• Contemporary- Current, now, the present.

• Art- Art is creation. Creating something

new, something original and something
different. It is doing something to change
a subject, to build. Art is life. It is creating
life on a material and making inanimate
objects to have life. To create art is to give
life (RAMON ORLINA-Glass Sculptor)
Whatis
Art?
 RUBRICS
• B Group-
CRITERIA PERCENTAGE
Content 50%
• A Group-
Creativity 50%
 Contemporary Art
• Produce by living artist and
contemporary to us.
• Contemporary Art may become
Traditional and Academic art at
some point.
Instruction: Activity for 3 mins
Group of male and female.
CONTEMPORARY
PERIOD
Fill up the timeline using the
ART CARD. ROMANTIC
PERIOD

MODERN
PERIOD

RENAISSANCE
PERIOD

CHRISTIAN
PERIOD

ROMAN
PERIOD

GREEK
PERIOD
ARTS through the Ages New Art Forms

T
Self Expression

Fine Arts
CONTEMPORARY
PERIOD I
Genius and
Design
ROMANTIC
PERIOD M
Craftmanship
MODERN
PERIOD
E
Skill
RENAISSANCE L
PERIOD

Technique
CHRISTIAN I
ROMAN
PERIOD
N
GREEK
PERIOD
E
PERIOD

1050 – 31 BC 753-509 BC 350 -1450AD 1400-1500 20th – 21st Century

1700 - 1800 1800 - 1900
HISTORICAL OVERVIEW:
PHILIPPINE ART
 Historical Overview
VISUAL Pre- COLONIAL PERIODS INDEPENDENT REPUBLIC
ARTS Conquest Spanish American Japanese Post-War Contemporary

1521-1898 1898-1940 1941-1945 1946-1969 1970’s – present

Painting Pottery, Religious Landscape, Wartime Modern,

Body Portraiture portrait, still life Scenes conservative, Figurative, non
Adornment abstract, figurative, art for
and Propaganda experimental, public art sake ,multi-
Ornament art media, mixed
Indigenizing media and
Sculpture Pottery, Religious figures Free Standing, and transmedia
wood and and carving relief, public Orientalizing
metal works
carving

Architecture Dwellings Church, plaza, City planning, Public works Real Estate, safe housing,
and houses Civic building, public works, condominiums, subdivisions, villages,
(Bahay fortress, road and structures and malls, commercial/business/convention
kubo) lighthouse infrastructure buildings
construction s
 Stylistic overview
Form Pre-colonial Spanish/Islamic American colonial Modern Post
colonial contemporary
Painting Classical, Idylitic, Incipient Collaborative,
Religious/devotio Nostalgic Triumvirate hyper-realist, new
nal 13 moderns, painting
Secular abstract,
Formal Surreal
Naturalistic, Expressionist
(Homegrown
Sculpture Religious miniaturismo, Abstract Junk scrap, neo-
(animalist or guild) Expressionism indigenous, site-
Islamic) Academic specific,
Community-based performance art,
Inter-ethic hybrid
relations
Collective history
Architecture Workship- Neoclassic, art International Filipino
related and deco Industrializing, Architecture
residential eclectic Urban planning
Earthquake Economic
baroque zone,
Hispanic revivalist Neovernacular,
(neogothic, Prefab,
neoromanesque, Regionalist
Islamic cosmopolitan
 Cultural Overview
Form Indigenous Islamic or Folk or lowland Fine or world- Popular or urban
southeast Asian Philippine Muslim based and mass based
Painting Museum-
Sculpture Colonial and post circulated, artist Mass produced
Rituals and governance colonial centered gallery market oriented
Architect
distributed
Painting
The Philippine artist Fernando
Amorsolo (1892 -1972) was a
portraitist and painter of rural
landscapes. He is best known
for his craftsmanship and
mastery in the use of light.
Lavandera
 Lavendera (1957)
Amorsolo's bather represent
the epitome of Philippine
beauty.
The wet drapery on this young
woman is both revealing and
sensuous. The flower is symbolic
of the woman herself.
Sculpture
Sculpture in the Philippines mirrors its culture –
complex and diverse. The art in this area has been
influenced by many different cultures, the most
prevalent being the east Asian nations, such as China.
In Islamic traditions began to be shown in these areas
in the Philippine Islands near the 14th century.
However, its culture began to expand in the recent
decades from influences in the United States and other
western nations.
 The sacred and the mythical, the physical and
the erotic, the magical and the mundane, the
religious and the profane, and music and
song all permeate the art of Filipina artist
Agnes Arellano. Drawing from rich personal
experience and an extraordinary range of
influences, she makes some of the most
dramatic art in Asia.
Best known for surrealist and expressionist
work in plaster (cast and directly modeled),
bronze, and cold-cast marble, Her work tends
to stress the integration of individual
elements into one totality or "inscape".
She has participated in international group
exhibitions in Berlin, Fukuoka, Havana,
Johannesburg, New York, Brisbane and
Singapore.
Temple to the Moon Goddess
Architecture
Tausug House: To the seafaring Tausug, Sulu, a house built on flat dry land or
a site that slopes towards Mecca is lucky. The one-room, gabled roof house is
known as “bay sinug” has a separate kitchen accessible through a side porch.
 Ivatan House

Ivatans’ houses are up

made of limestone walls,
reeds, and cogon roofs
In your own opinion, what is your impression to the
given picture sculpture. (50 words)
 “The privileged dwelling of beauty in our
universe is the HUMAN PERSON with its
perfect body, marvelous memory, capacity
for the arts, its love, virtue and wisdom.
For what do we praise in bodies?
Nothing else but beauty.”
St. Augustine
Bishop and Doctor of the
Church
Assignment

1. Give five(5) examples of Art in

Region 2.