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In December 1840, at the age of 11, Millet entered the Royal Academy of Arts,
becoming the youngest student in the history of the academy. Johnny studied at
the academy for six years. In 1843, he received a silver medal for a drawing.
By the age of fifteen, he already mastered the brush perfectly. In 1846, his
historical painting "Pizarro Captures the Peruvian Incas" was selected for the
academy's summer exhibition. As a result, critics recognized it as the best at
the entire academic exhibition of that year. The following year he received a
gold medal for the painting "Attack of Veniaminov’s knee on the daughters of
Siloam". In 1848, at one of the exhibitions, Millet met Holman Hunt and Dante
Gabriel Rossetti, and together with them founded the Pre-Raphaelite
Brotherhood.
His early works are characterized by significant detailing, in particular, the painting "Christ
in the Parents' House", which was considered excessively realistic and was called
"outrageous" in the newspaper "Times". However, this did not bother Millet, and he
continued his work among the Pre-Raphaelites. In fact, the technical perfection of Millet's
paintings immediately set him apart from other painters, so Millet's works were always
accepted at academy exhibitions, no matter how radical they were. Ego was also supported
by the critic John Röskin, who immediately saw in Milla an outstanding talent.J. E. Millet.
"Christ in the parental home". 1850In the summer of 1853, Ryoshkin and his wife Effa
invited Millet to go to Glenfinlas together for the summer. Mille and Effi fell in love with
each other and after her scandalous divorce from Ryoshkin, they got married.
After the breakup of the brotherhood
Currently, Millet is one of the most favorite British artists of the middle of the
19th century.The most famous painting is "Ophelia" (1851-1852), which
depicts Rossetta's beloved Elizabeth Siddal. The second famous painting
"Ripe Cherry" (1879, now in private collection), depicting a four-year-old girl
in the costume of Penelope Butba, is based on a painting by Joshua Reynolds.
She not only enjoyed success with ordinary people, but also gave rise to a
large number of imitators, copies and even caricatures.
Monument to D. E. Millet in London