4'33" (1952): work in three movements -could be performed on any instrument. -draws attention to the process of listening, rather than the process of music production. Sonatas and Interludes (1946-48) -use of "prepared piano," expands the sounds of a traditional instrument.
4'33" (1952): work in three movements -could be performed on any instrument. -draws attention to the process of listening, rather than the process of music production. Sonatas and Interludes (1946-48) -use of "prepared piano," expands the sounds of a traditional instrument.
4'33" (1952): work in three movements -could be performed on any instrument. -draws attention to the process of listening, rather than the process of music production. Sonatas and Interludes (1946-48) -use of "prepared piano," expands the sounds of a traditional instrument.
-could be performed on any instrument, and lasts for any amount of time. -draws attention to the process of listening, rather than the process of music production 2 Important ideas in 433: 1. Expansion of sound-field: -1937 lecture: music is the organization of any sound (both noise and musical sounds)
(Fountain - Marcel Duchamp)
2. Indeterminacy: elements of music deliberately left to chance or choice of the
performer. (Aleatoric music alea, Latin for die or dice-game).
(Subway Drawing - William Anastasi)
Sonatas and Interludes (1946-48)
-use of prepared piano, expands the sounds of a traditional instrument
TV Kln (1958) -Convergence of indeterminacy and expansion of sound-field Legend
Dot = sound event
I line = make any sound on the interior of the piano O line = make any sound on the outside of the piano A line = make any auxiliary sound (i.e. not involving the piano) K line = play any notes on the keyboard (the number indicates the number of notes that should be played) P line = do anything
The Table of Pitch Class Sets1406-Z3B..360245674332211416-4012347432221comb I (b)1426-4B023567432221comb I (1)1436-5012357431231comb I (7)1446-5B024579431231comb I (9)1456-6012358431221comb I