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Charlotte Perkins Gilman

1860 - 1935
Major Works
Theoretical Works
1898 – Women and Economics
1900 – Concerning Children
1911 – Man-Made World

Utopian Novels
1911 – Moving the Mountain
1915 – Herland
1916 – With Her in Ourland
The Yellow Wallpaper
Analysis
Subjects
Point of View and Characterization
Use of Language and Style
Plot
Symbolism
Intention
Subjects
Individual Against the System
• Patriarchal
• Gender Roles

Journey to Self-Discovery?
• Descent? Escape?
• Discovery? Freeing?
POV and Characterization
Perspective
• Who is speaking?
• What form of writing?
• Effect on reader?

Characters
• How many?
• What Types?
• Protagonist? Antagonist?
• Development?
Language and Style
• Associative (journal writing)
– Secrecy
– Insanity

• Striking imagery
– Wallpaper
– Woman

• Irony and Dramatic Irony


– For the husband: What is the problem? What is the cure?
– For the wife: What is the problem? What is the cure? What does she hate? What
does she love?
– “He is very careful and loving, and hardly lets me stir without special direction”
(512).
Plot
Conflict – wife and husband
• What does she wish? What does he wish?
• Does it reflect a deeper conflict in society?

Rising Tension
• What adds to this tension? Is there escape?

Escape?/Climax?
• Escape and confinement. Is it a “cure”?
Symbolism
• Allegory?
– A kind of literature in which concrete things – characters, events and objects –
represent ideas.
– What other text have we read that is allegorical?

• Gothic elements?
– Setting and state of mind

• The wallpaper
– What is hidden in the design?
– What is low along the wall?

• The other woman/women


– Submission? Escape?

• Symbolic irony
– “Over my dead body”
Themes in TYW can also be seen in
“Why I Wrote ‘The Yellow Wallpaper’”
• Destructive nature of gender roles
• Suffocating effect of paternal (fatherly) system
• Love = persecution for women
• Suppression of women ruins lives and families
• There is a need to change patriarchal authority

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