LESSON 4 - G AW A D S A

LI KH A N G B A YA N A N D T H E I R
MA N LI
TI O N T O P H IL IP P I N E A R T S
CONTRIBU
E ARTS F ROM THE REGION
CONTEMPORARY PHILIPPIN
OBJECTIVE
AFTER THE LESSON, THE STUDENTS SHOULD BE ABLE TO:
1. UNDERSTAND THE NATIONAL LIVING TREASURE AWARD
2. CITE GAWAD SA MANLILIKHANG BAYAN OR THE NATIONAL LIVING TREASURE
ARTISTS AND THEIR CONTRIBUTIONS IN THE PHILIPPINE CONTEMPORARY ART,
3. APPRECIATE THE ROLES OF THE ARTISTS IN THE DEVELOPMENT,
PRESERVATION, AND PROMOTION OF THE PHILIPPINE ARTS,
4. FAMILIARIZE THEMSELVES WITH THE DIFFERENT ART FORMS, ELEMENTS, AND
PRINCIPLES EMPLOYED BY THE DIFFERENT ARTISTS
LITERATURE
GINAW BILOG IS A HANUNUO MANGYAN POET
FROM MANSALAY, MINDORO WHO IS AN
ADVOCATE OF PRESERVING THE TRADITIONAL
FORM OF HIS TRIBE CALLED "AMBAHAN”.
AMBAHAN IS A KIND OF POEM CONSISTING OF
SEVEN-SYLLABLE LINES WHICH MOST OF THE
TIME CONTAINS MESSAGES OF LOVE AND
FRIENDSHIP. THIS POEM IS PASSED ON FROM
GENERATION TO GENERATION USING SINGING
THE LINES OR ETCHING THEM ON BAMBOO
TUBES.
FEDERICO CABALLERO
FEDERICO CABALLERO IS A PANAY-
BUKIDNON EPIC CHANTER WHO
PRESERVED HIS COMMUNITY'S ORAL
TRADITION BY TEDIOUSLY DOCUMENTING
EPICS OF HIS ANCESTORS THAT ARE IN
NEAR DANGER OF DISAPPEARANCE. THESE
EPICS, WHICH TELL STORIES ABOUT
MYTHICAL HEROES AND THEIR
MARVELOUS ADVENTURES, REFLECTS THE
RICH CULTURAL HERITAGE OF PANAY-
BUKIDNON.
MUSIC/DANCE ALONZO SACLAG IS A MASTER OF DANCE
AND PERFORMING ARTS FROM KALINGA.
HE NOT RECEIVE ANY FORMAL
EDUCATION IN PERFORMING ARTS BUT
STILL BE MASTERED THE
CHOREOGRAPHY AND MUSICAL
INSTRUMENTS OF KALINGA JUST BY
OBSERVATION AND PRACTICE. FUELED BY
INTENSE PASSION, HE SUCCEEDED IN
KEEPING THE TREASURED CULTURE OF
KALINGA ALIVE.
MASINO INTARAY
MASINO INTARAY CAME FROM THE
INDIGENOUS COMMUNITY IN SOUTHERN
PALAWAN CALLED THE PALAWAN. INTARAY
WAS A MUSICIAN AND A POET WHOSE
EXPERTISE WERE THE BASAL, KULILAL, AND
BAGIT. BASAL IS A KIND OF MUSICAL
ENSEMBLE PLAYED DURING THE TAMBILAW,
A RITUAL OF RICE SHARING AMONG THE
PALAWAN PEOPLE AS AN OFFERING TO THE
LORD OF RICE, AND DURING THE TINAPAY, A
RICE WINE DRINKING CEREMONY.
Basal
FURTHERMORE, KULILAL IS A LYRIC POEM ABOUT LOVE BEING
SUNG TO THE ACCOMPANIMENT OF KUSYAPI, TWO-STRINGED
LUTE, AND PAGANG, BAMBOO ZITHER. A MAN AND A WOMAN
FROM THE COMMUNITY PLAY THE KUSYAPI AND PAGANG
RESPECTIVELY. ALSO PLAYED WITH THE ACCOMPANIMENT OF
KUSYAPI, BAGIT IS AN INSTRUMENTAL MUSIC REFLECTING THE
SOUND AND MOVEMENT OF NATURE. ASIDE FROM THOSE
MENTIONED EARLIER, HE ALSO KNOWS HOW TO PLAY THE
ARODING, MOUTH HARP, AND THE BABARAK, RING FLUTE.
FURTHERMORE, MASINO INTARAY IS A NOTABLE STORY-
TELLER AND EPIC CHANTER.
Kusyapi Pagang
SAMAON SULAIMAN
SAMAON SULAIMAN IS A MAGUINDANAON MUSICIAN
FROM MAMA SA PANO, MAGUINDANAO. HE IS A MASTER
IN PLAYING THE KUTYAPI, A TWO-STRINGED PLUCKED
LUTE. THE KUTYAPI IS ONE OF THE MOST DIFFICULT TO
MASTER INDIGENOUS FILIPINO INSTRUMENT, BUT
SAMAON SULAIMAN WAS ABLE TO PLAY IT WITH GRACE
AND EXEMPLARY TALENT. HE INFLUENCED AND
TAUGHT OTHER COMMUNITY PEOPLE TO PLAY THE
KUTYAPI AS WELL WHICH KEPT THE PLAYING OF
KUTYAPI ALIVE IN MINDANAO.
UWANG AHADAS
UWANG AHADAS IS THE EXEMPLARY MUSICIAN OF
THE YAKAN OF LAMITAN, BASILAN WHOSE EXPERTISE
DWELL IN PLAYING THE INDIGENOUS INSTRUMENT
CALLED KWINTANGAN KAYU. THIS INSTRUMENT IS
COMPOSED OF FIVE WOODEN LOGS OF DIFFERENT
SIZES, ARRANGED FROM SHORTEST TO LONGEST, AND
HUNG HORIZONTALLY. THIS IS BEING PLAYED AFTER
THE PLANTING OF RICE TO SERENADE THE PALAY. THE
MUSIC COMING FROM THE KWINTANGAN KAYU IS
BELIEVED TO CAUSE BOUNTIFUL HARVEST.
Kwintangan kayu
WEAVING DARHATA SAWABI IS A PIS YABIT WEAVER
FROM BARANGAY PARANG, JOLO, SULU. PIS
YABIT IS A SQUARE MULTI-COLORED
TRADITIONAL CLOTH THAT SERVES AS THE
HEAD COVER OF THE (TAUSUG OF JOLO.
TRADITIONALLY, IT IS USED AS CLOTHING
ORNAMENT OR HEADDRESS OF THE TAUSUG
MEN THAT SYMBOLIZES THE WEARER'S
RANK IN THE SOCIETY. HOWEVER, IN THE
CONTEMPORARY PERIOD, EVEN WOMEN
WEAR THE CLOTH AS ACCESSORIES IN
TRADITIONAL FUNCTIONS.
ACTIVITY -,-
1. SHE IS A PIS YABIT WEAVER
2. His expertise dwell in playing the indigenous
instrument called kwintangan kayu
3. Hanunuo Mangyan poet from Mansalay, Mindoro
who is an advocate of preserving the traditional
form of his tribe called "ambahan”.
4. IS A KIND OF POEM CONSISTING OF SEVEN-SYLLABLE
LINES WHICH MOST OF THE TIME CONTAINS MESSAGES OF
LOVE AND FRIENDSHIP.

5. He is a Panay-Bukidnon epic chanter

WHO IS HE/SHE?
6.
WHO IS HE/SHE?

7.
WHO IS HE/SHE?

8.
WHO IS HE/SHE?

9.
WHO IS HE/SHE?

10.
WHO IS HE/SHE?

11.
WHO IS HE/SHE?

12.
JUMBLED WORDS
13. GVEIWNA
14. RLTUAIEERT
15. UIMCS/ EDNCA
THANK YOU FOR LISTENING!
JENIEFER REYES
JHOMAR PIÑEZ
MARK JORDAN RAFAEL