Professional Documents
Culture Documents
7 NReal&Beyond
7 NReal&Beyond
1945-1952
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Italian Neorealism
1. Mussolini and Fascists in power
by time sound arrived late 1920s
2. Italian fascism not really
comparable to German nazism
Roots of Neorealism
Beginning in 1930s:
1. Interest in Soviet Cinema--Pudovkin not Eisenstein
2. American hardboiled novels
James M. Cain, Dashiell Hammet
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Roberto Rossellini
1. Documentaries and short
subjects during war.
2. Began OPEN CITY -- the key
neorealist film in 1943 before
Germans had even left Rome.
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Open City
Luchinio Visconti
1. Ossessione (44) -- complete
steal of Cains novel The
Postman Always Rings Twice
2. La Terra Trema (1948)
3. Bellissima (1951)
4. Rocco and His Brothers (1960)
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Vittorio de Sica
1. Actor who got into directing
DeSicas Films
1. Shoeshine (1946)
2. The Bicycle Thief (1948)
Fridays film
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Philosophical Underpinnings
1. Often based on real incidents
2. Current social problems
3. Semi-documentary
4. Express an ideology
5. Technique bridges fiction &
documentary --- hence the term
NEOREALIST
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Beyond Neorealism
Reasons for change:
1. Pressure from Catholic Church
and Govt about bad P.R. overseas
2. New prosperity = return to more
personal films and upper class
subjects.
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More Psychological
Less Sociological
Rossellini
DeSica
Visconti
By 1960
Some common ideas with
French New Wave
Existential philosophy
Bigger budgets
Glossier films
MORE PERSONAL WORKS
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Michelangelo Antonnioni:
LAvventura (1960)
The Eclipse (1961)
Red Desert (1964)
Blow-Up (1966)
Zabriske Point (1970)
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Frederico Fellini
Worked as writer during neorealist
period
1. The White Shiek
2. La Strada 3. The Nights of Cabiria
4. La Dolce Vita
5. 8 (Fellinis most important film
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8 - 1/2
His 9th film - autobiographical
Mixes dreams and fantasy
Exaggeration and overstatement
Technique for its own sake
Symbolism, fantasy & real action
NOT a classical Hollywood film
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Todays Film
The Bicycle Thief
1948
Vittorio DeSica
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