Contemporary Cultural

Development (1946-present)
INSTRUCTION
S
 CLICK THE BOX TO OPEN IT AND
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TEXT.
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NEXT MYSTERY BOX.

Type in your questions inside the box and on

the next slide put on the answer to the
question you entered.
QUEST
ION 1. "Mahal mo ba ako dahil kailangan mo ako, o
1 kailangan mo ako kaya mahal mo ako?

1
Milan by claudine
barreto
QUESTIO 1. "She loved me at my worst. You had me
N
at my best. At binalewala mo ang lahat
2 and you chose to break my heart."

2
ONE MORE CHANCE
-JOHN LLOYD CRUZ
QUESTI
"Bogs, sana lumayo ka na lang...sana umiwas ka
ON na lang maiintindihan ko pa yun.. pero Bogs
3 shinota mo ako, e. Shinota mo ang bestfriend
mo."

3
KIM CHIU IN PAANO NA
KAYA
QUES
TION "There was never an us. There will never be an
4 us. Kaya please, wag mo na kong landiin."

4
MAYBE THIS TIME BY
SARAH GERONIMO
QUESTI 1. "Huwag mo kong mahalin dahil mahal kita.
ON
Mahalin mo ako dahil mahal mo ako, because
5 that is what I deserve."

5
BARCELONA: A
LOVE
UNTOLD (2016) –
KATHRYN
BERNARDO
 "Anong karapatan mong hingin ang bagay
QUESTI
ON na ipinagdamot mong ibigay? I deserved an
6 explanation. I deserved an acceptable
reason."

6
STARTING OVER
AGAIN (2016)-
STARTING OVER
AGAIN
QUEST
ION "I gave you everything, but you left me
7 with nothing."

7
HOW TO BE
YOURS (2016)-
GERALD
ANDERSON
QUESTI "Am I not enough? May kulang ba sa akin? May mali
ON
ba sa akin? Pangit ba ako? Pangit ba ang katawan ko?
8 Kapalit-palit ba ako?"

8
MY EXS AND
WHYS (2017)- LIZA
SOBERANO
 1. "Palibhasa kasi alam na alam mo kung paano ako
QUESTI kunin. Isang ngiti, isang kanta, isang akap, isang
ON
sorry wala umiikot na ulit yung mundo ko.
9 Matalino akong tao pero pagdating sa 'yo, ewan ko,
natatanga ako."

9
THE HOWS OF
US (2018)- KATHRYN
BERNARDOD
 "Kung mahal mo ako bakit pinapapili
QUES
TION mo ako? Ethan, mahal kita, pero sa
10 ngayon mas mahal ko ang sarili ko.
Sana mapatawad mo ako."

10
HELLO, LOVE,
GOODBYE (2019)-
KATHRYN
BERNARDO
QUESTI “I deserve an explanation! I
ON
need an acceptable reason!”
11

9
Starting Over
Again (2014)- TONI
GONZAGA
QUESTI “Ang mundo ay isang
ON
malaking Quiapo, maraming snatcher, maagawan
12 ka. Lumaban ka.”

10
HELLO, LOVE,
GOODBYE (2019)-
KATHRYN
BERNARDO
QUESTI “Ang pera natin hindi basta-basta
ON
mauubos, pero ang pasensya ko,
12 konting-konti na lang!”

10
ONE MORE TRY
(2012)- ANGELICA
PANGANIBAN
Cinema

The Philippine film industry, often referred to as

“Philippine Cinema”, has produced a wide range
of films reflecting Filipino culture, history and
society. Notable directors like Lino Brocka,
Ishmael Bernal and Brillante Mendoza have
made significant contributions to Philippine
cinema.
LINO BROCKA’S FILM
ISHMAEL BERNAL’S FILM
 BRILLANTE
MENDOZA’SFILM
 January 01, 1897

The first film screenings in the Philippines took place on this day.

The title of the films shown were UN HOMME AU CHAPEAU

(Man with a hat), UNESCENE DE DANCE JAPONAISE (scene

from Japanese Dance), Les Boxers, and the LA PLACE DE

L’OPERA (the place L’opera). The films were projected using

60mm Gaumont Chrono-photograph at the Salon de Pertierra at

No. 12 Escota, Manila

 August 1897

In the same year, the Lumiere

cinematograph was first
introduced in the Philippine by
Spanish soldier named Antonio
Ramos.
 1900’s

A resurgence of movie houses begins in

the early 1900s not only in Manila but in
provinces that already had electricity. To
this day, among ASEAN countries, the
Philippines retains several of its old
movie house and even in the secluded
rural areas of the country.
 1919

Jose Nepomuceno’s Dalagang Bukid

(country maiden) was released. Dalagang
Bukid (Country Maiden) is the first
Filipino (silent) film produced in the
Philippines. Jose Nepomuceno became
known as the Father of Philippine
Cinema.
DALAGANG BUKID

in 1919, Jose Nepomuceno exhibited the first full-length Filipino movie. Titled
"Dalagang Bukid", it was based on a popular zarzuela- and was a huge
success.

Dalagang Bukid is the story of a young flower vendor, Angelita, and her
childhood sweetheart, Cipriano. She is also the object of affection of Don
Silvestre, a widower and a loan shark who uses his riches to try to win her by
taking advantage of her parents’ financial dilemma. Through the storyline,
issues such as gambling, usury, colonial mentality and other negative values
are brought into focus
 1930’S
Film began to recognized as another medium
of arts. Stories from Philippine Literature and
popular theater were the main sources of
storyline and characterization. On March 09,
1933, Jose Nepomuceno’s Punyal na Guinto
premiered at the Lyric theater. Punyal na
Guinto was credited as the very first locally
made talkie (film with sound)
 1940’S

The local audience

embraced Philippine
cinema’s focus on war and
heroism during this era.
 1950’S

Regarded as the first golden age of Philippine

cinema, major Philippine production studios
produced a slew of artistic and notable films in the
1950’s some of which have been internationally
acclaimed. One of the most notable of these was
Manuel Conde’s Genghis Khan (1952).
GENGHIS KHAN

Before becoming the legendary conqueror Genghis Khan, Temujin

(Manuel Conde) is a competitive type, not the strongest physically but
clever and cunning. After using his skills to win access to a water hole
for his tribe, Temujin sees rival leader Bourchou (Lou Salvador) attack
his people and kill his father. Vowing revenge, Temujin gathers
followers and begins to build his empire, all while wooing and
winning the hand of beautiful Lei Hai (Elvira Reyes)
 1960’S
Filmmaking through monopolized studio saw its end
during the 60’s era gave way to the new independent
film production outfits. Along with this promising
change came the introduction of new and different
film genres for the local audience to explore. Such
genres include Western, musical, action and bomba
(soft porn) films.
 1970’S
In the early 1970s, propaganda films became rampant
as the Marcos regime strove to retain their control
and power over the country. The government created
a censorship board that would regulate films and ban
those that criticize the administration. The second
golden era of Philippine cinema transpired in the late
70’s despite the government censorhip mandate.
 1980’S
Despite the government censorship mandate starting
in the late 70’s and 80’s was the peak of second
golden era of Philippine cinema. Notable films and
filmmakers that pushed Philippine cinema during this
dark and dangerous period are Tinimbang ko Ngunit
Kulang by Lino Brocka, Himala by Ishmael Bernal,
Burlesk Queen by Celso Ad. Castillo and Tatlong
Walang Diyos by Mario O’ Hara.
 1990’S
In spite of the promising new wave of independent
movies and filmmakers, local production companies
resorted to producing hastily made, low quality and
formulaic films due to increasing production cost,
extremely high taxes, censorship and piracy. Despite
this predicament, the film industry flourished and
churned out about 200 films per year.
 2000’s
Local films dwindled down to 50 per year as Hollywood
films took over a big chunk of Filipino film market at the
beginning of the decade. Fortunately, the rise of the digital
age in filmmaking swiftly made its way in the local
industry, making it easier for independent filmmakers to
produce films. Slowly but steadily, the local film industry
found its footing in the digital age of filmmaking which
paved the way to the proliferation of critically acclaimed
films that caught the eyes of prestigious film festival both
local and abroad.
International success

Filipino filmmakers such as Brillante

Mendoza, Lav Diaz and Jerrold Tarog
gained global recognition for their bold
storytelling and unique cinematic styles,
winning awards at prestigious festivals.
GENRE
DIVERSIFICATION
Philippine Cinema expanded beyond
traditional drama to include genres like
horror, comedy and fantasy appealing to
a wider audience both local and
international
THANK
YOU