Shot List

SHO
T:

CAMERA
ANGLE

CAMER
A
MOVE
MENT

PROPS USED

DIRECTION
OF
ACTOR/ACTR
ESS

LOCATION

MISE-EN-SCENE
DESCRIPTION

LIGHTING
CONSIDERATI
ON

NA

NA

NA

NA

NA

NA

CLOSE UP

STATIONA
RY

NA

NA

NA

NA

NA

NA

NA

NA

MID SHOT

STATIONA
RY

COAT HOOKS AND

COATS, SHOE
RACK AND CLOCK
TO MAKE SCENE
AND ENTRACNE
TO HOUSE LOOK
REALISTIC.

COMPUTERISED IMAGE
AUDIENCE PREVIEW
SCREEN
COMPUTERISED VIDEO
PRODUCTION LOGO
SCREEN
TITLE SCREEN
BASED ON TURE
EVENTS
DAD AND JACK IN
SCENE.
DAD BENDING DOWN TO
PICK UP BAG.
BOTH CHARACTERS ARE
STOOD IN ENTRANCE
HALLWAY TO HOUSE.
FRONT DOOR, SHOES
RACK AND COAT HOOKS
ARE WITHIN SHOT.

JACK: STATIONARY
SAM: BENDING
DOWN TO PICK UP
BAG.

HOUSE
(ENTRANCE)

LOW KEY LIGHTING

NA

HIGH-KEY LIGHTING
IN ORDER TO SHOW
BOTH CHARACTERS
CLEARLY AND SHOW
CLEAR DISTINCTION
OF LIGHT WITHIN
HOUSE AND
DARKNESS OUTSIDE.

Shot List
5

CLOSE UP

STATIONA
RY

BAG IN WHICH
AUDIENCE
PRESUME WILL BE
TAKEN WITH DAD
WHEN HE LEAVES.
IN ADDITION, DAD
IS WEARING
SMART SHOES IN
ORDER TO
EMAPHSISE HIS
AGE AND CLASS.

SAM: IS BENT
DOWN AND IS
ZIPPING UP THE
BAG WHICH HE IS
GOING TO TAKE
WITH HIM.

HOUSE
(ENTRANCE)

MID SHOT

STATIONA
RY

COAT HOOKS AND

COATS, SHOE
RACK AND CLOCK
TO MAKE SCENE
AND ENTRACNE
TO HOUSE LOOK
REALISTIC.

JACK: STATIONARY
SAM: TUNING TO
OPEN THE FRONT
DOOR.

HOUSE
(ENTRANCE)

BAG IS ON THE GROUND

AND DAD IS BENT OVER
TO ZIP IT UP TO
PRESUMABLY TAKE IT
WITH HIM. DAD IS
STOOD OVER THE BAG
AND IS WEARING SMART
SHOES AND A COAT,
SUGGESTING HE IS
ABOUT TO LEAVE. DOOR
IS SLIGHTLY IN SHOT IN
ORDER ENSURE
AUDIENCE ARE ABLE TO
RECOGNISE IT IS THE
SAME LOCATION.
DAD AND JACK IN
SCENE.
DAD IS TURNING TO
OPEN FRONT DOOR TO
LEAVE.
BOTH CHARACTERS ARE
STOOD IN ENTRANCE
HALLWAY TO HOUSE.
FRONT DOOR, SHOES
RACK AND COAT HOOKS
ARE WITHIN SHOT.

HIGH-KEY LIGHTING
IN ORDER TO SHOW
BOTH CHARACTERS
CLEARLY AND SHOW
CLEAR DISTINCTION
OF LIGHT WITHIN
HOUSE AND
DARKNESS OUTSIDE.

HIGH-KEY LIGHTING
IN ORDER TO SHOW
BOTH CHARACTERS
CLEARLY AND SHOW
CLEAR DISTINCTION
OF LIGHT WITHIN
HOUSE AND
DARKNESS OUTSIDE.

Shot List
7

CLOSE UP

STATIONA
RY

DOOR / DOOR
HANDLE

CHARACTERS NOT
IN SHOT. DOOR
OPENING AND
THEN BEING SHUT.

HOUSE
(ENTRANCE)

EXTREME CLOSE UP OF
THE DOOR HANDLE
BEING OPENED AND
THEN THE DOOR BEING
CLOSED.

MID SHOT

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK CLOSING THE

DOOR BEHIND
SAM, SHOWING
WHOLE BODY WITH
BACK TO
AUDIECNE.

HOUSE
(ENTRANCE)

JACK TURNS AND

CLOSES THE DOOR
BEHIND HIS DAD, STILL
STANDING IN THE
ENTRANCE AREA OF THE
HOUSE.

NA

NA

NA

NA

COAT HOOKS AND

COATS, SHOE
RACK AND CLOCK
TO MAKE SCENE
AND ENTRACNE
TO HOUSE LOOK
REALISTIC.
NA

TITLE SCREEN
WHEN YOU FEEL LIKE
YOU ARE ALONE

HIGH-KEY LIGHTING
IN ORDER TO SHOW
ACTION CLOSING
THE DOOR CLEARLY
AND EMPAHSISE THE
ACTION TO THE
AUDIENCE.
HIGH-KEY LIGHTING
IN ORDER TO SHOW
CHARACTER
MOVEMENT CLEARLY.

NA

Shot List
10

MID SHOT

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRAINERS

JACK STANDING
STILL IN THE
MIRROR DOING HIS
HAIR WHILST
LOOKING IN THE
MIRROR.

HOUSE
(BEDROOM)

NA

NA

JACK IS SITTING
DOWN TYPING AT A
LAPTOP, AFTER
HEARING THE
NOISE, JACK MOVES
AWAY FROM THE
AUDIENCE AND
WALKS OVER TO
THE DOOR.

HOUSE
(KITCHEN/DINI
NG ROOM)

MIRROR

11

NA

NA

12

MID SHOT

STATIONA
RY

NA

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS
ITEMS FOR TABLE
TO MAKE SCENE
LOOK REALISTIC:
LAPTOP
FLOWERS
FRUIT
BOWL/FRUIT
MAGAZINE

SET UP JACK STANDING

IN THE LARGE MIRROR
IN COSTUME. HE
SHOULD BE DOING HIS
HAIR AND THEN THE
LIGHTS GO OFF. THEN
THE AUDICENE SHOULD
SEE THE REFLECTION OF
ANTAGONIST HOLDING A
KNIFE.
TITLE SCREEN
SOMEBODY IS ALWAYS
WATCHING
JACK SHOULD BE
SITTING AT THE TABLE
TYPING AT HIS LAPTOP.
VARIOUS GENERAL
HOUSEHOLD OBJECTS
SHOULD BE ON TABLE IN
ORDER TO MAKE
KITCHEN AND DINING
ROOM AREA MORE
REALISTIC. JACK HEARS
A NOISE OUTSIDE THE
LARGE DOORS BEHIND
HIM. JACK GET UP FROM
TABLE TO WALK OVER
AND HAVE A LOOK.

LOW KEY LIGHTING

IN ORDER TO SHOW
THE TIME OF NIGHT
AND REINFORCE THE
IDEA THAT JACK IS
ALONE AND IS
VULNERABLE.

NA

HIGH-KEY LIGHTING
IN ORDER TO SHOW
CHARACTER
MOVEMENT CLEARLY
AND FOR THE
AUDIENCE TO SEE
WHAT JACK IS DOING
WHILST SAT AT THE
TABLE. LOW KEY
LIGHTING IS
HOWEVER USED IN
GARDEN SCENE IN
ORDER TO SHOW
ISOLATION.

Shot List
13

MID SHOT

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK REMAINS
STATIONARY
LOOKING OUT OF
THE DOOR.

HOUSE
(GARDEN)

BACK-DOOR
14

NA

NA

15

LONG SHOT
ESTABLISBIN
G/
ENVIROMENT
AL

STATIONA
RY

16

MID SHOT

STATIONA
RY

NA

NA

NA

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK WALKS ALONG

STATION PLATFROM
FROM LEFT TO
RIGHT IN VIEW OF
THE AUDIENCE.

STATION
PLATFORM

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK WALKS PAST

THE CAMERA
ALONG THE
PLATFORM FROM
RIGHT TO LEFT.

STATION
PLATFORM

JACK SHOULD BE
LEANING OUT THE
DOOR INTO THE
GARDEN ASKING WHO
IS THERE. SHOULD BE
ABLE TO SEE THE
DINING ROOM THROUGH
THE LARGE WINDOWS.
TITLE SCREEN UNDER
THE EYES OF EVIL

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

JACK SHOULD WALK

ALONG THE PLATFORM
AT NIGHT WITH NO ONE
ELSE AROUND,
SHOWING ISOLATION
AND VULNERABILITY.
NOTHING ADDED TO
PLATFORM.
JACK SHOULD WALK
ALONG THE PLATFORM
AT NIGHT WITH NO ONE
ELSE AROUND,
SHOWING ISOLATION
AND VULNERABILITY.

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

NA

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

Shot List
17

OVER-THESHOULDER
CLOSE UP

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK CONTINUES
TO WALK
FORWARDS WITH
CAMERA FILMING
OVER HIS
SHOULDER.

STATION
PLATFORM

18

MID-SHOT

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK REMAINS
WALKING FORWARS
AWAY FROM THE
CAMERA ON AN
EMPTY PLATFORM.

STATION
PLATFORM

19

CLOSE UP /
MID SHOT

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK WALKS OVER

THE CAMERA FROM
BOTTOM TO TOP.

STATION
PLATFORM

20

NA

NA

NA

NA

NA

OVER THE SHOULDER

SHOT SHOULD GE
CLOSER TO JCK AND
SHOW HIM TO BE
WALKING AT A SLOW
PACE AND EMPAHSISE
THE FACT SOMEONE IS
FOLLOWING HIM.
THE MID SHOT SHOULD
SHOW JUST JACK AND
THE EMPTY PLATFORM,
SHOWING HIM TO BE
TOTALLY ALONE.

JACK SHOULD WALK

OVER THE CAMERA, THE
CAMERA SHOULD BE
SLIGHLY BLURRED IN
ORDER TO SHOW AS IS
HE IS WALKING OVER A
PUDDLE.
TITLE SCREEN NO ONE
IS SAFE

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.
LOW KEY LIGHTING
AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.
LOW KEY LIGHTING
AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.
NA

Shot List
21

22

CLOSE UP

LONG SHOT

STATIONA
RY

STATIONA
RY

SECRUITY
CAMREA SCREEN
LOCATED ON
PLATFORM
CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS
CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK WALKS ALONG

THE PLATFORM,
BEING SHOWN ON
THE SECURITY
CAMERA.

STATION
PLATFORM

SECRUITY CAMERA ON
STATION PLATFORM.
JACK IS SHOWN TO BE
WALKING UP THE
PLATFORM WHICH
REINFORCES THE IDEA
THAT HE IS BEING
FOLLOWED.

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

JACK WALKS ALONG

PLATFORM
TOWARDS THE
AUDEICNE AND
SITS ON THE
BENCH.

STATION
PLATFORM

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

NA

NA

JACK SHOULD WALK

ALONG THE PLATFORM
AT NIGHT WITH NO ONE
ELSE AROUND,
SHOWING ISOLATION
AND VULNERABILITY.
JACK SHOULD BEGIN
TEXTING ON HIS PHONE
TO SHOW HIM
OCCUPYING HIMSELF.
TITLE SCREEN THE
STORY WILL UNFOLD

JACK REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH.

STATION
PLATFORM

LONG SHOT SHOULD

SHOW JACK SITTING
ALONE ON THE BENCH
WITH NOTHING ELSE IN
SHOT OTHER THAN THE
PLATFORM STATION,
EMPHASISING HIS
VULNERABILITY.

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

STATION BENCH
PHONE
23

NA

NA

24

LONG SHOT

STATIONA
RY

NA
CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS
STATION BENCH

NA

Shot List
25

MID SHOT

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH.

STATION
PLATFORM

ATTACKER
REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH AS
TRAIN GOES PAST
AT FAST SPEED.

STATION
PLATFORM

STATION BENCH

26

LONG SHOT

STATIONA
RY

CLOTHES FOR
ATTACKER:
BLACK TROUSERS
BLACK
COAT/HOOD
BLACK TOP
BLACK HAT
STATION BENCH

THIS MID SHOT SHOULD

SHOW JACK TO BE
ALONE SITTING ON THE
PLATFORM BENCH WITH
NOTHING ADDED TO
THE SHOT. HE SHOULD
BE TEXTING IN ORDER
FOR HIM TO BE SHOWN
TO BE OCCUPYING
HIMSELF.
ATTACKER SHOULD BE
SHOWN TO BE SITTING
OPPOSITE JACK ON THE
OTHER SIDE OF THE
PLATFORM WITH
NOTHING ELSE IN SHOT.
THIS SHOWS THEM
OPPISITE EACHOTHER
AND SHOWS THE CLEAR
BINARY OPPOSITE. THE
TRAIN THE RUSHES PAST
AT FAST SPPED AND
THEN THE ATTACKER
SHOULD BE GONE, JUST
SHOWING AN EMPTY
BENCH.

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO CREATE A
TENSION BUILDING
ATMOSPHERE.

Shot List
27

CLOSE UP

STATIONA
RY

CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS
STATION BENCH
CLOTHING FOR
JACK:
RED JUMPER
DARK JEANS
TRIANERS

JACK LOOKS UP
FROM PHONE BUT
REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH.

STATION
PLATFORM

JACK REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH.

STATION
PLATFORM

NA

NA

THIS SOULD BE A CLOSE

UP OF JACKS FACE AND
NOTHING ELSE,
SHOWING HIS FACIAL
EXPRESION AND
REACTION TO WHAT IS
HAPPENING.
THIS SHOULD BE A
SHOT OF JUST JACKS
EYES IN ORDER TO PUT
AUDIENCE CLOSER TO
JACKS PRESPECTIVE.

28

EXTREME
CLOSE UP

STATIONA
RY

29

NA

NA

30

NA

NA

NA

NA

NA

TITLE SCREEN
FILM INFORMATION

31

LONG SHOT

STATIONA
RY

CLOTHES FOR
ATTACKER:
BLACK TROUSERS
BLACK
COAT/HOOD
BLACK TOP
BLACK HAT

ATTACKER
REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH.

STATION
PLATFORM

THIS LONG SHOT

SHOULD AGAIN BE
SHOWN IN ORDER TO
EMPAHSISE THE BINARY
OPPOSITE. ATTACKER
SHOULD BE SAT ON
BENCH ON PLATFORM
WITH NOTHING ADDED
TO SHOT.

STATION BENCH
NA

STATION BENCH

TITLE SCREEN
ABDUCTION

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.
LOW KEY LIGHTING
AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.
NA
NA
LOW KEY LIGHTING
AT NIGHT IN ORDER
TO CREATE A
TENSION BUILDING
ATMOSPHERE.

Shot List
32

EXTREME
CLOSE UP

STATIONA
RY

CLOTHES FOR
ATTACKER:
BLACK TROUSERS
BLACK
COAT/HOOD
BLACK TOP
BLACK HAT
STATION BENCH

JACK REMAINS
STATIONARY
SITTING DOWN ON
THE BENCH.

STATION
PLATFORM

EYES SHOULD BE
SHOWN AGAIN AS THE
LAST SHOT IN ORDER
TO BUILD TENSION AND
DRAW AUDEICNE IN.

LOW KEY LIGHTING

AT NIGHT IN ORDER
TO SHOW JACK AS
VULNERABLE AND
CREATE A TENSION
BUILDING
ATMOSPHERE.