Berlinale Talents 2014 Magazine

BERLINALE TALENTS
SUMMit PrOJeCt Labs StUDiOs Talent Press HaU Hebbel aM UFer 8 13 FEB 2014
READY TO PLAY?
BREAKING THE RULES
WELCOME TO BERLINALE TALENTS 300 TALENTS FROM 79 COUNTRIES
Alina Abdullayeva Jasmine Alakari Mette Carla Albrechtsen Hashim Al-efari Anel Alexander Paul Howard Allen Marc Almon Fernando Alvarez Rebeil Javier Andrade Yosep Anggi Noen Sharofat Arabova Frederik Arens Grandin EL Mehdi Azzam
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Alexandru Petru Bdeli Michel Balagu Universe Baldoza Jeremy Ball Sebastian Barriuso Justin R. Begnaud Louise Bellicaud Keren Berger Julia Berkes Amine Berrada Simone Bertuzzi Frances Bodomo Joey Boink Fran Borgia Youla Boudali Cathy Brady Josef S. Brandl Bentley Brown Manuela Buono Aarzoo Burhani
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Zohie Castellano Jonathan Cenzual Burley Corrie Chen Leon Cheo Sompot Chidgasornpongse Joanna Coates Alice Colomer-Kang Inadelso Cossa Mannu Costa Ico Costa James Cotton Nathan Craig Natalie Cristiani Benjamin Crotty Ludmila Curi Max Currie
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Andreas Emanuelsson Maiko Endo Diderik Evers

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Armi Rae Cacanindin Aranzazu Calleja Aina Calleja Bridget Callow-Wright Patrick Campbell Sofia Carrillo
Jacob Dammas Toni DAngelo Stanislav Danylyshyn Sheron Dayoc Edoardo de Angelis Vladimir de Fontenay Guillaume de la Boulaye Santiago De la Paz Nicolau Davi de Oliveira Pinheiro Joana de Verona Bavo Defurne Cosima Maria Degler Joaqun del Paso Dilman Dila Kate Dolan Janneke Doolaard Masa Drndic Vincent Hai Du Vadim Dumesh Jurij Dunaj Erke Dzhumakmatova
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Jack Faber Valerio C. Faggioni Ghafar Faizyar Mila Fakhurdinova David Fedele Katja Fedulova Benoit Felici Victor Fenes Thais Fernandes Katharina Fiedler Candela Figueira Olmo Figueredo Bayu Prihantoro Filemon Guy Fixsen Mahdi Fleifel Hoji Fortuna Alejandro Franco Villegas Sebastian Fritzsch
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Matt Harlock Marie-Emmanuelle Hartness Imam Hasanov Johannes Heidingsfelder Martijn Helle Hiona Henare Louis Henderson Darko Heric Ana Hernndez sa Hjrleifsdttir Robert Hloz Nora Horich Derek Howard Ondej Hudeek Dalia Huerta Cano
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Andrej Kolencik Liza Kolesnikova Lukasz Konopa Aya Koretzky Ivana Kragic Maxim KuphalPotapenko
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Jody Muston Ayten Mutlu Saray

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Christina Newland Bao Nguyen Dwi Sujanti Nugraheni Robert Nyanzi

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Magdelena Ilieva Yotam Ishay Adina Istrate

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Salom Lamas Emil Langballe Ty Lawson Lucas Lechowski Claire (Da Young) Lee Emanuel Licha Dasha Lisitsina Karla Lonar Juan Sebastian Lopez Maas Marie Lora-Mungai Mona Lotfy Johannes Louis
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Lucas Ochoa Adam Oha Tommy Oliver Petra Rut Oplatkova Nour Ouayda Akosua Adoma Owusu
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Leo Garcia Diego Garcia Simon Gervais Yan Giroux Yulia Glukhova Laura Gonzlez Camila Gonzatto Caetano Gotardo Ofir Raul Graizer Ivan Pablo Granovsky Gunn Tove Grnsberg Irene GT Marina Gumzi
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Antoinette Jadaone Dipesh Jain Veronika Janatkova Gaya Jiji Aaron Douglas Johnston Tara Judah
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Nienke Eijsink Christian Einshj Karim El-Shenawy
Jean Luc Habyarimana Reut Hahn Sabah Haider Regan Hall Pamela Hansson
Kate Kalandarishvili Etienne Kallos Andrei Kartashov Kasia Karwan Kurban Kassam Roman Kasseroller Oksana Kazmina Ram Khatabakhsh James N. Kienitz Wilkins Kaleena Kiff Lotta Kilian Alison Klayman Marcin Knyziak Ulrike Kofler
Pathompong Manakitsomboon Niccol Manzolini Cristian Manzutto Daniel Martn Novel Marcelo Martinessi Moritz Mayerhofer Yvonne Mc Devitt Annelotte Medema Anna Meller Drifa Mezenner Matthew Miller Lucas Mireles Daisuke Miyazaki Attila Mocanu Blair Mowat Ngendo Mukii Vivien Muller-Rommel Claudia Muiz Julia Murat e Addario
Paulo Pandolpho Smaro Papaevangelou Milena Pastreich Jure Pavlovic Diana Prez Mejia Laura Perlmutter Samuel Perriard Paul Pieck Simon Pitts Giovanni Pompili Marta Popivoda Ivn Porras Melndez Sergi Portabella Antoln Prieto Alessandro Pugno
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Valeria Racioppi Raed Rafei Thiaw Rama Ozcar Ramirez Gonzalez Julio O. Ramos Eva Randolph Rodd Rathjen Pradeepan Raveendran Gbor Reisz Oliver Rendon Isona Rigau
Berlinale Talents 2014
We would like to thank our international network for its support
Francisco X. Rivera Lisandro Rodriguez Carola Rodrguez Astrid Rondero Gustavo Rondon Cordova Mauro Rossi Tomasz Rudzik Diego Ruiz Wanlop Rungkumjad John W. Rutland
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Kirsten Tan Bee Pin Tay Andreas Thalhammer Ridha Tlili Benjamin Gonzales Tolentino Deniz Tortum Gabrielle Tougas-Frechette John Trengove Victor Tricard Dana Turken Max Tuula
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COUntrIes
Muki Sabogal Jos Sarmiento Hinojosa Diego Sarmiento Pagn Myriam Sassine Edan Sasson Dennis Schanz Bettina Scheibe Guilhad Emilio Schenker Catharina Schreckenberg Shireen Seno Sanjay Shah Shahrukh Shah Yoav Shamir Amil Shivji Igor Simic Marta Simes Carlo Sironi Dragan ia Ivana krabalo Rasiguet Sookkarn Ricardo Soto Konstantina Stavrianou Giannis Sotiropoulos Elizaveta Stishova Cezary Stolecki Brett Story Gabi Suciu Magdalena Szymkw
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Tomas Vach Gatan Varone Andreea Vasile Vladilen Vierny Jazz Vil Gustavo Vinagre Andrey I. Volkashin
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Justin Wachira Michael Wahrmann Joseph Wairimu Bo Wang Layal Watfeh Clara Wieck Ewa Wildner Karen Winther Aleksandra Wojtaszek Yee Mei Wong
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Hyoe Yamamoto Adilkhan Yerzhanov Cem Yildirim Kil Won Yu

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Maryam Zaree Jenny Lou Ziegel
Justyna Tafel Wafa Tajdin
Afghanistan Algeria Argentina Australia Austria Azerbaijan Belgium Brazil Bulgaria Canada Chad Chile China Colombia Costa Rica Croatia Cuba Czech Republic Denmark Ecuador Egypt Estonia Finland France Georgia Germany Ghana Greece Hong Kong Hungary Iceland
India Indonesia Iraq Ireland Israel Italy Japan Kazakhstan Kenya Republic of Korea Kyrgyzstan Latvia Lebanon Macedonia Mexico Morocco Mozambique Netherlands Norway Pakistan Paraguay Peru Philippines Poland Portugal Romania Russian Federation Rwanda Senegal Serbia Singapore Slovakia
Slovenia South Africa Spain Sri Lanka Sweden Switzerland Syrian Arab Republic Tajikistan United Republic of Tanzania Thailand Tunisia Turkey Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Venezuela Viet Nam
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CONTENTS
01
INTRODUCTION
06
Editorial: Dieter Kosslick, Matthijs Wouter Knol, Christine Trstrum 08 Words of welcome
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2014 TOPICS
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14 15 17

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Focus 2014: Ready to Play? Breaking the Rules Alumni at the Berlinale Manfred Durniok Foundation The Film Prize of the Robert Bosch Stiftung Canon at Berlinale Talents Talents International
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PROGRAMME
22 26 30 31 33 36 38 40
Meet the Expert Berlinale Talents Timetable Day 1 | Sat, Feb 8 Day 2 | Sun, Feb 9 Day 3 | Mon, Feb 10 Day 4 | Tue, Feb 11 Day 5 | Wed, Feb 12 Day 6 | Thu, Feb 13
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PROJECT LAbS & STUDIOS

44 45 46 47 49 50 51 53 55 56 57
Talent Project Market Script Station Doc Station Short Film Station Sound Studio Post-Production Studio Editing Studio Acting Studio Distribution Studio Production Design Studio Talent Press
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FINAL CREDITS
Thank you List of experts 62 Team and imprint 63 Partners
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01 | INTRODUCTION
06
Editorial
01 | Introduction
DISCOVER NEw TALENT

This is what is extremely important about what Berlinale Talents is doing making introductions, bridging gaps, not only between cultures, but between established and emerging lmmakers.
Mozhan Marn, USA | Berlinale Talents 2013
From left to right: Dieter Kosslick, Christine Trstrum and Matthijs Wouter Knol
Since 2003, the Berlin International Film Festival has focused on a new filmmaking generation from around the world, annually inviting 300 Talents to the festival. By inventing the Berlinale Talent Campus, we were one of the first festivals in the global circuit to establish a platform and meeting point for international up-and-coming filmmakers. The Campus has become an important turning point in the careers of over 4,772 young professionals from all continents and fields of film mak ing. Year after year we have adjusted our programme to fit the needs and developments of this young filmmaking generation. And year after year this young film generation becomes more visible at the Berlinale, returning with films in tow and mingling with the festival guests. And thats what it's all about: the ideas and spirit of emerging filmmakers from around the world defines Berlinale Talents. Eleven years ago, at the first edition of the Berlinale Talent Campus try to remember the filmmaking world back in 2003! The digital
revolution was only just gathering speed. The Digital Cinema Initiative was just founded by the major US studios, the vast majority of films were still shot and edited on analogue systems, and marketing and communication tools like Facebook didnt even exist yet. Keeping abreast with these developments in the digital world and working out their advantages for independent filmmaking was an important topic for the eager and young film professionals. Needless to say, the Berlinale Talent Campus was very busy chasing after the advancing and ground-breaking transformations in the film business on many levels. For example, in 2003 we had Wim Wenders mentoring the first Talent Movie of the Week a workshop which allowed young filmmakers to try using digital production and postproduction equipment to produce short films during the Campus week. In the more lecture-based programme of the first years, Lord of the Rings cinematographer Andrew Lesnie talked about Pixel and
01 | Introduction
Editorial
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Berlinale Talents has had a great effect on me and inspired many new thoughts and ideas.
Jeremy Bliss, Australia | Berlinale Talents 2012
Grain, and Michael Ballhaus discussed celluloid film and digital technology as emerging partners. In the early Campus years, the digital future became increasingly present, and fulfilled the par ti ci pants constantly emer ging needs. But in the end, we always return to the essence of making a good film, an essence as analogue as it can be: the art of storytelling. The range of experts who have joined the Campus over the years is amazing, and offered countless moments of magic recalling the unforgettable tumult around Shah Rukh Khan, the spontaneous Talent chat with Frances McDormand, the vibrant duo talk by Christopher Doyle and Anthony Dod Mantle or the charming on-stage-rendezvous with Isabella Rossellini. We cannot thank all these great artists enough for their commitment. They all come to Berlinale Talents, not to lecture the participants, but to exchange and share experiences with them. Thats why the Campus has never been, and never intended to be a film school. Here, during the Berlin International Film Festival, young and experienced professionals meet and talk at eye level with one another. In this manner, todays structure of four Project Labs, six Studio programmes and the Talent Press programme, all alongside the Summit events, has developed in the course of the past eleven years. In 2014, we completed this structure by initiating the Production Design Studio and the Distribution Studio. The heart of our initiative is formed by the promising filmmakers and their projects, and we cordially invite you to discover them, the 2014 Berlinale Talents. Meet them at the Berlinale Talents Market Hub, a new project we set up together with Canon at the European Film Market. Or get an impression of their current projects at the Project Presentation Day that will take place on February 12 at the House of Representatives. Visit us here and you will see: its not a campus anymore, its more of a playground for film creatives. Our 2014 motto, Ready to Play? Breaking the Rules is central to what Berlinale Talents is about. And we are con stantly getting impressive results: every year, numerous films that were developed at one of the project labs, enter the spotlight of international festivals. Ritesh Batras The Lunchbox (Talent Project Market 2012), Haifaa Al Mansours Wadjda (Script Station 2009) and Neus Balls The Plague (Doc Station 2011) are just three examples of alumni films that successfully attracted audiences worldwide in 2013. Besides that, every year a considerable number of former partici pants enrich the official selection of the Berlin International Film Festival. Take this year: all in all, the Berlinale will present 62 films made with the major involvement of 79 former Berlinale Talents, among
them Dietrich and Anna Brggemanns Stations of the Cross and Yann Dem anges 71 in the Berlinale Competition, as well as Daniel Ribeiros 2010 Script Station project The Way He Looks in the Panorama. Having future digital film developments in focus, prominent film makers as mentors, and a hands-on approach all that will remain im portant aspects of our initiative. By renaming it, were simply chan nell ing the attention to its very core: the Berlinale Talents, be it in Berlin or at the offshoots in Buenos Aires, Durban, Guadalajara, Sara jevo and Tokyo. Fostering and refining a world-reaching project like this in its 12th year, is only possible due to a great lineup of partners whose tireless support forms the backbone of our efforts. So thank you very much to all our sponsors, and particularly, to our principle partners, the MEDIA Training Programme of the European Union, the Robert Bosch Stiftung, the Medienboard Berlin-Brandenburg, and Canon, for their remarkable commitment. And last but not least: thank you to the Federal Foreign Office (Auswrtiges Amt) and to the German Federal Film Board (FFA) for their constant support. But now, get ready to play and discover the Berlinale Talents pro gramme during an exciting week at the HAU Hebbel am Ufer.
DIeter KOsslICK MatthIjs WOUter KnOl ChrIstIne TrstrUm
Festival Director, Berlin International Film Festival
Programme Manager, Berlinale Talents
Project Manager, Berlinale Talents
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Partners
01 | Introduction
wORDS OF wELCOME
CreatIve EUrOPe MedIa traInInG SarI VartIaInen
Investing in emerging talented European professionals is essential for the competitiveness of the European audiovisual industries. Thus, the increasing of skills and competences and knowledge sharing through peer-to-peer cooperation and networking activities represents a core objective of Creative Europe MEDIA Training. More than 2,000 European professionals are trained every year through more than 60 MEDIA funded training initiatives, where they have the opportunity to learn from their peers, receive guidance and fine-tune their projects with experienced tutors, explore the use of digital technologies and expand their network of contacts at an international level.
MEDIA is proud of supporting the flagship programme Berlinale Talents, as we strive for the
same goals: training professionals, fostering projects, connecting people across Europe and internationally.
SarI VartIaInen
Head of the MEDIA Unit Education, Audiovisual and Culture Executive Agency
Creative Europe MEDIA also offers young filmmakers support for project development, Euro pean distribution, networking and access to international key markets and co-production forums.
ROBert BOsCh StIFtUnG Dr. InGrId Hamm
Shooting films in the Arab world can be an exciting task for young filmmakers, especially during times of political and social change. The importance of staying flexible is something our German-Lebanese team experienced during their work in Lebanon last summer, when facing the danger caused by the civil war in neighbouring Syria. Our German-Egyptian team learned the necessity of patience, while they waited months for travel and shooting permits for Gaza. With establishing international cooperation we want to enable young filmmakers from Germany and the Arab world to get used to certain circumstances and to explore the per spective, the methods, and the creative styles of partners from other countries. Our Film Prize includes support at international film festivals, co-production markets and the orga nization of film education projects in Germany and the Arab world in cooperation with our partners, the Royal Film Commission Jordan and the Dubai International Film Festival. The cooperation with, and the support of Berlinale Talents was crucial for us since the very start of our Film Prize for International Cooperation in 2004. In the beginning, our main focus was on young filmmakers from Germany and Eastern Europe only. In recent years, we extended our activities and became one of the main partners of Berlinale Talents. At the same time, we changed our focus from Eastern Europe to young filmmakers from the Arab world. We are very happy that many former participants of Berlinale Talents managed to be nominated for our Film Prize, which includes three categories: animation, documentary, and short fiction. The award ceremony will take place on Sunday, Feb 9 at the HAU Hebbel am Ufer, and it will be our pleasure to welcome you all for this occasion. Enjoy your stay at Berlinale Talents, build up partnerships and return with your finished films one day! To learn more about our Film Prize, visit our website: www.filmprize.de
Dr. InGrId Hamm
CEO Robert Bosch Stiftung
01 | Introduction
Partners
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kIRSTEN NIEHUUS
CEO Medienboard Berlin-Brandenburg, Managing Director Film Funding

ELmAR GIGLINGER
CEO Medienboard Berlin-Brandenburg, Managing Director Media Development
MEDIENBOARD BERLIN-BRANDENBURG KIRSTEN NIEHUUS | ELmAR GIGLINGER
Fresh into its second decade, the Berlinale event formerly known as the Talent Campus has engineered a new twist to an already wonderful success story. Practicing what it is preaching, the Berlinales hothouse talent-connecter breaks the rules, relights the fire and re-launches under a brand new label: Berlinale Talents. If you are ready to play, as this years motto sug gestively asks, then so are they: the Berlinale Talents scheme is offering hands-on workshops, selected access to training and debate, insights and sometimes even inroads into the European Film Market via the film-stations and, to everyones delight, the overwhelmingly popular Dine & Shine supper-speed-dating event. Now that is what we like to call work! The Medienboard has been supporting the Berlinale Talents scheme ever since its inaugurational season in 2003, so obviously we are happy and proud to offer our support again this year. We wish all attending filmmakers an engaging, eventful and exciting time in Berlin, a city never completed and as such a playful rulebreaker by heart.
CANON JAccO LEURS
Canon is proud to continue as a partner of Berlinale Talents. Creativity has been at the heart of Canons product lineup since its inception over 70 years ago. Since its launch in 1987, the core principals of the EOS system have always been high quality image and ease of use. The success of the EOS 5D Mark II in helping creative filmmakers to tell their stories was a stepping stone to the creation of something revolutionary. In 2011 we launched the Cinema EOS System as dedicated tools for creative storytellers, with the objective of expanding the possibili t ies of creative expression. Since then the Cinema EOS products have established themselves as tools that filmmakers across the globe want to use. Helping new generations of filmmakers to emerge and express their vision is a thrilling chall enge for us to take up. We are constantly striving to provide visual storytellers with the equipment they want to use to convey their creative vision. Canon and Berlinale Talents can help you take the next steps in your creative journey.
JAccO LEURS
Head of Professional Imaging Group, Canon Europe
POWER TO YOUR NEXT STEP

Tell your story with a groundbreaking range of cameras and lenses.
Presenting the Cinema EOS System. A range of revolutionary cameras, with either Canons EF mount or the industry standard PL mount, supporting resolutions up to 4K, and a family of Canon EF Cinema lenses designed specically to give you the power to realise every creative vision.
Ofcial Partner
Take your next step at cpn.canon-europe.com
Follow us on: @CanonProNetwork
02 | TOPICS 2014
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Focus
02 | Topics 2014
BERLINALE TALENTS
SUMMIt PrOJeCt LabS StUDIOS Talent PreSS HaU Hebbel aM UFer 8 13 FEB 2014
READY TO PLAY?
BREAKING THE RULES
02 | Topics 2014
Focus
13
ReaDy tO Play? BreakIng the rUleS

It was a great experience to meet participants from all over the world I still remember this amazing feeling of having hundreds of gigabytes running through my brain, and having the clear vision how I wanted to make my lm.
Kaspars Goba, Latvia | Berlinale Talents 2007
We dont stop playing because we grow old; we grow old because we stop playing, Irish playwright George Bernard Shaw once stated. Even though play is the primary formative element in human culture, in an industry that often plays by the rules of the game, it is sometimes hard to approach the filmmaking process in a fresh and playful way. Themed Ready to Play? Breaking the Rules, Berlinale Talents encourages its 300 participating filmmakers to experiment with unusual ways of bringing their stories and characters to life on screen. Reinventing the rules for storytelling and highlighting playful approaches to character development, are central to this years focus. Award-winning screenwriters and filmmakers join to discuss their unique approach. Denis Ct (Vic and Flo Saw a Bear) and Aida Begi (Children of Sarajevo), as well as Golden Bear-winning director Claudia Llosa (The Milk of Sorrow), and renowned screenwriters Rzvan Rdulescu (Childs Pose) and Tony Grisoni (Fear and Loathing in Las Vegas) will discuss their working process of building compelling stories that become successful films. High-quality television series will be dis cussed by producer Martha De Laurentiis (Hannibal ) and Oscarwinning director Neil Jordan (The Borgias). But its not only good scripts that contribute to a compelling cinematic story, preeminent Oscar-winning sound designer Eugene Gearty (Hugo) and Silver Bear-winning filmmaker Peter Strickland (Berberian Sound Studio) will share their ex pe rience with expanding storytelling by adding a care fully designed soundscape to films. Extending the theme to filmmakers approach to social topics, the programme includes a session that looks at stories that reveal societal codes and rules, often through exceptional characters who question or overturn them,
as seen in the panelists films, like Haifaa Al Mansours Wadjda, Marie Kas The Other Woman and Umut Das Cracks in Concrete. Another panel looks at how filmmakers break formal rules and breach boundaries between genres, in a focus on hybrid films. Filmmakers Warwick Thornton (The Darkside), Corneliu Porumboiu (The Second Game), and Sophie Hyde (52 Tuesdays) will discuss the bene f its to using both documentary and narrative stra tegies. In yet another context, acclaimed German film makers Christian Petzold, Benjamin Heisenberg and Maren Ade, re pre senting the internationally renowned Berlin School, will reflect on their work and its reception in Germany and abroad. Productive alumni of Berlinale Talents will join throughout the programme, including for the session Help! I Made A Successful Film, featuring filmmakers who have made their first sensational, award-winning festival hit. Berlinale Talents alumni Ritesh Batra (The Lunchbox), Anthony Chen (Ilo Ilo), as well as Jan-Ole Gerster (Oh Boy) will join. The programme will feature several sessions in which creating images for the big screen will play a central role. Internationally celebrated French cinematographer Agns Godard, a longtime collaborator of Claire Denis (Beau Travail ), will show her work and speak with Berlinale Talents about her creative working methods. Daily digital cinematography workshops will take place in the Playbox powered by Canon, where reputed directors of photography Christ opher Doyle (In the Mood for Love) and Franz Lustig (How I Live Now) are joined by digital cinematography expert Stefan Ciupek (Antichrist) to share with a selected group of Talents their approach to working with a variety of directors and camera formats, and how they made choices to define the visuals of films.
DATES SUN 9 | 10:30 HAU1
Once Upon a Time: How to Start a Film (p.31)

SUN 9 | 14:00 HAU1
Women on the Verge of a Nervous Break down: Successful Screenwriting (p.32)

MON 10 | 1 1:00 HAU1
New German Cinema: The Berlin School (p.33)

MON 10 | 17:00 HAU1
Defining Distance: The Cinematography of Agns Godard (p.35)

MON 10 | 17:00 HAU2
Help! I Made a Success ful Film (p.35)

MON 10 | 17:00 HAU3, TOP FLOOR
The World of Shouts and Whispers (p.35)

TUE 11 | 14:00 HAU1
Expanding Stories: Successfully Creating Television Series (p.36)

TUE 11 | 14:00 HAU3, TOP FLOOR
A Room with a View: Collaborating on Scripts (p.37) Berlinale Talents 2014
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Alumni at the Berlinale
02 | Topics 2014
COMIng baCk FOr MOre
DATES SAT 8 | 20:00 HAU1
Film Screening: My Brothers Keeper (p.30)

MON 10 | 14:00 HAU1
Film Screening: Blind (p.34)

TUE 11 | 11:00 HAU1
Film Screening: Shes Lost Control (p.36)

WEd 12 | 11:00 HAU1
Screening Shorts. A Compilation of Short Films (p.38)

THU 13 | 11:00 HAU1
Film Screening: South Is Nothing (p.40) The three alumni, Dietrich Brggemann (director /writer), Anna Brggemann (writer) and Jochen Laube (producer), made it into the Competition for the Golden Bear with Stations of the Cross. Alexander Sass
WE HOPE YOU'LL RETURN TO THE fESTIVAL IN THE OffICIAL PROGRAMME AS THESE ALUMNI HAVE!
Many Berlinale Talents alumni will be feat ured in the various sections of the 64th Berlin International Film Festival. The Berlinale welcomes back 79 alumni with 62 films in the official programme, two alumni presenting their Berlinale Residency pro jects in the CoProduction Market and 17 alumni return to the Berlinale Talents various project labs. This year there are several alumni with films in Competition for the Golden Bear: Stations of the Cross director Dietrich Brggemann (Talent 2003), who co-wrote the film with his sister Anna Brggemann (2003), and was produced by alumni Jochen Laube (2003 and 2004). Also featured in Competition are di rector, writer and producer of Inbetween Worlds, Feo Aladag (2004), 71 director Yann De mange (2007), co-producers of Praia do Futuro Fabian Gasmia (2013) and Henning Kamm (2012), History of Fear producer and ex ecutive producer Benj amin Domenech (2010), and Stratos writer Harry Lagoussis (2004). With several films in the Berlinale Forum this year,
alumni have teamed up to make films. Seaburners was directed by Melissa Onel (2008), photographed by Mery em Yavuz (2009), and edited by Ozcan Vardar (2011). At Home was directed and written by Athanasios Kara ni kolas (2003), and produced by Argyris Pa pa dimitropoulos (2005). Other alumni film makers in the Forum include Sebastian Brameshuber (2008), director, wri ter, and edi tor of And There We Are, In the Middle and Pin Pin Tan (2004) who directed, produced and photographed To Singapore with Love, Free Range cinematographer Mart Taniel (2003) and editor Liis Nimik (2009), 40 Days of Silence writer and director Saodat Ismailova (2008), Kumiko the Treasure Hunter writer and director David Zellner (2006), Pushpendra Singh (2011) who directed and produced The Honour Keeper, and She's Lost Control director Anja Marquardt (2010). Screening in Berlinale Generation this year are alumni films Winter Morning written and di rected by Sakaris Str (2010), 52 Tuesdays pro duced, edited and photographed by Bryan Mason (2008), Beyond Beyond written and di rec ted by Esben Toft Jacobsen (2008), and
music by Nicklas Schmidt (2008). South Is Nothing writer and director Fabio Mollo (2011) participated with this film in Talent Project Market, and the film was executive produced by Jean-Denis Le Dinahet (2007). Panorama features Berlinale Talents alumni Feriado producer Felicitas Raffo (2004), coproducer Andrs Longares (2006) and cinematographer Magela Crosignani (2013). Blind was written and directed by Eskil Vogt (2004), and co-produced by Derk-Jan Warrink (2011), and The Way He Looks was written, produced and directed by Daniel Ribeiro (2010) who developed this project at Script Station. Perspektive Deutsches Kino includes the film My Brother's Keeper, directed and produced by Maximilian Leo (2011 and 2012), and which stars Nadja Bobyleva (2006). And the Berli nale Shorts programme includes alumni writer and director Konstantina Kotzamani (2012) and producer Giorgos Zois's (2007) film Washingtonia.
FOR MORE INfORMATION
about submitting to the Berlin International Film Festival, visit www.berlinale.de
02 | Topics 2014
Alumni / Manfred Durniok Foundation
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MONIKA PREISCHL
LORENZ DANGEL
(2004) Szenario
VIMUKTHI JAYASUNdARA
(2006) Superegos (2004) Land of Storm

VIKTRIA PETRNYI
OdN ACOSTA
(2013) We Are Mari Pepa
CHELSEA WINSTANLEY
(2003) Taprobana
MATTHEW LLOYd
(2008) What We Do in the Shadows

WILLIE NEL (2011) The Goat
(2007) The Better Angels

HARRY LAGOUSSIS
MARCELL RV
(2011) Land of Storm
JEff OTTE
(2004) Stratos
(2008) Violet
MANfREd DURNIOK FOUNdATION
Panorama entry Blind, directed by Eskil Vogt, co-produced by Derk-Jan Warrink. Kimm Saatvedt
OTHER ALUMNI AT THE BERLINALE IN 2014: ANNA HIGGS
CONRAd OLEAK
LUCAS JOAQUIN
(2008) The Samurai

IZA KALLA
(2013) Love Is Strange

MEIKE MARTENS
(2009) 20,000 Days on Earth

NORA NAZ-MANdRAY
(2006) The Innocents

IRINA CAbALLERO
(2009) N The Madness of Reason and Szenario

BAO NGUYEN
(2012) 3 Acres in Detroit

LAURA MACHUTTA
(2012) Holiday
JAKRAWAL NILTHAMRONG
(2012) Nuoc
MAGNUS VON HORN
(2012) Anywhere Else

DIRK MANTHEY
(2010) Anywhere Else

DIOGO COSTA AMARANTE
(2008) Hangman, Stone Cloud and Intransit
(2011) The Word

OLIVIER GUERPILLON
Manfred Durniok, German producer, filmmaker, writer and photographer was drawn to distant lands, yet it was Asia that captured his imagination. The Manfred Durniok Foundation, founded by the late filmmakers daughter, Ayano Teramoto, is a non-profit organisation established in 2006 to support and promote cultural exchanges between Germany and Asia through scholarships, awarding prizes and providing financial support for intercultural gatherings. Berlinale Talents decisive international perspective and interest in cross-cultural dialogues makes for a fruitful collaboration. Intercultural awareness is a re-current theme in the films that Durniok made and produced, and it is this spirit that the foundation hopes to continue. The Manfred Durniok Foundation once again supports Talents from South East Asia attending the 12th edition of Berlinale Talents by covering their travel costs, as they have since 2007. Meet fellow East Asian Talents at the Manfred Durniok Foundations reception on February 9 from 12:30 until 14:00 at Kaffeehaus at Museum of Communication Berlin (by invitation only).
Michiko and Ayano Teramoto with members of the board of trustees of the Manfred Durniok Foundation, Christine Trstrum and Talents from 2013
ALVARO SARMIENTO PAGAN
(2004) Broken Hill Blues

SEbASTIEN AUbERT
(2009) The White Roses

ROSARIO SUAREZ
(2013) Earths Children

PUSHPENdRA SINGH
(2011) Brides
RITA SOLf
(2005) Atlantida (2013) Castanha (2006) The Goat

MIA HAAVISTO TIAGO BELLO
(2011) Asta Upset and The Honour Keeper (2011) South Is Nothing
GIORGIO GIAMPA
(2011) I Can Only Show You the Colour

TANjA HRING
NIKKI COMNINOS
(2013) The Lamb
FAbIAN GASMIA
(2004) Souvenir
MANUEL BICKENbACH
(2003) Concerning Violence

LINUS dE PAOLI
(2012) The Lamb (2013) Los ngeles
HENNING KAMM
(2005) Stereo
ENIS ROTTHOff
JONAS WEYdEMANN
(2004) Stereo
(2012) The Samurai
SCREENWRITING | DEVELOPMENT NETWORKING | TRAINING
PROFESSIONAL DEVELOPMENT AND TRAINING SCRIPT DEVELOPMENT WORKSHOP

Three-month process guided by experienced advisers for European screenwriters and teams of writers, producers or directors. Seven-day session, coached development period, follow-up session. APPLICATION DATE 1ST MARCH 2014 for the workshop at FilmCamp | Norway 12TH-20 TH June 2014 with the support of FilmCamp AS. Requested: Feature lm projects and creative documentaries SOURCES 2 ADVISERS AT BERLINALE TALENTS Consultation | Analysis | Advice for selected projects Eric Collins at the Script Station, Ulla Simonen at the Doc Station. CONTACT Sources 2 | Kthener Strae 44 10963 Berlin, Germany phone + 49 30 886 02 11 | info@sources2.de www.sources2.de
02 | Topics 2014
Film Prize of the Robert Bosch Stiftung
17
hIghly PrIZeD COOPeratIOnS

THE RObERT BOSCH STIfTUNG HAS SUPPORTEd BERLINALE TALENTS fOR MANY YEARS, ANd IS ONE Of THE MAIN PARTNERS Of THE 2014 BERLINALE TALENTS. 2014 FILM PRIZE Of THE RObERT BOSCH STIfTUNG GERMANY / ARAb WORLd NOMINEES
SHORT FICTION FILM: A MATTER Of TIME (GER/LEB), dir: Amanda Abou Abdallah, prod: Christian Eid, Jonas Witsch | DRY HOT SUMMERS (GER/EGY), THE CHECKPOINT (GER /LEB /EGY), dir: Reem Morsi, prod:
Encouraging collaboration and fostering mutual development among producers and filmmakers in Germany and the Arab world is one of the ambitions of the Robert Bosch Stiftung. The Film Prize of the Robert Bosch Stiftung for International Cooperation offers cross-regional support and has profoundly impacted the production of award-winning films which have screened internationally at festivals. Berlinale Talents participants from the past years have benefited from the coll aboration with the Stiftung and have often gained support from these prizes. The Film Prize of the Robert Bosch Stiftung competition is open to joint production teams of emerging filmmakers from an Arab country (one of the 22 member states of the Arab League) and Germany. The categories quali fy ing for the prizes are animated film, docu mentary and short fiction film, with each winning production receiving up to 60,000 Euros in funding. The three Film Prizes will be handed over at the award ceremony at Berli nale Talents on Feb 9, 17:00 in HAU1. Up to two members of each winning team will have the opportunity to participate as guest in Berlinale Talents in the following year.
dir: Sherif Elbendary, prod: Claudia Jubeh, Hossam Elouan
Stefan Gieren, Niam Itani, Frauke Kolbmller
DOCUMENTARY: ARCHITECTURE AT GUNPOINT (GER/LEB), dir: Simon Baumann, BERLIN BEIRUT BAGHdAd (GER/EGY/IRAQ), dir: Hana Al Bayaty, prod: Tamer El Said, Michel Balagu | HORYA (GER/EGY), dir: Alaa Mosbah, prod: Vivian Schrder, Alaa Mosbah | MAKING SEX (GER/EGY/LEB), dir: Jowe Harfouche, prod: Mostafa Youssef, Christian Popp | POSSESSEd bY DjINN (GER/JOR), dir: Dalia Al-Kury, ANIMATION: KEEP IT DOWN (GER/SYR/FR), dir: Yasmeen Fanari, prod: David Buob, Chadi Abo, Pascaline Saillant | MANIVELLE MEMORIES Of THE MAN Of TOMORROW (GER/LEB), dir: Fadi Baki, prod: Niklas Hlawatsch, Rolly Dib | MY SECONd EYE (GER/JOR), dir: Ahmad Saleh, prod: Stefan Gieren, Saleh Saleh | WANdERLANd (GER/LEB), dir: Sarah Kaskas, prod: Michael Schwertel, Sarah Kaskas
Chris Aoun, prod: Chris Aoun, Simon Baumann, Cynthia Choucair
prod: Lino Rettinger, Dalia Al-Kury
FOR MORE INfORMATION PLEASE CONTACT: RObERT BOSCH STIfTUNG
Frank W. Albers | frank.albers@bosch-stiftung.de

FILM PRIZE COORdINATOR:
2014 FILM PRIZE Of THE RObERT BOSCH STIfTUNG GERMANY / ARAb WORLd JURY
VINCENZO BUGNO, World Cinema Fund | GEORGE DAVId, The Royal Film Commission Jordan | JOHANNES EbERT, Goethe-Institut HANIA MROU, Metropolis Art Cinema, Beirut | ROMAN PAUL, Razor Film Produktion | RASHA SALTI, Toronto International Film Festival
Karin Angela Schyle | schyle@filmprize.de
Free Range, directed by Bassem Breish (Lebanon), produced by Jacques Colman (Germany) and Katia Saleh (Lebanon). John Boutros
Early Bird breakfast (p.31)

SUN 9 | 17:00 HAU1
Film Prize of the Robert Bosch Stiftung Award Ceremony (p.32)
18
Canon
02 | 2014 Topics
CANON OF TALENTS
EVeRY PICTURe TeLLS A STORY: FRaNZ LUSTIG
Cinematographer Franz Lustig (Dont Come Knocking) has recently used Canon equipment to shoot Kevin Macdonalds latest film How I Live Now. With a selected group of Talents, this workshop will explore Lustigs techniques with Canon cameras.
DeFINING DISTaNCe: THe CINemaTOGRapHY OF AGNS GOdaRd
Internationally celebrated cinematographer Agns Godard (Beau Travail ) will give a master class in collaboration with Canon.
pOST-pROdUCTION STUdIO
The Post-Production Studio, one of the Ber linale Talents studio programmes, will feat ure cam eras provided by Canon.
Touch and try: this is your chance to experiment with Canon cameras
EaRLY BIRd BReaKFaST
CaNON CameRaS aRe INdISpeNSaBLe FOR INdepeNdeNT FILmmaKeRS TO CReaTe VIBRaNT ImaGeS THaT TeLL THeIR STORIeS.
Canon will host an Early Bird breakfast on Mon day, February 10.
TaLeNT PORTRaITS
Canon teams up with Berlinale Talents for several activities which will further acquaint Talents with their tools and demonstrate new techniques. In the HAU1 foyer, Canon will present its products during Berlinale Talents from Sunday to Thursday Feb 9-13.
PLaYBOX pOWeRed BY CaNON EVeRY PICTURe TeLLS A STORY: CHRISTOpHeR DOYLe
Every Talent participant will have their portraits taken on the first days of Berlinale Talents by Canon photographer Jrg Kyas, and will get a print to take home too.
CaNON SHORT FILm COmpeTITION
The Playbox is a touch-and-try area where Talents are encouraged to experiment with Canon equipment. The Canon-designed space will be used throughout the week for various activities including Talent and expert inter views, Every Picture Tells a Story workshops, and Post-Production Studio shoot ing.
BeRLINaLe TaLeNTS MaRKeT HUB
Director of photography, Christ opher Doyle (In the Mood for Love, The Limits of Control ), shares with a selected group of Talents his ap proach to working with a variety of directors, and his techniques with Canon equipment.
EVeRY PICTURe TeLLS A STORY: STeFaN CIUpeK
Together with the European Film Market (EFM), we started a new initiative under the title Berlinale Talents Market Hub which is powered by Canon and will enable Talents to present themselves at the EFM. Stand No. G8 on the 1st floor will be a meeting point pri marily for selected Talents from the area of distribution, from Project Labs and Editing Stu dio. Canon re pre sen ta tives will be available for meetings.
Director of photography and digital camera supervisor Stefan Ciupek who has worked on films including Antichrist, 127 Hours, Slumdog Millionaire, will join a selec ted group of Talents in the Playbox and give technical insights into his latest ex per ience working on the Brazilian sci-fi feature film Blue Desert.
Canons brand new short film competition is open exclusively to the 300 participants of Berlinale Talents. The entry deadline was on January 24, and during the Canon breakfast on Monday, February 10 the shortlisted treatments will be announced. The three awarded projects will each receive 3,000 EUR towards production, and the use of Canon equipment for shooting. The short films, each under five minutes, will be completed by June 30, 2014, and presented on Canon websites and at various Canon events and conventions. In addition to partnering with the Berlinale Talents on events and activities, Canon has pro vided cameras for the production of the Berlinale Talents promo reel.
VISIT CaNON ONLINe aT:
cpn.canon-europe.com or on Twitter @CanonProNetwork
02 | 2014 Topics
Talents International
19
FIVe talent OFFShOOtS

BERLINALE TALENTS IS THE ROLEMOdEL fOR FIVE INTER NATIONAL Off SHOOTS ACTING ON A REGIONAL bASIS. Discover Talents in Guada lajara,
Buenos Aires, Durban, Sarajevo and Tokyo.

6TH TALENTS GUAdALAjARA MAR 2025, 2014
Supported by the Goethe-Institut Mexico and the University of Guadalajara.
Mara Marta Antin: We are proud to be part of the Talents community with around 50 South American filmmakers every year. In 2014, we will focus on a new generation of film makers with the theme Juventud en marcha, listening to new voices from the conti nent and discussing new tools and tech niques available. In Buenos Aires, Talents can discuss, create, share and think about making films. They also have the privilege to take part in BAFICI and BAL .
7TH TALENTS DURbAN JUL 1822, 2014
Supported by the German Embassy in South Africa, the Goethe-Institut Johannesburg and the KwaZulu-Natal Department of Economic Development. Ana de la Rosa Zamboni: Del retrato famil iar a la industria is the theme of Talents Guadalajara 2014. This subject opens up windows to explore two different directions: on one hand it serves as an allegory for the con-soli dation of filmmakers and film critics in the industry, and on the other hand, it is a case study of family stories in Latin-American mov ies, where filmmakers show the reality of their countries with stories that feature families as a portrait of various cultures. Tal ents Gua dalajara will take place during the Gua dalajara International Film Festival and colla borates with the Ibero-American Co-Pro duc tion Meeting alongside the festival.
9TH TALENTS BUENOS AIRES APR 49, 2014
65 aspiring film professionals from Southeast Europe and the Southern Caucasus. Along with the focus on actors, directors, producers, scriptwriters and film critics, this year, Talents Sarajevo will also engage emerging cinematographers. By providing them with hands-on training experience and enabling them to network with their peers and established filmmakers, the aim is to meet the current needs of the regional film industry. Sarajevo Film Festival and Talents Sarajevo serve as key platforms for promotion and development of new-comers on the regional film scene by discovering, nurturing and following film talents through all the stages of their careers. Having a chance to discover our co-production market CineLink is also an important element.
4TH TALENTS TOKYO NOV 2429, 2014
Hosted by the Universidad del Cine. Supported by the Goethe-Institut Buenos Aires, Buenos Aires International Independent Film Festival (BAFICI) and the Buenos Aires Lab (BAL).
Peter Machen and Tiny Mungwe: This years theme for Talents Durban is Continent of Contrast an ode to the godfather of African cinema, Djibril Diop Mambtys first film ContrasCity. The 7th edition of Talents Durban looks to bring filmmakers together from across the continent to draw inspiration from Africas long tradition of storytelling. Breaking away from the stereotypical andhomogeneous narratives of Africa, this years Talents Durban aims to highlight that this continent is home to a myriad of cultures, colours, and stories. We not only want to highlight the stories of Africa, but contribute to a culture of Afri cans telling their own stories by nurturing the growth of African filmmakers. Talents Durban closely collaborates with the Durban FilmMart every year.
8TH TALENTS SARAjEVO AUG 16 21, 2014 Supported by the Robert
Organized by TOKYO FILMeX Organizing Committee.
Kanako Hayashi: During six days of TOKYO FILM eX, Talents Tokyo welcomes 15 selected Asian Talents every year. Up-and-coming Asian filmmakers find ways to break through and forge new paths into the future of cinema through sessions with internationally active film industry figures. In Tokyo, each partic ipant has the benefit of getting training on how to present their own project. Talents Tokyo 2014, once again aims to inspire promising filmmakers to develop their voices and become the Next Masters.
Bosch Stiftung and partners. Mirsad Purivatra and Asja Makarevi: Talents Sarajevo 2014 will open its doors to
Further studies for qualified applicants in the fields of film and television financing, production, marketing, sales, distribution and cross-media projects Application deadline: 15th of April and 15th of November 2014
Contact NIPKOW PROGRAMM e.V. Kurfrstendamm 225 D-10719 Berlin phone: +49 30 - 614 28 - 38 fax: +49 30 - 614 28 - 26 e-mail: nipkow-programm@t-online.de visit: www.nipkow.de
W I T H
T H E
S U P P O RT
O F :
03 | PrOgraMMe
22
Meet the Expert
03 | Programme
talkIng tte--Tte
Vis vis with documentary filmmaker Beadie Finzi, founding director of The Channel 4 BRITDOC Foundation
JOIN INdUSTRY PROfES S I ON ALS fOR fOCUSEd dISCUSSIONS IN SMALL GROUPS HAU2, HAU3 | BERLINALE TALENTS MARKET HUb | EFM, STANd NO. G8 ON 1ST fLOOR
Market as well as the market in Cannes, participating in festival juries and market panels. She will talk about how you can enter the market as a filmmaker, and how to find the right market(s) for your film project.
HANIA MROU 12:4513:30 | HAU2, 2Nd fLOOR
help you to decide which camera might work best for you and to get detailed information on their benefits. An additional session with Mike Owen takes place on Tuesday, Feb 11 at 16:00.
DOROTA LECH 16:0016:45 | bRAENNEN
SUn, Feb 9
SYdNEY LEVINE 12:4513:30 | EFM
Sydney Levine, has over 35 years of experi en ce in the entertainment industry. She start ed as an acquisitions executive and went on to est ab lish FilmFinders, the first comprehen- sive data base of worldwide productions and rights availabilities by territory. This served as the basis for Cinando, the Cannes market platform. After 20 years, she sold it to IMDb and is now writing for SydneysBuzz, her blog on Indiewire.com and IMDbPro.com. She is teach ing, creating online courses in the in ter national film business, writing a book on Ibero- American Film Financing for El Patronato de Guadala jara, working with the European Film
Hania Mrou is a founding member of the cinema association Beirut DC and founder and director of Metropolis Art Cinema. She managed Med-Screen, a Euromed Audiovisual II project for the promotion of Arab cinema, which pre sented Arab films at the two largest European film markets: Berlin and Cannes. Hania will share her expertise about filmmaking in the Arab world and discuss challenges facing Arab filmmakers today.
MIKE OWEN 16:0016:45 | EFM
Canon is the principal partner of the Berlinale Talents and this is your chance to ask your questions about working with Canon equipment to Mike Owen. At the Berlinale Talents Market Hub, powered by Canon, Mike will
New and dynamic opportunities in terms of documentary financing and exposure are growing. The aim at Hot Docs and the Hot Docs Forum is to help the best documentaries shine on the world stage by garnering relationships with international filmmakers, key decision makers, global commissioning editors, as well as film financiers. By providing year-round financing oppor tunities and industry support, Hot Docs is poised to guide doc makers. Programmes like Hot Docs Deal Maker, Distribution Rendezvous, Rent-AnExpert, The Doc Shop, and Close Up With as well as funds like the CrossCurrents Doc Fund and the Hot Docs-Blue Ice Group Documentary Fund aim at getting filmmakers finan c ed, networked and distributed. Explore different ways to get your project funded.
03 | Programme
Meet the Expert
23
Meet TOKYO FILM eX director Kanako Hayashi
IVN TRUjILLO 16:0016:45 | HAU2, 2Nd fLOOR
As Festival director of the Guadalajara International Film Festival, Ivn Trujillo will be able to tell you all about the Latin American film industry, what the festival and the co-production market in Guadalajara have to offer you and how you can connect to them easily in the future.
new projects, getting them funded and how to apply for the programmes both BRITDOC and IDFA offer throughout the year.
JANNEKE LANGELAAN 16:0016:45 | EfM
tUe, Feb 11
PETER BELSITO 12:4513:30 | EfM
MOn, Feb 10
BEAdIE FINZI, AdRIEK VAN NIEUWENHUYZEN 12:4513:30 | EfM
Janneke Langelaan is the coordinator of the Hubert Bals Fund of the International Film Fest ival Rotterdam. The Hubert Bals Fund is designed to support remarkable feature films by innovative and talented filmmakers from Asia, the Middle East, Eastern Europe, Africa and Latin America. In this ses sion Janneke will focus on the possibilities for funding of the fund, with special attention how to prepare an application and project proposal.
KANAKO HAYASHI 16:0016:45 | HAU2, 2Nd fLOOR Festival director of the TOKYO FILM eX Inter-
Peter Belsito, American producer, cine ma tographer and publisher will give an over view of the current international independent marketplace and will share his experience preparing for performing successfully when visiting film markets. He will advise Talents on how to find their way in the world of sales, distribution, financing, marketing, publicity both on- and offline.
AGNS GOdARd 12:4513:30 | HAU2, 2Nd fLOOR
European independent documentary filmmakers are really feeling the pinch now as traditional TV funding continues to ebb away and slots are harder to come by. So who is going to support the production and distribution of independent documentary feature films? Look together with Beadie Finzi (BRIT DOC) and Adriek Van Nieuwenhuyzen (IDFA) at the challenges and opportunities presented at both platforms when it comes to presenting
national Film Festival and co-initiator of Talents Tokyo, Hayashi will shed light on cur rent developments in Southeast and South Asia as well as how the festival and Talents Tokyo aim to offer a high-profile platform to a new generation of Asian filmmakers.
Renowned French cinematographer Agns Godard (Beau Travail, Sister) who gives one of the master classes this year, will join for a meeting with Talents interested in her work. She will answer your questions about cinematography and how D oPs and directors can improve and benefit from work ing together.
International Documentary Film Festival Amsterdam

IDFAcademy is an international training program for young up-andcoming talent eager to learn about the documentary industry and develop documentary projects. In 2014, IDFAcademy will organize the seventh edition of the Summer School. Over the course of six days of intensive tutoring by highly esteemed filmmakers and film professionals, participants will work on their script or rough cut. IDFAcademy Summer School, Amsterdam, June 30 July 5, 2014 Deadline for submission: April 1, 2014 More information on www.idfa.nl/idfacademy
IDFAcademy Summer School
Former participants about the Summer School:
I was happy that the program was so intense. I left with concrete results and the bonus of having met some likeminded documentary filmmakers from around the world. The schedule and program were perfectly in balance. Because the workshop lasted a whole week, we had the chance to meet with our tutor several days in a row, which made it possible to dig much deeper into the project. The group proved to be a great mix of lovely people who never get tired of discussing options and dilemmas, either in the Summer School sessions or over a drink.
03 | Programme
Meet the Expert
25
Casting director Beatrice Kruger
tUe, Feb 11
LAURENT CROUZEIX, KRZYSZTOf GIERAT, JUKKA-PEKKA LAAKSO 12:4513:30 | HAU3, bAR
WeD, Feb 12
PETER MACHEN 12:4513:30 | HAU2, 2Nd FLOOR
MATTHEW TAKATA 16:0016:45 | EfM
Following the Short Cuts session, Talents will have the opportunity to meet and speak with programmers and representatives from Clermont-Ferrand International Short Film Festival, Krakow Film Festival, and Tampere Film Festival. They will answer questions about the profiles of their festival this is your chance to learn which festival would be a good fit for your film.
PAUL PAUWELS 16:0016:45 | HAU2, 2Nd fLOOR
Peter Machen was appointed manager of the Durban International Film Festival early last year, after seven years of working for the festival as a programmer and writer. He is one of South Africas leading arts writers and the author of two books. Being familiar with a range of festivals in both Europe and Africa, he will share his expertise about filmmaking in the region and discuss some of the challenges facing African filmmakers today.
MICHAEL GEIdEL 16:0016:45 | HAU2, 2Nd fLOOR
The Sundance Institute has always provided a space for independent artists to explore their stories free from commercial and political pressures. Matthew Takata, manager of the Feature Film Program International at the Sundance Institute will answer your questions regarding how to ben efit from the programmes the Sundance Institute offers, with special focus on admission criteria and preparation.
thU, Feb 13
BEATRICE KRUGER 12:4513:30 | HAU2, 2Nd fLOOR
Paul Pauwels, director of the European Documentary Network, talks on networking and sharing of good practices within the doc umentary sector and the need to actively defend the documentary communitys interests in a fast-changing media environment. Find out what EDN can do for you.
Michael Geidel, co-founder of the Green Film Initiative, will talk about the different tools and methods of sustainable filmmaking, show best practice examples and discuss what it brings to your film besides a lower CO2 output. He will also give an outlook on the current developments and discuss how and why to support sustainable film production.
A casting director based in Rome, Beatrice Kruger has been involved in the discovery and promotion of new acting talent for many years and developed the idea and concept for the multi-language casting platform: e-talenta.eu. She is responsible for casting films including To Rome with Love, Casino Royale, Oceans Twelve and many more. She will give you insight into casting for international films.
26
Saturday | Sunday
03 | Programme
COLOUR CODE
TIMETABLE SAT 08
8:3018:00
TICkETING / TaLENT REGIsTRaTION
HAU2
Summit open to the public ticket required Project Labs, Studios, Talent press for pre-selected Talents only Non public for Talents only
SUN 09
14:0019:00
EDITING STUDIO
8:3018:00
TICkETING
HAU2
10:3014:00
EMBODYING ThE ChaRaCTER
In cooperation with DFFB. (p.51)

HAU3
Kristof Konrad, Jean-Louis Rodrigue. Pre-registration required. (p.31)

OThER
9:0010:30
EaRLY BIRD BREakfasT
sCRIPT STaTION
9:0010:30
Hosted by Berlinale Talents and Talents International. (p.30)

HAU2
In cooperation with FFA , Sources 2. (p.45)

HAU3
Hosted by Robert Bosch Stiftung and The Royal Film Commission Jordan. (p.31)
HAU2
11:0012:30
LOVE STEaks: MakING aND BREakING RULEs
14:0015:30 9:0020:00
BERLINaLE TaLENTs MaRkET hUB PRODUCTION DEsIGN STUDIO
9:0020:00
BERLINaLE TaLENTs MaRkET hUB
Powered by Canon. (p.18)

EfM
In cooperation with USC I 5D Institute, Los Angeles. (p.56)

OThER

EfM
Jakob Lass, Ines Schiller, Golo Schultz . In cooperation with Film and Television University (HFF) Konrad Wolf, Medienboard Berlin-Brandenburg. Pre-registration required. (p.31)
HAU3 TF
10:0011:00
aCTING sTUDIO (p.53)
HAU1
15:0018:00
TaLENT PREss
10:0017:30
DOC sTaTION
11:0013:00
TaLkING TaLENTs Playbox powered
Editorial meeting. In cooperation with Goethe-Institut and FIPRESCI. (p.57)

OThER
In cooperation with FFA, Sources 2 and ZDF/ARTE. (p.46)

HAU3
by Canon. Pre-registration required. (p.31)

HAU3
10:0018:30
POsT-PRODUCTION STUDIO
In cooperation with Canon, tectum film equipment rental, DFFB and ARRI. (p.50)
HAU3
16:3019:30
DOC sTaTION
EDITING STUDIO
12:3013:15
SPEED MaTChING

OThER
In cooperation with FFA , Sources 2 and ZDF/ARTE. (p.46)

haU3
Directors meet cinematographers. Pre-registration required. (p.30)

HAU2
11:3012:30
OPENING CEREMONY
OThER
12:3014:00
RECEPTION MaNfRED DURNIOk FOUNDaTION
Matthijs Wouter Knol, Dieter Kosslick, Christine Trstrum. (p.30)

HAU1
17:0018:00
GLOBaL sPEED MaTChING
sCRIPT STaTION
Meet and greet session. Moderated by Matthijs Wouter Knol . (p.30)

HAU2
In cooperation with FFA, Sources 2. (p.45)

HAU3
Supported by Manfred Durniok Foundation. By invitation only. (p.15)

OThER
13:0016:00
ShORT FILM STaTION
ShORT FILM STaTION
In cooperation with Medienboard BerlinBrandenburg, Short Film Agency Hamburg, AG Kurzfilm and Berlinale Shorts. (p.47)
HAU3
19:0020:00
ThE IMaGONaUT: 180 CINEMa
HAU3
12:4513:30
MEET ThE EXPERT: SYDNEY LEVINE
In cooperation with Film and Television University (HFF) Konrad Wolf. By invitation only. (p.30)
OThER
Pre-registration required. (p.22)

EFM
SOUND STUDIO
SOUND STUDIO
In cooperation with Dolby Laboratories, Film and Television University (HFF) Konrad Wolf, The Post Republic, Fraunhofer Heinrich Hertz Institute. (p.49)
OThER
20:00 22:00
FILM SCREENING: MY BROThERs KEEPER
OThER
MEET ThE EXPERT: HaNIa MROU

haU2
14:0015:30
WOMEN ON ThE VERGE Of a NERVOUs BREakDOWN: SUCCEssfUL SCREENWRITING
TaLENT PROJECT MaRkET(p.44)

OThER
Maximilian Leo. In cooperation with Perspektive Deutsches Kino. (p.30)

HAU1
10:1518:30
TaLENT PROJECT MaRkET (p.44)
OThER
080931
14:0015:00
fasT fORWaRD GERMaNY
10:3011:30
ONCE UPON A TIME: HOW TO STaRT A FILM?
Tony Grisoni, Claudia Llosa, Rzvan Rdulescu. Moderated by Peter Cowie. In cooperation with MEDIA Training Programme of the European Union. (p.32)
HAU1
Frank W. Albers, Christine Berg, Mariette Rissenbeek, Daniel Saltzwedel. Moderated by Henning Kamm. In cooperation with Medienboard BerlinBrandenburg, Robert Bosch Stiftung, FFA and German Films. (p.30)
HAU2
090932
Greta Gerwig, Michel Gondry, James Schamus. Moderated by Matthijs Wouter Knol. (p.31)
HAU1
ThE INDIE FILMMakERs GUIDE TO CROss MEDIa I
Michel Reilhac, Mahyad Tousi. Moderated by Liz Rosenthal. (p.32)

HAU3 TF
090931
090801
03 | Programme
Sunday | Monday
27
PaGE NUMBERs
MORE INfORMaTION
KEY TO aBBREVIaTIONs EFM Berlinale Talents Market Hub stand no. G8, 1st floor at the European Film Market OThER Other Venue HAU3 TF HAU3, Top Floor
(p.) refer to corresponding texts in the magazine
www.berlinale-talents.de
MON 10
14:0016:00
KILL YOUR DaRLINGs
8:3018:00
TICkETING
HAU2
ThE SURVIVaL GUIDE TO DIGITaL WORkfLOWs
15:0018:00
TaLENT PREss
Susan Korda. (p.32)

HAU2
090941
9:0010:30 15:0018:00
TaLENT PREss EaRLY BIRD BREakfasT
Birgit Gudjonsdottir, Dirk Meier. In cooperation with Canon, tectum film equipment rental, DFFB and ARRI. (p.33)
HAU3 TF

OThER
100803
Hosted by Canon. (p.33)

HAU2

OThER
12:3013:15
SPEED MaTChING
16:0016:45
MEET ThE EXPERT: JaNNEkE LaNGELaaN
9:0020:00
Directors meet producers and distri butors. Pre-registration required. (p.30)

HAU2

EFM
16:0016:45
MEET ThE EXPERT: MIkE OWEN

EfM

EFM
12:4513:30
MEET ThE EXPERT: BEaDIE FINZI, ADRIEk VaN NIEUWENhUYZEN
MEET ThE EXPERT: KaNakO HaYashI
Pre-registration required (p.23)

HAU2
10:0017:30
DOC sTaTION
MEET ThE EXPERT: IVN TRUJILLO

haU2
In cooperation with FFA , Sources 2 and ZDF/ARTE. (p.46)

sCRIPT STaTION

EFM
16:0017:00
EXCURsION TO "MEET ThE DOCs"
MEET ThE EXPERT: DOROTa LECh

ShORT FILM STaTION

OThER
13:0015:00
EXCURsION TO STUDIO BaBELsBERG
Sydney Levine. In cooperation with European Film Market. Pre-registration required. (p.34)
EFM
17:0018:00
FILM PRIZE Of ThE ROBERT BOsCh STIfTUNG AWaRD CEREMONY
HAU3
In cooperation with Studio Babelsberg. Pre-registration required. (p.33)

OThER
17:0018:30
DEfINING DIsTaNCE: ThE CINE Ma TO GRaPhY Of AGNs GODaRD
EDITING STUDIO

Hosted by Robert Bosch Stiftung. (p.32)

HAU1
CULTURaL TaLk FEDERaL FOREIGN OffICE WELCOME
090933
SOUND STUDIO
17:0018:30
SEaLING ThE DEaL: HOW TO WORk WITh DIsTRIBUTORs
In cooperation with Federal Foreign Office (Auswrtiges Amt). Including lunch. Pre-registration required. (p.33)
OThER
Agns Godard. Moderated by Matthijs Wouter Knol. In cooperation with Canon. (p.35)
HAU1
100933
Cristina Garza, Anna Higgs, Philip Knatchbull. Moderated by Ben Gibson. (p.32)
HAU3 TF
OThER
HELP! I MaDE a SUCCEssfUL FILM
14:0015:30
CROssING ThE BORDER: FINDING NEW AUDIENCEs
Ritesh Batra, Anthony Chen, Jan-Ole Gerster. Moderated by Lorna Tee. In cooperation with Medienboard BerlinBrandenburg.(p.35)
HAU2
100942
090802
10:0018:00
TaLENT PROJECT MaRkET (p.44)
OThER
19:0022:00
Victoria Broackes, Yoel Gamzou, Annemie Vanackere. Moderated by Chris Torch. (p.34)
HAU 2
ThE WORLD Of ShOUTs aND WhIsPERs
100941
In cooperation with Film and Television University (HFF) Konrad Wolf. (p.30)
OThER
PLaYING ThE ChaRaCTER
Kristof Konrad, Jean-Louis Rodrigue. Pre-registration required. (p.33)

OThER
ThE INDIE FILMMakERs' GUIDE TO CROss MEDIa II
Eugene Gearty, Peter Strickland. Moderated by Peter Cowie. In cooperation with Dolby Laboratories. (p.35)
HAU3 TF
Katerina Cizek. Moderated by Liz Rosenthal. (p.34)

HAU3 TF
100802
100801
20:0022:00
JaCk SMITh: BEYOND ThE RENTED WORLD I FOR MaRIO MONTEZ
19:3022:30
DINE & ShINE
11:0012:30
NEW GERMaN CINEMa: ThE BERLIN SChOOL
EVERY PICTURE TELLs a STORY: ChRIsTOPhER DOYLE
Flo Jacobs, Ken Jacobs, Jerry Tartaglia, John Zorn. Moderated by Marc Siegel. In cooperation with Berlinale Forum Expanded. (p.32)
HAU1
Maren Ade, Benjamin Heisenberg, Christian Petzold, Rajendra Roy. Moderated by Christoph Grner. In cooperation with Deutsche Kinemathek Museum fr Film und Fernsehen, Museum of Modern Art, Medienboard Berlin-Brandenburg and Berlinale Panorama. (p.33)
HAU1
In cooperation with Canon. Pre-registration required. (p.34)

HAU3
Moderated by Loretta Stern. Supported by MEDIA , Robert Bosch Stiftung, Medienboard Berlin-Brandenburg and Canon. By invitation only. (p.35)
OThER
14:0016:00
FILM SCREENING: BLIND
Eskil Vogt. In cooperation with Berlinale Panorama. (p.34)

HAU1
100931
100932
28
Tuesday | Wednesday
03 | Programme
COLOUR CODE
TIMETABLE TUE 1 1
8:3018:00
TICkETING
HAU2
Summit open to the public ticket required Project Labs, Studios, Talent press for pre-selected Talents only Non public for Talents only
WED 12
TaLkING TaLENTs Playbox powered by Canon. Pre-registration required. (p.31)
HAU3
14:0015:30
EVERY PICTURE TELLs a STORY: STEfaN CIUPEk
8:3018:00
TICkETING
HAU2
9:0010:30
11:3012:30
shORT CUTs Laurent Crouzeix,

HAU3
9:0010:30
Hosted by Deutsche Welle. (p.36)

HAU2
9:0020:00
Krzysztof Gierat, Jukka-Pekka Laakso. Moderated by Maike Mia Hhne. In cooperation with European Film Academy and Berlinale Shorts. (p.36)
HAU3 Tf
16:0016:45
MEET ThE EXPERT: MIkE OWEN
Hosted by Institut franais. (p.38)

HAU2

EFM
110801
9:0020:00

EfM
12:3013:15
SPEED MaTChING
MEET ThE EXPERT: PaUL PaUWELs

EfM

haU2
10:0018:00
DOC sTaTION In cooperation with FFA ,
Directors meet screenwriters. Pre-registration required. (p.30)

HAU2
EXCURsION TO ThE EUROPEaN fILM MaRkET Sydney Levine.
10:0017:00
SOUND STUDIO
Sources 2 and ZDF/ARTE. (p.46)

sCRIPT STaTION

ShORT FILM STaTION
12:4513:30
MEET ThE EXPERT: PETER BELsITO
In cooperation with European Film Market. Pre-registration required. (p.34)

EFM
OThER
HAU3

EFM
16:0020:00
PLAY: REINVENTING COLLaBORaTION I
MEET ThE EXPERT: AGNs GODaRD
10:0011:00
EXCURsION TO ThE EUROPEaN FILM MaRkET
SOUND STUDIO

haU2
EDITING STUDIO
Ed Cookson, Juan DiazB, Patrick Hanen berger, Tawny Schlieski. In cooperation with USC | 5D Institute, Los Angeles. Pre-registration required. (p.37)
OThER
shORT CUTs: MEET ThE EXPERTs
Sydney Levine. In cooperation with European Film Market. Pre-registration required. (p.34)
EFM

OThER
Laurent Crouzeix, Krzysztof Gierat, Jukka-Pekka Laakso. In cooperation with European Film Academy and Berlinale Shorts. Pre-registration required. (p.25)
haU3
17:0018:30
DIRECTING ACTORs
10:3013:30
STaYING FaIThfUL TO ThE WRITERs VIsION
Diego Luna. In cooperation with Berlinale Special. Pre-registration required. (p.37)

haU3
10:0011:00
EXCURsION TO ThE EUROPEaN FILM MaRkET Sydney Levine.
14:0015:30
EXPaNDING STORIEs: SUCCEssfULLY CREaTING TELEVIsION SERIEs
Alby James. Pre-registration required. (p.38)

OThER
HURT FEELINGs: WRITING EMOTIONs fOR ThE SCREEN

EFM
Martha De Laurentiis, Neil Jordan. Moderated by Peter Cowie. (p.36)

HAU1
Aida Begi, Denis Ct. Moderated by Matthijs Wouter Knol. In cooperation with Berlinale Forum. (p.37)
HAU1
11:0012:30
NYMPHOMANIAC: HOW TO SELL UNEasY FILMs
110932
110931 PRODUCERs ShaRING ThEIR SECRETs Benjamin Domenech,
11:0012:30
DEUTsChE KINEMaThEk TOUR
Louise Vesth. Moderated by Ben Gibson. (p.38)

HAU3 Tf
5D ThE SCIENCE Of FICTION: ShaPING NEW WORLDs
120801
In cooperation with Deutsche Kinemathek. Pre-registration required. (p.36)

OThER
11:0013:00
FILM SCREENING: SHES LOST CONTROL Anja Marquardt.
Ed Cookson, Patrick Hanenberger, Tawny Schlieski. Moderated by Juan DiazB. In cooperation with USC / 5D Institute, Los Angeles, Medienboard Berlin-Brandenburg. (p.36)
HAU2
Bertha Navarro, Raymond Phatha navi ran goon, Ada Solomon. In cooperation with Robert Bosch Stiftung. (p.37)
HAU2
11:0013:00
SCREENING ShORTs. A COMPILaTION Of ShORT FILMs
110942
PROTECT YOUR RIGhTs
110941
Mareile Bscher, Michael C. Donaldson. (p.37)

HAU3 TF
In cooperation with Berlinale Forum. (p.36)

HAU1
A ROOM WITh a VIEW: COLLaBORaTING ON SCRIPTs
110803
Gabriel Abrantes, Mahdi Fleifel, Susan Korda, Sakaris Str, John Trengove. Moderated by Matthijs Wouter Knol. In cooperation with Berlinale Shorts and Berlinale Generation. (p.38)
HAU1
110933
OThER
Alistair Banks Griffin, Sebastin Lelio, Jos Luis Valle. Moderated by Kathi Bildhauer. In cooperation with Berlinale Residency, Medienboard BerlinBrandenburg, MEDIA Mundus. (p.37)
HAU3 TF
18:3019:30
haPPY hOUR
120931
TaLkING TaLENTs
Hosted by European Film Academy. By invitation only. (p.18)

EfM
Playbox powered by Canon. Pre-registration required. (p.31)

HAU3
110802
03 | Programme
Wednesday | Thursday
29
PaGE NUMBERs
MORE INfORMaTION
KEY TO aBBREVIaTIONs EFM Berlinale Talents Market Hub stand no. G8, 1st floor at the European Film Market OThER Other Venue HAU3 TF HAU3, Top Floor
(p.) refer to corresponding texts in the magazine
www.berlinale-talents.de
THU 13
11:0013:30
PROJECT PREsENTaTION DaY: DOC STaTION Moderated by Sirkka PROJECT PREsENTaTION DaY: sCRIPT STaTION
8:3018:00
TICkETING
HAU2
12:4513:30
MEET ThE EXPERT: BEaTRICE KRUGER Pre-registration required. (p.25)
haU2
Mller. In cooperation with FFA , Sources 2, ZDF/ARTE. Pre-registration required. (p.38)

OThER
Moderated by Gabriele Brunnenmeyer. In cooperation with FFA, Sources 2. Pre-registration required. (p.38)
OThER
9:0010:30
EaRLY BIRD BREakfasT (p.40)
13:0016:30
EXCURsION TO TECTUM
12:3013:15
SPEED MaTChING
15:0018:00
TaLENT PREss
haU2
Directors meet actors. Pre-registration required. (p.30)

HAU2

OThER
9:0020:00
In cooperation with tectum film equipment rental. Pre-registration required. (p.40)

OThER

EfM
14:0015:30
SWITChING GENREs: ThE POWER Of HYBRID FILM
12:3013:30
EXCURsION TO ThE EUROPEaN FILM MaRkET Sydney Levine.
16:0016:45
MEET ThE EXPERT: MaTThEW TakaTa Pre-registration required. (p.25)
EFM
11:0011:45
DIsCLOsING ThE WORLD CINEMa FUND

EFM
MEET ThE EXPERT: MIChaEL GEIDEL
12:4513:30
MEET ThE EXPERT: PETER MaChEN

haU2
Vincenzo Bugno, Sonja Heinen. In cooperation with World Cinema Fund. (p.40)
HAU3 TF
Sophie Hyde, Corneliu Porumboiu, Warwick Thornton. Moderated by Jean-Pierre Rehm. In cooperation with Berlinale Forum and Berlinale Generation. (p.41)
HAU1
130931
130801 HOW TO REaD a FILM? FILM CRITICs MEETING FILMMakERs

haU2
16:0018:30
PROJECT PREsENTaTION DaY: shORT fILM STaTION
11:0012:30
PREsENTaTION: POsT-PRODUCTION STUDIO
Edwin, Chris Fujiwara, Diego Lerer. (p.41)

HAU2
130941
14:0015:30
UNCOVERING STORIEs: FILMMakERs BREakING ThE RULEs
Haifaa Al Mansour, Umut Da, Marie Ka. Moderated by Dorothee Wenner. In cooperation with Federal Foreign Office (Auswrtiges Amt), Medienboard BerlinBrandenburg, Berlinale Panorama. (p.39)
HAU1
Moderated by Daniel Saltzwedel. In cooperation with Medienboard BerlinBrandenburg, Short Film Agency Hamburg, AG Kurzfilm and Berlinale Shorts. Pre-registration required. (p.38)
OThER
Birgit Gudjonsdottir, Dirk Meier. In cooperation with Canon, tectum film equipment rental, DFFB and ARRI. (p.40,50)
OThER
ROUGhLY sPEakING: EDITING STUDIO PREsENTaTION
Susan Korda, Paz Lzaro, Sigrid Limprecht. Moderated by Kevin Murphy. In cooperation with DFFB. (p.41,51)
haU3 TF
120932
16:3018:30
ThE WRITERs' GYM: FROM ChaRaC TER TO STORY Ellis Freeman.
11:0013:00
FILM SCREENING: SOUTH IS NOTHING
16:0016:45
ThINGs TO TakE hOME
TakING ThE LEaD: NINa HOss
Moderated by Peter Cowie. (p.39)

HAU2

haU3 TF
Fabio Mollo. In cooperation with Berlinale Generation. (p.40)

HAU1
120941
130933
Kathi Bildhauer, Matthijs Wouter Knol, Arne Kohlweyer, Sirkka Mller, Christiane Steiner, Christine Trstrum. (p.41)
HAU3
14:0016:00
ThE WRITERs' GYM: FROM ChaRaCTER TO STORY Ellis Freeman.
17:0018:30
ThE LaND Of ThINGs aND SPaCEs: PRODUCTION DESIGN BY ADAM STOCKHAUSEN
OThER
17:0018:30
ThE INVIsIBLE WORLD: ThE MaGIC Of VIsUaL EffECTs

haU3 TF
14:0015:30
EVERY PICTURE TELLs a STORY: FRaNZ LUsTIG In cooperation with
Adam Stockhausen. Moderated by Peter Cowie. In cooperation with Studio Babelsberg. (p.39)
HAU1
Lucy Ainsworth-Taylor, Pierre Buffin. Moderated by Ben Gibson. (p.41)
12:0012:45
ENTERING ThE BERLINaLE CO-PRODUCTION MaRkET
HAU1
130932
120933
Canon. Pre-registration required. (p.39)

HAU3
18:3019:30
haPPY hOUR
14:0016:30
PLAY: REINVENTING COLLaBORaTION II
Hosted by Sources 2. By invitation only. (p.38)

EfM
Kathi Bildhauer, Martina Bleis, Sonja Heinen. In cooperation with Berlinale CoProduction Market. (p.40)
HAU3 TF 130802
19:0022:00
OThER
Ed Cookson, Juan DiazB, Patrick Hanen berger, Tawny Schlieski. In cooperation with USC / 5D Institute, Los Angeles. Pre-registration required. (p.37)
OThER
19:0022:00
12:3013:15
SPEED MaTChING
21:00
CLOsING PaRTY
OThER
Directors meet sound designers, film composers and editors. Pre-registration required. (p.30)
HAU2
Supported by MEDIA , Robert Bosch Stiftung, Medienboard Berlin-Brandenburg, Canon. By invitation only. (p.41)
OThER
30
Saturday
03 | Programme
SAT, FEB 8 | DAY 1

More foc u s ed meeting ses sions will follow daily at 12:30 pm in HAU 2: FEB 09 Directors meet cinematographers FEB 10 Directors meet producers and distributors FEB 11 Directors meet screenwriters FEB 12 Directors meet actors FEB 13 Directors meet sound designers, film composers and editors
THE IMAGONAUT: 180 CINEMA 19:0020:00 | BRAENNEN
My Brother's Keeper by alumnus Maximilian Leo. Matteo Cocco
TICKETINg AND TALENT REgISTRATION 8:3018:00 | HAU2
Welcome to Berlin! Once you arrive, please make your way to the Berlinale Talents re gi stration counter and pick up your accre dit ation. Youll be welcomed by the Berlinale Talents staff, get all your logistical questions answered, pick up your travel reimburse - ment, find out how to get tickets to the events and films youd like to attend, and have your portrait taken courtesy of Canon.
EARLY BIRD BREAKfAST 9:0010:30 | HAU2
Christine Trstrum will welcome you and pre sent the focus of this years edition, as well as show a compilation of clips from se lec ted participants.
FAST FORWARD GERMANY 14:0015:00 | HAU2
Hosted by Berlinale Talents and Talents International. Start the day with breakfast and conversa ti ons hosted by the Talents International net work. Enjoy hot coffee and croissants while you engage with filmmakers from around the world. Get sated and caffeinated before heading out for a day full of meetings and events.
OPENINg CEREMONY 11:3012:30 | HAU1
Frank W. Albers, Christine Berg, Mariette Rissenbeek, Daniel Saltzwedel. Moderated by Henning Kamm. In cooperation with Medienboard Berlin-Brandenburg, Robert Bosch Stiftung, FFA and German Films. Do you want to make films with German par t ners? German film funding organisations, representatives from Medienboard BerlinBrandenburg, Robert Bosch Stiftung, German Federal Film Board (FFA) and German Films will present their initiatives and goals in support ing and promoting German cinema. This session is relevant to all Talents interested in work ing with or in Germany. Find out what would qualify your project to apply for funding through these organisations.
GLOBAL SPEED MATChINg 17:0018:00 | HAU2
In cooperation with University of Film and Television (HFF) Konrad Wolf. The Imagonaut (Philipp Wenning, 2014) is a film projected on a 180 curved screen which puts the viewer in the middle of a new reality, creating an immersive cinematic experience both visually and son ically through the 360 spatial sound. Through these tools, it enables a cinematic perception that is very close to the daily experience of our natural environ ment. The 50 minute film, shot with a prototypi cal 5-lens 180 camera in 7k resolution and with the holophonic wave field synthesis sound method, is a sci-fi film about humans living in Biospheres. This pro ject is the result of a three-year inter dis ci pli nary research project of the Uni versity of Film and Television (HFF) Konrad Wolf in Potsdam-Babelsberg in co op eration with the Fraun hofer Heinrich Hertz Institute Berlin and the expertise Centre for Digital Media, University of Hasselt, Belgium. The Imagonaut will be screened on: FEB 08 19:00 (by invitation only) FEB 09 19:00 | 20:00 | 21:00 FEB 1 1 11:00 | 12:00 FEB 12 19:00 | 20:00 | 21:00 FEB 13 11:00 | 12:00 | 19:00 | 20:00 | 21:00 The cre a tive team will be present to discuss its approach to expanded storytelling techniques.
FILM SCREENINg: MY BROThER'S KEEPER | 20:0022:00 | HAU1
Matthijs Wouter Knol, Dieter Kosslick, Christine Trstrum. We welcome all Talents, mentors, and experts to the Opening Ceremony of Berlinale Tal ents. Festival director Dieter Kosslick, Berlinale Talents managers Matthijs Wouter Knol and
Meet and greet session. Moderated by Matthijs Wouter Knol. Global Speed Matching is the Berlinale Talents version of speed-dating. An exciting way to meet Talent peers, its also a great opportunity to introduce yourself and your work and en gage with potential creative partners.
A film by Maximilian Leo. In cooperation with Perspektive Deutsches Kino. Maximilian Leo, a Berlinale Talents alumnus from 2011 and 2012, returns to the Berlinale with his film My Brothers Keeper (with English subtitles).
03 | Programme
Sunday
31
DAY 2 | SUN, FEB 9

shop and interactive experience in which selected Berlinale Talents who are participat ing will be asked to have a monologue ready. Helping actors gain access to themselves and teaching them to transform into characters requires an atmosphere free of fear. Rodrigue and Konrad promote an environment that is both playful and daring.
LOVE STEAKS: MAKINg AND BREAKINg RuLES 11:0012:30 | HAU3, TOP FLOOR
Love Steaks: a new working process according to Fogma rules Michel Gondry returns to Berlinale Talents
osted by Robert Bosch Stiftung and The Royal H Film Commission Jordan. Kickstart the day with breakfast and con ver sations hosted by the Robert Bosch Stif tung and The Royal Film Commission Jordan. Ac quaint yourself with their mission sup por t ing films that inspire cross-cultural ex change. Get your hot coffee and croissants, and chat with fellow Talents before embark ing on an other exciting day.
ONCE UPON A TIME: HOW TO START A FILM 10:3011:30 | HAU1
y propelling us into the films story. James l Schamus (Crouching Tiger Hidden Dragon, The Ice Storm), Michel Gondry (Eternal Sunshine of the Spotless Mind, The Science of Sleep) and Greta Gerwig (Frances Ha, Nights & Weekends) have all produced, directed or acted in the films that they wrote. Schamus, Gondry and Ger wig are on the Berlinale's International Jury this year, and will kick off Berlinale Tal ents 2014's storytelling focus by sharing stor ies behind the opening scenes of their wellknown films.
EMBODYING THE CHARACTER 10:3014:00 | BRAENNEN
Jakob Lass, Ines Schiller, Golo Schultz. In cooperation with Film and Television University (HFF) Konrad Wolf and Medienboard Berlin-Brandenburg. The filmmaking team of the successful Ger man film Love Steaks, which won many awards at Filmfest Munich, will lead a creative work shop for a small group of selected Talents. The session will feature the new working pro cess they developed through the de cla rat ion of their Fogma rules. Director Jakob Lass, screen writer/producer Ines Schiller, and com poser/producer Golo Schultz will give in s ight into the production process by ana ly z ing scenes from Love Steaks, and discuss their self-imposed limitations and the new free doms they discovered.
TALKINg TALENTS PLAYBOX POWERED BY CANON 11:0013:00 | hAu3 PLAYBOX
Susan Korda at Kill Your Darlings
Greta Gerwig, Michel Gondry, James Schamus. Moderated by Matthijs Wouter Knol. A good start is half the work. Opening scenes should have the quality to charm, enchant, and intrigue us. They make us fall in love or be come captivated by the characters, instant
Kristof Konrad, Jean-Louis Rodrigue. Through mental and physical processes based on the Alexander Technique, this workshop will allow actors and film directors to expand their level of awareness of themselves, in still ness and in movement, focusing on con nec t ing the body and breath to performance and cre ating characters. This is a hands-on work
In cooperation with Canon. The Playbox powered by Canon is a multi-use space in HAU3 where Talents are encouraged to experiment with Canon equipment and participate in various activities, workshops and the Talking Talents interviews. Talents interested in trying out Canon cameras are invited to shoot short interviews with fellow Talents, trying new shooting ap proa ch es, and getting information and guidance from Canon experts and the Berlinale Talents technical team who will be on hand for in struction and support. The interviews will focus on Talents discussing their own work in relation to this years theme Ready to Play? Breaking the Rules.
32
Sunday
03 | Programme
SUN, FEB 9 | DAY 2

WOMEN ON ThE VERgE Of A NERVOuS BREAKDOWN: SuCCESSfuL SCREEN WRITINg 14:0015:30 | HAU1
Tony Grisoni, Claudia Llosa, Rzvan Rdu lescu. Moderated by Peter Cowie. In cooperation with MEDIA Training Programme of the European Union. Golden Bear-winning filmmaker Claudia Llo sa (The Milk of Sorrow and Aloft) and renowned screen writers Rzvan Rdulescu (Childs Pose, 4 Months 3 Weeks and 2 Days) and Tony Gri s oni (How I Live Now, Fear and Loathing in Las Ve- gas) will discuss developing stories cen ter ed on strong female characters in crisis, the social, cultural and sometimes political im pli cat i ons of these roles, how they dis cov ered their unique writing approach, and their pro cess of building compelling stories that be came successful films.
KILL YOuR DARLINgS 14:0016:00 | HAU2
device to the next, they are also more actively engaged in the stories that in t erest them demanding experiences that are social, in te r active and adaptable to the media spaces they inhabit. With this exciting but often daunting new palette of tools, how can we design crossmedia experiences that remain relevant and accessible in this connected world? Michel Reilhac and Mahyad Tousi, two leading figures in innova tive approaches to story design, will share their approach to developing stories without boundaries.
FILM PRIZE Of ThE ROBERT BOSCh STIfTuNg AWARD CEREMONY 17:0018:00 | HAU1
sensations to general audiences. Season ed distributors Philip Knatchbull (Artificial Eye/Curzon, UK) and Cristina Garza (Mundial, Mexico) are joined by Anna Higgs (Film4, UK) and will discuss their work. The session will cover how film makers and producers can begin the film making process by considering their aud ience and marketing strategy.
JACK SMITh: BEYOND ThE RENTED WORLD I FOR MARIO MONTEZ 20:0022:00 | HAU1
Susan Korda. Editor and long-standing Berlinale Talents ex pert Susan Korda gives insight into film edit ing skills. Through selected clips from Bonnie & Clyde and Jaws, Korda demonstrates the mul tifaceted techniques used to merge sound, image, and timing to create the in tended cinematic experience. Shell illu mi nate the immense power in editing, and its ability to make a film work, despite flaws that may have occurred during production. Korda will discuss how to kill your darlings, or the critical ability to select the best material and discard what's not necessary.
THE INDIE FILMMAKERS GUIDE TO CROSS MEDIA I 14:0015:30 | HAU3, TOP FLOOR
Hosted by Robert Bosch Stiftung. The screening of excerpts from film projects, as well as an introduction of the twelve no minated projects from various Arab coun t ries will be followed by the announcement of the winners of the 2014 Film Prize of the Robert Bosch Stiftung. The Film Prize aims to support German-Arab film projects that have been developed in the past months. Three prizes of up to 60,000 euros are awarded to each of the following categories: document ary, short fict ion and animation.
SEALINg ThE DEAL: HOW TO WORK WITh DISTRIBuTORS 17:0018:30 | HAU3, TOP FLOOR
Flo Jacobs, Ken Jacobs, Jerry Tartaglia, John Zorn. Moderated by Marc Siegel. In cooperation with Berlinale Forum Expanded. Seven films by Jack Smith, one of the most influential underground filmmakers in the US, will be screened, two of them with musical accompaniment by avant-garde musician and composer John Zorn, who will play records from Smiths personal collection. Following the screening, Marc Siegel moderates a con versation with film restorer Jerry Tar taglia, filmmakers Ken & Flo Jacobs and John Zorn about the work of Jack Smith. The featured films are from the Jack Smith Archive at the Gladstone Gallery New York/Brussels.
TICKETS fOR ThE PuBLIC ARE AVAILABLE AT HAU BOX OffICE 12 EuROS | 9 EuROS REDuCED
Cristina Garza, Anna Higgs, Philip Knatch bull. Moderated by Ben Gibson. An experienced distributor can recognize a film's quality and appeal, and brings festival
Michel Reilhac, Mahyad Tousi. Moderated by Liz Rosenthal. Until recently, storytellers were limited to the distribution formats of TV, cinema, theatre and print. When developing stories, product and format came first, user experience and au dience came second. Today, audience ex pec tation is rapidly evolving. As aud i ences shift effortlessly between one new platform and
Michel Reilhac on producing cross-media content
Jennifer Connelly in Claudia Llosas Berlinale Competition film Aloft
03 | Programme
Monday
33
DAY 3 | MON, FEB 10

discuss their award-winning work in the con text of the movement. Rajendra Roy, Chief Curator of Film at MoMA , who co-curated a Berlin School programme in New York, will join them.
Talents visiting a set during their excursion to the Babelsberg Studios Dirk Meier and Birgit Gudjonsdottir on the digital workflow An interactive experience: Embodying the Character
ThE SuRVIVAL GuIDE TO DIgITAL WORKfLOWS 11:0012:30 | HAU3, TOP FLOOR
Birgit Gudjonsdottir, Dirk Meier. In cooperation with Canon, tectum film equipment rental, DFFB and ARRI. Birgit Gudjonsdottir, reputed Icelandic/Aust rian director of photography, and Dirk Meier, colourist and workflow consultant will enter in a dialogue between set and post-pro d uc t ion. Following examples of real pro jects, they will examine what is possible to fix in post, what is not, and why things didn't be come easier with digital, but more complex. Topics will include some myth-busting of digi tal buzzwords and common misunder standings in camera specs and workflows.
CuLTuRAL TALK FEDERAL FOREIgN OffICE WELCOME 13:0015:00 | REPRSENTANZ ROBERT BOSCh STIfTuNg, MEETINg POINT 12:40 AT ThE ENTRANCE TO HAU1
osted by Canon. H Good morning! Enjoy hot coffee and croiss ants while you learn more about how Canon wants to connect with emerging filmmakers. Get caffeinated before head ing out for a day full of panels, films, master classes and events.
PLAYING THE CHARACTER 10:0018:00 | BRAENNEN
agination. This workshop integrates these elements and process into a bold and brave human characterization.
NEW GERMAN CINEMA: ThE BERLIN SChOOL 11:0012:30 | HAU1
Kristof Konrad, Jean-Louis Rodrigue. This is a full-day, hands-on workshop for act ors to learn how to build unforgettable characters through Alexander Technique. Actors will engage with scripts as if they were mysteries, reading and uncovering clues to discover how the characters can match the innate characteristics of their own bodies. Elements to be explored include physical cir cumstances, class and status, ego, intention, blood memory, animal exercise and the im
Maren Ade, Benjamin Heisenberg, Christian Petzold, Rajendra Roy. Moderated by Christoph Grner. In cooperation with Deutsche Kinemathek, Museum of Modern Art, Medienboard BerlinBrandenburg and Berlinale Panorama. Many of the acclaimed German art house films that have made the festival rounds in re cent years have the distinctive charac t er istics of the Berlin School. This movement has been associated with intimate characterdriven dramas such as Christian Petzolds The State I Am In and Barbara. Petzold is joined by fellow filmmakers Benjamin Heisenberg (Superegos) and Maren Ade (Everyone Else) to
In cooperation with Federal Foreign Office (Auswrtiges Amt). Along with political and economic relations, cultural relations, which includes education, is one of the three cornerstones of German foreign policy and has a demonstrably longterm impact. Cultural and educational pro grammes tailored to the needs and interests of people in our partner countries not only create a broad basis for stable international relations but also build trust in Germany. Re presentatives of the Federal Foreign Office will give insights into the German cultural relations and education pol icy. During the lunch, selected Talents will also meet with international journalists and film experts in vited every year to the Berlinale in the frame work of the visitors programme of the Federal Foreign Office, and with the Vice President of the German Commission for UNESCO.
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Monday
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MON, FEB 10 | DAY 3

EXCuRSION TO STuDIO BABELSBERg 13:0015:00 | MEETINg POINT AT 12:00 AT ThE ENTRANCE TO HAU1
share their experiences in broadening and maintaining new audiences.

EVERY PICTuRE TELLS A STORY: ChRISTOPhER DOYLE 14:0015:30 | HAU3, PLAYBOX
In cooperation with Studio Babelsberg. Studio Babelsberg is a renowned film studio where noteworthy films, from Fritz Langs Metropolis, to contemporary films including Wes Andersons The Grand Budapest Hotel, George Clooneys The Monuments Men, and Quentin Tarantinos Inglourious Basterds were produced. The studio opens its doors to a limited number of Talents for a tour of the pre mises. Preference will be given to pro duc tion designers, producers and directors.
FILM SCREENINg: BLIND 14:0016:00 | HAU1
A film by Eskil Vogt. In cooperation with Berlinale Panorama. Berlinale Talents alumnus Eskil Vogt (2004) will share his new film Blind with Talents. Blind is selected for the Berlinale Panorama sec tion (with English subtitles).
CROSSINg ThE BORDER: FINDINg NEW AuDIENCES 14:0015:30 | HAU2
Christopher Doyle. In cooperation with Canon. Celebrated director of photography, Chri st opher Doyle has been lauded for his work as the longtime cinematographer of Wong Karwai (In the Mood for Love, 2046). He has also worked with Jim Jarmusch (The Limits of Con trol ), Gus Van Sant (Paranoid Park), and many others. Doyle shares with a selected group of Talents his approach to working with a variety of directors, anecdotes from recently shooting his own film in Hong Kong, and his techniques with Canon equipment.
THE INDIE FILMMAKERS GUIDE TO CROSS MEDIA II 14:0015:30 | HAU3, TOP FLOOR
to harn ess the power of documentary, through to the Webby and Emmy winning Highrise project. Highrise is multi-platform in teractive doc u mentary project at the Nat i onal Film Board of Canada that explores the human condition of vertical living around the globe.
EXCuRSION TO ThE EuROPEAN FILM MARKET MEETINg POINT AT BERLINALE TALENTS MARKET HuB EfM, 1ST fLOOR, STAND g8 10 MIN. PRIOR TO ThE BEgINNINg
Victoria Broackes, Yoel Gamzou, Annemie Vanackere. Moderated by Chris Torch. I enjoy playing the audience like a piano, Alfred Hitchcock once said. The inter con nec tedness of audiences with cultural institutions via social media has profoundly changed the platform for the publics engagement with culture. Audiences are growing. What strat egies do other cultural institutions such as museums, orchestras and theatres employ to rebrand and re-contextualize their art form to attract new audiences? What can the film industry learn from these innovative tactics? Pioneers from various parts of the European cultural sector, including Yoel Gamzou, one of the youngest conductors in the world and head of the International Mahler Orchestra, Victoria Broackes, curator of the David Bowie Is exhibition at the Victoria & Albert Mu s e um in London, and Annemie Vanackere, artistic director of the multidisciplinary and successful Hebbel Theatre (HAU) in Berlin,
Discovering the European Film Market with Sydney Levine
Director of Photography Christopher Doyle
Director of Photography Agns Godard
Katerina Cizek. Moderated by Liz Rosenthal. The Internet and interactivity have trans form ed the documentary, and docu men tar i ans are reinventing the language of story telling on the web. Documentarian Katerina Cizek retraces her tracks in interventionist media-making through the digital age and goes under the hood of her multi-award win ning projects to explore a new kind of prac t ice. With clips and behind-the-scenes stories, Cizek charts her personal, political and tech nological transformations from her early independent days when she picked up any media necessary (still cameras, dark rooms, video and early desktop publishing)
Sydney Levine. In cooperation with European Film Market. The industry centre of the Berlinale, the European Film Market (EFM) is a major place of convergence for international film pro fes sionals including distributors, buyers, pro du cers, financiers, and sales agents during the festival. Located at the Martin Gropius Bau, the EFM is a bustling nine-day trade fair where over 8,000 participants from 95 coun tries attend, and over 800 films are presented. The EFM functions as a baro -meter for the up coming film year. Sydney Levine, a pioneer acquisitions exe cu tive, will conduct the tour of the inner workings of the EFM . The EFM
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tour on Monday, Meet the Docs focuses on the documentary film industry, and is a joint initiative with the European Docu ment ary Net work (EDN).
The Tours taKe plaCe at: FeB 10 16:00 17:00 Meet the Docs FeB 11 10:00 11:00 FeB 11 16:00 17:00 FeB 12 10:00 11:00 FeB 12 12:3013:30 DEFINING DISTANCE: THE CINEMATOGRAPHY OF AGNS GODARD 17:0018:30 | HAU1
her work and speak with Talents about her creative working methods, the difference bet ween her experience working on cellu loid and her first digitally shot film, Ursula Meiers Sister, and her collaborations with various other prominent filmmakers over the years.
HELP! I MADE A SUCCESSFUL FILM 17:0018:30 | HAU2
THE WORLD OF SHOUTS & WHISPERS 17:0018:30 | HAU3, Top Floor
Agns Godard. Moderated by Matthijs Wouter Knol. In cooperation with Canon. Internationally celebrated cinematographer Agns Godard has been the longtime col laborator of Claire Denis, contributing her visual genius to the look of Denis singular films. She photographed masterpieces including, Beau Travail, for which Godard won numerous awards. Godard has also worked with Wim Wenders on his acclaimed classic Wings of Desire, and other distinguished auteurs in- clu d ing Erick Zonca (The Dreamlife of Angels) and Andr Tchins Strayed. Godard will show
Ritesh Batra, Anthony Chen, Jan-Ole Ger ster. Moderated by Lorna Tee. In cooperation with Medienboard BerlinBrandenburg. Breaking onto the scene with a critically acclaimed, award-winning, and festival-hopping film is every filmmaker's dream, but what happens after you've made it big? That's when the real challenges start. Berlinale Talents alumni Ritesh Batra (The Lunchbox) and An t h ony Chen (Ilo Ilo) join German film maker Jan-Ole Gerster (Oh Boy) to discuss life after success. Moderated by producer Lorna Tee, theyll discuss what it takes to get through their initial achieve ments and per severe toward their next pro ject, the diffi culties of expectations, writers block, and the toll that international-hop scotching can take on one's life as they knew it.
Eugene Gearty, Peter Strickland. Moderated by Peter Cowie. In cooperation with Dolby Laboratories. Preeminent sound designers discuss their ap proach to creating distinctive sounds capes for films. The filmmaker and sound designer Peter Strickland, whose film Berberian Sound Studio deals with sound design directly in the nar rative, and Eugene Gearty (Life of Pi, Hugo), a sound designer who frequently works with Martin Scorsese and Ang Lee, will discuss their processes, using sound to add complex layers to storytelling.
DiNe & ShiNe 19:3022:30 | ewerK
Moderated by Loretta Stern. Supported by MEDIA, Robert Bosch Stiftung, Medienboard Berlin-Brandenburg and Canon. By invitation only. The Dine & Shine dinner invites Talents to a movable feast with Berlinale Talents, experts and festival professionals in attendance. Set up like musical chairs, this dinner gives everyone a chance to exchange and interact with new faces during each course.
The movable feast Dine & Shine
Benjamin Heisenbergs Superegos is featured this year in Berlinale Panorama. Komplizen Film
Peter Stricklands films are driven by their distinctive sound design
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Tuesday
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TUE, FEB 1 1 | DAY 4

a good fit for your film, and to ask questions about their selection process.
Digitally restored: Robert Wienes The Cabinet of Dr. Caligari runs in the Berlinale Retrospective, programmed by the Deutsche Kinemathek
Followed by:
SHORT CUTS: MEET THE EXPERTS 12:4513:30 | HAU3, TOP FLOOR
Directly after the panel, Talents will have a chance to connect with the featured pro gram mers and other short film industry pro fes sionals attending the session. Re fresh ments will be provided. Grab a drink and meet some new filmmakers and programmers!
EXPANDINg STORIES: SuCCESSfuLLY CREATINg TELEVISION SERIES 14:0015:30 | HAU 1
Hosted by Deutsche Welle. Start the day with breakfast and conversations, hosted by Deutsche Welle. Enjoy hot coffee and croissants while you engage with film makers from around the world. Another busy day of panels and films is ahead get a head start with a delicious breakfast!
FILM SCREENINg: ShES LOST CONTROL
ory, ranging from the first moving images to t digital film, including an extensive Marlene Dietrich collection and a vast Metropolis ex hi bition. The Deutsche Kine mathek is res pon sible for the Retrospective section of the Berlinale, and this year, they present The Ca binet of Dr. Caligari, which will be screen ed with a new score. The 90-minute museum tour will be followed by the option to view the special exhibition Light and Shadow: On the Film Set of the Weimar Republic.
SHORT CUTS 11:3012:30 | HAU3, TOP FLOOR
1 1:0013:00 | HAU 1
A film by Anja Marquardt. In cooperation with Berlinale Forum. Anja Marquardt, a Berlinale Talents alumna from 2010, returns to the Berlinale with her film, She's Lost Control (original English version).
DEuTSChE KINEMAThEK TOuR 1 1:0012:30 | MEETINg POINT 10:30 AT ThE ENTRANCE TO HAU1
In cooperation with Deutsche Kinemathek Museum fr Film und Fernsehen. Talents are offered a guided tour of the Deut sche Kinemathek Museum fr Film und Fern sehen (German Cinematheque Museum for Film and Television). The museums coll ection, located at the Filmhaus at Pots damer Platz, pre sents many important aspects of film hisBerlinale Talents 2014
Laurent Crouzeix, Krzysztof Gierat, Jukka-Pekka Laakso. Moderated by Maike Mia Hhne. In cooperation with European Film Academy and Berlinale Shorts. How can showing your short film in festivals help launch your career? Programmers and representatives from renowned festivals such as Clermont-Ferrand International Short Film Festival, Krakow Film Festival, and Tampere Film Festival present the profiles of their festivals, what kind of work interests them, and discuss examples of successful short films that exemplify their programming vision. This is your chance to learn which festival would be
Martha De Laurentiis, Neil Jordan. Moderated by Peter Cowie. Stories that evolve over several episodes and seasons can profoundly captivate the audi ence and gain engagement in unique ways. How can filmmakers innovate with the serial form to develop characters over a longer period? This session features accomplished producer Martha De Laurentiis and Oscarwinning director Neil Jordan who will discuss the narrative advantages of creating a story for a serial format. After producing the Han nibal Lecter films, De Laurentiis worked on adapting this iconic character into the new Hannibal series. Jordan also used strong his t orical figures as the foundation to build his character-driven drama The Borgias. These experts will discuss how they developed their series, casting and working with their stars: Danish sensation Mads Mikkelsen as Hannibal, and in The Borgias, the Oscar-winning Jeremy Irons, creating an alluring opening sequence, the importance of branding, and their working process with their creative teams.
5D THE SCIENCE OF FICTION: SHAPING NEW WORLDS 14:0015:30 | HAU2
Ed Cookson, Patrick Hanenberger, Tawny Schlieski. Moderated by Juan DiazB. In cooperation with USC / 5D Institute, Los Angeles and Medienboard Berlin-Brandenburg. World Building designates an iterative and collaborative narrative practice in which the
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Tuesday
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design of a world precedes the telling of a story, producing new worlds beyond the rules of the reality in which we live. This World Building panel with experts including pro duction designer Patrick Hanenberger (2012), Ed Cookson, project director of the London 2012 Olympics digital content, and Tawny Schlieski from the Intel Labs will discuss ways to build experiences and worlds in which stories unfold in new mind-blowing ways, redefining the limits of design and narra tive, moving into a landscape where art and science, design and engineering are in se parable.
A ROOM WITH A VIEW: COLLABORATING ON SCRIPTS 14:0015:30 | HAU3, TOP FLOOR
digital camera supervisor Stefan Ciupek who has worked on films including Antichrist, Dredd and 127 Hours will join a selected group of Talents in the Playbox to discuss his experience working on these films, and give a workshop on his technical approach to Canon equipment.
HuRT FEELINgS: WRITINg EMOTIONS FOR ThE SCREEN 17:0018:30 | HAU1
PRODuCERS ShARINg ThEIR SECRETS 17:0018:30 | HAU2
Alistair Banks Griffin, Sebastin Lelio, Jos Luis Valle. Moderated by Kathi Bildhauer. In cooperation with Berlinale Residency, Medienboard Berlin-Brandenburg and MEDIA Mundus. Time, space and freedom are important in gredients for a creative project, but how do filmmakers find a way to focus within the daily grind? Often, working with a collabo rator or consultant who help to keep you inspired, productive, and challenged is the key. In what part of the screen writing process should filmmakers consult script editors and get feed back from industry experts? And what are the benefits to getting outside opinions and how do you maintain a clear sense of what you're developing? Three filmmakers, Seba stin Lelio (Gloria), Alistair Banks Griffin (Two Gates of Sleep) and Jos Luis Valle (Workers), all selected for the Berlinale Residency 2013 and presenting their newly developed films at this years Berlinale Co-Production Market, will dis cuss their experiences working colla bo ra tively with consultants during the project support programme.
EVERY PICTURE TELLS A STORY: STEfAN CIuPEK 14:0015:30 | HAU3, PLAYBOX
Aida Begi, Denis Ct. Moderated by Matthijs Wouter Knol. In cooperation with Berlinale Forum. How do filmmakers conceive and write the emotive scenes in their film without dialogue? How can one successfully plan and chore o graph tone and feeling in a script? Denis Ct, who won the Alfred Bauer Prize at the Berlinale last year for his film Vic and Flo Saw a Bear, and Aida Begi who won awards in Cannes and Sarajevo for Children of Sarajevo, will share their experiences writing scripts and creating scenes that engage our emotions and reveal important character traits by subtly showing instead of explicitly telling.
PLAY: REINVENTING COLLABORATION 16:0020:00 | BRAENNEN
Benjamin Domenech, Bertha Navarro, Raymond Phathanavirangoon, Ada Solomon. In cooperation with Robert Bosch Stiftung. Producers Benjamin Domenech (History of Fear), Bertha Navarro (Pans Labyrinth), Ray mond Phathanavirangoon (Sandcastle) and Ada Solomon (Childs Pose) will discuss the role of producers, how they decide to take on film projects and their collaborations with screen writers, directors and editors through out the filmmaking process.
PROTECT YOUR RIGHTS 17:0018:30 | HAU3, TOP FLOOR
Workshop with Ed Cookson, Patrick Hanenberger, Tawny Schlieski. Moderated by Juan DiazB. In cooperation with USC / 5D Institute, Los Angeles. New technologies powerfully enable us to collaborate, play and sculpt the imagination into existence. This workshop will be a col laborative exploration to develop a narrative world through the World Building practice, using new processes for its inception, de vel opment and prototyping, allowing stories to emerge logically and intuitively from the worlds that create them. The workshop will allow participants the opportunity to re exa mine the creative process itself, to discover and develop new ways of iterating and col la borating as the basis of a transmedia pro duction. The second part of the workshop follows on
FEB 12, 14:0016:30 | BRAENNEN
Mareile Bscher, Michael C. Donaldson. Everyone involved, from directors, producers, distributors, and sales agents should know the international laws behind the ownership of the films they work on. Get clear explanati ons and advice from industry law experts Mareile Bscher, who specializes in the Euro pean in dustry, and Michael C. Donaldson spe ci a l izing in the American and Hollywood domain. This is a great opportunity to ask all your pressing questions about this often illusive, yet im portant aspect of the filmmaking process.
DIRECTINg ACTORS 17:0018:30 | HAU3, PLAYBOX
Stefan Ciupek. In cooperation with Canon. Reputed German director of photography and
Diego Luna. In cooperation with Berlinale Special. Focusing on his approach to directing, ac claimed Mexican filmmaker Diego Luna (Revolucin, Abel ) meets with Talent actors and directors to discuss the challenges a director faces when casting their film, and how to prepare and encourage actors during the shooting process. Having extensive acting experience himself, Luna shares insights into the collaboration between directors and ac tors, and ways this can be improved. Lunas new film, Cesar Chavez premieres in Berlinale Special, starring Rosario Dawson, Michael Pea, America Ferrera, and John Malkovich, and the workshop topics will be illustrated with several excerpts from the film.
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Wednesday
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WED, FEB 12 | DAY 5

BERLINALE TALENtS PROJECt PRESENtAtION DAY 1 1:0018:30 HOUSE OF REpRESENtAtIVES
EARLY BIRd BREAKFASt 9:0010:30 | HAU2
Hosted by Institut franais. Bonjour! Begin the day with breakfast and conversations hosted by Institut franais. Find out how the Institut promotes and supports filmmakers while you enjoy hot coffee and crois sants and engage with filmmakers from around the world. Get well caffeinated be fore head ing out for a day full of panels, films, master classes and events. Bon apptit!
SCREENING ShORtS. A COMpILAtION OF ShORt FILMS 1 1:0013:00 | HAU 1
Morning, John Tengrove with The Goat and Mahdi Fleifel with Xenos, both of whom are Talents participating this year, Berlinale Talents mentor Susan Korda with her film Salomeas Nose, and Gabriel Abrantess Taprobana.
NYMPHOMANIAC: HOW TO SELL UNEASY FILMS 1 1:0012:30 | HAU3, TOp FLOOR
Moderated by Gabriele Brunnenmeyer, Sirkka Mller, Daniel Saltzwedel. In cooperation with FFA, Sources 2, ZDF/ARTE and Medienboard Berlin-Brandenburg, Short Film Agency, AG Kurzfilm, Berlinale Shorts. Talents and their projects from Doc Station, Script Station and Short Film Station will be presented at the Berlin House of Represen tatives. Projects from Doc Station are doc u mentaries, all at various stages of devel op ment. Having evolved over the course of the rigorous workshop days, these docs give a unique look at the world through the vision of ten filmmakers from across the globe. Script Station showcases projects developed during the week-long intensive workshop, which pairs Talent scriptwriters with writing mentors who foster the de vel opment of their concept, story and script structure. Short Film Station aids in the development of innovative short film ideas by providing indepth creative support from mentors, as well as the chance to meet with potential producers and financiers. Each round of presentations will be followed by an opportunity for one-onone meetings. In Meet the Talents, interested peers, experts, and potential collaborators will have a chance to interact and discuss the projects with the Talents.
DOC StAtION 11:0012:30 Project Presentation 12:3013:30 Meet the Talents SCRIpt StAtION 14:0015:30 Project Presentation 15:3016:30 Meet the Talents ShORt FILM StAtION 16:0017:30 Project Presentation 17:3018:30 Meet the Talents
Taprobana by Gabriel Abrantes. Mutual Respect Productions 2014
Gabriel Abrantes, Mahdi Fleifel, Susan Korda, Sakaris Str, John Trengove. Moderated by Matthijs Wouter Knol. In cooperation with Berlinale Shorts and Berlinale Generation. This programme of short films features alum nus Sakaris Str (2010) with his film Winter
Louise Vesth. Moderated by Ben Gibson. Strategic branding is not just the stuff of stars films by auteurs are also hyped and create a buzz by defining their aesthetic and targeting specific audiences. Producers and marketing teams create campaigns around directors by releasing stories and building exposure much before the forthcoming film hits festivals or theatres. Lars von Triers producer Louise Vesth discusses Nymphomaniac as a case study of how the team mobilized the dissemination of the trailer and planned the release of the film by building up audience anticipation.
The Project Presentation Day takes place in the House of Representatives
Nymphomaniac Volume I is screening at this years Berlinale. Christian Geisns
Followed by a Happy Hour, hosted by Sources 2, at the Berlinale Talents Market Hub. By invitation only.
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DAY 5 | WEd, FEB 12

STAYING FAITHFUL TO THE WRITERS VISION 1 0:3013:30 | BRAENNEN
Workshop with Alby James. Focusing on the options directors and actors have in interpreting a script, this session will introduce actors to a new approach they may take while fulfilling their responsibility to understand what the writer is conveying. Actors will learn how best to com mu nicate this in their portrayal of a story on camera. The session will also introduce status games and how they may assist actors in building their characters and conveying their actions ac cu rately. Screenwriters are also wel come and will learn how a script comes to life, and get fresh insights into characters. Guided by theatre director and screenwriting guru, Alby James, the actors will engage in a deep exploration of storytelling and inter pretation, immersing themselves in scenes, creating real and in tri guing characters and making the dialogue and storylines come alive, while reflecting the writers voice with conviction.
UNCOVERINg STORIES: FILMMAKERS BREAKINg ThE RuLES 14:0015:30 | HAU1
How has the selection of their roles influenced their career so far? Renowned German actress Nina Hoss (Barbara, Gold ), who has worked with many directors associated with the Berlin School including Thomas Arslan and Christian Petzold, talks with Talent actors and directors about the various approaches she takes to the filmmaking process.
EVERY PICTURE TELLS A STORY: FRANZ LuSTIg 14:0015:30 | HAU3, PLAYBOX
Franz Lustig. In cooperation with Canon. Cinematographer Franz Lustig, known for his collaborations with Wim Wen ders (Dont Come Knocking, Palermo Shooting), has recently used Canon equipment to shoot Kevin Macdonalds latest film How I Live Now. Lustig will join Berlinale Talents for a session to discuss his collaboration with Macdonald, and how they made choices to define the visuals of the film. With a selected group of Talents, this workshop will take place in the HAU3 Playbox.
THE WRITERS GYM: FROM CHARACTER TO STORY 14:0016:00 | HAU3, TOP FLOOR 16:30 18:30 | HAU3, TOP FLOOR
Ellis Free mans Writers Gym aims to stimulate ideas through play, helping writers find their voice and push their stories in new direct ions. The session consists of a mixture of games, ex er cises and explanations of different as pects of screenwriting, focusing on char ac ter devel opment as a basis for strong story telling. As well as seeding new ideas, the aim is to open participants' minds to new ways of thinking. Instead of working within structure and ana lysis, the Writers Gym seeks to nurture the creative and intuitive side of the brain, the side which generates material with emo - t ion, energy and honesty.
ThE LAND Of ThINgS AND SPACES: PRODUCTION DESIGN BY ADAM STOCKHAUSEN 17:0018:30 | HAU1 Adam Stockhausen.
TAKINg ThE LEAD: NINA HOSS 14:0015:30 | HAU2
Nina Hoss. Moderated by Peter Cowie. How do actors choose their roles and col la borate with directors? To what extent do they want to be involved in creating characters?
Sakaris Strs short film Winter Morning runs in the Berlinale Generation. Virginie Surdej
Haifaa Al Mansour, Umut Da, Marie Ka. Moderated by Dorothee Wenner. In cooperation with Federal Foreign Office (Auswrtiges Amt), Medienboard BerlinBrandenburg and Berlinale Panorama. Films are an excellent medium to reveal so ci etal codes and rules, often through ex cept ional characters who question or over turn them. Haifaa Al Mansour, the first Saudi wo man to make a film, and Berlinale Talents alum na from 2009, returns to discuss her film Wadjda, which won numerous prizes. Also joining are Austrian director Umut Da (Cracks in Concrete) and Senegalese filmmaker Marie Ka to discuss her film The Other Woman, a controversial love story set in Dakar.
Ellis Freeman. How can screenwriters maintain a sense of play and discovery during the writing process? How can they use creative methods to open up new possibilities, ideas, and stories?
Moderated by Peter Cowie. In cooperation with Studio Babelsberg. Oscar-nominated production designer Adam Stockhausen who has worked on numerous acclaimed films including The Grand Budapest Hotel, Moonrise Kingdom and 12 Years a Slave joins Berlinale Talents to discuss his col la bo r - a tion with Wes Anderson and Steve Mc Queen. Stockhausen will elaborate on his ap proach to adding depth to stories and char ac ters through the films visual concept, his take on the role of the production designer and how digital technologies have trans formed pos sibilities in this field.
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Thursday
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THU, FEB 13 | DAY 6

Uncle Boonmee Who Can Recall His Past Lives, is one of many successful films supported by the World Cinema Fund. Project managers Vincenzo Bugno and Sonja Heinen discuss the aims of the initiative, the breadth of works and regions considered, and explain how film makers can apply with their projects.
South Is Nothing by Fabio Mollo. B24/Madakai Sophie Hydes 52 Tuesdays runs in the Berlinale Generation. Bryan Mason
PRESENTATION: POST-PRODuCTION STuDIO 1 1:0012:30 | DFFB CINEMA
Birgit Gudjonsdottir, Dirk Meier. In cooperation with Canon, tectum film equipment rental, DFFB and ARRI. Post-Production Studio is a technical train ing programme to explore the latest postproduction and digital workflow tech no logies. Talents work with expert cine ma to graphers to shoot with digital cameras, and with post-production pro fessionals to ex peri ment with digital post-production soft ware for editing, grading, mastering, and data management. The final results will be pre sented by mentors Birgit Gudjonsdottir and Dirk Meier.
ENTERINg ThE BERLINALE CO-PRODuCTION MARKET 12:0012:45 | HAU3, TOP FLOOR
EARLY BIRD BREAKfAST 9:0010:30 | hAu2
DISCLOSINg ThE WORLD CINEMA FuND 1 1:0011:45 | HAU3, TOP FLOOR
Start the day with breakfast and conversations. Enjoy hot coffee and croissants while you en gage with filmmakers from around the world. Another busy day of panels and films is ahead get a head start with a delic ious breakfast!
FILM SCREENINg: SOuTh IS NOThINg 11:0013:00 | HAU1
A film by Fabio Mollo. In cooperation with Berlinale Generation. Berlinale Talents alumnus Fabio Mollo (2011) returns to Berlin with South Is Nothing, selec ted for Berlinale Generation. (with English sub titles).
Vincenzo Bugno, Sonja Heinen. In cooperation with World Cinema Fund. The World Cinema Fund supports innovative forms, fresh perspectives, and local stories from across the globe. It is a joint initiative of the Berlinale and the German Federal Cul t ur al Foundation, in cooperation with the Goethe-Institut and with further support from the Federal Foreign Office. Independent art is tic productions from re g i ons with little access to funding, such as Latin America, Africa, the Middle East, Central and Southeast Asia and the Caucasus, are its focus. Api chat pong Weerasethakuls Palme dOr-winning
Kathi Bildhauer, Martina Bleis, Sonja Heinen. In cooperation with Berlinale Co-Production Market. The Berlinale Co-Production Market is one of the major international networking and financing platforms for film projects. It brings together around 500 reputed international producers, film financiers, sales agents and distributors, as well as broadcasting and fun ding representatives. Find out how Berlinale Talents alumni can participate by applying for the Co-Production Market including the Talent Project Market in the coming years.
EXCuRSION TO TECTuM 13:0016:30 | MEETINg POINT AT 12:40 AT ThE ENTRANCE TO hAu 1
In cooperation with tectum. Tectum Time and Space specializes in 3D and high-speed equipment, as well as 2D tech nologies, from multi-cameras to digital
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DAY 6 | THU, FEB 13

cinema. Special inventory includes: P+S Micro Rig, P+S Standard Rig, Stereotec SbS mini, 3D Transvideo 10" evolution, TV Logic 3D 24" LG 42" 3D, Olympus i-SPEED PL , Phan tom Miro, Phantom Flex, P+S X35MKII, Sony FS700, Mo dula Baby MKII CMOS and CCD. Talents in ter ested in a tour of their premises and equip ment are encouraged to sign up for the excursion.
SWITChINg GENRES: ThE POWER Of HYBRID FILM 14:0015:30 | HAU1
I have a strong need in my work to be criti cized and to know where I was wrong or right, but with evidence, said Jean-Luc Godard. Do filmmakers need criticism? Are film critics writing to filmmakers? And are filmmakers listening? Critics Diego Lerer and Chris Fuji wara will discuss with award-winning film maker and Berlinale Talents alumnus Edwin (Postcards From the Zoo, Berlinale Competition 2012) about the in f lu ence criticism has on filmmakers work and how it might change their own thinking about their films.
ROUGHLY SPEAKING: EDITING STUDIO PRESENTATION 14:0015:30 | HAU3, TOP FLOOR
ThINgS TO TAKE HOME 16:0016:45 | HAU2
Kathi Bildhauer, Matthijs Wouter Knol, Arne Kohlweyer, Sirkka Mller, Christiane Steiner, Christine Trstrum. This wrap-up event for the 2014 Berlinale Talents will inform you about all the op por tunities available to Talents to stay connected and involved after leaving Berlin. The Berlinale Talents team will also present an overview of the various extra Berlinale Talents services that could be useful in developing your future film projects.
ThE INVISIBLE WORLD: ThE MAgIC Of VISuAL EffECTS 17:0018:30 | HAU1
Sophie Hyde, Corneliu Porumboiu, Warwick Thornton. Moderated by Jean-Pierre Rehm. In cooperation with Berlinale Forum and Berlinale Generation. There has been a recent surge of films that explor e a hybrid approach to narrative through the use of documentary techniques, and a conscious blending of the construc ted and the observational. Sophie Hyde (52 Tues days), Warwick Thornton (The Darkside, Sam son and Delilah) and Corneliu Porumboiu (The Second Game, Police Adjective), who are pre miering their new films in the Ber linale, will discuss their formal and stylistic choices in making their latest films, and the bene fits to using both documentary and narrative strate gies.
HOW TO READ A FILM FILM CRITICS MEETINg FILMMAKERS 14:0015:30 | HAU2
Edwin, Diego Lerer. Moderated by Chris Fujiwara.
Susan Korda, Paz Lzaro, Sigrid Limprecht. Moderated by Kevin Murphy. In cooperation with DFFB. Acclaimed editors guide Talents to rework their rough cuts in Editing Studio. In con versation with Susan Korda, participants will identify their challenges and discuss how the editing session provid ed fresh insights and approaches to their pro jects. Paz Lzaro, pro gramme manager at Ber li nale Panorama, will share her experi en ce viewing rough cuts during the pro gram ming process, as well as explain pro grammers expectations when they select a rough cut for screening. Secur ing distri bution before a film has under gone post-production may be be ne ficial, and could inform the final process. German film distributor Sigrid Lim precht will discuss her experience viewing unfinished films and offer advice on how and when to present a rough cut to potential buyers.
Lucy Ainsworth-Taylor, Pierre Buffin. Moderated by Ben Gibson. Preeminent visual effects art director Pierre Buffin who has worked on film such as Nym phomaniac, Life of Pi and Avatar, and Lucy Ainsworth-Taylor who has produced visual effects for Game of Thrones, Cloud Atlas, Skyfall and The Monuments Men, will discuss their creative process making visual effects and optimizing storytelling.
CLOSINg PARTY 21:00 | CLuB GRETChEN
Supported by MEDIA, Robert Bosch Stiftung, Medienboard Berlin-Brandenburg and Canon. By invitation only. All Talents and experts are invited to unwind at the Berlinale Talents Closing Party. Get ready to play!
The Darkside by Warwick Thornton runs in the Berlinale Forum. W. Thornton
The sky falls at the Closing Party 2013
Ben Gibson, long-time moderator of Berlinale Talents
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04 | PROJECT LABS & STUDIOS
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04 | Project Labs
TAlENT PROJECT MARKET mEET YOUR pERFECT mATCH

MEET POTENTIAL COLLABORATORS AT THE TALENT PROJECT MARKET WHO WILL HELP REALIZE YOUR FILm.
winner of the ARTE International Prize of 6,000 Euros, which is awarded amongst all projects participating in the Berlinale Co-Production Market, will be announced.
THE FOLLOWING TEN PROJECTS HAVE BEEN SELECTEd TO PARTICIPATE IN THE BERLINALE CO-PROdUCTION MARKET: ALINA ABdULLAYEVA Azerbaijan: The Matchmaker, FRAN BORGIA Singapore: A Yellow Bird, BRIdGET CALLOW-WRIGHT Australia: The Insect King, BAVO DEFURNE Belgium: Souvenir, ANdREAS EmANUELSSON Sweden: The Garbage Helicopter, OFIR RAUL GRAIZER Germany / Israel: The German Cakemaker, PAmELA HANSSON UK / USA: Beasts, SA HJRLEIFSdTTIR Iceland: The Swan, KALEENA KIFF Canada / UK: The Long Midnight of Barney Thomson, GUSTAVO RONdN CRdOVA
Films greatly benefit from the input and resources provided by coproducers. Berlinale Talents invites ten emerging producers and di rectors to present their film proposals to experienced co-producers and financiers who are attending the Berlinale Co-Production Mar ket. The Talent Project Market, a collaboration between the Berlinale Co-Production Market and Berlinale Talents, offers Talents inside knowledge and contacts that are necessary to bring them closer to making their films. In preparation for the two days of one-on-one meetings with potential co-producers and financiers, Talents will participate in a two-day prep programme. Through the guidance and advice of in dustry experts and experienced consultants, Talents will be prepared for their meetings and supplement their knowledge with insights about the international film market. Exchanging with their peer participants, Talents will also gain from the valuable networking op p ortunity to forge life-long professional relationships and to share project ideas and experien c es. The ten selected projects compete for two prizes. Three will be nominated for the VFF Highlight Pitch Award of 10,000 Euros, and their projects will be pitched publicly at the Berlinale Co-Production Market. The winner will be announced during the Pitch & Award Ceremony Talent Projects event, which will take place in the House of Re pre sentatives on Monday, Feb 10 at 12:00. Directly after, at 12:45, the
Venezuela: The Family
After an intense preparation they throw you in the markets pool full of sharks, and you feel pre pared.
Rosario Garca-Montero, Peru | Talent Project Market 2007 One-on-one meetings with potential co-producers and financiers
DATES mON 10 | 12:00 HOUSE OF REPRESENTATIVES
Pitch & Award Ceremony Talent Projects (p.44)

THU 13 | 12:00 HAU3, TOP FLOOR
Entering the Berlinale Co-Production Market (p.40)
04 | Project Labs
45
SCRIpT STATION STORYTEllING ADVANCED

Being selected for the Script Station was a great advantage for both of us me and the main hero of my story.
Alina Abdullayeva, Azerbaijan | Script Station 2013
TALENTS WORK CLOSELY WITH SCRIPT CONSULTANTS TO REFINE THEIR STORIES.
A rigorous script is a vital starting point for most films, and is the foundation where the characters and dialogues are developed. The precision of a well-crafted script is essential for the entire filmmak ing team, as their blueprint throughout the production. Script Station pairs screenwriters with script consultants from around the world, who help Talents fine-tune their scripts, deepen their stories, and bring precision and life to their pages. It begins with intensive project development days, which bring together the writers with their experienced mentors. They include Franz Rodenkirchen, who works as a script consultant and adviser for the Binger Filmlab and the Torino Filmlab, Gyula Gazdag, a Hungarian filmmaker, professor at UCLA , and artistic director of the Sundance
Mentor Selina Ukwuoma giving individual feedback on a Talents script
Filmmakers Lab, screenwriter and script-consultant Eric Collins, who is a mentor for Sources 2, Dutch writer and script editor Anita Voorham, who is a mentor at the Binger Filmlab and the Venice Biennale CollegeCinema, and Selina Ukwuoma, a freelance script consultant and former development executive, who tutors internationally on pitching and screenwriting, and will give a Presenting yourself and your project workshop. Accomplished producer, Lorna Tee, who co-produced Indonesian filmmaker Edwins Postcards From the Zoo (Berlinale Com petition 2012), will talk about working with screenwriters from a producers point of view. These experts will work with Talents on their specific script issues including character development and sharpening dialogue in preparation for the public Project Presentation Day where they will discuss their scripts. For over a decade, the Script Station has received considerable support from its partners: the German Federal Film Board (FFA) and Sources 2 the European Script Writers Training Programme, which lends its support by way of experts from its teaching staff.
TEN PROJECTS WERE SELECTEd BY AN INTERNATIONAL JURY FOR THIS YEARS SCRIPT STATION: YOULA BOUdALI Greece: Hails oSargasso Sea, CAmILA GONZATTO Brazil / Germany: Alice, ETIENNE KALLOS South Africa: Vrystaat, AKOSUA ASOmA OWUSU Ghana: Black Sunshine, IVN PORRAS MELNdEZ Costa Rica: El Bail y el Saln, SERGI PORTABELLA Spain: Jean-Franois and the Meaning of Life, ASTRId RONdERO Mexico: The Darkest Days of Us, CARLO SIRONI Italy: Sole, KIRSTEN TAN Singapore / Thailand: Popeye, JOHN TRENGOVE South Africa: The Wound
Women on the Verge of a Nervous Breakdown: Successful Screenwriting (p.32)

A Room with a View: Collaborating on Scripts (p.37)

TUE 11 | 17:00 HAU1
Hurt Feelings: Writing Emotions for the Screen (p.37)

WEd 12 | 14:00 HOUSE OF REPRESENTATIVES
Project Presentation Day (p.38)
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04 | Project Labs
DOC STATION lIFE ON SCREEN

I really beneted from developing my lm project at Doc Station with insightful experts.
Jowe Harfouche, Lebanon | Doc Station 2013
SUPPORTING dOCUmENTARY FILmmAKERS TO BRING THEIR PROJECTS TO THE NEXT LEVEL.
Inspired by reality, documentaries incorporate everything from life from the inspiring and shocking, to the informative and dramatic and filmmakers creatively construct a structure to bring life to the screen. Doc Station is a rare opportunity for documentary filmmakers to think critically about their concepts and to further develop their projects core. This intensive week of training and mentoring will bring in val u able support and advice to these filmmakers who are at a crucial point in their creative process. Inviting ten burgeoning filmmakers and their documentary projects to Berlin, Doc Station supports and pushes these films, all at different stages, to evolve to the next level through the guidance of documentary experts. The programme begins with a project development day with mentors independent producer and author, Merle Krger, and ZDF/ARTE commissioning editor Kathrin Brinkmann. This will be followed by individual meetings with mentors and group work before the public Project Presentation Day. The Doc Station mentors are Kathrin Brink mann, Jakob Kirstein Hgel, the artistic director of New Danish Screen,
German documentary producer Meike Martens of Blinker Film pro duktion, French producer Denis Vaslin, the founder of Volya Films, and Finnish documentary producer and artistic director of DocPoint Helsinki Documentary Film Festival Ulla Simonen, who will also present the workshop How To Follow Up courtesy of Sources 2. Doc Station has been made possible by the generous support of the German Federal Film Board (FFA), and has been supported, by way of mentoring and designing of the Project Development Day, by ZDF/ ARTE and Sources 2, the European Script Writers Training Programme, which lends its support by supplying experts from its teaching staff.
TEN dOCUmENTARY FILm PROJECTS WERE SELECTEd FOR DOC STATION 2014: FREdERIK ARENS GRANdIN France / Germany: The Power of Fish Is Water, UNIVERSE BALdOZA Philippines: Audio Perpetua, BENOIT FELICI France / Italy: The Real Thing, SALOm LAmAS Portugal: El Dorado La Rinconada, EmANUEL LICHA Germany / Canada / France: Hotel Machine, MARCELO MARTINESSI Paraguay / Italy: Stolen Images, DRIFA MEZENNER Algeria: Drifa And The Lonely Whale, BAO NGUYEN Vietnam / USA: The Betel Begins the Conversation, CLARA WIECK Germany: Inbetween Trees And Perspectives, HYOE YAmAmOTO Japan: Samurai And Idiots The Olympus Affair
Meeting with producer Meike Martens
DATES WEd 12 | 11:00 HOUSE OF REPRESENTATIVES
Project Presentation Day (p.38)

THU 13 | 14:00 HAU1
Switching Genres: The Power of Hybrid Films (p.41)
04 | Project Labs
47
SHORT FIlm STATION lESSON IN SHORTS

The amazing mentors provide valuable in sights and helped distill the idea in a pre sen t able form as well as offering advice which subsequently helped me secure funding.
Katarina Stankovic, Serbia | Short Film Station 2013
REFINE YOUR SHORT FILm SCRIPT ANd mEET POTENTIAL PARTNERS TO PROdUCE YOUR FILm.
The short film form allows for expressive freedom and aesthetic exploration unbound by the more traditional expectations of feature length films. The Short Film Station was initiated to support emerging Talents, inviting ten filmmakers with strong concepts for short films to partake in a programme that enables them to further develop their scripts and offers a platform to meet with German and international emerging producers and other industry professionals. Filmmakers who participate in Short Film Station will receive feedback from a script editors, and get presentation training before taking part in the Project Presentation Day at the House of Representatives on Wednesday, Feb 12, 2014. Shorts filmmakers will also attend the re cep t ion of the German Short Film Association (AG Kurzfilm), as well as gain insights into the latest developments in the short film industry. The programme is a collaboration with Medienboard Berlin-Bran den burg,
A feedback session at the Short Film Station
Short Film Agency Hamburg, AG Kurzfilm and Berlinale Shorts. With the guidance of experts Sandra Beerends, Veronika Grob, Pavel Jech, Franois Pirot, Anna Seifert-Speck and presentation training by mentor Irene Christ.
THE SHORT FILm STATION IS EXCITEd TO WELCOmE TEN FILmmAKERS FROm TEN COUNTRIES ACROSS THE GLOBE: METTE CARLA ALBRECHTSEN Denmark: Bloom, JASmINE ALAKARI Finland: Thongs N' Roses, KATE DOLAN Ireland: Little Doll, mILA FAKHURdINOVA Kazakhstan: Poppies, HIONA HENARE New Zealand: Rabbit, AdINA ISTRATE United Kingdom / Romania: Terminally Happy, OKSANA KAZmINA Ukraine: The Hospital, JURE PAVLOVIC Croatia: Picnic, EVA RANdOLPH Brazil: Don't Promise Me Anything, OLIVER RENdON Mexico: Loving South
DATES TUE 11 | 11:30 HAU3, TOP FLOOR
Short Cuts (p.36)

Meet the Expert: Laurent Crouzeix, Krzysztof Gierat, Jukka-Pekka Laakso (p.36,25)
WEd 12 | 11:00 HAU1
Screening Shorts. A Compilation of Short Films (p.38)

WEd 12 | 16:00 HOUSE OF REPRESENTATIVES
Project Presentation: Short Film Station (p.38)
11 16 August 2014
11 16 August 2014
Filmmakers Academy
One of the sections, the Filmmakers Academy, involves 25 very promising young lmmakers from all over the world. From Monday 11 to Thursday 14 they meet everyday at the Rialto 3 to show their work. Everyday a different program with a different focus. Free entrance.
Summer School
Enrols 20 university students following lm, audiovisual and communication curricula that will have the opportunity to analyze various aspects of documentary lmmaking, and meet with directors from the Semaine de la critique sections selection.
Founded in 2010 with the aim of assisting the development of emerging talents, the Locarno Summer Academy is a training program for young lmmakers, professionals, students and lm critics. The Locarno Summer Academy, this year in its fourth edition, came about from a desire to maximise Locarnos qualities as a meeting-place, and place of exchange for thinking about lm, taking advantage of the Festivals overall structure and its numerous guests.
6 16 August 2014
6 16 August 2014
Critics Academy
A training program for 8 young lm journalists/ critics, who will work under the editorial guidance of Indiewires Eric Kohn by ling reviews of lms in the program, articles on special events, Festival section proles and analysis, or interviews with Festival guests.
Cinema &Giovent
An initiative aimed at 32 high school and university students or those coming from a vocational training school, in Switzerland and Northern Italy. Over eleven days, the young participants (17 21 years old) will participate in the Festival, as jury members and as privileged spectators.
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Participants Festival del film Locarno
Via Ciseri 23, ch6601 Locarno t +41 (0)91 756 21 21 f +41 (0)91 756 21 49 summeracademy@pardo.ch www.pardo.ch
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Speakers, teachers and tutors
28
Represented Countries
Partners: Ernst Ghner Stiftung; USI Universit della Svizzera italiana; Centro didattico cantonale; Indiewire, Film Society of Lincoln Center; Swiss Association of Film Journalists; Semaine de la critique
04 | Studios
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SOUND STUDIO ART ON TRACKS

DATES mON 10 | 17:00 HAU3, TOP FLOOR
The World of Shouts and Whispers (p.35)
Working with state- of-the-art equipment in the Sound Studio
SOUNd dESIGNERS ANd COmPOSERS WORK WITH A RANGE OF EXPERTS ANd AdVANCEd SOUNd EQUIPmENT AT SOUNd STUdIO.
Infusing the image with emotion and depth, a films soundtrack is a powerful mode of cinematic expression. The Sound Studio focuses on the use of sound in many aspects of the filmmaking process, from designing a sound landscape that enriches the narrative structure, to the intricacies of sound mixing, composing scores, new technologies enhancing sound and exploring the possible collaboration with both creative and strategic partners from the industry. Emerging composers and sound designers are given the opportunity to gain hands-on experience working with established professionals: Renowned German composer Martin Todsharow (Sources of Life, Desert Flower) gives an intensive workshop with exclusive examples of his present work to discuss production and composition strategies. Internationally acclaimed re-recording mixers Martin Steyer (Rush, The Last Station) holds a sound design and mixing master class, and Lars Ginzel (Cloud Atlas, Requiem) will give exclusive insight into the world of DolbyAtmos at post-production company The Post Republic. Talents will also attend workshops with sound designers Frank Kruse (Rush, Cloud Atlas) and Dominik Schleier (Omar, The Bourne Supremacy) at the Film and Television University (HFF) Konrad Wolf, getting deeper into using original sound and sound design in fiction and documentary. The participants have the opportunity to create a policy trailer in DolbyAtmos. The winner is invited to Dolby Wootton
Bassett offices for two days to finalize the mix of her or his trailer in DolbyAtmos. Dolby will offer the finished trailer to all cinemas equipped in DolbyAtmos in Europe, Middle-East and Africa. Another opportunity is to create a soundtrack for an excerpt of the film The Imagonaut by Philipp Wenning during a spatial audio workshop at the Fraunhofer Heinrich Hertz Institute, using wave field synthesis technology. The Sound Studio is realized in cooperation with Dolby Laboratories, the Film and Television University (HFF) Konrad Wolf, The Post Re public and Fraunhofer Heinrich Hertz Institute.
FOR THE SOUNd STUdIO, FIFTEEN SOUNd dESIGNERS ANd COmPOSERS GATHER FROm ALL OVER THE WORLd: SOUNd DESIGNERS: SANTIAGO DE LA PAZ NICOLAU Mexico, GUY FIXSEN UK, SImON GERVAIS Canada, YULIA GLUKHOVA Russia, GUNN TOVE GRNSBERG Norway, MARTIJN HELLE The Netherlands, MARCIN KNYZIAK UK / Poland COmPOSERS: ARANZAZU CALLEJA Spain, VALERIO FAGGIONI Italy, RAm KHATABAKHSH UK, LUKASZ LECHOWSKI USA / Poland, BLAIR MOWAT UK , LAYAL WATFEH United Arab Emirates SOUNd DESIGNERS ANd COmPOSERS: JOHANNES HEIdINGSFELdER Germany, ANTONIN VICTOR TRICARd Germany / France
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04 | Studios
pOST-pRODUCTION STUDIO pROCESSING THE MATERIAl

DATES mON 10 | 11:00 HAU3, TOP FLOOR
The Survival Guide to Digital Workflows (p.33)

THU 13 | 11:00 dFFB CINEmA
Presentation: Post-Production Studio (p.40)

THU 13 | 17:00 HAU1
The Invisible World: The Magic of Visual Effects (p.41)
Post-Production Studio takes place at the German Film and Television Academy (DFFB)
Getting to test the top digi tal lm cameras and going through the whole workow was priceless when it came to some decisions in the shooting of my next feature.
Sebastian Arechavala, Ecuador | Post-Production Studio 2013
POST-PROdUCTION STUdIO OFFERS INVITEd TALENTS EXPOSURE TO STATE-OF-THE-ART POST PROdUCTION TOOLS ANd CUTTING EdGE TECHNIQUES.
Knowing the mechanics of filmmaking, and applying technical pre cision are essential skills for bringing ones creative vision to the screen. The Post-Production Studio gives Talents rare access to topof-the-line technology, from shooting and editing to color correction and mastering for the final stages of production. This year, the PostPro duction Studio expands by inviting documentary filmmakers to participate alongside fiction filmmakers. Selected participants will be divided according to genre, and both fiction and documentary groups will be well-equipped to shoot for the specific challenges of each genre. The studio will focus on production, with the goal of generating rich content through creative experimentation with new equipment, as well as live grading, and hands-on mentoring by experts. Cinematographer Birgit Gudjonsdottir (Our Grand Despair, Tomorrow You Will Leave, Long Shadows), post-production expert and colourist
Dirk Meier (Antichrist, Magic Silver, Dredd ) will mentor Talents working on state-of-the-art digital workflow equipment including cameras such as ARRI Alexa, RED, Canon EOS C300, C500 and Canon EOS 1DC as well as 5D Mark III, Final Cut VII editing software, grading in the latest version of the Nucoda Film Master suite, and finalizing on the DVS Clipster. Post-Production Studio has been made possible through the support and cooperation of Canon, tectum film equipment rental, German Film and Tele vision Academy Berlin (DFFB) and ARRI .
TWENTY FILmmAKERS WILL GET TRAINING IN dIGITAL WORKFLOWS AT POST-PROdUCTION STUdIO: SHAROVAT ARABOVA Tajikistan, AARZOO BURHANI Afghanistan, JACK FABER Israel, ABdUL GHAFAR FAIZYAR Afghanistan, KATJA FEdULOVA Russian Federation, IRENE GUTIERREZ Spain, JEAN LUC HABYARImANA Rwanda, ImAmAddIN HASANOV Azerbaijan, DARKO HERIC Slovenia, LUKASZ KONOPA Poland, DWI SUJANTI NUGRAHENI Indonesia, AdAm OL'HA Slovakia, NOUR OUAYdA Lebanon, FRANCISCO RIVERA Mexico, BYARUHANGA RUKUKA DILmAN DILA Uganda, SHIREEN SENO Philippines, SANJAY SHAH India, AmIL SHIVJI Tanzania, MARTA SImOES Portugal, JUSTIN WACHIRA Kenya
04 | Studios
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EDITING STUDIO THE EDITOR'S CUT

INVITEd FILmmAKERS WORK WITH ACCLAImEd EdITORS TO REFINE THEIR EdITS ANd BRING THEIR FILmS CLOSER TO PERFECTION.
The objective eye of a skilled editor is sometimes the necessary ingredient for bringing ones film to the next level. The Editing Studio allows selected Talents to refine the narrative structure of their rough cuts with the advice of expert editing mentors. Renowned editors including Lee Chatametikool, who frequently works with Apichatpong Weerasethakul on films including Uncle Boonmee and Syndromes and a Century, Susan Korda, editor of the Oscarnominated film For All Mankind, Gesa Marten, editor of many notable German documentaries including Ausfahrt Eden, and Andrew Bird, editor of the award-winning Fatih Akin film The Edge of Heaven and Miranda Julys The Future, will guide Talents and provide valuable insight on how to improve and strengthen the narrative structure of their projects. Editing Studio participants begin with an introduction day focusing on narrative structures and returning to the foundations
of the script, followed by the opportunity to work closely with an editing mentor for an entire day, revising and polishing rough cuts of their fiction or documentary short and feature films. Susan Korda leads a feedback screening session, during which projects from the Editing Studio will be screened for a Talent audience. The programme concludes with a final public presentation where methods and approaches tested in the editing suites over the week are compared, followed by a discussion of how to present a rough cut to film festival programmers, as well as to sales agents and distributors. The Editing Studio is realized in cooperation with the German Film and Television Academy (DFFB).
EdITING STUdIO INVITES SEVEN FILmmAKERS TO STRENGTHEN THEIR ROUGH CUTS dURING THE EdITING STAGE: JOEY BOINK The Netherlands, NATALIE CRISTIANI Italy, VLAdImIR dE FONTENAY France, DAVI dE OLIVEIRA PINHEIRO Brazil, GIOVANNI POmPILI Italy, ANTOLN PRIETO Peru, THIAW RAmA Senegal
Editing studio was a short, sharp shock of narrative revelation for me. These world-class mentors help you kill your darlings and birth your real lm.
Ben Robinson, UK | Editing Studio 2012 Editor and filmmaker Susan Korda discusses the narrative structure in the editing room
Kill Your Darlings (p.32)

THU 13 | 14:00 HAU3, TOP FLOOR
Roughly Speaking: Editing Studio Presentation (p.41)
JULY 01 07 2014
25th INTERNATIONAL FILM FESTIVAL MARSEILLE

THE CALL FOR FILMS IS AVAILABLE ONLINE ON OUR WEBSITE FROM DECEMBER 2, 2013 TO MARCH 17th, 2014
THE CALL FOR PROJECTS IS AVAILABLE ONLINE ON OUR WEBSITE FROM OCTOBER 21th, 2013 TO FEBRUARY 19th, 2014
04 | Studios
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ACTING STUDIO READY TO plAY!

DATES SUN 9 | 10:30 BRAENNEN
Embodying the Character (p.31)

MON 10 | 10:00 BRAENNEN
Playing the Character (p.33)

TUE 11 | 17:00 HAU3, PLAYBOX
Directing Actors (p.37)

WEd 12 | 10:30 BRAENNEN
Staying Faithful to the Writers Vision (p.38)

WEd 12 | 14:00 HAU2
Taking the Lead: Nina Hoss (p.39)
Jean-Louis Rodrigue working on camera with an Acting Studio participant
Being part of the Campus encouraged me to learn about lmmaking from all its different angles.
Maria Dragus, Germany | Acting Studio 2013, Shooting Star 2014
ACTING STUdIO PROVIdES INTENSIVE WORKSHOPS WHERE ACTORS HONE THEIR SKILLS ANd ENHANCE TECHNIQUES.
Actors are the crucial vehicle that convey the dialogue and emotion of the film. Tasked with embodying the characters developed in col laboration with the scriptwriter and director actors must work together with many creative contributors to realize their roles. Actors from around the world are invited to explore their techniques, dialogue delivery, meeting with international casting directors and more in the Acting Studio. Offering a variety of sessions that focus on particular aspects of acting, these rigorous interdisciplinary workshops help both actors and filmmakers to develop skills to collaborate and communicate with everyone involved in the filmmaking process. Participants will work with accomplished experts including acting coaches Jean-Louis Rodrigue and Kristof Konrad, whove worked with
actors such as Leonardo DiCaprio, Juliette Binoche, Josh Brolin, Hilary Swank and Helena Bonham Carter. The seasoned film, theater and tele vision director and screenwriting guru, Alby James, as well as renowned casting director Beatrice Kruger, who specializes in European talent, and Avy Kaufman, one of the leading American casting directors.
FIFTEEN ACTORS WERE SELECTEd TO PARTICIPATE IN VARIOUS ACTING WORKSHOPS: FERNANdO ALVAREZ REBEIL Mexico, KEREN BERGER Israel, HOJI FORTUNA Croatia, NOR HORICH Hungary, YOTAm JAKUBOWSKY-ISHAY Germany, JOANA dE VERONA MACHAdO Portugal, ALEJANdRA MALAGA SABOTAR Peru, CLAUdIA MUNIZ Cuba, LISANdRO MARTIN ROdRIGUEZ Argentina, DIEGO RUIZ Chile, WANLOP RUNGKUmJAd Thailand, ANdREEA VASILE Romania, LUIS YASSER VILA CABRERA Cuba, JOSEPH WAIRImU Kenya, MARYAm ZAREE Germany
BERLINALE TALENTS MARKET HUB AT EFM FEB 6-14, 2014
POWERED BY
DISCOVER THE 40 MOST EXCITING PROJECTS
TALENT HIGHLIGHT PITCH
of Berlinale Talents and meet the emerging distributors:

STAND G8
Mon, 10 Feb, 12:30pm Berlin House of Representatives, opposite the EFM www.efm-berlinale.de
PROJECT PRESENTATION DAY
at MGB 1st floor Wed, Feb 6 -Thur, Feb 14, 9am - 8pm daily Phone +49 30 863 950 457 talents@berlinale.de www.berlinale-talents.de
Wed, 12 Feb, 11am - 6:30pm Berlin House of Representatives, opposite the EFM www.efm-berlinale.de
04 | Studios
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DISTRIBUTION STUDIO REACHING NEW AUDIENCES

DATES FEB 6-14 | 9:00-20:00 EFm (G8, 1ST FLOOR)
Berlinale Talents Market Hub (p.18)

SUN 9 | 17:00 HAU3, TOP FLOOR
Sealing the Deal: How to Work with Distributors (p.32)

WEd 12 | 11:00 HAU3, TOP FLOOR
Nymphomaniac: How to Sell Uneasy Films (p.38)
Distribution expert Sigrid Limprecht discussing the ins and outs of global distribution methods
Ive met a number of incredible people during the week, with hundreds of amazing stories in their minds.
Derya Yanm, Turkey | Distribution Studio 2012
DISTRIBUTORS LEARN THE INS ANd OUTS OF GLOBAL dISTRIBUTION mETHOdS WHILE EXCHANGING IdEAS WITH EXPERTS ANd PEERS.
A skilled distributor recognizes a unique and innovative film and has the power to bring it to new audiences, broadening the films reach. Seasoned distributors, sales agents, audience designers and producers share their insights into the multifaceted world of film distribution in Distribution Studio sessions. Distribution Studio aims to encourage distributors, producers and directors to consider their audience and marketing strategy as early as possible in the film production process. Distribution Studio offers the chance for distributors to take part in a collaborative exploration of the current possibilities in film distribution in various parts of the world. By using case studies, connecting to the
European Film Market, and actively meeting filmmakers working on new film projects, emerging distributors will expand their network and be exposed to new, interesting projects. Distribution Studio offers emerging distributors the chance to work with high-profile experts, to meet fellow distributors and to benefit from each others experiences and from the input given during the studio programme.
NINE dISTRIBUTORS WILL PARTICIPATE IN DISTRIBUTION STUdIO: MANUELA BUONO Italy, VICTOR FENES Spain, KATARZYNA KARWAN Poland, ELIZAVETA KOLESNIKOVA Russia, MARIE LORA France, ATTILA MOCANU Hungary, VIVIEN MULLER-ROmmEL UK, PETRA OPLATKOVA Czech Republic, PATHOmPONG MANAKITSOmBOON Thailand
56
04 | Studios
pRODUCTION DESIGN STUDIO THE WORlD IS NOT ENOUGH

DATES TUE 11 | 14:00 HAU2
5D The Science of Fiction: Shaping New Worlds (p.36)

TUE 11 | 16:00 BRAENNEN
Play: Reinventing Collaboration I (p.37)

WEd 12 | 14:00 BRAENNEN
Play: Reinventing Collaboration II (p.37)

WEd 12 | 17:00 HAU1
The Land of Things and Spaces: Production Design by Adam Stockhausen (p.39)
New worlds for the big screen: analysing approaches to production design
Im thankful for such a condence-developing experience, and for putting me in the right room with the right people at the right time.
Bryn Chainey, Australia | Berlinale Talents 2009
BUILd NEW WORLdS ANd dISCOVER THE LATEST APPROACHES FROm THE WORLd'S LEAdING PROdUCTION dESIGNERS ANd STORYTELLERS.
Were all fascinated by the new worlds that sci-fi and fantasy films like Gravity and Inception draw us into, but how are these world conceived, designed and created? The USC I 5D Institute in Los Angeles is a center for world building experts, including founder, production designer Alex McDowell who is renowned for films including Minority Report and Fight Club. The stories of films such as these are created as an invitation for people to surpass the boundaries of the known and enter a new world. Production Design Studio invites experts to share how the advancement of technological possibilities, and creative and collaborative methods have allowed them to redefine what is possible for narrative media and storytelling. World Building expert from the USC I 5D Institute in Los Angeles, and production designer Patrick Hanenberger (2012), Ed Cookson, project director of the London 2012 Olympics and Para lympic Games digital content and Tawny Schlieski from Intel Labs discuss their creative
approach to design and work with Talents to explore new perspec tives and methods through interdisciplinary and non-linear processes using the latest digital tools. Production Design Studio offers the chance for production designers and an interdisciplinary group of Talents to take part in a collaborative World Building exploration. They will use new inception and devel opment processes to prototype, capture and manufacture the ima gination to approach the future of storytelling. At the core of the studio sessions, the Talents will have the opportunity to re-examine the creative process itself, to discover and develop new ways of seeing, thinking, iterating and collaborating. Production Design Studio is a cooperation with USC I 5D Institute, Los Angeles.
EIGHT PROdUCTION DESIGNERS FROm AROUNd THE WORLd PARTICIPATE IN PROdUCTION DESIGN STUdIO: ISONA RIGAU UK, IVANA KRABALO Croatia, JOSEF S. BRANdL Germany, KIL WON YU United States, ALEJANdRO FRANCO VILLEGAS Colombia, ZOHIE CASTEL LANO Australia, BETTINA SCHEIBE Germany, RASIGUET SOOKKARN Thailand
04 | Talent Press
57
TAlENT PRESS RIGOR REQUIRED

The invaluable experience of putting my writing skills to a true test of tight dead lines and bold opinion-making has paid off in every respect.
Vinja Penti, Croatia | Talent Press 2013
EIGHT EmERGING FILm CRITICS PROdUCE dAILY ARTICLES UNdER THE GUIdANCE OF RENOWNEd INTERNATIONAL CRITIC mENTORS.
The burgeoning film critics who are invited to participate in Talent Press have the opportunity to engage with an international film festi val with the rigor required of professionals. Producing articles on assignment, and with daily deadlines, these eight critics will share their reflections on Berlinale films with their peers at Berlinale Talents and with cinephiles worldwide via online outlets. With an official press pass, participants are encouraged to see much of what the festival has to offer, working daily in the editorial office, polishing their articles, and discussing films with their editors the mentors, who are all professional critics also on assignment at the Berlinale. The critic mentors are Chris Fujiwara, film critic and artistic director of the Edinburgh International Film Festival, Dana Linssen, Dutch film critic for NRC Handelsblad and editor-in-chief of De Film krant, Derek Malcolm, longtime critic for The Guardian, now writing for the
The Talent Press mentors: Stephanie Zacharek, Derek Malcom, Dana Linssen and Chris Fujiwara
London Evening Standard, and honorary President of FIPRESCI, and Stephanie Zacharek, the principle film critic for The Village Voice. Talent Press articles will be published daily from Feb 9 to Feb 13, 2014 on the Talent Press website, www.talentpress.org, which features articles by current participants and alumni, as well as on the websites of the Goethe-Institut and FIPRESCI. Best of Berlinale Talents will feature two Talent Press alumni, Tom Cottey (2013) and Eren Odabai (2011) specifically covering Berlinale Talents events and experts. Their articles will be published alongside reviews of films from the festival at large and Berlinale Talents events by all eight Talent Press participants. This print publication will be distributed on the last day of the Berlinale Talents, Thursday, Feb 13.
IN ITS ELEVENTH YEAR, EIGHT FILm CRITICS ANd JOURNALISTS AT dIFFERENT STAGES IN THEIR CAREERS COmE TOGETHER IN BERLIN: TARA JUdAH Australia, ANdREI KARTASHOV Russia, CLAIRE LEE Korea, DARIA LISITSINA UK , KARLA LONCAR Croatia, CHRISTINA POTAmOUSIS USA , JOS SARmIENTO Peru, EWA WILdNER Poland
DATES THU 13 | 14:00 HAU2
How to Read a Film Film Critics Meeting Filmmakers (p.41)

For further information
on the Talent Press website visit www.talentpress.org
LICHTBURG FILMPALAST
WWW.KURZFILMTAGE.DE
BOROS
05 | FINAL CREDITS
60
Dankeschn
05 | Final credits
THANK YOU
AMbASSADE DE FRANCE / INSTITUT fRANAIS DAAZO FILM & MEDIA LTD. FRAUNHOfER HEINRICHHERTZ-INSTITUT
Emmanuel Suard, Emilie Boucheteil, Carole Lunt.

A&O HOSTEL
Dniel Dek, Zsuzsanna Brasher.

DEUTSCHE WEINE
Monika Reule.
DEUTSCHE WELLE
Michael Witte, Ralf Schfer, Christian Weissig, Peter Kauff.

GAHRENS & BATTERMANN
Christian Michael, Daniel Kehr, Steffi Eichhorn.

jObS UND bHM
STAN HEMA
Mathias Illgen, Andreas Weber.

SOURCES 2
Sonja Jobs, Sylvia Bhm.

LEMONAID
Dr. Renate Gompper, Marion Gompper.

SYMbIOSIS / CONVERgENTDISTRIbUTOR EUROpA
Jennifer Remus, Asmira Suljic.

ARRI
Josef Reidinger, Angela Reedwisch, Frieda Oberlin, Wolf Bosse.

ARRI RENTAL
Ute Baron, Stefan Dll and Christoph Hoffsten.

ARTE DEUTSCHLAND
Peter Limbourg, Sybille Bauriedl, Gerda Meuer, Rainer Traube, Melanie Matthus, Bettina Kolb, Fred lschlegel, Michael Mnz, and the Deutsche Welle trainees.
DFFB GERMAN FILM AND TELEVISION ACADEMY
Jakob Berndt.
LONDON FILM SCHOOL
Michael Kugel.
GOETHE-INSTITUT BUENOS AIRES
Stefan Huesgen, Inge Stache.

GOETHE-INSTITUT JOHANNESbURg
Ben Gibson, Suzy Gillett, Alex Duxbury.

LORAL PARIS
Mike Wattley.
TALENTS BUENOS AIRES
Dr. Norbert Spitz, Lien Heidenreich-Seleme.

GOETHE-INSTITUT MEXICO
Nathalie Roos, Anna Sophie Weste, Heike Leder.

MANfRED DURNIOK FOUNDATION
Mara Marta Antin, Manuel Ferrari, Agustina Arbetman.

TALENTS DURbAN
Tiny Mungwe, Carole Gumede.

TALENTS GUADALAjARA
Ana de la Rosa Zamboni.

TALENTS SARAjEVO
Kathrin Brinkmann.
ARTE FRANCE
Olivier Pre, Annamaria Lodato.

AUDI
Prof. Jan Schtte, Edith Forster, Kathrin Osterndorff, Ingo Schumacher, Laura Gintar, Barbara Linke.
DOLbY LAbORATORIES
Michiko Teramoto.
MEDIA TRAININg PROgRAMME Of THE EUROpEAN UNION
Reinhard Maiworm.
GOETHE-INSTITUT SO PAULO
Asja Makarevi, Ivana Pekui, Ivana Kalember.

TALENTS TOKYO
Luca de Meo, Wayne Griffith, Clemens Lee, Doreen Amlung.

AUSwRTIgES AMT (FEDERAL FOREIgN OffICE)
Dr. Katharina von Ruckteschell, Luiz Rangel.

GOETHE-INSTITUT TOKYO
Miriam Raccah, Matt Desborough.

DURbAN INTERNATIONAL FILM FESTIVAL
Raimund Wrdemann, Mihoko Tanno.

GOETHE-INSTITUT MNCHEN
Xavier Troussard, Sari Vartiainen, Soon-Mi Peten, Arnaud Pasquali, Piedad Rivas Lopez, Cristina Fernandez Estrada.
MEDIENbOARD BERLIN-BRANDENbURg
Akiko Yukawa, Ayako Miyake.

TALENT PROjECT MARKET
Sonja Heinen, Dr. Kathi Bildhauer.

TECTUM RAUM&ZEIT fILMgERTEVERLEIH
Dr. Frank-Walter Steinmeier, Dr. Hans-Ulrich Seidt, Uwe Wolfgang Heye, Nina Midori Krull, Irmgard Maria Fellner.
BINgER FILMLAb
Peter Machen, Tiny Mungwe.

EUROpEAN FILM ACADEMY (EFA)
Prof. Dr. Klaus-Dieter Lehmann, Johannes Ebert, Joachim Bernauer, Noemie Njangiru.
GUADALAjARA INTERNATIONAL FILM FESTIVAL
Gamila Ylstra.
BKM DIE BEAUfTRAgTE DER BUNDESREgIERUNg fR KULTUR UND MEDIEN
Marion Dring, Bettina Schwarz.

EUROpEAN FILM MARKET
Kirsten Niehuus, Elmar Giglinger, Daniel Saltzwedel, Anastasia Ziegler.

MILLER FLUID HEADS EUROpE
Christian Klimke, Torsten Schimmer, Ingold Schubert.

THE RED DOT AgENCY
Lance Miller, Cecile Mella Annick Otten, David Corfield.

TOKYO METROpOLITAN GOVERNMENT
Prof. Dr. Monika Grtters, Dr. Gnter Winands, Sandra Wemmel, Ulrike Schauz, Michael Knoche.
BRITISH COUNCIL
Beki Probst, Andrea Kaul, Manuela Guddait, Volker Hrich, Peter Domsch, Julia Zieger, Faysal Omer.
EXpERIENCE WORLDwIDE
Raul Padilla, Ivn Trujillo Bolio, Estrella Araiza, Mariana Cerilla and Lorena Rossette Riestra.
HAU HEbbEL AM UfER (HAU1-3)
Mike Lippmann.
NIpKOw PROgRAMME
Petra Weisenburger, Uta Ganschow.

POwER TO THE PIXEL
Briony Hanson, Will Massa, John Whitehead, Dr. Elke Ritt.

CANADA GOOSE
Emma Smith, Lize Moran.

FESTIVAL INTERNAZIONALE DEL fILM DI LOCARNO
Dani Reiss, Kevin Spreekmeester, Penny Brook, Leila Lohonyai.

CANON EUROpE
Nadia Dresti, Luca Spinosa, Oriana Pivetta.

FFA GERMAN FEDERAL FILM BOARD
Annemie Vanackere, Aenne Quiones, Elisabeth Knauf, Robert Gather, Martina Gessner, Annika Frahm, Patrick Tucholski and the entire HAU team for their cool theatre.
HD VIDEOSHOp
Liz Rosenthal.
RAbENHORST
Masahiro Seki, Katsuhiko Funaki, Tomo Murakami, Katsunori Hori, Kumi Shimokura.
TOP-IX TORINO E PIEMONTE INTERNET EXCHANgE
Klaus-Jrgen Philipp, Johannes H. Mauss.

RED DEUTSCHLAND
Silvano Giorcelli and the entire team.

U.S. EMbASSY BERLIN
Alfred Jaax, Kristin Geyer.

RObERT BOSCH STIfTUNg
Jacco Leurs, Kieran Magee, Mike Owen, Subbaiah Kuttanda, Peter Yabsley, Paul Atkinson.
CANON DEUTSCHLAND
Peter Dinges, Christine Berg, Birthe Klinge.

FIDMARSEILLE
Michel Juknat, Ludwig Reuter.

HFF KONRAD WOLf
Jean-Pierre Rehm, Fabienne Moris, Analle Bourguignon, Rebecca De Pas, Ourida Timhadjelt.
FILMEX
Prof. Susanne Strmer, Prof. Martin Steyer, Bernhard Albrecht, Holger Lochau.
IDFA
Dr. Ingrid Hamm, Prof. Dr. Joachim Rogall, Olaf Hahn, Ottilie Blz, Frank W. Albers, Karin Angela Schyle, Christine Kopf.
RObERT BOSCH REpRSENTANZ
John B. Emerson, Katharina Gllner-Sweet, Kerstin Reichert.

VIDEObUERO
Andreas Wild, Andr Schfer, Dominic Gambert.

VFF
Prof. Johannes Kreile, Prof. Norbert Flechsig, Prof. Georg Feil.

VIDEOR E. HARTIg
Miriam Gundlach.
SARAjEVO FILM FESTIVAL
Joachim Meyer.
VIVA CON AgUA
Cathalijne de Wilde.
INTERNATIONALE KURZ fILMTAgE ObERHAUSEN
Rainer Fhres, Bettina Steeger, Martina Eichmann.

CREATIVE EUROpE DESK BERLIN-BRANDENbURg
Kanako Hayashi, Shozo Ichiyama, Shigeo Kanaya.

FIPRESCI
Marcus Schtte.
JENSEN&COLLEgEN
Mirsad Purivatra, Amra Baksi Camo, Jovan Marjanovi.

SERVE-U
Reinhold Seidel, Benjamin Adrion.

WIRTSHAUS AM UfER
Thomas King and team.

20SEC.NET
Susanne Schmitt, Uta Eberhard, Mirja Frehse.
Klaus Eder.
Finn Jensen, Janine Plew, Hendrik Eibisch,
Phillip Snderhauf, Andreas Buchholz.
Jens Rietdorf, Robert Wagner.
05 | Final credits
List of experts
61
EXPERTS
KBB KULTUR VER AN STAL TUNgEN DES BUNDES IN BERLIN OUR jURIES: DOC STATION A
Charlotte Sieben, Johannes Emig, Andrea Schreiber, Petra Hemprich, Stefan Martin, Dr. Albert Drgemller, Lara Rossi, Katharina Knuth, Matin Schiemann, Roman Schumann, Stefan Heicking.
BERLIN INTERNATIONAL FILM FESTIVAL OUR COLLEAgUES
Kathrin Brinkmann, Fabienne Moris, Sirkka Mller.

SCRIpT STATION
Alby James, Franz Rodenkirchen, Annette Pisacane.

SOUND STUDIO
Gabriel Abrantes (p.38) Maren Ade (p.33) Lucy Ainsworth-Taylor (p.41) Frank W. Albers (p.17, 30) Bernhard Albrecht (p.49) Haifaa Al Mansour (p.39)
b
Kanako Hayashi (p.23) Sonja Heinen (p.40) Benjamin Heisenberg (p.33) Anna Higgs (p.32) Jakob Kirstein Hgel (p.46) Maike Mia Hhne (p.36) Nina Hoss (p.39) Sophie Hyde (p.41)
j
Liz Rosenthal (p.32, 34) Rajendra Roy (p.33)

S
Martin Steyer, Martin Todsharow, Bernhard Albrecht, Frank Kruse, Dominik Schleier.
TALENT PROjECT MARKET
Thomas Hailer, Solmaz Azizi, Sabine Gebauer, Lorna Bsel, Luise Nagel, Karin Hoffinger, Daniela Weber, Brigitte Abel. Johannes Wachs and Adrienne Boros. Anne Gebhardt, Kerstin Iskra, Petra Blmker and Eva Simhart. Andr Stever, Ove Sander and the Film Office team.
THE SECTION HEADS
Katriel Schory, Roshanak Behesht Nedjad, Ellis Driessen, Prof. Georg Feil.
TALENT PRESS
Klaus Eder, Noemie Njangiru, Oliver Baumgarten, Aily Nash, Frauke Greiner.
SHORT FILM STATION
Alistair Banks Griffin (p.37) Ritesh Batra (p.35) Sandra Beerends (p.47) Aida Begi (p.37) Peter Belsito (p.23) Christine Berg (p.30) Andrew Bird (p.51) Martina Bleis (p.40) Kathrin Brinkmann (p.46) Victoria Broackes (p.34) Gabriele Brunnenmeyer (p.38) Pierre Buffin (p.41) Vincenzo Bugno (p.40) Mareile Bscher (p.37)
C
Flo Jacobs (p.32) Ken Jacobs (p.32) Alby James (p.38, 53) Pavel Jech (p.47) Neil Jordan (p.36)
K
Maike Mia Hhne, Alexandra Gramatke, Christiane Steiner, Daniel Saltzwedel.

POST-PRODUCTION STUDIO
Birgit Gudjonsdottir, Dirk Meier, Andreas Westphal.

EDITINg STUDIO
Lee Chatametikool (p.51) Anthony Chen (p.35) Irene Christ (p.47) Stefan Ciupek (p.37) Katerina Cizek (p.34) Eric Collins (p.45) Ed Cookson (p.36, 56) Denis Ct (p.37) Peter Cowie (p.32, 35, 36) Laurent Crouzeix (p.23, 36)
D
Marie Ka (p.39) Henning Kamm (p.30) Philip Knatchbull (p.32) Avy Kaufman (p.53) Kristof Konrad (p.31, 33, 53) Susan Korda (p.32, 38, 41, 51) Dieter Kosslick (p.30) Merle Krger (p.46) Beatrice Kruger (p.25, 53) Frank Kruse (p.49)
L
Daniel Saltzwedel (p.30, 38) James Schamus (p.31) Ines Schiller (p.31) Dominik Schleier (p.49) Tawny Schlieski (p.36, 56) Golo Schultz (p.31) Anna Seifert-Speck (p.47) Marc Siegel (p.32) Ulla Simonen (p.46) Ada Solomon (p.37) Loretta Stern (p.35) Martin Steyer (p.49) Adam Stockhausen (p.39) Sakaris Str (p.38) Peter Strickland (p.35)
T
Christoph Terhechte, Maike Mia Hhne, Dr. Rainer Rother, Maryanne Redpath, Florian Weghorn, Linda Sffker, Wieland Speck, Paz Lzaro and their teams. Vincenzo Bugno, Stefanie Schulte Strathaus, Wilhelm Faber, Frauke Greiner, Dagmar Forelle, Anne Marburger and their teams. Hans von Trotha. Nicole Stecker, France Orsenne, Albrecht Wendel, Gunnar Gilgen and Irena Akopjan; Karen Arikian, John Badalu, Alexis Grivas, Elisabeth Lequeret, Nikolaj Nikitin, Norman Wang and Dorothee Wenner for strategic expert approach. Last but not least: Festival Director Dieter Kosslick!
Susan Korda, Kevin Murphy, Marcie Jost. Special thanks to Peter Cowie.
TALENTS TEAM 2014
Umut Da (p.39) Martha De Laurentiis (p.36) Benjamin Domenech (p.37) Michael C. Donaldson (p.37) Christopher Doyle (p.34)
E-f
Jukka-Pekka Laakso (p.23,36) Janneke Langelaan (p.23) Jakob Lass (p.31) Paz Lzaro (p.41) Dorota Lech (p.22) SebastinLelio (p.37) Maximilian Leo (p.30) Diego Lerer (p.41) Sydney Levine (p.22, 34) Sigrid Limprecht (p.41) Dana Linssen (p.57) Claudia Llosa (p.32) Diego Luna (p.37) Franz Lustig (p.39)
M
Matthew Takata (p.25) Jerry Tartaglia (p.32) Lorna Tee (p.35, 45) Warwick Thornton (p.41) Martin Todsharow (p.49) Chris Torch (p.34) Mahyad Tousi (p.32) John Trengove (p.38) Ivn Trujillo (p.23)
U-V
Selina Ukwuoma (p.45) Jos Luis Valle (p.37) Adriek van Nieuwenhuyzen
(p.23)
Annemie Vanackere (p.34) Denis Vaslin (p.46) Louise Vesth (p.38) Eskil Vogt (p.34) Anita Voorham (p.45)
w-Z
Aily, Andreas, Ana, Anja, Arlyn, Arne, Brigid, Christiane, Daniel, Fanny, Gabriele, Jana, Janne, Jona, Kathi, Katharina, Kevin, Laura, Lira, Lina, Magdalena, Marcie, Marcus, Michael, Nadine, Nicole, Oli, Rebecca, Sebastian, Seba, Sigrid, Sirkka and Tobi. To all photographers, volunteers, angels, service suppliers and technicians.
MANY THANKS TO OUR LOCATION pARTNERS
Edwin (p.41) Beadie Finzi (p.23) Mahdi Fleifel (p.38) Ellis Freeman (p.39) Chris Fujiwara (p.41, 57)
g
Yoel Gamzou (p.34) Cristina Garza (p.32) Gyula Gazdag (p.45) Eugene Gearty (p.35) Michael Geidel (p.25) Jan-Ole Gerster (p.35) Greta Gerwig (p.31) Ben Gibson (p.32, 38, 41) Krzysztof Gierat (p.23, 36) Lars Ginzel (p.49) Agns Godard (p.23, 35) Michel Gondry (p.31) Tony Grisoni (p.32) Veronika Grob (p.47) Christoph Grner (p.33) Birgit Gudjonsdottir
(p.33, 40, 50) H
Peter Machen (p.25) Derek Malcolm (p.57) Anja Marquardt (p.36) Gesa Marten (p.51) Meike Martens (p.46) Dirk Meier (p.33, 40, 50) Fabio Mollo (p.40) Hania Mrou (p.22)
N-P
Ulrich Wegenast (p.47) Dorothee Wenner (p.39) Philipp Wenning (p.49) Stephanie Zacharek (p.57) John Zorn (p.32) Find more information about the experts at: www.berlinale-talents.de
Bertha Navarro (p.37) Mike Owen (p.22) Paul Pauwels (p.23) Christian Petzold (p.33) Raymond Phathanavirangoon
(p.37)
Franois Pirot (p.47) Corneliu Porumboiu (p.41)

R
Patrick Hanenberger
(p.36, 37, 56)
Rzvan Rdulescu (p.32) Jean-Pierre Rehm (p.41) Michel Reilhac (p.32) Mariette Rissenbeek (p.30) Franz Rodenkirchen (p.45) Jean-Louis Rodrigue
(p.31, 33, 53)
62
Team | Imprint
05 | Final credits
TEAM 2014
BERLIN INTERNATIONAL FILM FESTIVAL
Festival Director Dieter Kosslick

BERLINALE TALENTS 2014
Sponsorship Dagmar Forelle, Milad Ganji Text Editor Daniel Bickermann

PROjECT LAbS
Programme Manager Matthijs Wouter Knol Project Manager Christine Trstrum Programme Coordination Jona Armborst Events & Administration Nicole Mnch Head of Communication & Press Sebastian Huber Assistant Events & Administration Sebastian Gutierrez Perez Assistant Press & Communication Katharina Neumann Online Editor & Community Manager Marcus Forchner Talent Administration Coordination Lira Lousinha, Matthias Campe Selection Committee Marcie Jost, Rebecca De Pas, Kevin Murphy, Ana de la Rosa Zamboni
Doc, & Script and Short Film Station Sirkka Mller, Arne Kohlweyer, Christiane Steiner Meeting coordinator: Gabriele Brunnenmeyer Talent Project Market Dr. Kathi Bildhauer, Sonja Heinen
STUDIOS AND TALENT PRESS
Actors Studio Anja Joos Distribution Studio Sigrid Limprecht Editing Studio Kevin Murphy Production Design Studio Juan DazB Post-Production Studio Andreas Westphal Sound Studio Marcie Jost, Janne von Busse Talent Press Oliver Baumgarten, Aily Nash
Guest Manager Jana Daedelow, Hannes Reiss Interns Programme Nadine Blamberger, Magdalena Milinkovi Intern Press Fanny Erdmann Interns Talent Administration Lina Driessen, Laura Seabra Castelo Branco Administration Support Michael Hoffmeister Event Agency Finn Jensen & team IT Project Management 20sec.net Jens Rietdorf IT Technology serve-u Phillip Snderhauf Consultant Peter Cowie
IMpRINT
David von Becker, Chiara Ferrau, Lydia Hesse, Peter Himsel, Ute Langkafel and cooperation partners, distributors, film productions Logo Berlinale Talents Stan Hema Photography Cover Photo backdrop: Andre Mller / pixelio.de Printed by Druckzone GmbH & Co. KG, Cottbus
PUbLISHER
BERLINALE TALENTS TEAM 2014
Berlin International Film Festival

BERLINALE TALENTS
Circulation 3.500 Editorial Office Oliver Baumgarten, Aily Nash, Matthijs Wouter Knol, Magdalena Milinkovi, Nadine Blamberger Photography Berlin International Film Festival, David Ausserhofer, Bettina Ausserhofer,
Potsdamer Strae 5 10785 Berlin Phone: + 49 30 259 205 15 Fax: + 49 30 259 205 19 talents@berlinale.de www.berlinale-talents.de
(from left to right): Sebastian Gutierrez Perez, Arne Kohlweyer, Ana de la Rosa Zamboni, Katharina Neumann, Marcie Jost, Aily Nash, Nicole Mnch, Sebastian Huber, Rebecca de Pas, Kathi Bildhauer, Jana Elisa Falkenroth, Matthias Campe, Marcus Forchner, Lina Driessen, Lira Lousinha, Oliver Baumgarten, Andreas Westphal, Magdalena Milinkovi, Tobi, Christine Trstrum, Nadine Blamberger, Kevin Murphy, Jona Armborst, Matthijs Wouter Knol.
Berlinale Talents is an initiative of the Berlin International Film Festival, a business division of the Kulturveranstaltungen des Bundes in Berlin GmbH.
THANK YOU !
Principal Partners
Co-Partners
Supporters
Berlinale Talents is an initiative of the Berlin International Film Festival, a business division of the Kulturveranstaltungen des Bundes in Berlin GmbH, funded by the Federal Government Commissioner for Culture and the Media. In cooperation with MEDIA Training programme of the European Union, Robert Bosch Stiftung, Medienboard Berlin-Brandenburg and Canon.
WWW.BERLINALE-TALENTS.DE

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BERLINALE TALENTS

WELCOME TO BERLINALE TALENTS 300 TALENTS FROM 79 COUNTRIES

Andreas Emanuelsson Maiko Endo Diderik Evers

Jody Muston Ayten Mutlu Saray

Christina Newland Bao Nguyen Dwi Sujanti Nugraheni Robert Nyanzi

Magdelena Ilieva Yotam Ishay Adina Istrate

Nienke Eijsink Christian Einshj Karim El-Shenawy

Berlinale Talents 2014

We would like to thank our international network for its support

Hyoe Yamamoto Adilkhan Yerzhanov Cem Yildirim Kil Won Yu

Maryam Zaree Jenny Lou Ziegel

Justyna Tafel Wafa Tajdin

Berlinale Talents 2014

PROJECT LAbS & STUDIOS

Berlinale Talents 2014

DISCOVER NEw TALENT

Festival Director, Berlin International Film Festival

Programme Manager, Berlinale Talents

Project Manager, Berlinale Talents

Berlinale Talents 2014

ROBert BOsCh StIFtUnG Dr. InGrId Hamm

Dr. InGrId Hamm

CEO Robert Bosch Stiftung

CEO Medienboard Berlin-Brandenburg, Managing Director Film Funding

CEO Medienboard Berlin-Brandenburg, Managing Director Media Development

MEDIENBOARD BERLIN-BRANDENBURG KIRSTEN NIEHUUS | ELmAR GIGLINGER

CANON JAccO LEURS

Head of Professional Imaging Group, Canon Europe

Berlinale Talents 2014

POWER TO YOUR NEXT STEP

Take your next step at cpn.canon-europe.com

Follow us on: @CanonProNetwork

Berlinale Talents 2014

ReaDy tO Play? BreakIng the rUleS

DATES SUN 9 | 10:30 HAU1

Once Upon a Time: How to Start a Film (p.31)

Women on the Verge of a Nervous Break down: Successful Screenwriting (p.32)

New German Cinema: The Berlin School (p.33)

Defining Distance: The Cinematography of Agns Godard (p.35)

Help! I Made a Success ful Film (p.35)

The World of Shouts and Whispers (p.35)

Expanding Stories: Successfully Creating Television Series (p.36)

A Room with a View: Collaborating on Scripts (p.37) Berlinale Talents 2014

Alumni at the Berlinale

COMIng baCk FOr MOre

DATES SAT 8 | 20:00 HAU1

Film Screening: My Brothers Keeper (p.30)

Film Screening: Blind (p.34)

Film Screening: Shes Lost Control (p.36)

Screening Shorts. A Compilation of Short Films (p.38)

FOR MORE INfORMATION

about submitting to the Berlin International Film Festival, visit www.berlinale.de

Alumni / Manfred Durniok Foundation

(2006) Superegos (2004) Land of Storm

(2013) We Are Mari Pepa

(2008) What We Do in the Shadows

(2007) The Better Angels

(2011) Land of Storm

MANfREd DURNIOK FOUNdATION

OTHER ALUMNI AT THE BERLINALE IN 2014: ANNA HIGGS

(2008) The Samurai

(2013) Love Is Strange

(2009) 20,000 Days on Earth

(2006) The Innocents