SYNOPSIS • The story is about a seventeen-year old girl who is forced to marry a man who said he was forty-six. • Even though the man had money, provided sufficiently for her and her mother and showed her love and affection, the girl was not happy. • What changed the way she felt was when she delivered a baby- boy. THEMES • Arranged or child or forced marriages are bad. It is painful for a young girl to marry an old man she does not love. • The evil effect of the patriarchal system in the society. Uju and her mother were thrown out of her late husband’s rooms because she did not have a son. • Women are their own worst enemies. Papa Uju’s sister accused the wife of being responsible for her husband’s death. • Poverty has very serious effects individuals and the community. • Poor health facilities probably caused by ineffective political leadership. • Motherhood has its joys. Uju’s mother and new-found wealth. Note the listing she does. Uju experienced pride, joy and love for the baby and probably the husband. Note Uju’s feeling of love and joy. UJU’S PAIN • The pain of poverty. The food she ate was sometimes very poor. • The pain of being married to Chief. Chief was ugly and snored heavily when he slept. She had not got to the legal age of consent which is eighteen in many parts of Nigeria. • The pain of childbirth. It was so painful that she insulted her husband and cursed the baby inside her. THE SETTING • First the family lived in a modest three-bedroom flat in a place called New Lay Out. • When they were thrown out they went to live in a single room on Obiagu Road. • The story ends when Uju is the mistress in the big mansion of Chief with all the amenities that made life pleasant. POINT OF VIEW • The story is told from the omniscient point of view. The story is told mainly through the perspective of Uju. • This is interspersed with dialogue. • In many instances Uju bares her mind to the reader. CONTRASTS • Uju and her husband. • The beginning and the end of the story. • Uju and her mother are a study in contrast. • Uju’s mother in poverty and later in wealth. • Wealth and poverty and their stark effects. • Public and private health facilities. • The contrast between the ugliness of Chief and the beauty of love. The hatred she felt for Chief and her marriage is contrasted with the secret of joy at the end. CHARACTERS • The two major characters in the story are Uju and her mother. • There are a number of minor characters including Chief, Uju’s husband, Uju’s child Ifunanya. • A string of professionals: Chief’s driver, a number of nurses and doctors. SATIRE • A literary composition which holds up vice and folly to ridicule and scorn through humour, sarcasm, irony and exaggeration. • Chief, Uju’s husband, is presented in a humorous manner to hold up teenage marriage to scorn. • Uju’s mother is also ridiculed. • The lack of health infrastructure is also presented here seriously. • Uju’s baby is described as ‘an angry geriatric’ and the irony is that it is this baby that made Uju so happy. LANGUAGE • Direct simple words and sentences. • The mixture of Ibo and English words. • There are many similes in the story. • Apt descriptions in the story. • Another style of the story is that it begins in the middle and the other details are then supplied. This technique is called Flashback POINTS FOR DISCUSSION • Teenage and forced marriages. • The stark effects of poverty. • What is love considering the beginning and the end of the story? • The secret of joy. What is yours? FROM THE JOYS OF MOTHERHOOD • Nnu Ego was just falling asleep with a full stomach when in walked a man with a belly like a pregnant cow, wobbling first to this side and then to that. The belly, coupled with the fact that he was short made him look like a barrel. His hair, was not closely shaved; he left a lot of it on his head like that of a woman in mourning. His cheeks were puffy and looked as if he had hot yam inside them and they seemed to have pushed his mouth into a smaller size above his weak jaw. … If her husband-to-be was like this, she thought, she would go back to her father. Why, marrying such a jelly of a man would be like living with a middle-aged woman!