Uploads by Maxim Fielder

Waltham-Smith, Naomi – 'Form and Repetition Deleuze, Guillaume and Sonata Theory' (Music Analysis 37.2 2018, p. 150–183)

Cook, Nicholas – a Guide to Musical Analysis. Reprint (Dent and Sons, 1992), Chapter 8, p. 260–293.

Dunsby and Whittall - Music Analysis in Theory and Practice (Faber, 1988), Chapter 7, p. 74–85

Butt, John (2017) - Liner notes, 'Monteverdi Vespers 1610'

Page, T., (1980). 'Dialogue with Philip Glass and Steve Reich' in Kostelanetz, Richard & Robert Flemming, R. (eds.) Writings on Glass Essays, Interviews, Criticism.

Hitchcock, H. Wiley (1996). “Minimalism in Art and Music Origins and Aesthetics.” In Richard Kostelanetz & Joseph Darby (eds.) Classic Essays on Twentieth-Century Music A Continuing Symposium, 308–19

Waters, R.F. (2022). Notes. The Stage Works of Philip Glass.

Mockus, Martha (2007). Sounding Out Pauline Oliveros & Lesbian Musicality

Broad, E. (1980). A New X An Examination of the Aesthetic Foundations of Early Minimalism

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Wilson, Stephanie Elizabeth (1999). Patter Perception and Temporality in the Music of Steve Reich

Lee, Andrew (2010). THE INTERACTION OF LINEAR AND VERTICAL TIME IN MINIMALIST AND POSTMINIMALIST PIANO MUSIC

Mertens, W., (1983). American minimal music

Smith, Kenneth M. “The Tonic Chord and Lacan’s Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2, 2011, pp. 353–98

Lacan, Jacques (1973 [1977]). Translator's Note

Overy, Stephen & Kenneth Smith. 'The Love Detective- Cybernetic Cycles and the Mysteries of Desire in Arab Strap'