Lipar 50

XIV / 50 / 2013.
Editorial Board
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aslav Nikoli, Assisstant Professor, PhD

Faculty of Philology and Arts, Kragujevac
Editor in Chief
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Vladimir Polomac, Assisstant Professor, PhD

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Nikola Bubanja, Assisstant Professor, PhD


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Jelena Arsenijevi, Assisstant, PhD

Radomir Mitri
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prof. Persida Lazarevi di Giakomo, Full Professor, PhD

he G. dAnnunzio University, Pescara, Italia
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Jelenka Pandurevi, Assisstant Professor, PhD

Faculty of Philology in Banja Luka, Bosnia and Hercegovina
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Svetlana Kalezi, Assisstant Professor, PhD

Faculty of Philosophy in Niki, Montenegro
Ivan Maji, Assisstant Professor, PhD
Faculty of Philosophy in Zagreb, Croatia
Ostap Slavinski, Assisstant Professor, PhD
Faculty of Philology, Ivan Franko National University of
Lviv, Ukraine
Borjan Janev, Assisstant Professor, PhD
University of Plovdiv, Plovdiv, Bulgaria
Editorial assistant
Bojana Veljovi
Referees
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Aleksandar Jerkov, Associate Professor, PhD

Ala Tatarenko, Associate Professor, PhD
Jelenka Pandurevi, Assisstant Professor, PhD
Dalibor Soldati, Full Professor, PhD
Anelka Pejovi, Associate Professor, PhD
Persida Lazarevi di akomo, Full Professor, PhD
Radmila Nasti, Full Professor, PhD
Slobodan Vladui, Assisstant Professor, PhD
Radivoje Mladenovi, Associate Professor, PhD
Sanja urovi, Assisstant Professor, PhD
Dragan Bokovi, Associate Professor, PhD
Sanja Paji, Assisstant Professor, PhD
Ivica Radovanovi, Full Professor, PhD
Aleksandar Nedeljkovi, Assisstant Professor, PhD
Tomislav Pavlovi, Assisstant Professor, PhD
Slobodan Lazarevi, Associate Professor, PhD
Mirjana Mikovi Lukovi, Associate Professor, PhD
Aleksandar Petrovi, Associate Professor, PhD
Katarina Meli, Assistant Professor, PhD
Duan ivkovi, Assistant Professor, PhD
Vladimir Polomac, Assistant Professor, PhD
Nikola Bubanja, Assistant Professor, PhD
aslav Nikoli, Assistant Professor, PhD
, ,
Journal for Literature, Language, Art and Culture
XIV / 50 / 2013
Year XIV / Volume 50 / 2013

University of Kragujevac
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Slobodan Lazarevi / FORM WITHOUT RORMALISM
Summary / In the creative process, Duan Mati permanently felt the need to extend the routine forms of expression. In order to achieve stronger aesthetic effects
he often intertwined his essay-like style with a poem, a story, a travel record. This
intertwining was so skillfully and suggestively realized, that occasionally, these forms
are even difficult to distinguish. Hence, the complex forms such as essay-poem,
essay-story, essay-travel record, theoretical experience is not always applied during
the process when a work-being is born, or, as the poet said, each subsequent poem
is created by itself.
: 25. 2013.
2013.
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, 2 Cutler, A.,(1984-85) On Byzantine Boxes, Jwalt 42-43: 32-47. Iacobini, A., Zanini, E. (eds.) (1995),
Arte profana e arte sacra a Bisanzio (Roma).
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Richard M., Uneancienne collection dhomeliesgrecquessur les psaumesIXV,
SymbolaeOsloenses 25 (1947) 5458.
Rodley, Lyn. Byzantine Art and Architecture: An Introduction. Cambridge University
Press. 1996.
Rudwin, M., The Devil in Legend and Literature, ChicagoLondon 1931.
Saint John Chrysostom. Homilies on Genesis, vols. 13, transl. R. Ch. Hill,Washington
19861992.
Sevcenko N. P., Illustrated Manuscripts of the MetaphrastianMenologion, Chicago
1990.
St. John Chrysostom commentary on the Psalms, III, red. R. Ch. Hill,Brookline
1998.
Stephens Crawford, J..The Byzantine Shops at Sardis, Vol. 9.Harvard University
Press. 1991.
Taft R. F., Sermon, in: The Oxford Dictionary of Byzantium, III, ed. A. Kazhdan,
New York Oxfrod 1991, 1881.
43
Teteriatnikov, Natalia, B., Mosaics of Hagia Sophia, Istanbul : The Fossati Restoration
and the Work of the Byzantine Institute. Dumbarton Oaks. 1998.
Tsafrir, Yoram. Ancient Churches Revealed. Biblical Archaeology Society. 1993.
Vann, Robert L. (Editor). Caesarea Papers.Stratons Tower, Herods Harbour,
and Roman and Byzantine Caesarea: Including the Papers Given at a Symposium
Held at the University of Maryland, the Smithsonian Institution, and the Jewish
Community Center of Greater Washington. Jour Roman Arch. 1992.
Vikan, Gary, K. Catalogue of the Sculpture in the Dumbarton Oaks Collection from
the Ptolemaic Period to the Renaissance. Dumbarton Oaks. 1995.
Weitzmann K., The Miniatures of the Sacra Parallela. ParisinusGraecus 923,
Princeton 1979.
Weitzmann K., Kessler H. L., The Cotton Genesis: British Library, Codex Cotton
Otho B VI, Princeton 1986.
Weiztman, Kurtz. The Byzantine Octateuchs. Massimo Bernabo, Rita Tarasconi.
Princeton University Press. 1999.
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Modern Greek Studies, 32(2), 149-167, 2008.
Predrag V. Miloevi
Summary / Today we consider Byzantine art rather abstract than naturalistic, so

we expect the confirmation in written sources. One might think that the Byzantine
authors could have been trying to make a difference between their own art and the
Greco-Roman models before them. But that was not the case. Except when it comes
to the topic (one in a pagan and another in Christian art), their aesthetic valuation
of both the kinds of art is the same.
Such an obvious lack of the observation we could try to explain saying that the Byzantines inherited from their antique ancestors all literature modes together with all
the conventions that are, so to speak, built in them. That in itself is an undeniable
truth when it comes to ekphrazis and epigram. Reproduction of the artistic models
and enjoyment of classical authors was regarded as a sign of sheer culture. It is also
true that Byzantine authors never wrote their ekphrazis and epigrams for no reason.
Aesthetic values of Byzantine art and architecture are often elusive. They were influenced, as is confirmed, by philosophy, especially neo-Platonic doctrine, such as
Plotinus (Plotinus). This is supported by the appearance of such a distorted perspective,
radiating compositions, disregard of scale and depth, and more. Anagogical argument
(namely, that images serve to rise our minds to non-material reality), the argument
developed from neo-Platonism through Pseudo-Dionysius writings, appeared indeed
from time to time, but this is the exception rather than the rule. Prevalent learning of
Byzantine authors was that their art is very close to nature. Research of writings on
snakes, serpents, lizards, reptiles, dragons, monsters and beasts, which are presented
in this paper, and their interpretation, confirms the stance.
Key words: snakes, dragons, the Byzantine world, 1141 years ago, reality, beliefs
: 25. 2013.
2013.
44
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Tamara Popovi
Summary / The objective of the research done in this work is establishing the concept
of the history of the motif of the dead darking in the Serbian poetry, the review of
diverse influences within the poetry itself (the influence of the world literature on the
making of the Serbian literature, unquestionable reflection of the Serbian Romanticism in the poetry of the twentieth century, as well as mutual influence of the poets
of the twentieth century). The text is dedicated to the analysis of the motif of the dead
darling and the ralation of death, love, and poetry in the interwar literature, or more
precisely in the potry of Milos Crnjanski, Rastko Petrovic and Momcilo Nastasijevic.
: 23. 2013.
2013.
69

811.133.1 : 971.671
1
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75

() ( 2012: 187,188).
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France (pour dames et jeunes filles, 1911) Le Petit Parisien (1910)
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77
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Conseil de lEurope 2000: Conseil de lEurope, Un cadre europen commun de rfrence

pour les langues: apprendre, enseigner, valuer, Conseil de la coopration culturelle,
Comit de lducation, Division des langues vivantes de Strasbourg, Paris. Didier.
Elektronski katalog Biblioteke Matice srpske, Novi Sad.
Internet sajt izdavacke kuce CLE International, Pariz.
Internet sajt izdavacke kuce Didier, Pariz.
80
/ , ,
Internet sajt izdavacke kuce Hachette, Pariz.

Internet sajt Zavoda za izdavanje udzbenika, Beograd.
Kron 1911:R. Kron, En France, (Lectures et conversations franaises sur tous les sujets
de la vie pratique. Ouvrage destin a ltude de la langue courante, des institutions,
moeurs et coutumes de la France, et surtout de Paris. Edition spciale pour dames et
jeunes filles), Freiburg: J.Bielefelds Verlag.
Kron 1910: R. Kron,Le Petit Parisien, (Lectures et conversations franaises sur tous
les sujets de la vie pratique a lusage de ceux qui dsirent connaitre la langue courante),
Freiburg: J.Bielefelds Verlag.
1964: ., 1914,
: .
Puren 2005: Ch.Puren,La didactique des langues trangres la croise des mthodes:
essai sur lclectisme, Paris, Didier.
Puren 2009 : Ch. Puren, Variations sur le thme dagir social en didactique des
langues-cultures trangres, Paris: Le franais dans le monde, fvrier, Paris, 1-38.
2007: . , 1918-1941,
: ( ).
2012: . , ,
: .
2012: . , :
, : , 22, , 125-132.
Biljana Stiki /Les manuels de FLE et lvolution des mthodologies: la rflexion
dans les titres
Rsum / Dans le prsent travail on a soumis lanalyse le contenu des titres de
manuels de FLE publis en Serbie partir des annes 40 du XIXe sicle et ceux
publis en France la fin du XXe et au dbut XXIme sicles.Elle concerne le point de
vue des thories, principes et caractristiques les plus importantes des mthodologies et des orientations mthodologiques ayant domin lenseignement des langues
trangres,depuis la mthode traditionnelle jusqu lapproche actionnelle. Au cours
de plus de cent cinquante ans, les manuels scolaires de franais rdigs en Serbie nont
pas dpass les cadres des titres officiels ou administratifs ce qui veut dire que de
nombreuses gnrations des apprenants portaient dans leurs serviettes La grammaire
du franais, Livre de lecture franaise, Manuel de franais ou Langue franaise(crits en
serbe) destins une certaine anne dapprentissage. Ce nest quau passage de la
mthode SGAV vers lapproche communicative quapparaissent certaines sries de
manuels scolaires dont les titres sloignent du style administratif. Il ne sagit pas
ici seulement de leurs contenus, mais aussi du fait quils ont t crits en franais.
Alors que certaines titres des manuels de franais de lpoque de la mthode SGAV
se caractrisaient dun lexique refltant clairementla priorit de la parole (Parlons
franais, Rflchis et dis-le en franais), ceux de lpoque de la mthode communicative incluent parfois de brefs actes de parole (Bonne chance, les petits!). Cependant,
le dbut du XXIme sicle et lapparition de lapproche actionnelle nont pas encore
trouv leurs rponses dans les titres de nouvelles ditions des manuels scolaires dont
le contenu rappelle plutt des notions mises en relief dans la mthode SGAV. Quant
aux manuels de FLE modernes publis en France, il sagit dun vrai panuissement des
notions figurant dans les titres qui peuvent tre classifis par groupes, trs cratifs
et qui suivent les pas de lapproche actionnelle.
Mots cls: FLE, manuels, titres, mthodologies, Serbie, France
: 22. 2013.
2013.
81

811.163.41367.625
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Milena Radojkovi / The verbes of two aspects in newer dictionaries of serbian

language
Summary / This paper presents the inventory of verbs of two aspects in recent dictionaries of Serbian language. Because the literature often resorts to generalization
and thus verbs of foreign origin tend to believe as verbes of two aspects, on the other
hand a significant number of verbes of domestic origin are not mentioned, the work
aims to highlight the problem of verbs of two aspects as more complex than usually
treated. Featured are verbs that were suitable for analysis and further analyzed based
on the examples cited in the normative dictionaries.
Key words: verbal aspect, verbs of two aspects, perfective, imperfective, context
: 10. 2013.
2013.
101

821.163.41-14.09 .
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Romanov.
Nina Markovi / Oral tradition and folk belief in the cycles of Vasko Popas poems
Savin izvor
Summary / The main purpose of this paper is noticing and analyzing Popas poetical
pictures that shed completely new light on our oral tradition. In his metaphors and his
symbols we could notice the presence of oral tradition about St. Sava as well as many
layers of different systems of the folklore beliefs and folklore tradition. Interpreting
the symbols such as water, rainbow, wolf, rooster, chains, stick, rock, bees etc., Popa
has accomplished an extraordinary artistic transposition and modification of the
folklore templates by using the myth reflection, in other words, he has been using
the beliefs about St. Sava as a wolf shepherd. In only eight poems Popa has succeed
to artistically and in a suggestive way represent the deepest mythical layers of the
St Savas character. In doing this, Popa has built the Savas character sometimes as
an ambivalent and sometimes as the compound of the divine and heavenly virtues
and categories. The poem cycle Savin izvor represents one rounded and harmonious unity in which Popa has united all the elements of St. Savas poetic biography.
Key words: Vasko Popa, poetical pictures, oral tradition, folklore beliefs, myth
: 15. 2013.
2013.
115

821.163.41-2.09 .
. 1

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Bojana S. Tei / The Elements of oral literature in the drama Kraljevi Marko
written by Borislav Mihajlovi
Summry / In the context of studying the poetry of historical drama this work tried
to establish a correlation between two artistic words, emphasizing that literature
functions in the same manner whether written or oral.The drama Kraljevi Marko
contributed to this assertion.Writing about Marko Kraljevi, the master of his destiny
Mihiz will go a step further, comparing the hypotheses which he made. He managed
to give a modern connotation to the characters of this play, to face them with a moral
doubt.The existing examples from moral literature using dramatic structure became
new artistic worlds, by it sense and meaning. Pushing the limits of lyrics, epics and
drama Mihiz describes a vicious man and his weakness about the possibility of own
choice and inevitability which makes this choice impossible, taking them to moral
aspiration and to moral code which is close to existentialism. The writer uses it to
create the stage where he will present a man who lives inside, crucified with moral
dilemmas. Bringing to the fore the matter of tragic fault Mihiz in the world of theatre
brought the current matters of moral integrity, the individuals at the enigma of history, creating a modern drama with an emphasized modern use of man.
Key words: folc literature, drama, Borislav Mihajlovi, Prince Marko, tragic guilt,
betrayal
: 10. 2013.
2013.
128
/ , ,

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, Zundhausen: H. Zundhausen,Uzdrmani tradicionalni temelji drutva,
www.danas.rs/danasrs/feljton/uzdrmani_tradicionalni_temelji_drutva.24.
html?news_id=144235, 25.08.2012.
1956:. , , : , : .
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Summary /In this paper we have analised social predisposition of female characters
in the following comedies of Jovan SterijaPopovic: Upstart, An Evil Woman and
Patriots. At the beginning of the paper we have discussed the position of women in
Serbian society. Then, we have tried to answer the question about Sterijas attitude
towards women and fashion. The central part of the paper has been devoted to the
analysis of female characters in these comedies. First, we have discussed Sterijas
most famous heroine Fema whom we have designatedas the image of women that
seeks noblesse. Then we have talked about Sarah who is to Fema, according to Sava
Andjelkovic (Andjelkovic 2003: 56), synonymous with noblesse, so we have regarded
her as such in the paper. Afterwards, we have analised the character of Sultana and
defined her as an evil woman and the character of Pela whom we have defined as a
submissive female figure. The last group of characters that have been analised in this
paper are Zelenicka, Milcika and Nancika. At the end of the paper we have tried
to analyze the actions of Sterijas characters from the aspect of feminist criticism.
Key words: comedy, female characters, patriarchal society, fashion, nobles, feminist
criticism, moralism
: 5. 2013.
2013.
152
/ , ,

7.01 : 929 .
. 1

(Relational
Aesthetic) (Nicolas Bourriaud).
(Jacques Derrida)
.
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,

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; (Vanessa Becroft)
1 djordjevicmilos@yahoo.com
153
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, ;
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. Lipar / Journal for Literature, Language, Art and Culture
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161
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.
:
(2002): Nicolas Bourriaud, Relational Aesthetics, Dijon: Les Presse Du Reel.
(2005): Nicolas Bourriaud, Postproduction - Culture as screenplay: how art
reprograms the world, New York, Lukas & Sternberg.
(2004): Claire Bishop, Antagonism and Relational Aesthetic, October
Magazine, 110, Cambridge: Ltd. & Massachusetts Institute of Technology, 51-79.
(2006): Claire Bishop, Participation - Documents of Contemporary Art,
Cambridge: Whitechapel & The MIT Press.
, (2007): Neboja Grubor i Slobodan Jaukovi (ur.), Teorija
umetnikog stvaralatva - zbornik radova, Beograd, Panevo: Estetiko drutvo Srbije
i Mali Nemo.
(2004): Guy Debord, The Society of the Spectacle, (. Ken Knabb), London:
Rebel Press.
, (2006): Andrew Dewdney & Peter Ride, The New Media Handbook,
Oxon: Routledge.
(2008): Jelena orevi, Studije kulture - Zbornik, Beograd: Slubeni
glasnik.
2 . (Rirkrit Tiravanija); ,
.
162
/ , ,
r e
(2003): Douglas Kellner, Media Culture, London: Routledge - e-Library.

(2005): Vladislav Pani, Psihologija i umetnost, Beograd: Zavod za udbenike
i nastavna sredstva.
(2008): Michel Foucault, The Birth of Biopolitics - Lectures at the College de
France 1978-79, NewYork: Palgrave Macmillan.
(1982): Arnold Hauser, The Sociology of Art, London: Routledge & Kegan
Paul.
, (2002): Max Horkheimer & Theodor Adorno, Dialectic of
enlighment, California: Stanford University Press.
(2008): Miko uvakovi, Epistemologija umetnosti, Beograd: Orion Art.
, (2009): Miko uvakovi i Ale Erjavec (ur.), Figure u pokretu savremena zapadna estetika, filozofija i teorija umetnosti, Beograd: Atoa.
(2010): Miko uvakovi, Diskurzivna analiza, Prestupi i/ili pristupi
diskurzivne analize filozofiji, poetici, estetici, teoriji i studijama umetnosti i kulture,
Beograd: Orion Art i Katedra za muzikologiju Fakulteta muzike umetnosti.
(2011): Miko uvakovi, Pojmovnik teorije umetnosti, Beograd: Orion
Art.
Milo M. orevi / DECONSTRUCTIONS OF NICOLAS BOURRIAUDS RELATIONAL AESTHETICS
Summary / The paper discusses the performative and constative dimensions of Nicolas
Bourriauds theory Relational Aesthetic. Intention is to locate decentred discourses
in this theory, throughout the classification and argumentation of possible influence
on its formation, by means of deconstructionist tradition of Jacques Derrida.
Key words: Nicolas Bourriaud, Art and society, 20th century, relational art, author,
artwork, public
: 15. 2013.
2013.
163

821.112.2-32.09 .
. 1

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. 51, .1-2, 123-161.
2008: . , :
, : , .482, .5, 1089-1100.
1980: . , , 2, : ,
235-260.
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), , :
, . 22, 335-341.
Marija M. Kosti / THE PRESENCE OF PLATO`S PHAEDRUS IN MANN`S NOVELLA DEATH IN VENICE
Summary / This study examined the specific formal and semantic overlap in Platos
Phaedrus and Thomas Manns novella Death in Venice. In both works we find permeating ancient mythic patterns, personal aesthetic views of the author, the problem of
artistic creation, but also the problem of inspiration and beauty that are brought into
direct relationship with Eros. Eross nature, the power and choice that can be made
by the human soul are contemplated, and then conveying the artistic and aesthetic
approach that is presented to the reader in various ways as a result of various artistic
and literary practices of Plato and Mann.
Manns creative process is still, basically, artistic, while Platos is philosophical and
aesthetic, and therefore no less creative. Does this mean that it is art itself that gives
specific, velvet, richly, associative, and partially autonomous meaning to certain
thoughts, ideas and thematic structure of one part? Does it not require much greater
maieutic skill for interpretation of such work with a strong aesthetic groundwork?
And the response, which is a synthesis of the experience that reaches from the soul,
the thought that surely resides in the mind, as do all of the earthly lead by Eros in
the way of answering questions of art we believe so!
: 25. 2013.
2013.
178
/ , ,

821.163.41-32.09 .
. 1

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: (
!), -
, , 1 tanjaprof@gmail.com
179
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1984: . . , , : Ma . 1998:
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Ko, 1988: . , . ,
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2005: . . , A , : Orpheus.
1991: . . , , : .
Tatjana Jovanovi /
Summary / The inability ofSerbian intellectuals, after theyve come back from an
abroad education, to achieve authentic existence, irreducibilityofdifferences between
unwrittencultsand national mythologyof the fullness oflife, thegap betweendesire
andduty, heart and mind,thestoriesof LazaLazarevicare viewed from the perspective
of archetypal criticism, whose assumptions are brought up by H.N, Fry and K.G.Jung.
Key words: wish, unconcious, dream, hero, eros
: 20. 2013.
2013.
185

821.163.2.09 .
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1991: , . , , 1991.
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1988: , . , , 1988.
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2001: , . ., , 2001.
1994: , . , ,
1994.
2001: , . : , , 2001.
Galina Dimitrova / THE FIEST OF DEATH AND THE CINEMATIC APPROACH IN
IVAN DAVIDKOV S NOVEL DISTANT FORDS
Summary / The research emphasizes on the conceptual structure of the short story
Distant fords by Ivan Davidkov, where classic flashback is transformed. By means
of ever cinematic approach, the memory of the childhood is restored on the principle
of the mosaic, where each frame-fragment is a visual touch in the whole history
of the past. Plot is not fragmented at all, it is even quite comprehensive in terms
of happening, conceptual explication as all individual fragments are assembled by
gradation into one another, provoked by sensory or external association. The narrative
line a secondary narrative story weaven into the main one affects both personal
stories of the narrator and of many other people.
Key words:flashback, cinematic approach, frame, fragment, association, meta-memory,
kay, music, ritual, death, wedding
: 19. 2013.
2013.
197

821.163.41-14.09 .
. 1

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],
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209
2012: I. Balenovi (urednik), Prognanik iz svijeta svjetlosti :ivot i djelo

Stanislava Prepreka, Subotica: Zavod za kulturu vojvoanskih Hrvata.
1974: . , : , . .
: .
1982: W. Whitman, Complete poetry and collected prose. New York: The
Library of America.
2011: . , : , : .
2007: V. B. Jejts: Kula, prepev i komentar Milovan Danojli. Novi Sad: Vega
media.
2012: F. Nie, Roenje tragedije, Beograd: Dereta.
2004: D. Orvel, 1984, Beograd: Libretto.
DIS 2003: . DIS, , .
: .
2010: . , ,
: , 2566, , 16.
2004: . , : , :
.
2006: . Rajkovi, Stanislav Preprek : ivot i djelo, Zagreb: Hrvatsko drutvo
crkvenih glazbenika.
Stefan Pajovi / IN STANISLAV PREPREKS REALM OF GRASS
Summary / The essay deals with the motif of grass in the work of a fairly obscure
Croatian poet Stanislav Preprek, who was from the region of Vojvodina. After a mandatory short biography, a short overview of his entire literary opus is given, especially
the poetic subcycles,as well as the poems in German.The subcycle about grass is
interpreted in greater detail since it significantly resembles Walt Whitmans Leaves
of Grass. The resemblance between the poets in pointed out as almost all poems of
the subcycle are examined in detail. Having done this, Prepreks prose work and other
poems about grass are interpreted. In the conclusion, we seek to establish a literary
frame for not only Prepreks opus, but his life as well, appealing in the process to the
literary public as well as the critics to discover the poet in question.
Keywords: Stanislav Preprek, poetry, darkness, leaves, grass, Walt Whitman
: 15. 2013.
2013.
210
/ , ,

821.163.41-14.09 .
:

LAUDATIO2
In laudationibus [...]
ad personarum dignitatem omnia referentur.
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: 28. 2013.
2013.
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219
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277-288.
[ ]
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[ ]
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a, b, c , , , .: 2007a, 2007b 2009a, 2009.
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aslav Nikoli
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XIV / 50 / 2013.

aslav Nikoli, Assisstant Professor, PhD

Vladimir Polomac, Assisstant Professor, PhD

Nikola Bubanja, Assisstant Professor, PhD

Jelena Arsenijevi, Assisstant, PhD

prof. Persida Lazarevi di Giakomo, Full Professor, PhD

Jelenka Pandurevi, Assisstant Professor, PhD

Svetlana Kalezi, Assisstant Professor, PhD

Aleksandar Jerkov, Associate Professor, PhD

(Oxford, Bodleian Library,

5 Saint John Chrysostom, Homilies on Genesis, I, 222 (Homily 17).

Krause K., Die illustriertenHomilien des Johannes Chrysostomos inByzanz,

Summary / Today we consider Byzantine art rather abstract than naturalistic, so

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

),En avant, les petits ! ( ).

Conseil de lEurope 2000: Conseil de lEurope, Un cadre europen commun de rfrence

Internet sajt izdavacke kuce Hachette, Pariz.

Lipar / Journal for Literature, Language, Art and Culture

Milena Radojkovi / The verbes of two aspects in newer dictionaries of serbian

Lipar / Journal for Literature, Language, Art and Culture

, (...) ( 1964: 263-264),

Lipar / Journal for Literature, Language, Art and Culture

4 (1963) (1969), 1966.

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

.(-, 2004: 326) .

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

(2003): Douglas Kellner, Media Culture, London: Routledge - e-Library.

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

... ( 2004: 330) carpe diem

2012: I. Balenovi (urednik), Prognanik iz svijeta svjetlosti :ivot i djelo

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature,

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