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1. Temple Compound
The temple is an ancient stone tower, circular
in shape, four stories and 80 feet tall. The
tower is surrounded by a 15 feet tall wall with
three gates. One temple guard is always
posted at each gate, day and night.
During the day, both priests and visitors to the
temple can be found wandering around in the
spacious yard in front of the tower. In the
south-eastern corner of the compound is a set
of great wooden drums, which the temple
priests employ to communicate with fellow
priests in the villages of Shoma using the
secret language of the talking drums.
2. Entrance
A huge wooden door is the only entrance into
the temple tower; during the day, this door is
wide open and even at night it is rarely
locked. The high priest relies on the guards to
keep out those who attempt to enter the
temple unlawfully.
3. Chamber of Worship
The worshippers of the ivory goddess Nataka
(who include the nobles, merchants and artisans of Katanga, but not the common people)
are only admitted into the ground floor of the
tower. In this great audience chamber, the
priests accept the offerings and gifts of the
faithful, in return for blessings and omens. Occasionally, if a noteworthy visitor comes to
the temple, the high priest makes an
appearance and utters an important prophecy
after the sacrifice of a gold-adorned bull.
The walls of the torch-lit chamber are painted
white and decorated with brightly-coloured
patterns. Along the walls are flat stone altars
with small piles of skulls, having once
belonged to important people such as nobles
and priests.
Lilith expresses he grave concerns at these
most unorthodox practices, and notes that at
best, Nataka represents a much more primal
aspect of Belet-Lil, one emphasising
patriarchal fecundity over sensuality.
4. Priests Quarters
The shaven-headed priests live in large
common rooms on the first floor of the tower.
Each room holds six priests and their personal
belongings. Among the priests, there is an
individual named NKruma who is willing to
betray his fellow priests if the reward is great
enough (see above).
5. Antechamber
At the top of the stairway to the second floor
hangs a black silken curtain. Behind the curtain is a small antechamber. At the other end
of the antechamber is a wooden door inset
with ivory pieces in the shape of a skull.
Returning to his companions, Apep reveals
what he has discovered. Of significance is the
absence of an idol of the White Goddess; he
postulates it must be deeper in the tower,
somewhere. The King of Kings will receive the
visitors in three days, so time is short.
Moshedayan, whose wounds have been
tended by Manustishu, as almost made a full
recovery. He knows the secrets he seeks will
be revealed only with the aid of the
Prophesied One. He offers to take up his post
and allow the party access to the temple after
dark.
The Kuthians suspicious behaviour is noted
by another temple guard, who challenges him.
The reply is swift and bloody, and in moments
the corpse of the guard in unceremoniously
stuffed into one of the great talking drums
and the rest of the party enters
surreptitiously.
Confirming Apeps findings, the party makes
its way to the antechamber. While trying to
peek behind the door at the top of the
landing, he accidentally ignites the dark gauzy
curtain lining the interior of a black chamber.