond's office where they have a debate about the way in which society works.
Mustafa Mond: People still went on talking about truth and beauty as though they were the sovereign goods. Right up to the time
of the Nine Years’ War. That made them change their tune all right. What’s the point of truth or beauty or knowledge when the
anthrax bombs are popping all around you? That was when science first began to be controlled–after the Nine Years’ War.
People were ready to have even their appetites controlled then. Anything for a quiet life. We’ve gone on controlling ever since. It
hasn’t been very good for truth, of course. But it’s been very good for happiness. One can’t have something for nothing.
Happiness has got to be paid for.
John: “But I like the inconveniences.”
“We don’t,” said the Controller. “We prefer to do things comfortably.”
“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
“In fact,” said Mustapha Mond, “you’re claiming the right to be unhappy.
Q: With whom do you agree the most? Would you prefer a life where you have no choice, no personality,
but one that is comfortable, happy, and with no war or a life where you feel the greatest lows but, maybe,
also the greatest highs?
20XX presentation title 22
4. John's suicide
After he decides to live life away from civilisation, John is caught
during his purification ritual and his life turns into a joke, a source of
entertainment for the ones who came to witness his downfall, fascinated
by the horror of pain. In the end, John commits suicide.
But when it came to pan-glandular biscuits and vitaminized beef-
surrogate, he had not been able to resist the shopman’s persuasion.
Looking at the tins now, he bitterly reproached himself for his
weakness. Loathesome civilized stuff! He had made up his mind that he
would never eat it, even if he were starving. “That’ll teach them,” he
thought vindictively. It would also teach him.
Q: What do you think the ending of the novel is trying
to say?
INDIVIDUALISM
ABSURDITY
SYMBOLISM FORMALISM
• Fear of technology –
cold, sick, dead
environment
• Industrialization and the death of
God:
The focus shifted from religion to
technology, having Henry Ford, an
American industrialist, as its key
figure. (Fordism, Fordship, 632
A.F.)