FILE UNDER: WORLDMUSIC /GLOBAL GROOVES /Brazil / Nu- MPB

Cé M   Bz ,  d    h V d Jqh

h (M G). N, h   m  V, A d mm Sd, Bh -  h d h h Bd Sd d   ch  Bz D mc.Cé M , , cm d . Sh   dd d   ,  21.c  - ,   Bz  d,  zz  f f m,  c

m c ,   dc,  f … Ad h’  c  mf c d c c h h …Cé M’ chmc c, h  cm, h ccc,  c

 Bz mx d h d c-m hd h  m SRd d d m h hd f „G Bc:

„Global Bricolagistas - Los de Abajo, DJ Dolores, Manu Chao, and Mariam and Amadou, Zuco 103, Celia Mara, Ojos de Brujo and Zuba were

just a few of the names that grabbed our aenon in a year when theworld said no to globalizaon and yes to global music culture mash up.“ Damian Raerty (Fly- global music culture, UK)

Cé M  c  f h m m  f-d  Bz & C E… H   hd H Sc, f h Ud Kdm’ 2,   h “h  Bz  dd .” F 

  , Cé’ d d cd    

J Z, K Wc, Am Schz (Am),Odm, Th f O, M & D T  Rm LzzMm…Cé M d fmd d h    hd c Ld, Mc  P,   cc h  h fmV O H  h  c f c  S, , h hd h  h E. Cé M d  h R-, Jzz-,G-  Wd Mc f hh E,  d L Amc  f, O K  Mxc C, h 

d h   “h‘ f   d”m   B  cd  cc d  C.

wdd...

c d c 2006

(êm -mh //m f c, Bz)h mm  2003( - ) d mc  

(cc   2000)* T f Wdmc ChET Ch  Rd KmGc *Fh E ...d mc ch R *…

célia mara

„ B r a s h, co n de n t a nd a s s u red. S a n t a Re be ld i a de se r

ve s to bo ld l y go w he re i t ’ s p redece s so r led.

“

m a r k s a m p so n / so n g l i ne s( U K ) )

.cm..mc.cm/cmfc.cm/cm..m.cm/..cm/cm

cotct

slva jura - globalstaskype: globalstatel: +4369910088700

slva@globalstas.netwww.globalstas.net

„„Bastardista“, wouldn’t thearst have invented it,

there wouldn’t be a wording

for «Gesamtkunstwerk»

Célia Mara.“ (Anna Bianca Krause,Funkhaus Europa, D)

got poudy pt:

„o ne o f t he be s t ne w “ b r a z i l i a n ” reco rd s to co me a ro u nd t h i s ye a r “

tom pr yor / global rh y thm (U S A)

RELEASES:

SANTA REBELDiA 2008BASTARDiSTA 2005NECESSáRiO 2001HOT COUTURE DOSAMBA1998

z tdoud md  v

live projects

... d t d dc - tmptuouy!“

(vjzz /d jut

)

Célia Mara has been seen in::

Austria/ Brasil / Bulgaria / Croaa / Czech Rep. / Germany /Italy / Latvia / Luxembourg /Mexico/ Serbia /Spain / UK / Russia / Tunisia…

Som ftval h ally lovd:

Jazzfest Wien/A, Africa Fesval/Würzburg/D, Jazz á Carthage/Tunis, Zelval/Karlsruhe/D, Sabor de Samba/Oenburg/D, Naonal palace of Culture/ Soa/BG, Mujeres en el Mediterraneo/Granada/ES, Interzone Fesval/Novi Sad/SER, CSD/ Berlin, Ethnoland/Moscow/RU, Sunsplash & Jazz@ Wiesen/A, Fesval del Mediterraneo / Genova/It, Ethnotronica/ Moscow/RU, Spançirfest/Cr ecc…

Som Club h commd

: CARGO/London/UK, Gazarte/Athens/GR, Porgy & Bess/Vienna /A,Café Hahn, Koblenz/D, Joe Zawinuls‘s Birdland/Vienna/A, Roxy/Praha/CZ, Petrovic & Dao Ja/ Moscow/RU, Schlachthof Kassel/D...

Cé M m mc h  m - x, c, ,  d fh. Sh    f m, h   h dc - dc, , .Sh  f  m h h  c, h mz c m, hch h qc ch  x d mm  cd  m . Sh  h cc  h m, z hhmd f.

A  , h fc   h   - d  „cc“  „ 100% m h“  

 S Mz. A h  f h mc   m  d Bz Mc, h ch Lc d E dd m . Th c,   P, Eh, Gm, Shd Fch,   m h  h c f m d d cmmc h  d.Cé M  c Bz… d V: h dc f  mc  d hhm,  h R-Bz, T d d Af-Bz , mx N MPB d Sm hF, R, B-f, Gm Rc d HH… f , h‘  d  h  f h mc.i 2010, Cé M h  c  :

nOThinG is PUre. rebel YOUrselF.i’ f. i’ . i’ ’  e.

Cé M  m h h B f G: h m-hc cc  d d ,  h   f c, m c, hc d dc c h Cé M’ mc fmc.S, , h   d f hm, d   .Th’ 90 m f  dd,   h h f d  CéM d L Bd d Pzz Ccm,    mmd fm c, dcd  Dd F.

Genres

: Global Worldmusic Show: Afro - Lan - Brasil - Oriental -Disapora - Urban - Voices - Grooves - Danceperformance

C M & l bd d Pzz Ccmto

Vv  goXo cutu!

co-poducto Ftv d mdto, Gu & got, va bz lov Jouy.i. a. P    .

Cé M d  f Bz m xd m   mx   xc -  f B N d Bz f, L Jzz d T, B dRm – cm  “mz”! Th   cc, cm xc,  h m d  dc! B !T xc   Bz h f f  d  f,    h dh f c m. Wh h xdd - f Cé M c d , BmmT   d L Cm  C .

Genres

: Brasil, Lan, MPB

Mu amo

 Got poducto: o Tou ap 2010 / euop (d  ão Puo, br)

C M, bjmm Tuk, lu Com

…    f n-b   f V…b,   “ (s, UK)

Cé M‘ Bd Sd   xc, hh q dc-mx h hhc, d  m -. i   m--zz--hh---m-c--d-f,  ch   dd-c    … -

„This is one for the hostels and student halls of Europeand South America; Manu Chao meets Yerba Buena meets Carlinhos Brown meets…“ Fly global music culture, London

Th d (5  )  d  V/A d  Sd/Bh

Genres

: Nu Brazil, Dub, World, Reggae, Lan-Funk

C M bd

bz btdoud

a got poducto: av  euop: mc -novm /  bz: novm -Mc

t‘ ct dvty! T mx  t wy

www.goastarcors.t

Wid owrs vrss asc-ctr,irrvrnt divrsity in tota harmony,msic withot ordrs,

th goa south gos orth…

suddenly,“Bastard sound is in!

(now, Renzo Staub)

„

bordrs in msic & oics ar ong-ovrtakn

!“ says Klaus Totzler in the Austrian Naonal News, Albert Reguant pre

sents Santa Rebeldia in Catalunya Ràdio as “… an album full of „rebellion“, a shout against intolerance and for the con

sciensaon of arguments that concern all of us: ecology, emigraon, society, violence, friendship and love. Songs full of irony and good rhythm.”WDR journalist Luigi Lauer emphasizes that „Santa Rebeldia is the connuaon of bastardismo as a concept, using rebeldis

mo-tools!“, Sebasan Fasthuber in Vienna‘s Falter compliments Célia with: „globalizaon never sounded so harmonious &sensual“… And Werner Leiss, in the music magazine Concerto, who discovered Célia Mara already in the late 90ies means„… always unmistakably Célia Mara!”“The dark and rather unique voice of Celia Mara is nicely complimented by a sunny admixture of Bra

zilian grooves. ”

wor musc charts europ

marn gordon, top 20 worldmusic charts europe (Aug 2008)

„With a arg dos of hmor,

Celia Mara is launching yet another CD packed with disturbing lyrics “that are sangloudly to disguise the pain”. Whilst her earlier work was always characterised by afusion of Lan rhythms, funk and samba, on Santa Rebeldia repeve electronic beats

reign supreme.“

Alba cabral, Jungledrums, UK – january 2009

„

divrd with a smi and ackd y ayf ats

Celia Mara may have a dark voice and a serious message but Santa Rebeldia is an in

herently fun album. This is one for the hostels and student halls of Europe and South America; ManuChao meets Yerba Buena meets Carlinhos Brown meets…

y - global music by joe kent, november 2008

“la vtaa

que provoca el reggae de Matriaméricas, en la que se hace acompañar de suprima-hermana Amparo Sánchez (Amparanoia), el funk tropicalista de Ilegal na geladeira, o el pegadizoska de AnaMaria, dan buena prueba del carácter afable y cosmopolita de esta arsta.A Célia Mara biense le podría considerar como la versión femenina de Carlinhos Brown, ya que su visión global de lamúsica está muy en concomitancia con la del percusionista y cantante de la favela de Candeal”

Miguel Angels Sánchez Gárate, B!ritmos, november 2008

“

la carismàca cantant rasira,

CÉLIA MARA, ens presenta el seu quart àlbum tulat “SantaRebeldía”. Un disc de deu cançons plenes de “rebeldia”, un crit a la intolerancia i a la consienciacióde causas que ens efectent a tots els humans; com l’ecologia, l’emigració, la societat, la violència,l’amistat o l’amor. Cançons cantades amb ironia i amb un bon ritme.”

Albert Reguant ( “Hidrogen” iCam -Catalunya Ràdio).

„Célia Mara ist Österreichs Paradebrasilianerin. Seit Jahren lebt die Komponisn und Sängerin inWien, ihre Songs zieren brasiliansiche Folklore ebenso wie europäische DJ-Kultur. Ihr neues Album Santa Rebeldia hatCélia Mara den Themen Migraon und Widerstand gewidmet… Die Musikerin reekert Emazipaon und hält Revolu

on für machbar. Tango trit auf Afro Rhythmen, Hip Hop auf Folklore – Grenzen sind hier musikalisch wie polisch längst

überholt.“

zib24/naonal austrian news / klaus totzler

“Selten klang Globalisierung so smmig und sinnlich”Mit ihrer Mischung aus lateinamerika

nischen Rhythmen, Sehnsuchtsmelodien, Reggae, Balladen, Rock und sogar Rap hatsich die von Wien aus operierende brasilianische Sängerin nicht nur in der World-Music-Szene viele Freunde gemacht. Auf „Santa Rebeldia“ setzt Célia Mara ihreArt, Sle zu fusionieren, nicht minder elegant und abwechslungsreich fort, bis dieleidigen Genregrenzen ganz verwischt sind. Selten klang Globalisierung so smmig

und sinnlich.

falter / sebasan fasthuber