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TALA
Known to be the rhythmic time cycle of Indian music Composed of long and short beats that are accented and unaccented. Characterized by the sam, the first beat of the tala. khali empty beat tali accented beat
2. Hand waves
2. Tintal which has 16 beats One of the most famous talas of Hindustani music.
Structure of Tintal
Clap,2,3,4 clap,2,3,4, wave,2,3,4, clap,2,3,4
Raga
An aesthetic melodic form with a peculiar ascending and descending movement. Vadi most important tone Samvadi 2nd most important tone Anuvadi neither emphasized nor deemphasized. Durbal de-emphasized Vivadi excluded
Another distinct characteristic of the Indian melody is the use of twenty-two microtones called shrutis.
The shruti (Sanskrit "thing heard", "sound"; also written as ruti) is the smallest interval of the tuning system in Indian classical music.
3. Tranquility
4. Heroism
Drone
Low monotonous sound that is continuously played throughout the composition Provides the tonal anchor to the melody Drone is a repetitive sound that is continuously sung or played
Tambura
Summary
One of the reasons why Indian music is difficult to explain to Western listeners is because it is based on a different tonal organization called raga Raga is an aesthetic melodic mode with a peculiar ascending and descending movement which is based on a scale of five to seven tones.