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Amy My Daughter Extract 1 The Early Years
Amy My Daughter Extract 1 The Early Years
AMY
M Y DAU G H T E R
10/05/2012 11:37
HarperCollinsPublishers
7785 Fulham Palace Road,
Hammersmith, London W6 8JB
www.harpercollins.co.uk
First published by HarperCollinsPublishers 2012
1 3 5 7 9 8 6 4 2
Copyright 2012 Mitch Winehouse
The author asserts his moral right to be
identied as the author of this work.
A catalogue record of this book is
available from the British Library.
HB ISBN 978-0-00-746389-3
TPB ISBN 978-0-00-746390-9
Printed and bound in Great Britain by Clays Ltd, St Ives plc
All rights reserved. No part of this publication may be
reproduced, stored in a retrieval system, or transmitted,
in any form or by any means, electronic, mechanical,
photocopying, recording or otherwise, without the
prior written permission of the publishers.
AMY MY DAUGHTER_FINAL_UK.indd iv
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AMY, MY DAUGHTER
Though Amy had been a terric sleeper as a baby and young child,
when she got to about eleven she wouldnt go to bed: shed be up
all night reading, doing puzzles, watching television, listening to
music, anything not to go to sleep. So, naturally, it was a battle every
morning to get her up. Janis got fed up with it and would ring me:
Your daughter wont get out of bed. I had to drive all the way from
Chingford, where I was living with Jane, and drag her out.
Over time Amy got worse in the classroom. Janis and I were called
to the school for meetings about her behaviour on numerous occasions. I hope the head of year didnt see me trying not to laugh as he
told us, Mr and Mrs Winehouse, Amy has already been sent to see
me once today and, as always, I knew it was her before she got to my
ofce I knew if I looked at Janis Id crack up. How did I know?
the head of year continued. She was singing Fly Me To The Moon
loudly enough for the whole school to hear.
I knew I shouldnt laugh, but it was so typically Amy. She told me
later that shed sung it to calm herself down whenever she knew she
was in trouble.
Just about the only thing she seemed to enjoy about school was
performance. However, one year when Amy sang in a show she
wasnt very good. I dont know what went wrong perhaps it was
the wrong key for her again but I was disappointed. The following year things were different. Dad, will you both come to see me
at Ashmole? she asked. Im singing again. To be honest, my heart
sank a bit, with the memory of the previous years performance, but
of course we went. She sang the Alanis Morissette song Ironic, and
she was as terric as I knew she could be. What I wasnt expecting
was everyone elses reaction: the whole room sat up. Wow, where
did this come from?
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By now Amy was twelve and she wanted to go to a drama school full
time. Janis and I were against it but Amy applied to the Sylvia Young
Theatre School in central London without telling us. How she even
knew about it we never gured out as Sylvia Young only advertised in
The Stage. Amy eventually broke the news to us when she was invited to
audition. She decided to sing The Sunny Side Of The Street, which
I coached her through, helping with her breath control, and won a
half-scholarship for her singing, acting and dancing. Her success was
reported in The Stage, with a photograph of her above the column.
As part of her application, Amy had been asked to write something
about herself. Heres what she wrote:
All my life I have been loud, to the point of being told to shut up.
The only reason I have had to be this loud is because you have to
scream to be heard in my family.
My family? Yes, you read it right. My mums side is perfectly ne, my
dads family are the singing, dancing, all-nutty musical extravaganza.
Ive been told I was gifted with a lovely voice and I guess my
dads to blame for that. Although unlike my dad, and his background and ancestors, I want to do something with the talents
Ive been blessed with. My dad is content to sing loudly in his
ofce and sell windows.
My mother, however, is a chemist. She is quiet, reserved.
I would say that my school life and school reports are lled with
could do betters and does not work to her full potential.
I want to go somewhere where I am stretched right to my limits
and perhaps even beyond.
To sing in lessons without being told to shut up (provided they
are singing lessons).
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AMY, MY DAUGHTER
I think it was to the schools relief when Amy left Ashmole. She started
at the Sylvia Young Theatre School when she was about twelve and
a half and stayed there for three years but what a three years it
was. It was still school, which meant she was always being told off,
but I think they put up with her because they recognized that she
had a special talent. Sylvia Young herself said that Amy had a wild
spirit and was amazingly clever. But there were regular incidents
for example, Amys nose-ring. Jewellery wasnt allowed, a rule Amy
disregarded. She would be told to take the nose-ring out, which she
would do, and ten minutes later it was back in.
The school accepted that Amy was her own person and gave her
a degree of leeway. Occasionally they turned a blind eye when she
broke the rules. But there were times when she took it too far, especially with the jewellery. She was sent home one day when shed
turned up wearing earrings, her nose-ring, bracelets and a bellybutton piercing. To me, though, Amy wasnt being rebellious, which
she certainly could be; this was her expressing herself.
And punctuality was a problem. Amy was late most days. She
would get the bus to school, fall asleep, go three miles past her stop,
then have to catch another back. So, although this was where Amy
wanted to be, it wasnt a bed of roses for anyone.
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AMY, MY DAUGHTER
Another lovely birthday card from Amy, aged twelve. This came just aer
yet another meeting with Amys teacher about her behaviour.
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Along with other pupils from Sylvia Youngs, Amy started getting
paid work around the time she became a teenager. She appeared in
a sketch on BBC2s series The Fast Show; she stood precariously on a
ladder for half an hour in Don Quixote at the Coliseum in St Martins
Lane (she was paid eleven pounds per performance, which Id look
after for her as she always wanted to spend it on sweets); and in a
really boring play about Mormons at Hampstead Theatre where her
contribution was a ten-minute monologue at the end. Amy loved
doing the little bits of work the school found for her, but she couldnt
accept that she was still a schoolgirl and needed to study.
Eventually Janis and I were called in to see the head teacher of the
schools academic side, who told us he was very disappointed with
Amys attitude to her work. He said that he constantly had to pressure her to buckle down and get some work done. He accepted that
she was bored and they even tried moving her up a year to challenge
her more, but she became more distracted than ever.
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AMY, MY DAUGHTER
The real blow came when the academic head teacher phoned Janis,
behind Sylvia Youngs back, and told her that if Amy stayed at the
school she was likely to fail her GCSEs. When Sylvia heard about
this she was very upset and the head teacher left shortly afterwards.
Contrary to what some people have said, including Amy, Amy
was not expelled from Sylvia Youngs. In fact, Janis and I decided
to remove her as we believed that she had a better chance with her
exams at a normal school. If youre told that your daughter is going
to fail her GCSEs, then you have to send her somewhere else. Amy
didnt want to leave Sylvia Youngs and cried when we told her that we
were taking her away. Sylvia was also upset and tried to persuade us
to change our minds, but we believed we were doing the right thing.
She stayed in touch with Amy after shed left, which surprised Amy,
given all the rows theyd had over school rules. (Our relationship
with Sylvia and her school continues to this day. From September
2012, Amys Foundation will be awarding the Amy Winehouse
Scholarship, whereby one student will be sponsored for their entire
ve years at the school.)
Amy had to nish studying for her GCSEs somewhere, though,
and the next school to get the Amy treatment was the all-girls Mount
School in Mill Hill, north-west London. The Mount was a very
nice, proper school where the students were decked out in beautiful
brown school uniforms a huge change from leg warmers and noserings. Music was strong there and, in Amys words, kept her going.
The music teacher took a particular interest in her talent and helped
her settle in. I use that term loosely. She was still wearing her jewellery, still turning up late and constantly rowing with teachers about
her piercings, which she delighted in showing to everybody. When
I remember where some of those piercings were, Im not surprised
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the teachers got upset. But, one way or another, Amy got ve GCSEs
before she left the Mount and yet another set of breathless teachers
behind her.
There was no question of her staying on for A levels. She had had
enough of formal education and begged us to send her to another
performing-arts school. Once Amy had made up her mind, that was
it: there was no chance of persuading her otherwise.
When Amy was sixteen she went to the BRIT School in Croydon,
south London, to study musical theatre. It was an awful journey to
get there from the north of London right down to the south, which
took her at least three hours every day but she stuck at it. She
made lots of friends and impressed the teachers with her talent and
personality. She also did better academically: one teacher told her
she was a naturally expressive writer. At the BRIT School Amy was
allowed to express herself. She was there for less than a year but her
time was well spent and the school made a big impact on her, as did
she on it and its students. In 2008, despite the personal problems she
was having, she went back to do a concert for the school by way of a
thank-you.
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AMY
My Daughter
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