- Documentcritiquedart-1633.pdfuploaded byWonga
- Documentcritiquedart-1635.pdfuploaded byWonga
- Documentcritiquedart-1643uploaded byWonga
- Documentcritiquedart-1665uploaded byWonga
- Documentcritiquedart-1668uploaded byWonga
- Documentcritiquedart-1661uploaded byWonga
- DocumentRosalind Kraussuploaded byWonga
- DocumentPool June 2011uploaded byWonga
- DocumentDigital memory in public memory inst.pdfuploaded byWonga
- DocumentTen Myths of Internet Artuploaded byWonga
- DocumentAnne Laforet (2009) - La conservation du net art au musée. Les stratégies à l'œuvre.pdfuploaded byWonga
- DocumentMatthew Fuller (2008) - Software studies a lexicon.pdfuploaded byWonga
- DocumentSean Cubitt and Paul Thomas (2009) - Relive. Media Art Histories 2009.pdfuploaded byWonga
- DocumentEmmanuel Mahé - Pour une esthetique in-formationnelle. La creation artistique comme anticipation des usages sociaux des TICuploaded byWonga
- DocumentEdmond Couchot (2003) - De la communication à la commutationuploaded byWonga
- DocumentDPTX_2013_1_11240_0_395984_0_154828.pdfuploaded byWonga
- DocumentThe Digital Time of Internet Art - Elisavet Christouuploaded byWonga
- DocumentVocabulaire Whiteheaduploaded byWonga
- Document44481346-vocabulaire-whitehead.pdfuploaded byWonga
- DocumentSusan Haack - We pragmatists...Peirce & Rorty in conversation.pdfuploaded byWonga
- DocumentLa communauté chez Georges Bataille, Jean- Luc Nancy, et Maurice Blanchotuploaded byWonga
- DocumentHistoires de 4Chanuploaded byWonga
- DocumentMoles Abraham 1957 Theorie de l Information Et Perception Esthetiqueuploaded byWonga
- DocumentVERNACULARSuploaded byWonga
- Documentstallabrass-aesthetics_of_net.art.pdfuploaded byWonga
- DocumentMoles_Abraham_1970_Art_et_ordinateur.pdfuploaded byWonga
- DocumentThéorie de l'information et perception esthétique d'Abraham Molesuploaded byWonga
- DocumentWhat Makes an Experience Aesthetic.pdfuploaded byWonga
- DocumentNATASHA MACK CYNTHIA WOOD SONG KATHLEEN M.MACQUEEN GREG GUEST EMILY NAMEY - Qualitative Research Methods. A Data Collector's Field Guide.pdfuploaded byWonga
- DocumentPermanence.pdfuploaded byWonga
- DocumentArt Platforms and Cultural Production on the Internetuploaded byWonga
- DocumentBookchin Natalie - Citizen's Dilemma and AgoraXchangeuploaded byWonga
- Document68002753-Jauss-Theorie-de-la-reception.pdfuploaded byWonga
- DocumentArt Money Onlineuploaded byWonga
- DocumentClaus Pias - Appropriation Art & Gamesuploaded byWonga
- DocumentCédric Barbier - Ordolibéralisme et économie sociale de marché, La voie allemande de l’Europe..pdfuploaded byWonga
- DocumentSusan Haack - We pragmatists...Peirce & Rorty in conversation.pdfuploaded byWonga
- DocumentAIM-871.pdfuploaded byWonga
- DocumentNATASHA MACK CYNTHIA WOOD SONG KATHLEEN M.MACQUEEN GREG GUEST EMILY NAMEY - Qualitative Research Methods. A Data Collector's Field Guide.pdfuploaded byWonga
- DocumentOwning online art = selling and collectinf netbased artworksuploaded byWonga
- DocumentSo Ub or 1447531757uploaded byWonga
- Documentinclusiva net 1.pdfuploaded byWonga
- DocumentElli Doulkaridou - Reframing Art History.pdfuploaded byWonga
- DocumentLEA_Vol20_No1_Bookchin.pdfuploaded byWonga
- DocumentDownloadeduploaded byWonga
- DocumentPerformative Science.pdfuploaded byWonga
- DocumentIntro Net Artuploaded byWonga
- Documentmarshall_mcluhan_medium.pdfuploaded byWonga
- DocumentDissertation Tunaliuploaded byWonga